Heroes Live Entertainment

Black Lips **Record Release Show** + Plastic Pinks + Palomino Blond + DJ sets by Danny Kokomo of Jacuzzi Boys - Miami - 1/24/20
2020-01-24 19:00 - 23:00 (America/New_York) | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Black Lips **Record Release Show** w/Plastic Pinks, Palomino Blond & DJ sets by Danny Kokomo of Jacuzzi Boys. Party with one of the Peach State’s wildest bands!

Tickets: https://blacklipsmiami.eventbrite.com

The story of the Black Lips began in Dunwoody, Georgia, a quiet, conservative suburb of Atlanta, in the year 1999. Born of a mutual love of Link Wray, The Stooges, and The Ramones, and sealed through a shared dedication to defiance, the band formed after childhood friends Jared Swilley and Cole Alexander were kicked out of Dunwoody High for separate, yet equally bad, behavior. The former classmates took their love of music and restless energy and channeled it into their newly found free time, and joined by friends Ben Eberbaugh and Joe Bradley, the Black Lips started playing shows around Atlanta, at house parties and bars. They spent this time honing their sound – garage rock infused with blues, psychedelia, and punk, plus a healthy dose of reckless abandon – and released their first 7-inch, “Ain’t Coming Back,” in 2002 on Die Slaughterhouse records (named in homage to the flophouse den they called home). Shortly before the band was set to head out on their first ever national tour, Eberbaugh was tragically killed by a drunk driver. Devastated but determined to carry on in Eberbaugh’s honor, the Black Lips hit the road as a trio just a few days later.
It’s been 15 years, but that passionate dedication to touring has never left the band. The Black Lips have released eight full-length albums since that first tour, and have traveled the country and the world extensively, making a name for themselves as an electrifying, must-see live act. It helps that the same mischievous spirit that helped speed up their exit from the educational system is still very much alive, thriving in its new environment on stage, resplendent with punk rock theatrics and miscellaneous bodily fluids, amongst other things. The band’s energy and unique “flower punk” sound helped them build a rabid fan base, and after releasing their first two albums through Bomp!, they put out the critically celebrated Let It Bloom on In The Red records. This record garnered the Black Lips features in Spin and Rolling Stone, and they were soon signed to Vice Records, subsequently releasing Los Valientos Del Mundo Nuevo, an ambitious album recorded live at a bar in Tijuana, Mexico, in February of 2007.
In their decade-long tenure with Vice, the Black Lips have evolved from wildly crooning over fuzzy, raucous music at house shows full of kids to wildly crooning over fuzzy, raucous music at international festivals in front of thousands of fans. They have toured consistently, with their zeal for travel taking them all over the world, and not without some international adventure: In 2009 the Black Lips went on their first (and last) tour of India, playing shows in Bangalore and Mumbai before chaos struck in Chennai after the band ditched their toned-down presence in favor of classic Black Lips capers, including some not so well received Lips-locking. After the same sex smooching and also Alexander baring his butt to the rowdy crowd, the tour’s sponsors pulled out and the band was nearly jailed, their passports confiscated by the disgruntled promoters. According to Swilley: “The first few shows, we were being really reserved because we didn’t want to offend anyone, but they kept telling us to do what we wanted…I guess “do whatever you want” didn’t include kissing each other, and I think Cole mooned the crowd, which is a huge no-no. We had to physically wrestle our passports back from the promoters. It was the scariest 15 hours of my life, but we got out of there.” The band ended up taking a 200 mile cab ride to the next province and hopped a flight to Berlin, narrowly escaping Indian prison.
Undeterred, the band jumped at the chance to become the first Western punk band to tour another notoriously conservative continent, the Middle East, just a few years later. Why? “It was important for a number of reasons,” Swilley says of the tour. “We’ve always wanted to push boundaries of where we go. Plus, a lot of people told us we couldn’t do it, and anytime someone tells us we can’t do something, then we kind of have to. We have O.D.D, oppositional defiance disorder.” This time, their shows went off without a hitch, and Black Lips played shows for crowds in Jordan, Cyprus, Egypt, Lebanon, Iraqi Kurdistan, and the United Arab Emirates in 2011 in support of that year’s release of their record Arabia Mountain, produced by Mark Ronson. The title was actually a reference to a mountain in Georgia, but that didn’t stop the Lips from playing the record all over the Middle East, to enthused fans and without causing any further international incidents. “Everyone was really nervous about us going there, but it really went off without a hitch,” adds Swilley. The band also hasn’t abandoned plans to become the first rock band to play on all seven continents, hoping to hit their last remaining one, Antarctica in the near future, and disregarding Metallica’s claim of this achievement: “Just when we were securing the funding, Metallica sniped us. They took a boat, probably a gold plated Versace boat, down there. But they actually didn’t play on land, and they didn’t play with amps, so technically they haven’t played Antarctica. Metallica hasn’t beat us yet.”
For their ninth studio album, the Black Lips have teamed up with Sean Lennon, who got on board to produce Satan’s graffiti or god’s art? in 2016. The Black Lips had formerly worked with Lennon on Arabia Mountain, where Lennon played theramin on several tracks. The band moved up to Lennon’s studio compound on a remote farm in upstate New York, and spent several months living and breathing the new record. This removal from the outside world, plus the return of beloved early guitarist Jack Hines and the exciting addition of new members Oakley Munson on drums and Zumi Rosow (the first female Black Lip) on saxophone, infused the project with a focused, intoxicating liveliness, similar to the spirit that had brought the Black Lips to life in the first place, way back in 1999. Only this time, the band is drawing from nearly two decades of experience and musicianship, and the newness is tethered by familiarity: Munson is a longtime friend of the band, and Rosow has been playing live with the Black Lips for several years now. There’s even a dash of kismet: unbeknownst to the band, after being off the grid for some time, Munson had just recently moved to a cabin a short distance away from Lennon’s compound, and the first time his phone ever rang after he plugged into the wall, Alexander was on the other end, asking him to play.
All of this excitement and immersion created the perfect storm for the Black Lips’ most musically evolved album to date. “It was a really beautiful experience. We were very far from civilization, and we were all living at the studio. We weren’t going home to our own beds every night; that was our whole world, 100% of the time,” says Swilley of the experience. “Making this record was the most wonderful few months of my life. It was by far my favorite time recording an album so far…It was just magic.” The Black Lips were joined by Saul Adamczewski of Fat White Family, who helped co-produce the record with Lennon, plus another rather magical guest: Yoko Ono. “She’s very cosmic,” Swilley says of the celebrated artist and musician, who makes an appearance on a few of the tracks. The final product is urgent and thoughtful, reflecting the growth the Black Lips have experienced since bursting onto the scene (once or twice quite literally on fire), but it’s also true to their original blistering, careening take on rock n’ roll: fuzzy, dirty, and rife with three and four part harmonies. Satan’s graffiti or god’s art? proves that while they may have grown up a bit and changed a few things around, the Black Lips are still as creatively unhinged and exhilarating as ever. Satan’s graffiti or god’s art? is out now on Vice Records.

Black Lips

Website: http://black-lips.com/

Facebook: https://facebook.com/theblacklips/

Instagram: https://instagram.com/theblacklips_/

Twitter: https://twitter.com/TheBlackLips

Support:

Plastic Pinks

Website: https://plasticpinks.bandcamp.com/

Facebook: http://facebook.com/plasticpinks/

Twitter: https://twitter.com/PlasticPinks

Instagram: https://instagram.com/plasticpinks

Rock & Roll outfit from Miami, FL.
Plastic Pinks formed in Jan of 2013 and have kept the integrity of their energetic sound throughout the years, even after going through some line up changes. Known for their charismatic performances, energetic music and their commitment to their craft, they have toured over the years and don’t seem to be slowing down anytime soon. They once shared the road with AJ Davila (Terror Amor / Davila 666) which helped pave the way for future tours where they promoted their various releases. Among those releases they had many breakthrough moments, like having their 7”inch record released by the Atlanta label, Die Slaughterhaus Records, in which the songs “Fui” and “Kelly” gained them momentum and inspired a craving to push harder than before. Later on, they released their digital / cassette EP, “Livin’ On the coast”, via Wiener Records. This particular EP propelled the band further which helped as a stepping stone towards to their later released album “Sunnyside Rabbits” (recorded/produced by AJ Davila) with Burger Records. During the Sunnyside Rabbits three month tour the band was featured on Daytrotter, as wells as a KEXP live session, which added more wind to their sails.
After playing various high profile shows like III POINTS festival, SXSW, Burgermania, Atlanta Mess-Around as well as having played with the likes of Unknown Mortal Orchestra, Warpaint, King Krule, Run The Jewels, RJD2, Ty Segall, Black Lips, Shannon and The Clams, The Spits, Thee Oh Sees, Hinds, La Luz, The Coathangers, Wand, Natural Child, DIIV, Neon Indian, Surfer Blood, Jacuzzi Boys, Kim and The Created, Jaill, Destruction Unit, The Garden, Iceage, Night Beats among the list, you can only ask yourself; What’s next for Plastic Pinks?
For their fourth release they will unleash “El Animal”, a six-song EP under the Ghost Drag Records banner. Plastic Pinks have taken their time to work on this upcoming release by exploring a broader sound and a less constrictive approach. For that they enlisted the help of Gordon Raphael (producer of “The Modern Age”, “Is this it” and “Room On Fire” by The Strokes) to do the EP’s mixing, as well as their upcoming album’s, as a way to capture a new era of Plastic Pinks. They are also working on their following album tentatively named “Don’t Forget The Mischief” with the help of their friend Robert Peters (Fuzz Baby Records) who recorded and co-produced “El Animal” to have it be released later on 2017.

Palomino Blond

Website: http://palominoblond.com

Facebook: http://facebook.com/palominoblond

Twitter: https://twitter.com/palominoblond

Instagram: http://instagram.com/palomino_blond/

Palomino Blond is a band from Miami, FL who came up in the tradition of the suburban D.I.Y. all-ages community. After filling countless rooms with earlier projects, the members came together over a shared love of classic alternative rock, and released demos during the Summer of 2018. The demo has seen relentless support from their homegrown fanbase and regional college radio stations alike.
Their demo; the single “Creature Natural” (along with its music video directed by Jon and Michael Cuartas); and frequent, dynamic live sets in their home state of Florida have solidified Palomino Blond as “next to carry the torch” (Amanda Starling, The Alternative) of indie rock from their home state to a larger audience.
The band is currently recording their debut LP with Jonathan Nunez (guitarist of SFL’s Torche and founder of Nunez Amplification). They are slated to play some of Florida’s most popular festivals in the coming months and show no signs of slowing down.

DJ sets by Danny Kokomo of Jacuzzi Boys

Website: https://jacuzziboys.com/

Facebook: https://facebook.com/jacuzziboys/

Twitter: https://twitter.com/JacuzziBoys

Instagram: https://instagram.com/jacuzziboys/

Melodime + The Talbott Brothers - The Rock Boat XX Pre-Party - Miami - 1/22/20
2020-01-22 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Melodime + The Talbott Brothers @ The Ground at Club Space in Miami. Join us before setting sail on The Rock Boat XX departing Miami!

Tickets: https://melodimemiami.eventbrite.com

Melodime is a Virginia-based band with influences in both country and rock that features emotionally charged anthems, piano driven hooks, and energetic guitar solos for a dynamic, organic sound.

Melodime, featuring Brad Rhodes (lead vocals, guitar), Sammy Duis (piano, organ, bass), Tyler Duis (drums), and Jon Wiley (guitar, mandolin, dobro), has performed over 100+ shows annually throughout the continental United States, sharing the stage with such well-known acts as Sam Hunt, Eli Young Band, A Thousand Horses, and Sister Hazel.
The band has also left its mark internationally with performances in Mexico, Canada, and Europe, all while founding and running a charity, ‘Now I Play Along Too,’ which provides musical instruments and lessons to underprivileged children in the DC area, Florida, Nepal, Kenya, and Haiti.
The band is quickly becoming a fan-favorite in the festival scene, playing five consecutive Rock Boat cruises, as well as Musikfest, Herndon Festival, Mile of Music, and other events. In their hometown of Northern Virginia, the group has performed at popular venues such as The State Theatre, 9:30 Club, The Hamilton, and Baltimore Soundstage.

Melodime

Website: https://melodime.com

Facebook: https://facebook.com/melodime

Twitter: https://twitter.com/melodime

Instagram: https://instagram.com/melodime
Support:

The Talbott Brothers

Website: https://thetalbottbrothers.com/

Facebook: https://facebook.com/talbottbrothers/

Twitter: https://twitter.com/talbottbrothers

Instagram: https://instagram.com/talbottbrothers/

The Talbott Brothers are a product of America’s heartland. Though currently based in Portland, Oregon, the duo grew up in Imperial, Nebraska, with a population just eking over 2,000. As indie-folk-rock musicians, Nick and Tyler Talbott, are somewhat of an anomaly, originating from a place where farming or ranching are the more typical career paths. Their honest songwriting is not only a breath of fresh air, but collections of down-to-earth messages that prove to be prevalent in today’s world.
Ghost Talker is the second full-length studio album from the sibling duo. Blood harmonies and sibling rivalry are evident in their songwriting with lyrics pulling from the trials of everyday life and the questions we all face. “Everyone has ghosts, whether they talk about them or not. We wanted to take off the mask and be honest with this record, hoping that what we needed to say is what people needed to hear.”
At its core, the album is transformative in nature, prompting the listener to question motives, face realities, and go to war with their own ghosts. Spiritual apprehension and seeking answers are common themes. “Shadowboxing” is a hard look in the mirror, realizing that what you have been fighting all along is your own fear. “It takes one good fight to turn things around.”
Lead single, “Run No More” forces a look at the past while offering a soul shaking guitar solo that feels like a rally cry. “We tried running for a long time but it doesn’t do a heart any good. Sometimes in a wake-up call you realize what’s most important to you. “Run No More” is about when your legs give out and you gotta turn around and fight.”
Drawing influence from John Mayer, Kaleo and Mumford & Sons, Ghost Talker will challenge your built-in world view and push you to embrace the unknown. No strangers to the road, The Talbott Brothers will be touring across the US, supporting the album release this fall 2019.

KRS-One - West Palm Beach - 1/12/20
2020-01-12 20:00 - 23:30 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents KRS-One with special guests Official Bobby Booshay, Hakim Green (Channel Live), Serum & DJ Heron @ Respectable Street in West Palm Beach.

Tickets: https://krs-one-wpb.eventbrite.com

KRS-One, an acronym for “Knowledge Reigning Supreme”, has been called the “conscience of Hip Hop” (Rolling Stone), “the greatest live emcee ever” (The Source), the “spokesperson for Hip Hop” (Wall Street Journal), “master teacher” (Zulu Nation) and the “son of Hip Hop” (Kool DJ Herc).
At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

VIP Seating for the KRS-One show includes a bottle of your choice of liquor, mixers and cocktail server for a party up to four for $350. GA ticket is required and separate. Very limited availability. Email kristenjkelly@gmail.com to reserve your VIP seats.

–

KRS-One
Website: http://KRS-ONE.com

Twitter: http://twitter.com/IAmKRSOne

Instagram: http://instagram.com/teacha_krsone

Appearing on the rap scene in 1986 as Boogie Down Productions releasing his first hit single “South Bronx” with his late DJ Scott La Rock, KRS “the one” made it clear that Hip Hop was going to have to take itself a lot more seriously than simply being a music genre.
With 20 published albums to his credit and his numerous appearances with other artists, KRS-One is believed to have written the most rhymes in Hip Hop’s history.
In the 1990s as “hip-hop” grew more and more commercialized and corporate, it was KRS-One that openly rejected such cultural exploitation and materialism grounding Hip Hop in its original principles of peace, love, unity and safely having fun.
Teaching everything from self-creation to stopping violence; from vegetarianism to transcendental meditation, from the establishment of Hip Hop Appreciation Week (every third week in May), to establishing Hip Hop as an international culture at the United Nations (2001), KRS-One has single-handedly held the history and original arts of Hip Hop together now for over two decades.
In addition to lecturing at over 500 universities in the United States and publishing three ground-breaking books; “The Science of Rap” (1995), “Ruminations” (2003), and the Gospel of Hip Hop” (2009), KRS-One has also established the Stop The Violence Movement (1989), influenced the creation of the “West-Coast All-Stars’ anti-gang anthem “We’re All In The Same Gang” (1990), warned the Hip Hop community against giving up their humanity for technological advancement (H. E. A. L.—Human Education Against Lies-1991), and has established the Temple of Hip Hop for the spiritual exploration of Hip Hop’s culture (1996).
It was KRS-One who first argued that “rap is something we do; Hip Hop is something we live” and introduced the “I am Hip Hop” philosophy in 1994 which Black Entertainment Television uses as the title of their Hip Hop Lifetime Achievement Award today. Without question, KRS-One has been the loudest voice for the actual preservation and expansion of original Hip Hop worldwide.
When he is not touring or lecturing, on his so-called “down-time”, KRS-One continues to share his unique knowledge of Hip Hop to younger audiences eager to hear the ‘teacha’ speak. Operating as a kind of “pop-up” school, KRS-One’s Temple of Hip Hop has appeared in various cities in USA also in the UK and Europe offering the more serious student of Hip Hop an effective way to live and understand the culture of Hip Hop more deeply.
KRS-One, the lyrical legend, drops his new 2017 album ‘The World Is Mind’. KRS-One brings that Boom Bap back, with tracks like; ‘Raw BEAT’ and the graffiti tribute ‘Out for Fame’. In addition KRS-One celebrates the South African clique langue on ‘Keep It Clicking’ and shares ancient wisdom on the title track ‘The World Is Mind’. This is another banger from the Hip Hop legend.
Awards:
2004, VH1 Hip Hop Honors
2007, I am Hip Hop, BET Hip Hop Awards
2007, Lifetime Achievement, BET Hip Hop Awards
2009, Living Legend Award, Urban Music Awards

Support:

Official Bobby Booshay

Website: https://newworldstation.com/artistlisting/bobby-booshay

Facebook: https://facebook.com/pg/officialbooshay

Twitter: https://twitter.com/officialbooshay

Instagram: https://instagram.com/officialbooshay

Clean Money Music artist Bobby Booshay is considered the answer to the current status of Hip Hop. His hard hitting lyrics and his versatile Flo’s create the perfect storm. He has performed with KRS-One, Big Daddy Kane, Method Man & Redman among others.
Hakim Green (Channel Live)

Website: http://madizm.info/

Facebook: http://facebook.com/Hakim-Green-214315545275683/

Twitter: https://twitter.com/HakimGreen

Instagram: https://instagram.com/hakimgreen

Hakim Green of The True School Hip Hop Band Channel Live. CEO of 24hrsofpeace, educator, activist and cannabis advocate.

Serum

Website: http://youtube.com/user/mcs3rum

Facebook: https://facebook.com/Serum305/

Twitter: https://twitter.com/SERUM305

Instagram: https://instagram.com/serum305/

Supah Emcee/Miami Freestyle Battle Relic/MTV Freshman of the Week Runner Up

On the decks:

DJ Heron

Website: https://soundcloud.com/dj_heron

Facebook: https://facebook.com/ONLY1DJHERON/

Twitter: https://twitter.com/dj_heron

Instagram: https://instagram.com/dj_heron/

DJ Heron, born in Lima, Peru raised in Brooklyn, New York he is undoubtedly no stranger to the hip-hop culture. Hip-Hop started with DJ and that’s what DJ Heron has been doing since the young age of 12 years old. Roaming the streets of Brooklyn, his older cousin made him carry countless of records that it was only a matter of time for Heron to start doing what he does best; being on the 1’s and 2’s. Couple of years later, he moved to South Florida to bless locals with sounds of the underground Hip-Hop that was hitting the airwaves in New York. Since there was a lack of Hip-Hop culture in Florida, DJ Heron would take frequent trips back to New York for the weekend just to record the hottest releases and formulate high- demand mix tapes Floridians would insist for when he would fly back down.

Apart from selling exclusive rare mix tapes, he started his first production company called 3rd Eye Productions with partner DJ Klassik now known as DJ Chris. During that time, DJ Heron starting producing vicious beats which were the ember that made him establish his own first studio called Florida Room Productions. Creating a buzz with his production, he landed his first record deal with Atlantic at just 18 years old. Unfortunately after 7 years the studio was robbed leaving him without his tools but not his luck. Shortly after the robbery occurred, a new door opened for DJ Heron that would change his career forever. Sony Music Records signed DJ Heron to their label giving him the opportunities to work with several artists, make his own productions, and go on the White Lion Tour that featured Tego Calderon, DJ Laz, Don Omar, and Voltio.

Having much success throughout his career, DJ Heron has opened up for many hip hop shows including Black Sheep, Leaders of the New School, Public Enemy with Queen Latifah, Tim Dog, and Termanology just to name a few . Furthermore, he was also the winner of the Pro AM DJ Battle of 2011 in which he competed with several other DJs nationwide. Side by side with host/ emcee Saheed, DJ Heron is now the main resident DJ of Re-Up radio, an online radio show airing every week playing old school, new school, and independent Hip-Hop artists music worldwide to fans tuning in across the globe. It won’t be long till’ you hear DJ Heron’s skills with upcoming Re-Up Radio mix tapes soon to be released throughout the year.

Cursive + Cloud Nothings + The Appleseed Cast - Miami - 11/16/19
2019-11-16 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Cursive, Cloud Nothings + The Appleseed Cast @ The Ground at Club Space in Miami.

Tickets: https://cursivemiami.eventbrite.com

Get Fixed Tour 2019…Join us for the return of Cursive to South FL and the Miami debut of Cloud Nothings. Support: The Appleseed Cast

Cursive

Website: https://cursivevitriola.com

Facebook: http://facebook.com/cursive

Twitter: https://twitter.com/cursivetheband

Instagram: http://instagram.com/cursivetheband

Over the past two decades, Cursive has become known for writing smart, tightly woven concept albums where frontman Tim Kasher turns his unflinching gaze on specific, oftentimes challenging themes, and examines them with an incisively brutal honesty. 2000’s Domestica dealt with divorce; 2003’s The Ugly Organ tackled art, sex, and relationships; 2006’s Happy Hollow skewered organized religion; 2009’s Mama, I’m Swollen grappled with the human condition and social morality; and 2012’s I Am Gemini explored the battle between good and evil. But the band’s remarkable eighth full-length, Vitriola, required a different approach — one less rigidly themed and more responsive as the band struggles with existentialism veering towards nihilism and despair; the ways in which society, much like a writer, creates and destroys; and an oncoming dystopia that feels eerily near at hand.
For the first time since Happy Hollow, Vitriola reunites Kasher, guitarist/singer Ted Stevens and bassist Matt Maginn with founding drummer Clint Schnase, as well as co-producer Mike Mogis at ARC Studios in Omaha. They’re joined by Patrick Newbery on keys (who’s been a full-time member for years) and touring mainstay Megan Siebe on cello. The album runs the sonic gamut between rich, resonant melodicism, Hitchcockian anxiety, and explosive catharsis — and no Cursive album would be complete without scream-along melodies and lyrics that, upon reflection, make for unlikely anthems.

Cloud Nothings

Website: http://cloudnothings.com

Facebook: http://facebook.com/cloudnothings

Twitter: https://twitter.com/cloudnothings

Instagram: http://instagram.com/cloudnothings

Cloud Nothings was founded in a Cleveland basement, the one-man recording project of Dylan Baldi. Prolific from the start, Baldi’s early work was rough but immediate: crudely recorded, spring-loaded spasms of Buzzcocks-informed pop that quickly found an online following among the lo-fi-inclined.
Their sixth studio album, entitled Last Building Burning, was released on October 19, 2018 on Carpark Records. Following its release “Under the Radar” rated the album 8/10 stating “…Cloud Nothings have never been better.” “The Line of Best Fit” 9/10 saying “Baldi and his conspirators have created something fantastic here – easily matching the scope and ambition of artists across the musical spectrum. They always seemed to be on the cusp of greatness, and Last Building Burning is their first step over that threshold.” “Pitchfork” 7.6 and singles out the track “Leave Him Now” as “Cloud Nothings at their best: direct, visceral, vulnerable. It hits in the gut and rings in the head, striking that golden ratio of ferocity and tunefulness that this band does best.”

Support:

The Appleseed Cast

Website: http://greenkansas.wix.com/theappleseedcast

Facebook: http://facebook.com/TheAppleseedCast

Twitter: http://twitter.com/appleseed_cast

Instagram: http://instagram.com/theappleseedcast

The Appleseed Cast is an American rock band, based in Lawrence, Kansas, with 20 years of recording and touring. The band was founded in the early days of emo by singer-guitarist Christopher Crisci and guitarist Aaron Pillar, and quickly grew to fame. The Appleseed Cast has steadily evolved over the release of eight full-length albums with Crisci at the songwriting helm, changing lineups but never breaking up, continuing to hone the TAC sound. The band’s current lineup includes Crisci, Ben Kimball, Nick Fredrickson, and Sean Bergman.
Major acclaim first came in the early 2000s and earned them a 9.0 from Pitchfork for their album set Low Level Owl, Vol I and Vol II. The band has enjoyed continued high praise for their work on Two Conversations, Peregrine, Illumination Ritual, and others.

Anthony Ramos (Hamilton, A Star Is Born) **Exclusive Florida Show** - Miami - 11/10/19
2019-11-10 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
https://heroesliveent.com/wp-content/uploads/2019/07/Miami-Feed.mp4
Heroes Live Entertainment presents Anthony Ramos: The Good & The Bad Tour – Only Florida Show with special guest Elliott Skinner @ The Ground at Club Space in Miami.

Tickets: https://anthonyramos.eventbrite.com

Anthony Ramos starred in the Grammy-award-winning Broadway smash, Hamilton and hit film, A Star Is Born with Lady Gaga and Bradley Cooper.

Anthony Ramos

Facebook: https://facebook.com/anthonyramosofficial/

Website: http://anthonyramosofficial.com/

Spotify: https://open.spotify.com/artist/660YptcR0hNHJ8iEr1qcse

Soundcloud: https://soundcloud.com/anthonyramosofficial

Instagram: https://instagram.com/anthonyramosofficial

Twitter: https://twitter.com/aramosofficial

YouTube: https://youtube.com/anthonyramos

Anthony Ramos, 26, is a Grammy-award-winning artist, best known for originating and starring as John Laurens/Philip Hamilton in the hit Broadway Musical, “Hamilton”. His solo debut followed the 2016 Presidential Election, when he released The Freedom EP, a series of songs written as a love-letter to an in-repair nation. After performing his music to sold out venues, Ramos jumped right back into the studio, and continues to churn out a new collection of equally thought-provoking and inspired tracks.

Ramos currently stars as “Mars Blackmon” in Spike Lee’s Netflix series, SHE’S GOTTA HAVE IT. His current credits include A STAR IS BORN opposite Lady Gaga and Bradley Cooper, a lead role in Monsters and Men for Neon, Godzilla: King of The Monsters for Warner Bros., a lead role in SUMMERTIME for director, Ed Burns, WHITE GIRL for Killer Films and a supporting role in PATTI CAKE$ for Fox Searchlight and a recurring role on NBC’s Will & Grace.
Support:

Elliott Skinner

Instagram: https://instagram.com/Elliottskinner

Twitter: https://twitter.com/elliotttskinner

Making Movies + Dama Vicke **FREE SHOW** - Miami - 10/20/19
2019-10-20 20:00 - 2019-10-21 00:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
https://heroesliveent.com/wp-content/uploads/2019/08/20-10-19-Miami-FL.mp4
Heroes Live Entertainment & Las Rosas present Making Movies with Dama Vicke & MINIMAL presents FINDELMUNDO @ Las Rosas in Miami.

Get your FREE tickets here. Early arrival strongly suggested. Space is limited!
Tickets: https://makingmovies.eventbrite.com

Get set for Making Movies to bring their mix of afro-latino rhythms and psychedelic rock’n’roll to the Magic City on their debut Miami show.

Making Movies

Website: https://mkngmvs.com

Facebook: https://facebook.com/mkngmvs

Twitter: https://twitter.com/mkngmvs

Instagram: https://instagram.com/mkngmvs
Energy, mysticism, roots– it’s hard to describe the genre-breaking music of Making Movies, a band that Rolling Stone says is “breaking down walls in the United States,” with a mix of afro-latino rhythms and psychedelic rock’n’roll that makes the group’s sound something unique. The connection between the Chi brothers (hailing from Santiago, Panama)– together with their Mexican bandmates, the Chaurand brothers– results in an overwhelming musical presence that takes you through landscapes festive, furious, refreshing, and dark.

At times the falsetto of Diego Chi (bassist) takes you to the underworld, while the fuzz of Enrique Chi’s guitar anchors his spirited voice in the midst of the Chaurand brothers’ primal and folkloric percussion. An explosion of energy on the stage––does the soundtrack make the movie, or does the movie make for the soundtrack?
In 2017 Art As Mentorship was created by Enrique Chi, born out of six years of collaboration between Making Movies and local non-profits Base Academy of Music and the Mattie Rhodes Center. What began as a week-long music education camp for youth in an underserved community has grown into a six-month songwriting and mentorship program called the Rebel Song Academy. Students get to record with and learn from industry professionals, like Grammy-winning producer Steve Berlin of Los Lobos who recorded the first class in 2018.
The world turned their attention to Making Movies as Rubén Blades, Flor De Toloache, Asdru Sierra of Ozomatli, David Hidalgo of Los Lobos and Las Cafeteras joined forces with the band on their new album, ameri’kana, which releases in May 2019. The first two singles, “No Te Calles” and “Cómo Perdonar”, were launched along with a movement that invites artists and fans to participate on the website NoTeCalles.World, by joining the chorus with Rubén Blades and Making Movies. The album includes “Delilah”, a song about immigration written during a week-long writing session between Blades and Lou Reed that had never before been recorded. Saying that “Rock’n’roll is Latin music” the band dedicates the album to the beautiful inhabitants of the ameri’kana continent.
When Making Movies performs live it is as though a spirit descends upon the room, entrancing audiences with the pulse of their Afro-Latino rhythms, psychedelic jams and rock’n’roll riffing. Armed with their ambitious and politically charged new album, I Am Another You, the band punches out one high-energy song after another, with theatrics and head-banging climaxes riding atop a bed of driving percussion. Their Latin American roots are placed front and center with moments where the front-man Enrique Chi trades his electric guitar for a folkloric Panamanian mejorana, and the Chaurand brothers hop off drums and percussion to instead supply the rhythmic pulse with a dueling zapateado huasteco, a traditional form of dance from Veracruz, Mexico.
The band’s political idea is straightforward enough that they can express it in four words: “We are all immigrants.” In supporting that cause, a portion of all proceeds from their latest release I
Am Another You will goes to the National Immigration Law Center.
The band has shared the stage with Arcade Fire, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.

Support:

Dama Vicke

Website: https://dama.love

Facebook: https://facebook.com/damavickemusic

Twitter: https://twitter.com/damavicke

Instagram: https://instagram.com/damavicke/

Dama Vicke, Best Songwriter at Best of Miami 2018 and winner of American Tracks Music Awards as Best Independent Artist and Best Lyrics released a 5 song debut EP titled “Point Of Inflection” a beautiful cinematic-like yet eerie and melodic, dressed in a mixture of alternative rock fusion with hints of experimental jazzy folk accents; her lyrics narrate true story scenes from her real life events.

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Dama has performed in recognized USA venues, as well as internationally, La Habana, Cuba, Colombia, and Mexico City.

Her music videos have been directed by filmmaker Carla Forte, produced by Alexey Taran, also, filmmaker, choreographer, and professional dancer both from Bistoury Physical Theater.

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Dama Vicke from Mexico City, a fanatic of suspense and horror films has been one of the most active artists in the South Florida music scene since early 2000’s. She began her career collaborating with US and Mexican artists, currently devoted to her solo EP where poetry, visual arts, dance, film, and theater form a strong essence supported by her live band.

Point Of Inflection highlights her talent as a singer-songwriter, working with Javier Guell guitar player and song-writer, along with producer Roger Izaguirre from Earplay Studio.

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Point Of Inflection promises to be an endearing project with a band to be savoured live, with a theatrical yet sensual form of expression and an outstanding musical performance by every single member of her band

MINIMAL presents: FINDELMUNDO

Facebook: https://facebook.com/minimalband/

Instagram: https://instagram.com/minimalband/

The Alarm + Modern English + Jay Aston's Gene Loves Jezebel: SIGMA LXXXV Tour - Miami - 9/7/19
2019-09-07 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents The Alarm, Modern English, Jay Aston’s Gene Loves Jezebel SIGMA LXXXV Tour @ The Ground at Club Space in Miami. This is The Alarm’s first South Florida show in 34 years!
https://heroesliveent.com/wp-content/uploads/2019/03/TheAlarm-videoflyer.mp4

Tickets: https://thealarmmiami.eventbrite.com

A fraternity of alternative British rock bands led by acoustic pioneers The Alarm, post punk auteurs Modern English, and the charismatic Jay Aston’s Gene Loves Jezebel will take to the road throughout North America in 2019.

The Alarm

Website: http://thealarm.com

Facebook: http://facebook.com/TheOfficialAlarm

Twitter: http://twitter.com/thealarm

Instagram: http://instagram.com/thealarm

The Alarm was made in Wales, UK and by the time of 1981’s debut single ‘Unsafe Building’, featured a daring mix of amped-up acoustic guitars, harmonica and passionate vocals that invited the enduring description “Bob Dylan meets The Clash”.

This is the sound of The Alarm that has been heard around the world ever since, with 17 Top 50 UK singles, a host of successful albums and over 6 million sales worldwide, a career that has also seen founding member Mike Peters sing on stage with the likes of Bob Dylan, Neil Young, Bruce Springsteen and U2. Hits include “Sixty Eight Guns”, “Strength”, “Rain In The Summertime”, “Where Were You Hiding When The Storm Broke?”, “Spirit Of ’76” and more.

Modern English

Website: http://modernenglish.me

Facebook: http://facebook.com/m0dernenglish

Twitter: http://twitter.com/m0dernenglish

Instagram: http://instagram.com/m0dernenglish

Modern English are a new wave/post-punk band from Colchester, Essex, England best known for their hit single “I Melt With You”. The song has been covered by a variety of artists, with several different versions being licensed for film and television worldwide. Other favorites include “Hands Across The Sea”, “Someone’s Calling” and “Ink And Paper”. The 4AD band recently released their first album in 30 years.

Jay Aston’s Gene Loves Jezebel

(with original members Jay Aston, James Stevenson, Pete Rizzo)

Website: http://genelovesjezebel.co.uk

Facebook: http://facebook.com/OfficialGeneLovesJezebel

Twitter: http://twitter.com/geneluvsjezebel

Instagram: http://instagram.com/GeneLovesJezebelwithJayAston

Gene Loves Jezebel (GLJ) are a British rock band formed in the early 1980s whose best-known songs include “Heartache”, “Desire (Come and Get It)” (1986), “The Motion Of Love” (1987), “Jealous” (1990) and “Break The Chain” (1993) as well as their broody dark alternative club hits “Bruises” (1983), “Influenza (Relapse)” (1984), and “The Cow” (1985).

Nitzer Ebb - Miami 5/24/19
2019-05-24 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Nitzer Ebb with Liebknecht (Daniel Myer from Haujobb) & DJ Paul Klov @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1816936

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.
Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.
After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”
Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.
Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

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Nitzer Ebb
Website: http://nitzer-ebb.com/
Facebook: http://facebook.com/NitzerEbbOfficial
Twitter: http://twitter.com/Nitzer_Ebb
Instagram: http://instagram.com/nitzerebbofficial

Support:
Liebknecht

Website: https://soundcloud.com/dmyer/liebknecht-next-drumapella
Facebook: http://facebook.com/LiebknechtOfficial
Twitter: https://twitter.com/DanielMyer
Instagram: http://instagram.com/liebknecht__
Liebknecht is the musical collaboration of Daniel Myer (Haujobb) & Rinaldo Bite. Liebknecht is techno, dancefloor elements mixed with dark textures, cryptic messages, eclectic experimental sounds and straight forward beats, always on the Edge between old school electro and club culture.

DJ Paul Klov (Bohemia AG)

Murphy's Law **FREE SHOW** - Miami - 5/10/19
2019-05-10 21:00 - 2019-05-11 01:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
Heroes Live Entertainment, Idle Hands Productions & Las Rosas present Murphy’s Law **Free Show** w/The Big Skandal, Bruceliamneeson & Brute @ Las Rosas in Miami. Tickets required for entry. Early arrival strongly suggested. Space is limited.

Tickets: http://ticketfly.com/event/1831446

Founded in Astoria, Queens in 1983, Murphy’s Law are a huge part of the New York and American hardcore legacy. Their albums, such as the self-entitled, “Murphy’s Law” and 1989 follow up “Back With A Bong” helped to create the sound of New York Hardcore back then, as well as what it stands for today.

Murphy’s Law
Facebook: http://facebook.com/Murphyslawnyhc/
Twitter: http://twitter.com/murphyslawnyhc
Instagram: http://instagram.com/murphyslawnyc/
Support:

The Big Skandal
Website: http://bigskandal.bandcamp.com
Facebook: http://facebook.com/BigSkandal
Instagram: http://instagram.com/thebigskandal
The Big Skandal are a Ska/Rocksteady band based in Miami, FL, drawing influences from traditional artists like The Skatalites, Laurel Aitken, and Prince Buster as well as later artists like The Specials, Operation Ivy, and Madness.
Bruceliamneeson
Facebook: http://facebook.com/Bruceliamneeson-411269712943770/
Hard Rock, Metal, Punk from Miami, FL on Terramoto Records.
Chris Callous-Guitar Vocals
Ely Bascoy -Bass Back up Vocals
Terrel Hopkins= Drums
Brute
Facebook: http://facebook.com/Brute-405760220241726/
Miami Oi! band featuring members of Nunhex, Antifaces and Die Trying.

of Montreal + Yip Deceiver + Haute Tension - Miami - 4/5/19
2019-04-05 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment & Poplife present of Montreal with Yip Deceiver (featuring of Montreal members) & Haute Tension @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1817124

of Montreal is a band from Athens, GA. The band’s recorded material can be divided into two distinct periods. Their early work focused on 60s-tinged pop and psychedelic elements channeled through the prism of Kevin Barnes’s unique lyricism. In more recent years of Montreal’s style changed to a mixture of electronica, funk, glam, and afrobeat music influenced by Prince and David Bowie.

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of Montreal
Website: http://ofmontreal.net
Facebook: http://facebook.com/ofmontreal
Twitter: http://twitter.com/xxofMontrealxx
Instagram: http://instagram.com/of_montreal

Support:

Yip Deceiver (featuring of Montreal members)
Website: http://soundcloud.com/yip-deceiver
Facebook: http://facebook.com/yipdeceiver/
Instagram: http://instagram.com/yipdeceiver

Haute Tension
Website: http://hautetensionband.com
Facebook: http://facebook.com/hautetensionmia
Twitter: http://twitter.com/haute_tension_
Instagram: http://instagram.com/hautetensionband

Haute Tension is a psychedelic, surf-noir band whose sound casts shades of punk over the slowly flooding Miami landscape. Enjoy the air of coconuts and palm trees while it lasts.

“This band is a party and you can’t help but to have a good time. – The Family Reviews
“No Miami act worked harder in 2018 than surf-noir trio Haute Tension…” -Lauren Reskin, Sweat Records, Owner.

The Messthetics (featuring members of Fugazi) **FREE SHOW** + Mary Lattimore, Harpist - Miami - 3/28/19
2019-03-28 19:30 - 23:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
Heroes Live Entertainment & Las Rosas present The Messthetics (featuring members of Fugazi) **Free Show** w/harpist on Ghostly International, Mary Lattimore & Miami Noise King, Rat Bastard @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

Tickets: http://ticketfly.com/event/1780958

The last time drummer Brendan Canty and bassist Joe Lally were in a band together, they were the rhythmic architects for Fugazi, an organization whose decade and a half of disciplined progressivism provided a necessary bridge between the zenith of late-punk expression and everything alternative in rock that followed. Anthony Pirog is a jazz and experimental guitarist based in Washington, D.C. The trio’s debut on Dischord Records was recorded at Canty’s practice space throughout 2017, live and mostly without overdubs. It’s a snapshot of a band dedicated to the live ideal, where structure gives birth to improvisation.

The Messthetics
Website: http://themessthetics.bandcamp.com/
Facebook: http://facebook.com/themessthetics/
Dischord Records: http://dischord.com/
Support:

Mary Lattimore
Website: http://marylattimore.net
Facebook: http://facebook.com/harpistmarylattimore/
Twitter: http://twitter.com/marylattimore
Instagram: http://instagram.com/maryoverthere
Mary Lattimore is a Los Angeles-based harpist. She experiments with effects through her Lyon and Healy Concert Grand pedal harp, concocting half-structured improvisations which can include both ambient glitter and unsettling noise. Her first solo record, the Withdrawing Room, was released on Desire Path Recordings in 2014. The solo recordings that followed, At the Dam and Collected Pieces, were released by Ghostly International.
Mary has also recorded synth + harp duo projects with Elysse Thebner Miller (And the Birds Flew Overhead) and Jeff Zeigler (Slant of Light) and has co-written reimagined scores for the 1968 experimental silent film Le Revelateur, directed by Philippe Garrel (who approved of the project), and the Czech New Wave classic Valerie and Her Week of Wonders, and performed these scores live throughout the US with Jeff Zeigler and the Valerie Project, respectively. She has contributed and written harp parts for such artists as Kurt Vile, Thurston Moore, Sharon Van Etten, Meg Baird, Steve Gunn, the Clientele, Hop Along, Jarvis Cocker, Karen Elson, Ed Askew and Quilt.
Ghostly International will release her third solo record in late spring of 2018.
Rat Bastard
Website: http://squelchers.com
Facebook: http://facebook.com/Rat-Bastard-Worldwide-126254357547041/
American guitarist and audio engineer/producer who served as second engineer and studio coordinator on Marilyn Manson and The Spooky Kids After School Special in 1991. He co-founded To Live And Shave In L.A. with Tom Smith (2), Scraping Teeth 1993 Spin magazine’s “Worst Band In America” and Laundry Room Squelchers. also, tour support for Costes’s Holy Virgin Cult in 2003.
Rat Bastard founded the International Noise Conference in 2003, which brings in noise artists from across the globe for 15-minute sets of energy, chaos and often confrontational theatrics to Miami.

Lee "Scratch" Perry + Subatomic Sound System - West Palm Beach - 2/15/19
2019-02-15 20:00 - 2019-02-16 00:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents Lee Scratch Perry + Subatomic Sound System 45th Anniversary Performance of “Blackboard Jungle Dub” + More. 1st dub album in history, live for the 1st time! Exclusive South Florida Show @ Respectable Street in West Palm Beach. Support: Spred The Dub.

Tickets: http://ticketfly.com/event/1790306

Grammy winning dub & reggae pioneer Lee “Scratch” Perry celebrates the 45th anniversary of his landmark album “Blackboard Jungle Dub”, the world’s first dub album. Scratch, now 82 years young, will embark on a tour across North America performing his 1973 studio masterpiece live in its entirety for the first time, aided by the technology of NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from the Black Ark era recordings. For the past 8 years, Subatomic Sound System has been Scratch’s go to band for re-creating the Black Ark sound live on stage. They will also perform music from their album “Super Ape Returns To Conquer” ( http://bit.ly/SS033s ) which topped both reggae and electronic charts in 2018, plus singles like “Black Ark Vampires” ( http://bit.ly/BAVss ) and classics from Perry’s work with the likes of Bob Marley, Max Romeo, and many more. Perry’s Blackboard Jungle album includes dub remixes of hit songs he co-wrote with Bob Marley, “Kaya” & “Keep On Movin”, as well as other big tunes from The Wailers and Junior Byles. Kaya turned out to be Marley’s most successful album of his career and celebrated its own anniversary with a massive festival earlier this year.

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Lee “Scratch” Perry

Website: http://subatomicsound.com

Facebook: http://facebook.com/perryscratch/

Twitter: http://twitter.com/scratchlee

Instagram: http://instagram.com/lee_scratch_perry

Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.

Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.

After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.

For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.

Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F

Subatomic Sound System

Website: http://subatomicsound.com

Facebook: http://facebook.com/SubatomicSoundSystem/

Twitter: http://twitter.com/SubatomicSound

Instagram: http://instagram.com/subatomic

Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.

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Support:
Spred The Dub
Website: http://spredthedub.com
Facebook: http://facebook.com/SpredTheDub
Twitter: http://twitter.com/SpredTheDub
Instagram: http://instagram.com/spredthedub

Peter Murphy: 40 Years Of Bauhaus feat. David J - Miami - 2/6/19
2019-02-06 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Peter Murphy: 40 Years Of Bauhaus, Ruby Celebration featuring David J, Performing “In The Flat Field” in its entirety plus extended encore of Bauhaus classics @ The Ground at Club Space in Miami. Support: UK psych-rock band Desert Mountain Tribe & New Orleans performing artist Vinsantos

Tickets: http://ticketfly.com/event/1782866

Originally formed in England in 1978, pioneering post-punk band Bauhaus carved out a singular musical niche combining minimalism, art school rock and dark glam, with a huge dose of their own experimentalism, originality and verve. Unswervingly bleak in their approach, they released their break-out hit “Bela Lugosi’s Dead” in 1979, an astonishing slice of brooding imagination.

They were signed to 4AD and released their debut album In The Flat Field in 1980, before moving on to release three further records via Beggars Banquet (Mask – 1981, The Sky’s Gone Out – 1982 and Burning From The Inside – 1983).

Although brief, their career was hugely influential and resonated across the decades. The band split in the early 1980s (but reformed briefly a few times throughout the years) and band members went on to focus on other projects. Peter Murphy continues to enjoy a successful solo career, spectacularly celebrated with the recently released 5-CD box containing his Beggars Banquet releases.

The forthcoming tour celebrates 40 years since the formation of Bauhaus – featuring two original members, vocalist Peter Murphy and bassist David J.

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Peter Murphy
Website: http://petermurphy.info/
Facebook: http://facebook.com/petermurphyinfo/
Twitter: http://twitter.com/petermurphyinfo
Instagram: http://instagram.com/petermurphyofficial

Windhand **FREE SHOW** - Miami - 1/27/19
2019-01-27 19:00 - 23:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
Heroes Live Entertainment & Las Rosas present Windhand **Free Show** with Genocide Pact, Ether & Absolver @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

RSVP: http://ticketfly.com/event/1768175

New album “Eternal Return” out on Relapse represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Once again the band has joined forces with producer Jack Endino (Nirvana, Soundgarden) with vivid artwork by Arik Roper (Sleep, High on Fire). Equally informed by heavy, fuzzed-out psych along with the iconic grunge / alternative groups of the 90s, WINDHAND has crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy borders.

Windhand
Website: http://windhand.band
Facebook: http://facebook.com/WindhandVA
Twitter: http://twitter.com/windhandva
Instagram: http://instagram.com/windhand
Support:

Genocide Pact
Website: http://genocidepact.bandcamp.com/
Facebook: http://facebook.com/genocidepact
Twitter: http://twitter.com/genocidepact
Instagram: http://instagram.com/genocidepact

Ether

Website: http://ethercoven.bigcartel.com

Facebook: http://facebook.com/EtherCoven

Instagram: http://instagram.com/ethercoven/

Absolver

Website: http://absolver.bandcamp.com/

Facebook: http://facebook.com/absolver.band/

Instagram: http://instagram.com/absolver_

Mineral: 25th Anniversary Tour + Tancred + Pohgoh - Miami - 1/9/19
2019-01-09 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Mineral: 25th Anniversary Tour with special guests Tancred & Pohgoh @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1682955

“When Mineral broke up in 1998, they had been together for only four years and released only two full-lengths, yet their shaping of the indie rock landscape cannot be overstated. “ – All Music Guide

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Mineral
Website: http://officialmineral.com/
Facebook: http://facebook.com/OfficialMineralMusic
Twitter: http://twitter.com/officialmineral
Instagram: http://instagram.com/officialmineral

EndSerenading was the second, and final album released by Mineral. It was the definitive statement by the Austin, TX based band. So final, in fact, that the band members had actually gone their separate ways prior to the album’s release in 1998.
What ended in 1998, actually began four years earlier, in Houston, TX, when friends Christopher Simpson (guitar/vocals), Jeremy Gomez (bass), Gabriel Wiley (drums) and Scott McCarver (guitar) formed the band Mineral. Mineral launched into touring immediately, often alongside other indie bands like Jimmy Eat World, The Promise Ring, Texas is the Reason, Knapsack, Braid, and The Get Up Kids, garnering them a legion of fans from the outset.
Eventually the band relocated to Austin, TX and a debut single, Gloria b/w Parking Lot, on Caulfield Records followed, as did more touring. Via a zine editor in Colorado, the single found it’s way to Jeff Matlow at crank! A RECORD COMPANY, which eventually led to an album deal and the release of The Power Of Failing in 1996.
Upon the release of the first album, Mineral quickly emerged as one of the leaders in the burgeoning indie / emo music scene. College radio loved the record. The press gushed about the band. It was inevitable that the major labels would come calling. Interscope Records eventually won the major label beauty contest and signed the band.
Such were the circumstances when the band went into Big Fish Studios in San Diego, California with Mark Trombino (Blink 182, Jimmy Eat World) to record one final record for crank! A RECORD COMPANY. EndSerenading was the result. The songs for the record had not come easily, nor did the recording of them. But the album was strong, emotional and daring. It was a Mineral album.
And then it was over. The perfunctory “creative differences” statement was issued. The album was released and new bands were formed. Christopher and Jeremy went on to form The Gloria Record and Gabe founded Pop Unknown.
In a short amount of time, Mineral’s poignant dynamics combined with impassioned lyrics about coming of age was influencing bands everywhere, and still inspires new bands in the indie scene today.
2019 marks the bands 25th anniversary.

Support:

Tancred
Website: https://tancredmusic.com/
Facebook: https://www.facebook.com/tancredmusic/
Twitter: https://twitter.com/tancredjess
Instagram: https://www.instagram.com/tancredjess/
Tancred is the stage name of former Now, Now guitarist Jess Abbott.
As Tancred, Abbott has released three full-length albums to date. Her first album, titled Capes, was released in 2011 on No Sleep Records. In 2013, Abbott signed to Topshelf Records and released her self-titled second full-length album. In 2016, Abbott signed to Polyvinyl Records and released her third full-length album titled Out of the Garden. On March 27, 2018, she premiered her new single Reviews and announced an album, Nightstand, to be released on June 1, 2018 via Polyvinyl.
Out of the Garden was recorded by OFF!’s Steven McDonald and That Dog.’s Anna Waronker, and was praised by many outlets, including NPR Music, which declared: “Out of the Garden is just phenomenal… this to me feels like a breakthrough.”
A video for Tancred’s song “Pens” was handpicked for NPR Music’s “Songs We Love” series and featured a cameo by Sadie Dupuis of Speedy Ortiz.
Tancred has toured with Foxing, Julien Baker, Weaves, and Jessica Hernandez & The Deltas, and also performed at the 2016 Riot Fest.

Pohgoh

Website: http://pohgoh.bandcamp.com

Facebook: http://facebook.com/PohgohFL

Instagram: http://instagram.com/pohgohfl

Twenty-one years is a long time between albums.

Since calling it quits in 1997, Tampa, FL’s Pohgoh has been known to break out the guitars for the occasional one-off reunion over the years. The last one reignited a missing passion and desire to write and perform music together. Susie Ulrey (vocals, guitar), Matt Slate (guitar), Keith Ulrey (drums) and new bassistBrian Roberts (Hankshaw, Murder Suicide Pact) spent the last couple of years hunkered down in their practice space revisiting the old material while hashing out fresh ideas.

In August 2017 the band made their way to Baltimore, MD’s Magpie Cage Recording Studio to record their sophomore full-length with engineer/producer J. Robbins (Jawbox, Burning Airlines). The result is Secret Club, Pohgoh’s first full-length since 1997’s posthumous In Memory Of Bab, consisting of songs dealing with life as a band after almost 20 years apart and Susie’s 15+ year battle with Multiple Sclerosis.

Diagnosed in 2001, Susie’s lyrics touch on the hardships and struggles of living with the disease including, but not limited to, a constant worry of being a burden to others (“Business Mode”), years of chemical and drug therapies (“Super Secret Club”) and a simple nightly fight pleading with her own legs to remain still (“Who’s The You”). The album does have its ‘light in the darkness’ moments, too, with songs about the direction of the reunited band (“Try Harder”) and the sheer power of positive thinking (“Bunch”), of which she declares “I lose battles, but I win wars.” All of this set to a backdrop of crunchy Superchunk-y guitars, even as they visit the more downtempo moments of reflection throughout the 11 tracks.

With a rich history within the 90’s DIY/indie/emo scene, Pohgoh was in a small league of female-fronted bands of the era alongside peers like Rainer Maria, Dahlia Seed & Jejune. The band’s previous catalog includes several singles, a split 7″ with Braid, the closing track on the Emo Diaries, Vol. 1 and the aforementioned full-length.

Secret Club is out now on CD/LP/Digital via New Granada Records (US), Barely Regal Records (UK/EU) and Waterslide Records (Japan).

PRAISE FOR SECRET CLUB:

“a dynamically playful and DIY-feeling fusion of emo, alternative rock, and power pop.”

– The Fader

“a fantastic piece of work that builds upon the bittersweet sonic bedrock the band initially laid out, while lyrically exploring the ups and downs of living with one bitch of a disease.”

– Kerrang (UK)

“They were everything I wanted in a band when I was playing music back in the day.”

– Washed Up Emo

“you should check this out if you’re fan of Pohgoh’s old pals like Braid and Rainer Maria, or newer bands that keep this sound alive like Into It Over It and Waxahatchee.”

– BrooklynVegan

“Alongside J Robbins’ typical rough-and-ready production style, Pohgoh feel so deeply ingrained in the classic emo aesthetic while simultaneously having grown, matured and experienced, and they’re able to capture those feelings in a great return.”

– The Sound Board

“It’s quite a musical feat for a band to contrast gloom and disheartenment so well with hope and solidarity. Pohgoh is able to do this in such a laid-back and easy manner as if the long hiatus had never existed.”

– Visions (Germany)

D.R.I. + Deathwish + More - West Palm Beach - 12/8/18
2018-12-08 20:00 - 2018-12-09 00:30 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
https://heroesliveent.com/wp-content/uploads/2017/12/45251678_494146477771453_5104327375326834209_n.mp4
Heroes Live Entertainment presents D.R.I. (Dirty Rotten Imbeciles), Deathwish, Old Habits & Church Girls @ Respectable Street in West Palm Beach.

Tickets: http://ticketfly.com/event/1634872

D.R.I. (Dirty Rotten Imbeciles) is a crossover thrash band that formed in Houston in 1982. D.R.I. integrated their hardcore punk roots with thrash metal influences and were a stylistic catalyst for their contemporaries — Suicidal Tendencies, Corrosion of Conformity, S.O.D., the Cro-Mags, Nuclear Assault and Cryptic Slaughter — alongside whom they are considered to be one of the major pioneers of “crossover thrash”, having a heavy influence on modern thrash, particularly Scott Ian and his band Anthrax.
D.R.I. **Only South Florida Show**
Website: http://dirtyrottenimbeciles.com
Facebook: http://facebook.com/DRI-137263955229/
Support:
Deathwish
Motor-Charged Punk from Wisconsin. DRI labelmates.
Facebook: http://facebook.com/deathwish666motorcharged/
Old Habits
Lake Worth Hardcore. Doing it right.
Facebook: http://facebook.com/OldHabitsHC/
Website: http://eulogyrecordings.com
Instagram: http://instagram.com/oldhabitshc
Links: http://aceshightattooshop.com ; http://blackrosetattooshop.com
Church Girls
Saint Lucie Rock N Roll. Grimey South Florida Orgy Anthems.
Website: http://churchgirlsfl.bandcamp.com
Facebook: http://facebook.com/ChurchGirlsFL/
Instagram: http://instagram.com/Official_Church_Girls/
Twitter: http://twitter.com/churchgirls_FL

Blac Rabbit **FREE SHOW** Seize The Day Tour 2018 - Miami - 11/3/18
2018-11-03 21:00 - 2018-11-04 01:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
https://heroesliveent.com/wp-content/uploads/2018/09/BlacRabbit-Ellen.mp4
Heroes Live Entertainment & Las Rosas present Blac Rabbit **Free Show** Seize The Day Tour 2018 with JAIALAI, Moongazer & DJ Goldie Brown of Jacuzzi Boys @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

RSVP: http://ticketfly.com/event/1762696

Born and raised in Bed Stuy, Brooklyn, identical twin brothers Amiri and Rahiem Taylor do not make the type of music that their borough of origin is usually associated with. Growing up in the mecca of hip-hop culture, the Taylor brothers had more exposure in their house to pop, funk and soul music from the 60’s, 70’s and 80’s. In high school, they taught themselves how to play guitar and write songs based off of the Beatles. After high school they formed Blac Rabbit, bringing in former metal and church drummer Patrick Jones, followed by resident shredder Josh Lugo on bass (and sometimes guitar) to play their original psychedelic rock tunes. Tired of working boring grocery store jobs, Amiri and Rah started performing Beatles covers on the NYC subway, earning some pocket change, slowly building a reputation around the city while also performing their original material in New York’s best venues for up and coming acts. On December 23rd, 2017, the band released their debut self-titled EP, which was also self-recorded and self-mixed. On January 26th, 2018, Rah and Amiri were filmed performing Beatles songs on the train by New York Nico, the “Unofficial talent scout of New York City,” who posted the video to his 120K+ followers on Instagram. One of the videos went viral generating over 25M streams, leading to numerous TV and Radio appearances, including The Ellen Degeneres Show. The band also recorded a cover of “Michelle” by The Beatles for a Gucci ad campaign featuring Harry Styles. Meanwhile, Blac Rabbit’s fan base has increased significantly while they have been touring globally and recording their debut full-length album, set for release early 2019.

Blac Rabbit
Website: http://blacrabbit.com/
Facebook: http://facebook.com/blacrabbitband/
Twitter: http://twitter.com/blacrabbitband
Instagram: http://instagram.com/blacrabbitband/
Support:

JAIALAI (Miami Psych Rock // Garage Rock // Indie Rock)
Website: https://jaialaiofficial.bandcamp.com
Facebook: http://facebook.com/jaialaiofficial/
Instagram: http://instagram.com/jaialaiofficial/
Moongazer (South Florida Neo-Psychedelia Space Rock)
Website: https://moongazer.band
Facebook: http://facebook.com/moongazur/
Twitter: https://twitter.com/Moongazur
Instagram: https://instagram.com/moongazur/
DJ Goldie Brown of Jacuzzi Boys

Moonfest 2018 featuring Information Society + Bow Wow Wow's Annabella + Stray Cats' Slim Jim Phantom - West Palm Beach - 10/27/18
2018-10-27 20:00 - 2018-10-28 01:00 | Clematis Street, 520 Clematis Street, West Palm Beach, 33401, United States
Moonfest in partnership with Heroes Live Entertainment present Moonfest 2018 @ Clematis Street in Downtown West Palm Beach. Performances by Information Society, Bow Wow Wow’s Annabella & Stray Cats’ Slim Jim Phantom.

Tickets: http://moonfest.me/tickets
Promo Code:
HEROESGA ($5 OFF)
HEROESVIP ($20 OFF)
*Last chance to use our promo codes for Moonfest ticket discounts. Offer ends Monday at midnight.

5 Blocks. 3 Stages. Haunted House. $1000 Cash Costume Contest. Laser Light Show.
Heroes Live Entertainment is partnering with Moonfest to bring you the Moonfest 2018 headliners: ⁣⁣⁣
⁣⁣⁣
Information Society
Bow Wow Wow’s Annabella
Stray Cats’ Slim Jim Phantom
⁣
On October 27th at 8pm MOONFEST is set to take place along the 5 haunted blocks of Clematis Street. Tension is at an all-time high and society is at a breaking point. Enter one of the gates along the event site and attempt to survive amongst a street of possessed souls and predatory demons. The 26th Annual Moonfest anniversary promises to be one for the books.
A terrifying haunted house will be available for entry for those who dare that will test your nerves and survival skills.
A private entrance, scare areas within the VIP area, open bar, and a delicious food spread are a few of some of the perks of a VIP Pass holders.
General admission and VIP passes are on sale now for $10 and $55 for the month of September. So get your tickets fast!
A Costume Contest for $1000 will take place before the national headliner on the rock stage. You can start submitting your best costume early to avoid missing out through the link on the website.
Stay connected and tuned in for the full music lineup release very soon. As well as, additional attractions and experiences within this year’s festival. Bring your soul to the party of the year.
All we need is YOU!
STRICTLY 21 and up. ID required.

Performances by:
Information Society
Website: http://informationsociety.us
Facebook: http://facebook.com/informationsociety/
Twitter: https://twitter.com/insoc
Bandcamp: https://informationsociety.bandcamp.com

Bow Wow Wow’s Annabella
Website: http://annabellalwin.com
Facebook: http://facebook.com/AnnabellaOriginalBowwowwow/
Twitter: https://twitter.com/AnnabellaLwin2
Stray Cats’ Slim Jim Phantom
Website: http://slimjimphantom.com
Facebook: http://facebook.com/officialsjp/
Instagram: http://instagram.com/officialslimjimphantom/

Escape The Fate + Slaves + Famous Last Words + Picturesque + Set To Stun + Bloodbather - Miami - 10/5/18
2018-10-05 17:30 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
https://heroesliveent.com/wp-content/uploads/2018/07/ETF-live.mp4
Heroes Live Entertainment presents Escape The Fate, Slaves, Famous Last Words, Picturesque, Set To Stun & Bloodbather @ The Ground at Club Space in Miami. Under 18 w/Parent or Legal Guardian (Both must purchase tickets)

Tickets: http://ticketfly.com/event/1708651

Escape The Fate (formed 2004) is a post-hardcore band originating from Nevada signed to Eleven Seven Music. Their sixth album, I Am Human, was released on March 30, 2018 spawning a top 15 single, Broken Heart, at Active Rock radio currently and the song will only climb the charts. ETF recently wrapped up a North American tour with Papa Roach.

Escape The Fate
Website: http://escapethefate.com/
Facebook: http://facebook.com/escapethefate/
Twitter: http://twitter.com/EscapeTheFate
Instagram: http://instagram.com/escapethefate/
Slaves
Website: http://slavesband.com/
Facebook: http://facebook.com/officialslaves/
Twitter: http://twitter.com/SLAVESOFFICIAL
Instagram: http://instagram.com/SLAVESOFFICIAL/
Slaves is an American post-hardcore group formed in Sacramento, California. The band currently consists of lead vocalist Jonny Craig, formerly of Emarosa and Dance Gavin Dance, bassist Colin Vieira of Musical Charis and guitarist Weston Richmond. The band released their third studio album Beautiful Death on February 16, 2018.
Support:

Famous Last Words
Facebook: http://facebook.com/famouslastwordsmusic/
Twitter: http://twitter.com/FLW_music
Instagram: http://instagram.com/famouslastwordsband/
Picturesque
Website: http://picturesqueband.com
Facebook: http://facebook.com/picturesque/
Twitter: http://twitter.com/picturesqueband
Instagram: http://instagram.com/picturesqueband/
Set To Stun
Website: http://settostun.net
Facebook: http://facebook.com/SETTOSTUN/
Twitter: http://twitter.com/SETTOSTUNband
Instagram: http://instagram.com/SETTOSTUNband/
Bloodbather
Website: http://bloodbather.bandcamp.com
Facebook: http://facebook.com/bloodbather/
Twitter: http://twitter.com/bloodbather
Instagram: http://instagram.com/bloodbather/

Meat Beat Manifesto + Otto Von Schirach **Only Southern US Show** - Miami - 9/15/18
2018-09-15 20:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Meat Beat Manifesto: Only Southern US Date @ The Ground at Club Space in Miami. Support: Otto Von Schirach & DJ Carlos Menendez (Fire & Ice, Backdoor, The Church)

Tickets: http://ticketfly.com/event/1646872

Jack Dangers is the composer and sound sculptor behind Meat Beat Manifesto. His constantly evolving musical invention has generated a long string of futuristic classics, like “Psyche Out,” “Helter Skelter,” “Radio Babylon,” “Edge of No Control” and “It’s The Music.” The single, “Prime Audio Soup,” from the Meat Beat Manifesto album Actual Sounds and Voices, was featured in the sci-fi fantasy blockbuster, The Matrix and on its platinum-selling soundtrack.
An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. As a premier remixer, producer, and sound designer, he has played a seminal role in defining tomorrows’ music today. Past production/remixing projects include Public Enemy, Scorn, David Bowie, Orbital, NIN, EBN, David Byrne, Merzbow, Depeche Mode, Terry Riley, Tower of Power and Coil. He has also made videos for Clive Barker, Tox Simian, and DJ Shadow.
Meat Beat Manifesto released their 2018 record, “Impossible Star” on January 19 via Flexidisc with distribution by Virtual Label. It is available on CD, digital, and vinyl. Drawing on the paranoid and surreal political and cultural climate, Jack Dangers likens the record “to an MC Escher optical illusion which spirals around and around and never seems to end.”
“Intriguing and intimidating, Dangers’ cultural osterizing evolves to the nth degree of studio sophistication…”
–ROLLING STONE
“Without MBM’s groundbreaking amalgams of hip-hop and industrial dance music, modern dance music genres such as Big Beat and Drum & Bass wouldn’t exist…one of Britain’s most inventive practitioners of sampladelic funk.”
–ALTERNATIVE PRESS
“A true innovator, MBM main man Jack Dangers helped lay down the rules for dub-inflected electronica, throwing down heavy breaks atop challenging experimental sound”
– CMJ
“The sounds of futuristic riddims that both predate electronic genre nicknames and mock their ideals; one that may be defined purely by its sphere of influence on modern music.
– URB

–

Meat Beat Manifesto
Website: http://meatbeatmanifesto.com/
Facebook: http://facebook.com/MeatBeatManifesto

Meat Beat Manifesto’s constantly evolving musical invention has generated a long string of influential futuristic classics in its 21 year career, including such tracks as “God O.D.”, “Strap Down”, “Psyche Out”, “Helter Skelter”, “Radio Babylon”, “Edge of No Control” and “It’s The Music”. The single, “Prime Audio Soup” (from the album Actual Sounds and Voices) was featured in the sci-fi fantasy blockbuster The Matrix and on its platinum-selling soundtrack.
An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. MBM recently contributed the track “Suicide” to the top-selling soundtrack to Underworld: Evolution and Jack’s remix of Tower Of Power’s “What Is Hip?” was nominated for a Grammy in 2006.

Support:

Otto Von Schirach
Facebook: http://facebook.com/ottovonschirach
Soundcloud: http://soundcloud.com/ottovonschirach
Twitter: @ottovonschirach
Instagram: @ottovonschirach
Otto von Schirach is an IDM and breakcore artist from Miami, Florida (USA), active since 1998. He is of Cuban/German descent. His style is more sporadic and noisy than other artists in the genre, and his visual aesthetic leans on the heavy metal side rather than electronic.
He has released most of his work on the Schematic and Beta Bodega labels, and was featured in the 2002 documentary Electro-Dziska. Otto’s live performances include outfits, masks and props, and he has toured with the band Skinny Puppy. He is also credited on the Skinny Puppy albums The Greater Wrong Of The Right and Mythmaker. In 2011 he has toured U.S.A. with Atari Teenage Riot.
He also does a large amount of work in the areas of music production and remixing and has collaborated with several artists such as Modeselektor on their records Happy Birthday! and Monkeytown. Recently von Schirach has become increasingly involved with the Miami Bass Warriors, a Miami Bass focused project with Jose el Rey, El Tigre and Debbie D from Avenue D. Their debut video, “Going Back to Calle 8,” was featured on Pitbull’s show La Esquina.

The Soft Moon + Boy Harsher - Miami - 4/25/18
2018-04-25 20:00 - 23:30 | Gramps, 176 NW 24th St, Miami, FL, 33127, United States
Heroes Live Entertainment presents The Soft Moon with special guests Boy Harsher and Laboratory @ Gramps in Miami (Wynwood).

Tickets: http://ticketfly.com/event/1596957

The Soft Moon gives the darkly hypnotic sounds of Suicide, Joy Division, Bauhaus, and Krautrock new life with a stripped-down, lo-fi approach. The Soft Moon is led by Luis Vasquez inspired by his Afro-Cuban heritage and the wide-open spaces of the Mojave Desert where he was raised.
The Soft Moon
Website: http://thesoftmoon.com/
Facebook: http://facebook.com/thesoftmoon
Twitter: @thesoftmoon
Instagram: @the_soft_moon
Support:
Boy Harsher
Website: http://boyharsher.com/
Facebook: http://facebook.com/boyharsher/
Twitter: @boyharsher
Instagram: @boyharsher
Boy Harsher is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable.
Laboratory
Website: http://laboratorymiami.bandcamp.com/releases
Facebook: http://facebook.com/laboratorymiami
Instagram: @laboratory_propaganda
Detuned synths for detuned souls. Currently the brainchild of Miami’s Ryan Carmody & Didi Aragon. Industrial, Post-Punk, Musique Concrete, Eerie Music, Sci-Fi.

Eyehategod + Cro-Mags + Shroud Eater + Ether - Margate (Fort Lauderdale) - 4/1/18
2018-04-01 18:30 - 23:00 | O’Malley’s, 1388 N. State Road 7, Margate, FL, 33063, United States
Heroes Live Entertainment presents Eyehategod “30th Anniversary Tour” w/Cro-Mags, Shroud Eater & Ether @ O’Malley’s in Margate (Fort Lauderdale).

Tickets: http://ticketfly.com/event/1617898

https://heroesliveent.com/wp-content/uploads/2017/12/EHG-videoflyer.mp4

The misanthropic sludge metal outfit Eyehategod was formed in New Orleans in 1988, and became an important part of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. Eyehategod was the brainchild of guitarist Jimmy Bower and drummer Joe LaCaze; the two recruited vocalist Michael D. Williams, lead guitarist Brian Patton, and bassist Steve Dale, and debuted in 1992 with the album In the Name of Suffering.
EYEHATEGOD “30th Anniversary Tour”
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Twitter: @EyehategodNola
Instagram: @EyehategodNola
Cro-Mags
Website: http://cro-mags.com/
Facebook: http://facebook.com/Cro-Mags-28749578197/
The Cro-Mags are an American hardcore punk turned crossover thrash band from New York City. The band, which had a strong cult following, has released five studio albums, their first two considered the most influential. According to AllMusic, “before the Cro-Mags, the idea of combining heavy metal and hardcore together was unheard of. But with the release of their classic debut, The Age of Quarrel, hardcore-metal was born, and in its wake came a legion of similarly styled offspring (Biohazard, Vision of Disorder, etc.).”
Support:
Shroud Eater
Website: http://shroudeaterrocks.com/
Facebook: http://facebook.com/shroudeater/
Twitter: @Shroud_Eater
Instagram: @shroud_eater
Miami’s Shroud Eater gained praise from preeminent tastemakers such as Noisey, Cvlt Nation, HellRide Music, The Obelisk and others, Shroud Eater have proven they bring the heavy with the best of them; Heavy Planet dubbed them “Stoner-Sludge Titans”, while Ghost Cult Magazine called them the “Future of sludge metal”. The band has performed at the much lauded Psycho Las Vegas, as well as Destroyer Fest, Wvrm Fest, 305 Fest, Fresh Fest, and the Tennessean Sludge Festival.
Ether
Website: http://ethercoven.bigcartel.com
Facebook: http://facebook.com/EtherCoven/
Instagram: @ethercoven
Doom, but punk… kinda.

KRS-One: The World Is Mind Tour - West Palm Beach - 2/25/18
2018-02-25 20:00 - 2018-02-26 00:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents KRS-One: The World Is Mind Tour @ Respectable Street in West Palm Beach. Special guests: DJ S.U.N. One, Brōōt McCoy (West Palm Beach) & Elohim The Anomaly (Miami).

Tickets: http://ticketfly.com/event/1634687

KRS-One, an acronym for “Knowledge Reigning Supreme”, has been called the “conscience of Hip Hop” (Rolling Stone), “the greatest live emcee ever” (The Source), the “spokesperson for Hip Hop” (Wall Street Journal), “master teacher” (Zulu Nation) and the “son of Hip Hop” (Kool DJ Herc).
At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

–

KRS-One: The World Is Mind Tour
THE WORLD IS MIND available at www.KRS-ONE.com

Website: krs-one.com/

Twitter: @IAmKRSOne

Instagram: @teacha_krsone

Appearing on the rap scene in 1986 as Boogie Down Productions releasing his first hit single “South Bronx” with his late DJ Scott La Rock, KRS “the one” made it clear that Hip Hop was going to have to take itself a lot more seriously than simply being a music genre.
With 20 published albums to his credit and his numerous appearances with other artists, KRS-One is believed to have written the most rhymes in Hip Hop’s history.
In the 1990s as “hip-hop” grew more and more commercialized and corporate, it was KRS-One that openly rejected such cultural exploitation and materialism grounding Hip Hop in its original principles of peace, love, unity and safely having fun.
Teaching everything from self-creation to stopping violence; from vegetarianism to transcendental meditation, from the establishment of Hip Hop Appreciation Week (every third week in May), to establishing Hip Hop as an international culture at the United Nations (2001), KRS-One has single-handedly held the history and original arts of Hip Hop together now for over two decades.
In addition to lecturing at over 500 universities in the United States and publishing three ground-breaking books; “The Science of Rap” (1995), “Ruminations” (2003), and the Gospel of Hip Hop” (2009), KRS-One has also established the Stop The Violence Movement (1989), influenced the creation of the “West-Coast All-Stars’ anti-gang anthem “We’re All In The Same Gang” (1990), warned the Hip Hop community against giving up their humanity for technological advancement (H. E. A. L.—Human Education Against Lies-1991), and has established the Temple of Hip Hop for the spiritual exploration of Hip Hop’s culture (1996).
It was KRS-One who first argued that “rap is something we do; Hip Hop is something we live” and introduced the “I am Hip Hop” philosophy in 1994 which Black Entertainment Television uses as the title of their Hip Hop Lifetime Achievement Award today. Without question, KRS-One has been the loudest voice for the actual preservation and expansion of original Hip Hop worldwide.
When he is not touring or lecturing, on his so-called “down-time”, KRS-One continues to share his unique knowledge of Hip Hop to younger audiences eager to hear the ‘teacha’ speak. Operating as a kind of “pop-up” school, KRS-One’s Temple of Hip Hop has appeared in various cities in USA also in the UK and Europe offering the more serious student of Hip Hop an effective way to live and understand the culture of Hip Hop more deeply.
KRS-One, the lyrical legend, drops his new 2017 album ‘The World Is Mind’. KRS-One brings that Boom Bap back, with tracks like; ‘Raw BEAT’ and the graffiti tribute ‘Out for Fame’. In addition KRS-One celebrates the South African clique langue on ‘Keep It Clicking’ and shares ancient wisdom on the title track ‘The World Is Mind’. This is another banger from the Hip Hop legend.
Awards:
2004, VH1 Hip Hop Honors
2007, I am Hip Hop, BET Hip Hop Awards
2007, Lifetime Achievement, BET Hip Hop Awards
2009, Living Legend Award, Urban Music Awards

Support:

On the decks: DJ S.U.N. One

Brōōt McCoy (West Palm Beach)

https://brootmccoy.bandcamp.com

https://soundcloud.com/brootmccoy

FB: http://facebook.com/BrootMcCoy

Twitter: http://twitter.com/brootmccoy

Instagram: @brootmccoy

Originally from Boston Mass, now residing in West Palm Beach FL.

Influences: Real Hip-Hop artists including Big L, Rakim & Erick B, Wu-tang Clan, James Brown, Louis Armstrong, Blu, DOOM, Nas, GZA, The Doppelgangaz, Jamla

Elohim The Anomaly (Miami)

YouTube: http://youtube.com/watch?v=Yc-rspUp07c

FB: http://facebook.com/ElohimtheAnomaly/

Twitter: http://twitter.com/elohimdanomaly

Instagram: @elohimtheanomaly

Elohim AKA Brother Nkosi X is a well known product of Miami. His love for Hip Hop and Islam as taught by the Honorable Elijah Muhammad and his student the honorable minister Louis Farrakhan is the driving force behind his resurgence. The world is in store for sound it has been crying out for. Brace yourself.

In the patio:

Art Exhibition by BOHEMÏAAGPRODUKT (Bohemïa AG) featuring Renda Writer.
WorldPeaceMuralTour.com
Bohemïa AG chose Renda because KRS-ONE inspired his life mission.
https://youtu.be/_xZrnpfFhoo

Lee "Scratch" Perry + Subatomic Sound System - Miami - 1/13/18
2018-01-13 20:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Lee “Scratch” Perry + Subatomic Sound System @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1603593

https://heroesliveent.com/wp-content/uploads/2017/11/LSP-video-IG.mp4

Eccentric producer and Grammy-winning reggae & dub artist Lee “Scratch” Perry celebrates his 80th year on earth and 40th anniversary of his landmark album “Super Ape”.

Lee “Scratch” Perry will perform the Super Ape album in its entirety with NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from Perry’s Black Ark era recordings. They will also perform brand new music like their latest single “Black Ark Vampires” and other classics from Perry’s work with the likes of Bob Marley & Max Romeo.

Lee “Scratch” Perry & Subatomic Sound System’s new release “Black Ark Vampires” is currently topping charts http://bit.ly/BAVss

–

Lee “Scratch” Perry

Website: http://subatomicsound.com

Facebook: https://www.facebook.com/perryscratch/

Twitter: @scratchlee

Instagram: @lee_scratch_perry

Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.

Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.

After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.

For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.

Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F

Subatomic Sound System

Website: http://www.subatomicsound.com

Facebook: https://www.facebook.com/SubatomicSoundSystem/

Twitter: @SubatomicSound

Instagram: @subatomic

Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.

Support:

DJ Kiva

Website: http://adiosbabylon.bandcamp.com

Facebook: http://facebook.com/DJKivaNYC/

Lee "Scratch" Perry + Subatomic Sound System - West Palm Beach - 1/12/18
2018-01-12 20:00 - 23:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents Lee “Scratch” Perry + Subatomic Sound System kicking off their US Tour @ Respectable Street in West Palm Beach.

Tickets: http://ticketfly.com/event/1603588

https://heroesliveent.com/wp-content/uploads/2017/11/LSP-video-IG.mp4

Eccentric producer and Grammy-winning reggae & dub artist Lee “Scratch” Perry celebrates his 80th year on earth and 40th anniversary of his landmark album “Super Ape”.

Lee “Scratch” Perry will perform the Super Ape album in its entirety with NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from Perry’s Black Ark era recordings. They will also perform brand new music like their latest single “Black Ark Vampires” and other classics from Perry’s work with the likes of Bob Marley & Max Romeo.

Lee “Scratch” Perry & Subatomic Sound System’s new release “Black Ark Vampires” is currently topping charts http://bit.ly/BAVss

–

Lee “Scratch” Perry

Website: http://subatomicsound.com

Facebook: https://www.facebook.com/perryscratch/

Twitter: @scratchlee

Instagram: @lee_scratch_perry

Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.

Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.

After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.

For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.

Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F

Subatomic Sound System

Website: http://www.subatomicsound.com

Facebook: https://www.facebook.com/SubatomicSoundSystem/

Twitter: @SubatomicSound

Instagram: @subatomic

Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.

Whitechapel: "Decade of Defilement Tour" + Carnifex + Rings of Saturn + Entheos + So This Is Suffering + Bloodbather - Miami - 11/12/17
2017-11-12 17:00 - 22:30 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Whitechapel: “Decade of Defilement Tour” Celebrating 10 Years of “The Somatic Defilement” with special guests Carnifex, Rings Of Saturn, Entheos, So This Is Suffering & Bloodbather @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1507518

https://heroesliveent.com/wp-content/uploads/2017/08/Whitechapel-videoflyer.mp4
With five genre-redefining albums to their name, the Knoxville, Tennessee natives have carved themselves a unique niche in contemporary metal, and in doing so have spoken to legions of fans. Making their presence known with 2007’s The Somatic Defilement, their profile has steadily grown, and 2014’s Our Endless War saw them crack the top 10 on the Billboard Top 200 for the first time. Their reputation for maintaining their integrity is well-earned, and going into their sixth full-length this commitment is stronger than ever. “I honestly don’t think that we ever have to prove anything to anyone, we do this because we enjoy it, and if people want to listen and support us, that’s just a bonus,” says Bozeman. “With this record we knew what we didn’t want to do. We wanted to get away from the faster stuff, because we’re burned out on that 260bpm blastbeat thing. We’ve done that. Ultimately none of us agree with genre pigeon-holing, and we’re not afraid to write what we want to write, no matter what anyone else thinks.” While the band had clear ideas for elements they wanted to explore, they did not allow this to dictate the record, which developed more naturally, focusing on what was best for the individual songs, refusing to accept anything less than the absolute best they could possibly do. “Nothing was set in concrete when we started writing, and we did not force anything,” Wade states. “For example, the idea of including some clean singing was brought up before any songs were written, but it was never really like ‘okay, we’re doing this’ until the songs that we planned to have that on were complete and Phil could say ‘so I’m clean singing on these, right?’. At that moment it felt exciting that we were exploring musical territory that we hadn’t before, and that we were confident in doing so.” In realizing the album, the band – rounded out by guitarists Ben Savage and Zach Householder, bassist Gabe Crisp and drummer Ben Harclerode – reunited with producer Mark Lewis (The Black Dahlia Murder, Cannibal Corpse). “When it comes to recording we have the ‘if it’s not broke, don’t fix it’ mentality, and he really does find ways to make us sound better with each record. From ‘Whitechapel‘ (2012) to ‘Our Endless War‘, there really was a large step forward in terms of the production and tones, and I feel that is also the case with the progression from ‘Our Endless War‘ to ‘Mark of the Blade‘. This is the biggest we have ever sounded on a record, and it’s great to see his growth as a producer matched with our growth as musicians.”
Whitechapel

Website: https://whitechapelband.com
Facebook: https://facebook.com/whitechapelmetal
Twitter: @WhitechapelBand
Instagram: @whitechapelband
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Support:
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Carnifex
Facebook: https://facebook.com/CarnifexMetal
Twitter: @carnifex
Instagram: @Carnifex
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Rings Of Saturn
Website: https://ringsofsaturnofficialmerchstore.com
Facebook: https://facebook.com/RingsofSaturnband
Instagram: @lucasmannofficial
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Entheos
Facebook: https://facebook.com/entheosband
Twitter: @entheosofficial
Instagram: @entheosband
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So This Is Suffering
Facebook: https://facebook.com/sothisissuffering
Instagram: @sothisissuffering
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Bloodbather
Website: https://bloodbather.bandcamp.com/releases
Facebook: https://facebook.com/bloodbather
Twitter: @bloodbather
Instagram: @bloodbather

Front Line Assembly + Cubanate - West Palm Beach - 11/4/17
2017-11-04 20:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Respectable Street in partnership with Heroes Live Entertainment present Front Line Assembly with Cubanate, Vampyre Anvil, Cyanide Regime & Skoros @ Respectable Street in West Palm Beach.

Tickets: http://ticketfly.com/event/1564861

Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released what for many has become the genre’s crowning moment, the classic album Tactical Neural Implant, which to this day still defines the best of industrial music.
FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial’s perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. Also in 1996, Front Line Assembly followed up Hard Wired with two CD singles, “Circuitry” and “Plasticity”, and toured North America with Numb and Die Krupps.
1997 saw the first realignment of Front Line Assembly since 1990, with the departure of Rhys Fulber and the addition of Chris Peterson to the ranks. Front Line’s 1998 album, FLAvor of the Weak, featured the band’s first flirtation with electronica. Re-Wind, a twin CD of remixes, followed later that year. The duo then released Implode in 1999, and Epitaph in 2001. Epitaph exhibited building intros, trancy synth lines, pulsing beats, and solid melodies, which proved to be contagious anthems for a new future of industrial music.
After the 2001 release of Epitaph, another changing of the FLA “guard” occurred: Chris Peterson left, and original member, Rhys Fulber (Fear Factory, Conjour One) returned. The newly charged Front Line Assembly delivered the highly anticipated Maniacal single in late 2003. The successful single laid the ground work for the 2004 album Civilization, and Vanished EP which featured three unreleased tracks.
Then finally in 2005 came the event that everyone was waiting for, a Front Line Assembly fusion. Bill Leeb, Rhys Fulber, and Chris Peterson with new members Jeremy Inkel, Adrian White, and Jarod Slingerland began working on the 2006 album, Artificial Soldier. The newly re-formed line-up managed to create an album that no only lived up to the expectations of Front Line Assembly fans, but surpassed them. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb’s trademark vocals couldn’t be fused together any tighter if you tried to do it at an atomic level. As if all of those factors weren’t enough, two guest vocalists appear on Artificial Soldier – Eskil Simonsson from Covenant (on “The Storm”) and Jean-Luc De Meyer from Front 242 (on “Future Fail”)! After the release of the album, the band embarked on a successful world tour, and released the remix album Fallout one year later.
Throughout the years, FLA has seen many line-up changes. Bill Leeb remains the constant behind the band. For 2010, a new line-up has emerged featuring Jeremy Inkel, Chris Peterson on programming duties, and Jared Slingerland on Guitars, and FLA has been joined by Three Inches of Blood guitarist Justin Hagberg, and guest keyboardist Craig Huxtable of Landscape Body Machine.
The result of this reinvigorated lineup is the all new album Improvised. Electronic. Device. As well as the Shifting Through The Lens single. The new songs demonstrate that FLA has not lost its edge over the past almost two and a half decades. And as if Front Line Assembly’s legacy and namesake alone weren’t enough for the album, Al Jourgensen from Ministry contributes his vocals to the song “Stupidity.”
Bill’s work can also be heard on a wide number of side projects, including Noise Unit, Delerium, InterMix, Cyberaktif, Equinox, and Synaesthesia. Bill has also contributed music to the popular video game, Quake 3 – The Arena.
Facebook: http://facebook.com/frontlineassembly
Support:
Cubanate
Website: http://soundcloud.com/marc-heal
Facebook: http://facebook.com/cubanate
Twitter: @Marc_Heal
Vampyre Anvil
Website: http://vampyreanvil.bandcamp.com
Facebook: http://facebook.com/vampyreanvil

Cyanide Regime
Website: http://cyanideregime.com
Facebook: http://facebook.com/cyanideregime

Skoros
Facebook: http://facebook.com/skorosmusic

Wax Tailor - Miami - 11/2/17
2017-11-02 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Wax Tailor: Solo Set & Guests – Feat. Charlotte Savary, Mattic & Dirty Art Club @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1507501

https://heroesliveent.com/wp-content/uploads/2017/08/WaxTailor-videoflyer.mp4
Wax Tailor
After a successful tour of 25 shows across the US this year, Wax Tailor is back for a new US Tour in November. For those additional 20 shows, mixing music & visuals, he will be joined on stage by Charlotte Savary (singer), Mattic (MC) & he’s also bringing Dirty Art Club as the opening act. The french producer is releasing « By Any Remixes Necessary », a relecture of his last album where he invites a dozen of producers. This album will be a world premiere as it will be released in a new format called “Vinyl connected ».
A defining figure of the european electronic scene, Wax Tailor’s unique sound lays somewhere between cinematic electro and orchestral hip-hop. Digging through the crates of the forgotten melodies, the DJ / producer crafts musical fantasies where silver era Hollywood and 20th century music come together. He has gained recognition through the years with five studio albums, two double live albums and about seven hundred concerts in over fifty countries. With his last studio album, “By Any Beats Necessary” (featuring Tricky, Ghostface Killah, Lee Fields, R.A The Rugged Man, Token…), Wax Tailor initiates a new take on the western frontier, leading us on a fabled road where Blues, Psychedelic Rock, Soul, Funk and Hip-Hop collide.
Wax Tailor has collaborated with numerous artists (Ghostface Killah, Tricky, Sharon Jones, Lee Fields, Ursula Rucker, Keziah Jones, Aloe Blacc, Charlie Winston, Alice Russell, Archive, RJD2, DJ Format, DJ Vadim, General Elektriks, Daedelus…).
Website: http://waxtailor.com
Facebook: http://facebook.com/thewaxtailor
Twitter: @waxtailor
Instagram: @waxtailor
Support:
Dirty Art Club
Website: http://dirtyartclub.bandcamp.com
Facebook: http://facebook.com/DirtyArtClub
Twitter: @DirtyArtClub
Instagram: @dirtyartclub

Insane Clown Posse: The Great Milenko 20th Anniversary Tour + R.A. The Rugged Man - Miami - 10/18/17
2017-10-18 19:00 - 23:30 | The Hangar, 60 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Insane Clown Posse: The Great Milenko 20th Anniversary Tour with R.A. The Rugged Man, Lyte, Ouija & Web Three @ The Hangar in Miami.

Tickets: http://ticketfly.com/event/1551927

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Insane Clown Posse
Few artists have as devoted a fan base (“Juggalos” as they call themselves) and are as roundly dismissed by critics as Insane Clown Posse, the Wayne, Michigan, rap-metal duo of Violent J (a.k.a. Joe Bruce) and Shaggy 2 Dope (a.k.a. Joey Utsler). Still, ICP’s longevity and marketing acumen have brought a success even their detractors must acknowledge.
Originally, Violent J and Shaggy 2 Dope were part of a rap quartet called Inner City Posse, which formed in 1988; when the group broke apart, Insance Clown Posse took its place in the local firmament. Their debut, 1992’s Carnival of Carnage, introduced the group’s new sound, which mixed harder rock elements among the beats and rhymes and its essential pose (clowns in full make-up anticipating the apocalypse, basically). But despite a steady stream of albums that sell well to the group’s surprisingly large core, ICP’s main draw is its live show featuring all manner of sideshow shenanigans, including pyrotechnics and the liberal tossing of Faygo soda onto a willing audience.
With a growing fan-base, 1994’s The Ringmaster sold well, eventually going gold, and led to the band signing with Jive records for 1995’s The Riddle Box. The band jumped to Hollywood Records for 1997’s The Great Milenko (Number 63) which helped propel ICP into the national spotlight; Hollywood’s pulling the album off shelves due to questionable lyrical content gave the album an even further push as the burgeoning nü-metal audience couldn’t wait to hear what all the fuss was about. Island eventually issued the disc. The band began making headlines but not so much for their music but thanks to a road accident (Violent J suffered a concussion), fights with their own audiences and at an Indiana Waffle House, and a panic attack onstage in Minneapolis (J’s).
By 1999, when the group issued The Amazing Jeckel Brothers, it had enough clout to debut at Number Four on the Top 200, and like Kiss before them, they began merchandising like crazy: multiple CD covers, a movie (Big Money Hustlas, which bypassed theaters for video), comic books, even part-time careers as professional wrestlers for both members, as well as appearances in a pair of wrestling video games. The group closed out the initial run of its ‘Dark Carnival’ series of albums with Shangri-La and Hell’s Pit, with the former album proclaiming that they had been leading their fans to God the whole time. ICP’s profile has shrunk in recent years (they’ve gone back to indie labels and tour in less high-profile a fashion), but their fan base remains as loyal as their 2007 release the The Tempest, which debuted at Number 20 on the Top 200, proved.
Website: http://insaneclownposse.com
Facebook: http://facebook.com/INSANECLOWNPOSSE
Twitter: @icp
Instagram: @therealicp
Support:
R.A. The Rugged Man
Website: http://ratheruggedman.net
Facebook: http://facebook.com/RAtheRuggedMan
Twitter: @RAtheRuggedMan
Instagram: @ratheruggedmanofficial
R.A. Thorburn, better known by his stage name R.A. the Rugged Man, is an American rapper. He began his music career at age 12, building a reputation locally for his lyrical skills. After a nine-label bidding war for his services, R.A. signed to major label Jive Records at age 18. Eventually R.A. and the label parted ways. His first album, Night of the Bloody Apes, was never released.
Since then, he has worked with the likes of Mobb Deep, Wu-Tang Clan, Kool G Rap, and Notorious B.I.G, as well as producers Erick Sermon, Trackmasters, DJ Quik, The Alchemist, J-Zone, and Ayatollah. He was featured on all three of Rawkus’s Soundbombing albums, as well as the platinum-selling WWF Aggression album. After a brief stint on Capitol Records (during which he recorded another unreleased album, American Lowlife), R.A. signed with independent label Nature Sounds and released his official debut, Die, Rugged Man, Die. In 2013, R.A. released his second album, Legends Never Die. The album was released on April 30, 2013 by Nature Sounds.
Lyte
Website: http://psychopathicrecords.com/Artists
Facebook: http://facebook.com/monstarLyte
Twitter: @lyte_official
Instagram: @lyte_official
The newest addition to the Psychopathic Records roster for 2017, Lyte comes to the label with an already well established fanbase built upon his his exhilarating and energetic live performances — a wicked blend of chopper-like rhymes and banging beats teamed with an unmistakable stage presence. He has toured with such acts as Critical Bill, Project Born, Motown Rage, and Twiztid. Lyte released his first mixtape (“Follow the Lyte) in 2014 and is readying his debut album for Psychopathic Records for its release in mid-2017. A multitalented performer, songwriter, and producer, Lyte is certain to illuminate the underground rap world in 2017.
Ouija
Facebook: http://facebook.com/FuccOuija
Web Three
Website: http://webthree.net
Facebook: http://facebook.com/webthreemusic
Twitter: @WebThreeMusic
Instagram: @webthree
Way more than just a rock/rap fusion outfit, Web Three Music is its own genre. It’s a “work hard, party hard” ethos mixed with social commentary, hard-hitting beats, live instruments, witty lyrics, and an undertone that urges listeners to be themselves. Web Three is “Do You” music, blending genres from hip hop to rock, with a touch of electro and soul. Having shared the stage with such artists as HED (p.e.), Twista, Project Pat, and Rehab, the band has developed a dedicated fan base and a close-knit family like following which fills venues. Web Three’s sound has been compared to Linkin Park, The Beastie Boys, and Rage Against the Machine… It’s up to you to decide for yourself.
Web Three’s name derives from his initials. Born William E. Bachelor III, Web is a charismatic rapper who is a self-described one-man mosh pit of style and a hip-hop fiend. He blends a natural gift for verse with a “f— it” attitude, making him the MC that stands out in a field of regurgitating one-offs. Equally important is his supporting cast. The incessantly joking Dita Von Bloom functions as the band’s hype man and second vocalist. Mike Dickson, the band’s guitarist, brings live instrumentation and adds energy to the already amped-up shows. Demonic theatrics are embodied by Ratt. The soft-spoken DJ Needlez runs the sequencing and turntables during the live show.
The lyrical flow has variety and is effortless. The music is firm and thick. The entire sound is full yet rageful. The complementary releases of the harder album “Do You,” and the more introspective “Loss, Love, and The New Normal” featuring Kaaren Styles, taken together present a complete range of talent that showcases the true depth of Web Three.

Front 242: Exclusive Florida Show + Nina Belief + Mystic Bill - Miami - 9/21/17
2017-09-21 20:00 - 23:30 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment & Radio-Active Records present Front 242: Exclusive Florida Show: Circling Overland North America 2017 with Nina Belief (Live) & DJ Mystic Bill @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1463099

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Front 242
Front 242’s entire history was clearly defined from the start when, in 1981, Daniel B. laid out his ideas on the first single : Body to Body. Following the recruitment of Patrick Codenys-keyboards, and Jean-Luc De Meyer-vocals in 1982 for the first album GEOGRAPHY. In 1983, Richard 23 joins and completes the band as stage performer and vocalist.
A year later, the project / band developed and quickly reached a specialised audience in Europe. Successive tours and records are logical conclusions of the same concept of electro induced energy music. At the same time, the band already provided for its needs by having their own recording and graphic units. Wax Trax! from Chicago is interested in Front 242; they sign what will be their first US release : the EP “Take One” (1984)
In 1985, the band played for the first time in large European festivals and flew to the US for some dates. They were soon tagged as a very powerful live group, and this form of music continues to spread across Europe under the monitor of “Electronic Body Music” which is the term Front 242 used to described the music they have invented. It is a collage, a synthesis of music and sound, recycled from the media or TV; and Front’s own interpretation of other artistic disciplines.
1988 saw the release of “ Front By Front ” (including Headhunter and Welcome to Paradise) which placed the band onto most of the covers of the European rock press, and made Front 242 a well-known name in the United States via the Wax Trax! record label.
Front’s vision continued toward fuller maturity. The world drastically changed since 1991’s “ Tyranny For You“ album, and the members of the group moved with it. The two albums, “ 06:21:03:11 Up Evil “ and “05:22:09:12 OFF “ broke through the classical Front formula to bring in new vocalists, live guitars and drums. Andy Wallace (Nirvana, Sonic Youth) was called in to mix the album in Front’s studio. Released in 1993, the project showed the scope of radical invention and attitude, that goes hand in hand with Front 242’s music. These releases also allowed them to enjoy the wider reaches a major label could offer, including a summer on the 1993 Lollapalooza tour.
Taking a two year sabbatical didn’t stop Front from moving. It enabled them to realize two attractive CD’s: “Live Code”, recorded during their last world tour, brings to the forefront the power of the group’s live performance and sound and “Mut@ge – Mix@ge”.
The compilation-album “Mut@ge-Mix@ge” proposed The Prodigy, The Orb, Underworld, Rico Conning, and Front 242 all on the same record. More than a “remix” album, all the tracks, enriched by the innovative mixes of the other artists involved, and each dealing with different levels of technology, have been reedited in a specific order by Front 242 to provide a successful continuity of enveloping atmospheres and rhythms.
After a long absence, they releasesd the EP “Still & Raw” and the Album “Pulse”. Based on an aesthetic from the 70’s and 80’s, when the roots of todays electronic music were influenced by German bands , Front 242 re-invented their original sound that was at the center of their art and enriched by 20 years of experience. Analogue technologies and vintage machines pulsing into deconstructed tracks where emotion and research leads to a purely electronic attitude. The band toured the states in 2005 before disappearing from the US… until the legendary Wax Trax Retrospectacle concert brought them back in 2011.
Now, after several side projects and European tours, Front 242 are spending the year performing all over the world for their “CIRCLING OVERLAND 2017 TOUR, including the 12-date North American leg in September and October.
Front 242, an unpredictable band, surprises the old and new audiences – while continuing to make the link with today’s music… with no concessions to their integrity.
Website: http://front242.com/
Facebook: http://facebook.com/Front.242
Instagram: @front242official
Support:
Mystic Bill
(Children Of The Box, Crimes Of The Future, Snuff Trax)
Website: http://residentadvisor.net/dj/mysticbill
Facebook: http://facebook.com/Mystic-Bill-182470288517294/
Twitter: @MysticBillDJ
Instagram: @mysticbill
A leading proponent of the classic Chicago house and Detroit techno sounds.
Bill’s introduction to the dance music scene began in Miami during the mid eighties. Armed with a fake ID he would frequent local clubs and after hour spots in town. It wasn’t until Bill landed a job at Flamingo Record Pool (run by Bill Kelly of WMC fame) that he discovered house music. Bill remembers when promos with house & acid mixes started arriving from Chicago. He felt so in tune with what was happening that he needed to be there. He finally made his move in 1988 after frequent visits. Shortly after he began to play clubs and loft parties around the city. His first residency was at the “Shelter Nightclub” w/ Johnny Fiasco. He later moved to “The Vault” with Derrick Carter & Mark Farina, as well as “Normandy’s” with Ralphie Rosario. He currently frequents clubs like Panorama Bar in Berlin and also plays at other select destinations around the world.
His studio work began with a remix of Kay Ladrae’s “Lack Of Love” with Vince Lawrence & Karr Krash on Demand Records. More of his earlier production work can be found on labels such as Trax, Relief, & Clubhouse just to name a few.
Bill has recently created a buzz with “ U Won’t C Me ” which has been licensed four times this year, as well as a re-release of his Acid House classic “Take Me Back” (featuring a Ricardo Villalobos remix). Upcoming releases include remixes of Kiddy Smile – Teardrops In The Box on Defected records, an EP of unreleased material on Crimes Of The Future, as well as a string of releases that are due out this spring.
Nina Belief
Website: http://no-emb-blanc.com/artist/nina-belief
Facebook: http://facebook.com/Nina.Belief
Nina Belief is a solo female electronic act based in Miami, focusing on the genres of minimal synth and dark electro. The Iranian born Tushna Pirrongelli originally began making music in 2004 with no prior knowledge or training. After discovering the world of analog synthesizers and drum machines, she began making music under the duo act Ronin/Kernkrach Records. The project eventually halted in 2008 and gave way for her to focus a solo music path.
In 2009, she released her first 10” LP with Genetic/No-em-blanc titled “System of Belief” containing the track Identity Crisis. In 2013, she released her first full length LP “Shivers” also on No-em-blanc records. A one off 7″ was also released on Flexiwave. Tushna has also been involved with several side projects including works with ADN Ckrystall, The Faceless 50 (with Geert Coppens of Twighlight Ritual), 65 Roses (unreleased to date) and Equinoxious.
Lately, she’s been clawing her way through the underground live circuit, always playing with an all analog setup of synthesizers and drum machines.
