Heroes Live Entertainment

Modern English: After The Snow Tour **NEW DATE** - West Palm Beach - 3/12/22
2022-03-12 19:00 - 23:00 (America/New_York) | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents Modern English: After The Snow Tour @ Respectable Street in West Palm Beach. Special guests: Entertainment. NEW DATE: Saturday, March 12th, 2022. Tickets for the original date will be honored.

Tickets: https://modernenglish.eventbrite.com

Legendary British band Modern English kick off their 2022 North American headline tour Saturday, March 12 at Respectable St. in West Palm Beach, Florida. Modern English will perform its classic 1982 album, After the Snow, in its entirety—along with classics from its extensive catalog.
Frontman Robbie Grey had the following to share about the upcoming 2022 North American run: “When we finally play the whole of ‘After the Snow’ album for the first time on tour, emotions will run high. Expect a lot of pent up energy and excitement. It’s been a long time coming and will be worth the wait.”

Modern English
Website: https://modernenglish.me/
Facebook: https://facebook.com/m0dernenglish
Twitter: https://twitter.com/m0dernenglish
Instagram: https://instagram.com/m0dernenglish

Simply put, “I Melt With You” by Modern English is one of the most iconic songs of the New Wave era. It garnered heavy rotation on the then-thriving Modern Rock radio format, MTV and dance clubs across the globe, and was prominently featured in the classic 1983 film Valley Girl, starring a young Nicolas Cage.
On 1982’s After the Snow, the band’s sound evolved from the dark, moody and challenging post-punk found on its debut, Mesh & Lace, to a more commercial and radio friendly mix of synthesizers, guitars, catchy drumbeats and singer Robbie Grey’s unmistakable vocals. As the title suggests, the icy sound featured on Mesh & Lace melted away on After the Snow to reveal more concise and potent songs, highlighted by “I Melt With You” which brought the band up from the underground to the mainstream. It’s a song so popular that the band was honored with a Lifetime Achievement Award at the 2020 BMI Awards for six million plays on radio. After the Snow was produced by the acclaimed Hugh Jones whose production credits include albums by Echo and the Bunnymen, Simple Minds, The Damned and many more, and the LP was released on the legendary 4AD Records in the UK and licensed to Sire Records in the U.S.
Formed in Colchester, England, the band self-released its first single on its own Limp Records label prior to signing to 4AD, home to such like-minded acts as Bauhaus, Cocteau Twins and Dead Can Dance. Laying the foundation for future musical movements such as goth and industrial, Modern English would gain the attention of renowned BBC DJ John Peel, who featured the band twice on his program.
Modern English would record various records over the years, and most recently, the band released its latest album, 2017’s Take Me To The Trees, an album that reconnected the band to their youth, in the fervent and fecund world of late 1970s/early 1980s post-punk Britain. Given Modern English’s roots were post-punk icons Wire and Joy Division – dark and austere while still melodic and passionate – Take Me To The Trees is a return to the sound and vision of their very early work that even James Murphy of LCD Soundsystem has described as “a sneaky secret that everyone writes off, because they just think it’s going to be a ‘I Melt With You’ but it sounds way scarier than any Joy Division record [Mesh & Lace].”

Support:
Entertainment
Emerging from the new crop of US underground acts updating the American Deathrock + UK Post Punk aesthetic. Entertainment is raw and bleak. Channeling the best parts of early 80s goth from a thousand years away.
Website: https://linktr.ee/entertainmentofficial
Facebook: https://facebook.com/EntertainmentBandOfficial
Instagram: https://instagram.com/entertainmnet.band.forever
Bandcamp: https://entertainment.bandcamp.com

Living In Oblivion: 80s 90s Party feat. Anything Box + London Exchange - West Palm Beach - 2/12/22
2022-02-12 20:00 - 23:30 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents Living In Oblivion: 80s 90s Party feat. ANYTHING BOX (First South Florida show since the ’90s!) with special guests LONDON EXCHANGE (Record Release Party) and DJ Dino of Synthology 101 @ Respectable Street in West Palm Beach.

Tickets: https://anythingbox.eventbrite.com

Anything Box

Formed in 1986 by Claude S. with two friends, Dania Morales and Paul Rijnders, the New Jersey trio Anything Box took their name from the title of a book of short stories. The act signed with Epic and released its debut album, Peace, in 1990, notching a hit with the upbeat “Living in Oblivion.” The song crossed over from clubs (Billboard Dance #10) and managed to climb onto the pop charts (reaching #65). They returned a year later with their second album, Worth produced by Gareth Jones (Depeche Mode, Einstürzende Neubauten, Wire, Erasure). With a current lineup consisting solely of Claude Strilio, Anything Box continues to incorporate more and more influences into its electronic pop framework.

Website: https://anythingbox.com
Facebook: https://facebook.com/endpop
Twitter: https://twitter.com/endpop
Instagram: https://instagram.com/endpop

Support:
London Exchange
Formed in 1988, London Exchange brought together elements of New Wave, Dance, and Freestyle. Inspired by groups like Information Society, New Order, and Depeche Mode, London Exchange was one of the pioneering bands of retro EDM that was taking off in the US & Europe in the late 80’s and early 90’s.
The band went on to Chart (3) 12″ singles: “Memories Of You” (1989), “Lost Without Your Touch” (1990), “Girl Inside The Magazine” (1991)
Touring the nation & worldwide exposure has made this band a staple of electro-pop-styled music on the radio and the dancefloor since their debut in 1988!
Website: https://londonexchange88.com
Facebook: https://facebook.com/LondonExchange
Twitter: https://twitter.com/LondonExchange
Instagram: https://instagram.com/londonexchange88
DJ Dino of Synthology 101 will be spinning synthpop, freestyle, and electro classics.

Nitzer Ebb - West Palm Beach - 11/19/21
2021-11-19 19:00 - 23:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents Nitzer Ebb with special guests Alpha Quadrant and DJ Paul Klov @ Respectable Street in West Palm Beach.

Tickets: https://nitzerebb.eventbrite.com

Join in the chant! The British pioneers of EBM return to South Florida!
Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.
Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.
After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”
Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.
Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

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Nitzer Ebb
Website: https://nitzer-ebb-produkt.com
Facebook: https://facebook.com/NitzerEbbProduktTour
Instagram: https://instagram.com/nitzer_ebb_produkt
Twitter: https://twitter.com/N_E_Produkt

Support:
Alpha Quadrant

Synth-wave-pop-tech-core-step duo with a penchant for 80s/early 90s aesthetique, shiny outfits, Sci-Fi, and other nerdly/life things.
Website: https://alphaquadrantofficial.bandcamp.com
Facebook: https://www.facebook.com/alphaquadrantofficial
Instagram: https://www.instagram.com/alphaqdrnt
Twitter: https://twitter.com/ALPHAQDRNT
and DJ Paul Klov (Bohemia AG) will be spinning industrial and EBM to get you on the dancefloor.

Eyehategod: A History of Nomadic Behavior Tour + Ether Coven + Seven Serpents - West Palm Beach - 10/24/21
2021-10-24 19:00 - 23:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents EYEHATEGOD with Ether Coven and Seven Serpents @ Respectable Street in West Palm Beach.

Tickets: https://eyehategod2021.eventbrite.com

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US, and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.
“The quintessential Southern sludge band” – PITCHFORK
“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY TIMES
“…True musical pioneers in every sense of the word.” – THRASHER MAGAZINE
ROLLING STONE:
Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list
One of “America’s great live bands”
EYEHATEGOD
Website: https://eyehategod.ee/
Facebook: https://facebook.com/OfficialEyeHateGod/
Instagram: https://instagram.com/EyehategodNola
Twitter: https://twitter.com/EyehategodNola
Support:
Ether Coven
Website: https://ethercoven.bigcartel.com
Facebook: https://www.facebook.com/EtherCoven
Instagram: https://www.instagram.com/ethercoven/
Bandcamp: https://ethercoven.bandcamp.com

Seven Serpents
Website: https://linktr.ee/Sevenserpents
Facebook: https://www.facebook.com/sevenserpents666
Instagram: https://www.instagram.com/sevenserpents/
Bandcamp: https://sevenserpents.bandcamp.com

Seafoam Walls **FREE SHOW** A Shot Worth Taking - The Concert Series - Miami - 10/3/21
2021-10-03 17:00 - 20:00 | Gramps, 176 NW 24th St, Miami, FL, 33127, United States
Hornitos Tequila in partnership with Poplife & Heroes Live Entertainment present Seafoam Walls @ Gramps in Miami (Wynwood).

FREE with RSVP: https://grampsevent.splashthat.com

“Miami band Seafoam Walls have been exploring a unique blend of soul, jazz, dreampop and indie rock — they call it “Caribbean Jazzgaze” — since 2016, and following a few singles/EPs, are set to release their debut album, XVI, in November via Thurston Moore’s The Daydream Library Series label.” – Brooklyn Vegan

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Seafoam Walls
Website: https://linktr.ee/seafoamwalls
Facebook: https://facebook.com/SeafoamWalls
Instagram: https://instagram.com/seafoamwalls
Bandcamp: https://ssseafoamwalls.bandcamp.com

The Ocean Blue: Exclusive Florida Show - West Palm Beach - **NEW DATE** - 10/2/21
2021-10-02 20:00 - 23:30 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents The Ocean Blue **Exclusive Florida Show** with special guests Sweet Bronco @ Respectable Street in West Palm Beach. NEW DATE: Sat, Oct 2, 2021. Tickets from the original date will be honored.

Tickets: https://theoceanblue.eventbrite.com

Join us as we welcome the indie-pop band to Respectable Street in West Palm Beach for an EXCLUSIVE FLORIDA SHOW with special guests Sweet Bronco. DJ Tommy Gunn will be playing your favorite alternative classics.
8:00PM (GA Doors) | 9:00PM (Show) | 6:30 (VIP Doors) | 18+

Tickets for the original date will be honored.

The Ocean Blue
Website: https://www.theoceanblue.com
Facebook: https://www.facebook.com/TheOceanBlueMusic
Instagram: https://www.instagram.com/theoceanblue/
Twitter: https://twitter.com/theoceanblue

The Ocean Blue arrived as the 1980s drew to close, and their debut record on the famed Sire Records label in 1989 seemed to summarize the best of the musical decade. The band of four teenagers from Hershey, Pennsylvania quickly achieved widespread acclaim and radio & MTV airplay, with top 10 Modern Rock/College Radio hits like Between Something and Nothing and Drifting, Falling. They followed their debut release with the subtle and atmospheric Cerulean, which included perhaps their most beloved song, Ballerina Out of Control, and followed that with their highest charting pop album Beneath the Rhythm and Sound and the single Sublime, featuring a video of the band in the sublime landscape of Iceland. The band’s fourth record for Mercury/PolyGram, See The Ocean Blue, was a departure to a more guitar rock sound of the 60s and 70s, but with the band’s 80s DNA peeking through. After a busy decade of recording and touring, the band left the majors in the late 90s. Several independent releases and related touring followed in the 2000s, including 2000’s Davy Jones Locker and 2004’s Waterworks EP, and some wider international touring. In 2013, after much anticipation, the band released their first full length record in over 10 years, Ultramarine, on Korda Records, a Minneapolis-based label cooperative label the band helped launch that same year. The record was a welcome return for fans of the band and a younger generation of fans, and garnered widespread praise as one of their very best albums. In 2015, the band worked with Sire and Rhino Records to reissue their first 3 Sire albums on vinyl. The band marked the occasion by performing the first 2 albums in their entirety at limited concerts throughout the U.S. In 2016, the band did a full South American Tour where some of their most passionate fans reside.
The band has now returned with their signature dream pop sound on the beautifully powerful Kings and Queens / Knaves and Thieves. Out now on Korda Records. See the band on tour in 2019-2021.

Support:
Sweet Bronco
Website: https://sweetbronco.bandcamp.com
Tumblr: https://sweetbronco.tumblr.com
Facebook: https://facebook.com/sweetbronco
Instagram: https://instagram.com/sweetbronco
Twitter: https://twitter.com/sweetbronco

Berlin + Big Country - Miami - 3/7/20
2020-03-07 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Berlin + Big Country @ The Ground at Club Space in Miami. Here’s your chance to see Berlin + Big Country LIVE in Miami up close at an intimate venue!

Tickets: https://berlinbigcountry.eventbrite.com

A message from Terri Nunn: https://youtu.be/G1dwuTiQcj0

https://heroesliveent.com/wp-content/uploads/2019/08/102.7-The-Beach-Promo.mp4

LA synthpop legends BERLIN and Scottish rock giants BIG COUNTRY share the stage in Miami. Get set for a night full of 80s hits!
This is Berlin’s first Miami show in 17 years and Big Country’s first South Florida show since 1984!
Lead by the playfully sexy Terri Nunn, Berlin is known for their high, energetic live show as well as their multi-platinum hits including:

“TAKE MY BREATH AWAY”

“NO MORE WORDS”

“THE METRO”

“MASQUERADE”

“SEX (I’M A…)”

The multi-GRAMMY nominated Scottish rock band Big Country scored 17 top 30 UK singles and massive worldwide hits including:
“IN A BIG COUNTRY”
“LOOK AWAY”
“WONDERLAND”
“FIELDS OF FIRE”
“KING OF EMOTION”
Dance to DJ sets by Carlos Menendez (Fire & Ice, Backdoor, The Church) playing the best in 80s classic alternative.
Meet fellow cruisers before setting sail on The 80s Cruise departing Miami.

https://heroesliveent.com/wp-content/uploads/2019/08/Berlin-BC-IG.mp4

Berlin
Website: https://berlinpage.com
Facebook: https://facebook.com/berlinofficialband
Twitter: https://twitter.com/realterrinunn
Instagram: https://instagram.com/berlinband

“New music is the lifeblood of anybody making music— it’s that creation, excitement, new babies [songs]! It inspires me and it inspires others,” declares Terri Nunn, the charismatic and enigmatic singer of L.A.’s iconic synth electro-pop pioneers, BERLIN.
BERLIN will forever be recognized as the American progenitor of electro-pop artistry with sensually appealing lyrics. Few bands emerging from the era of BERLIN have achieved as far-reaching and long-lasting an impact and, rarely, such a timeless array of musical grooves. The Los Angeles-based band made its first national impression with the provocative single “Sex (I’m A…)” from the platinum-selling debut EP Pleasure Victim in 1982. “The Metro” and “No More Words” were also chart toppers, but it was the unforgettable, intimate, and strikingly beautiful love song, “Take My Breath Away” that took the band to another level. The ballad’s defining role in the Tom Cruise film, Top Gun, helped solidify BERLIN’s everlasting place in American pop-culture. The song was a #1 international hit and received both the Golden Globe and Academy Award for “Best Original Song” in 1986.
The band released its seventh studio album, Animal, in 2013. Animal explored contemporary electronic dance music while remaining true to the groundbreaking sound and Nunn’s signature vocals that continue to define BERLIN. Animal was the result of Nunn’s re-ignited love affair with current electronic music, and the feeling that BERLIN could make a unique statement in the EDM [electronic dance music] milieu. “It’s still my favorite medium. I’ve loved it since I met John [Crawford, original Berlin bassist) in 1979, when he wanted to bring electronic music to America, because it wasn’t here yet,” she recalls. “What it’s morphing into is exciting me so much, I was motivated to look for songwriting partners to help us initial impression on the music world in 1982, with their seductive single, “Sex (I’m A…),” from the platinum- certified debut EP Pleasure Victim. BERLIN’s first full length LP, Love Life, hit in 1984 and was certified gold. In 1986, BERLIN topped the charts with the unforgettable, intimate and strikingly beautiful love song, “Take My Breath Away.” The ballad’s defining role in the Tom Cruise film Top Gun has also helped solidify BERLIN’s everlasting place in American pop-culture. Nunn’s ongoing influence earned her the #11 spot on VH1.com’s “100 Greatest Women in
Rock,” while, as an actress, she played leading roles in films including Katie: Portrait of a Centerfold with Kim Basinger, and Thank God It’s Friday with Jeff Goldblum and Debra Winger.
Currently, Nunn is recording a brand new BERLIN studio album with her original BERLIN band members and co-writers, John Crawford (bass) and David Diamond (keyboards). The album is scheduled for release in mid 2019. The album is being produced by Australian producers Andy and Thom Mak. The album marks the first collaboration by Nunn, Crawford and Diamond since Love Life, the third BERLIN album, released in 1984.
Video was very important to early hits like “Sex (I’m A…)” and “The Metro”— has also taken on new meaning for BERLIN. “YouTube is the new MTV,” Nunn notes. “We used to spend so much money on mini movies, but now all you need is a good HD camera and a guy who knows some lighting. Online is where people go to see and hear music— it’s free and it’s easy and so wonderful.” Nunn’s honesty and infectious enthusiasm carries through every aspect of Animal, which she views as an entirely new chapter. “I always looked at music as passion. All we can do is appreciate that people’s passion is so strong for music… I feel it too, it’s part of my DNA, and I love what I grew up with. What I learn as I get older,” she concludes, “is that it’s not about money or ‘making it.’ Sure, they’re fun games, but it’s about connection, that’s where the real joy, passion and bliss comes from, and music is such a huge part of connecting people. It’s the way… to bliss.”
BERLIN’s discography has yielded twelve gold and platinum album awards. The band—founded by Nunn, bassist John Crawford, and keyboard player David Diamond—made its everlasting place in American pop-culture. Nunn’s ongoing influence earned her the #11 spot on VH1.com’s “100 Greatest Women in Rock,” while, as an actress, she played leading roles in films including Katie: Portrait of a Centerfold with Kim Basinger, and Thank God It’s Friday with Jeff Goldblum and Debra Winger. Along with comedienne, Wendy Liebman, Nunn also previously hosted the critically acclaimed radio show Unbound with Terri Nunn on 88.5 FM KCSN Los Angeles.
Despite her many creative outlets, music, BERLIN and touring remain Nunn’s first love. Nunn, a rabid music fan, was inspired by Fleetwood Mac’s “Rhiannon” and her discovery of the LA club scene, starting with the band, X. Looking back, she recalls her own early musical dreams. “I remember going to a Rolling Stones concert at the Rose Bowl, and I couldn’t believe they did 2 1⁄2 hours of songs and I knew every single one! That’s a legacy, a body of work that has mattered to people. That’s what I aspired to,” she says. “Of course, no way am I close to that body of work, but I have a number of songs that people love that much, and they come to hear Berlin over and over. I’m so grateful for that.”

https://heroesliveent.com/wp-content/uploads/2019/08/Berlin-BC-V2.mp4

Big Country
Website: https://bigcountry.co.uk/

Facebook: https://facebook.com/inabigcountry

Twitter: https://twitter.com/bigcountryuk

Instagram: https://instagram.com/bigcountryofficial

Big Country was originally formed in 1981 by guitar playing founder members Stuart Adamson and Bruce Watson both native of the band’s hometown Dunfermline in Scotland.
Initially driven by a shared vision of widescreen guitar melody, harmony and lyric, the classic Big Country sound was further enhanced later that summer by the arrival of drummer Mark Brzezicki and bass player Tony Butler. This is the Big Country that (with producer Steve Lillywhite), recorded the classic debut album ‘The Crossing’ in 1983.
The band broke massively worldwide with the release of the album’s classic singles ‘Fields Of Fire’, ‘Chance’ and signature song ‘In A Big Country’, which went on to become massive worldwide hits, selling over 2 million copies and driving ‘The Crossing’ to 3 prestigious Grammy nominations in the USA.
The run of success continued throughout the 1980′s with the release of the anthemic single ‘Wonderland’ and the second album ‘Steeltown’ (1984), which debuted at Number 1 in the UK and contained the hit singles ‘East Of Eden, ‘Just a Shadow’ and ‘Where The Rose Is Sown’ . In 1985, Big Country appeared at Live Aid in London followed by further successful album releases ‘The Seer’ (1986, which included the bands biggest UK hit ‘Look Away’, which also reached Number 1 in the Irish Singles chart) and ‘Peace In Our Time’ (1988), which saw the band playing the first ever privately promoted gig in Russia at the Moscow Sports Stadium.
At the start of the 90’s ‘Through A Big Country’, featuring all the bands classic hits was released, followed by the fifth studio album ‘No Place Like Home’ (1991) taking the band’s total record sales to well over five million copies.
Further studio albums Buffalo Skinners (1993) and ‘Why The Long Face (1995) followed, which saw Big Country landing the special guest slot on the Rolling Stones ‘Voodoo Lounge’ European tour and several shows in the UK and Ireland with Led Zeppelin’s Jimmy Page and Robert Plant in 1995.
In August 1998 they were once again invited to open for the Rolling Stones on their ‘Bridges To Babylon” tour of Europe prompting Mick Jagger to say that Big Country were “one of the best opening bands we ever had”.
Two songs written at that time (‘Somebody Else’ and ‘Devil In The Eye’) were co-written with Ray Davies of The Kinks who invited the band to back him on the main stage at Glastonbury to perform a storming set in the rain.
By now singer Stuart Adamson had relocated to Nashville, Tennessee and so his fellow bandmates decamped to America to join him in writing and recording the album ‘Driving To Damascus’. It would be the last album they recorded together. With Stuart at the helm, Big Country, scored 17 top 30 UK singles achieving 5 gold and platinum status albums along the way. Stuart and Big Country would tour Europe one final time in 2000 and on the closing night at their beloved Barrowlands in Glasgow the band were fatefully joined on stage for one last song by Alarm singer Mike Peters and Bruce Watson’s son Jamie on guitar.
On December 16th 2001, Stuart Adamson took his own life in Honolulu, USA. He is survived by his children Callum and Kirsten. A celebration of Stuart’s life was held at Glasgow Barrowlands in May 2002 featuring the remaining members of Big Country with special guest vocalists including Mike Peters who would also sing with the band at a fan club convention in Zaandam, Holland.
The remaining three members had no real thoughts of performing as Big Country again. But, Tony Butler, Mark Brzezicki and Bruce Watson re-united in 2007 to celebrate the band’s Twenty-fifth anniversary. “It wasn’t a come-back… it was just the three of us having fun, as friends and as a band, and hoping to give the fans some enjoyment by playing our songs live, to celebrate 25 years” – Bruce Watson
In the summer of 2010, Bruce Watson finally picked up the phone and asked Mike Peters to do what he had previously been reluctant to do and sing with Big Country officially. In order to celebrate 30 years since the band was formed, Mike (a longstanding friend of Stuart’s who credits the words of ‘In A Big Country’ as literally inspiring him to ‘Stay Alive’ through two very public cancer battles), instinctively agreed and dates were booked. The first was fittingly in Glasgow, Scotland on New Years Eve 2010 and the second in the band’s hometown of Dunfermline. There was instant chemistry with the band also being joined by Bruce Watson’s son Jamie on guitar as Big Country again sought solace in the music and the freedom to express their love and admiration for their departed friend Stuart Adamson (who’s usual space at the centre of the stage was left symbolically vacant).
“When we are playing it is as if we never stopped, but I know we have, I know we suffered a great loss. But you heal . . . slowly. I can assure you that Stuart will be there with us every night, in our thoughts, in our words, and in our hearts. And now we find ourselves maybe not fully healed, but whole enough to hear the calling to continue this story. And time has made me realise that this story has always been about our fans, the love we have for our fans, and the love they have selflessly given us back.” – Bruce Watson
“When Bruce Watson called and asked me to sing for Big Country it was something I didn’t need to think twice about. It’s been an incredible honour getting to know the music of Big Country intimately and a pleasure to be around such great musicians and fans alike. I find singing the lyrics of Stuart Adamson very life affirming” – Mike Peters
Two years of intense and emotional shows followed with the ‘new’ Big Country fuelled by a renewed energy and once again revelling in the dreams and visions that had brought them together in the first place, finding instant and respectful acceptance by fans and critics alike. Since then, the band have performed at many of the UK and Europe’s most famous festivals, including Isle Of Wight (Twice), V Festival, T In The Park, Oxegen, Pink Pop and Cropredy creating a new generation of fans and renewing the passion for diehards with the introduction of new original songs such as ‘Another Country’ and ‘The Journey’ which encapsulate not only the sound but the heart and soul of Big Country past, present and future.
With the promise of a new era dawning for the band and the realisation that Big Country now have the platform to once again record and tour on a world wide scale, bassist Tony Butler has decided that his time in Big Country has come to a close and so he has retired gracefully from the stage. The band now welcomes Scott Whitley on bass.
In April 2013, Big Country released The Journey and toured across the globe in support of this highly acclaimed album throughout the year.
Coming into 2014, new challenges arose for Big Country. With Mike Peters dedicating his efforts full-time towards the support of the 30th Anniversary of The Alarm’s Declaration, Big Country have been joined by Simon Hough to perform vocal duties. He has fit in perfectly as the band continues its touring throughout the year that Big Country celebrated the 30th Anniversary of the release of the album, ‘Steeltown’. 2015 sees a massive Best Of (and more) tour of the UK and Europe, during which, Scott Whitley joined the band on bass, following Derek’s departure after 3 years. With 2016 comes the 30th Anniversary of ‘The Seer’ with the album being performed in its entirety on tour.

Black Lips **Record Release Show** + Plastic Pinks + Palomino Blond + DJ sets by Danny Kokomo of Jacuzzi Boys - Miami - 1/24/20
2020-01-24 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Black Lips **Record Release Show** w/Plastic Pinks, Palomino Blond & DJ sets by Danny Kokomo of Jacuzzi Boys. Party with one of the Peach State’s wildest bands!

Tickets: https://blacklipsmiami.eventbrite.com

The story of the Black Lips began in Dunwoody, Georgia, a quiet, conservative suburb of Atlanta, in the year 1999. Born of a mutual love of Link Wray, The Stooges, and The Ramones, and sealed through a shared dedication to defiance, the band formed after childhood friends Jared Swilley and Cole Alexander were kicked out of Dunwoody High for separate, yet equally bad, behavior. The former classmates took their love of music and restless energy and channeled it into their newly found free time, and joined by friends Ben Eberbaugh and Joe Bradley, the Black Lips started playing shows around Atlanta, at house parties and bars. They spent this time honing their sound – garage rock infused with blues, psychedelia, and punk, plus a healthy dose of reckless abandon – and released their first 7-inch, “Ain’t Coming Back,” in 2002 on Die Slaughterhouse records (named in homage to the flophouse den they called home). Shortly before the band was set to head out on their first ever national tour, Eberbaugh was tragically killed by a drunk driver. Devastated but determined to carry on in Eberbaugh’s honor, the Black Lips hit the road as a trio just a few days later.
It’s been 15 years, but that passionate dedication to touring has never left the band. The Black Lips have released eight full-length albums since that first tour, and have traveled the country and the world extensively, making a name for themselves as an electrifying, must-see live act. It helps that the same mischievous spirit that helped speed up their exit from the educational system is still very much alive, thriving in its new environment on stage, resplendent with punk rock theatrics and miscellaneous bodily fluids, amongst other things. The band’s energy and unique “flower punk” sound helped them build a rabid fan base, and after releasing their first two albums through Bomp!, they put out the critically celebrated Let It Bloom on In The Red records. This record garnered the Black Lips features in Spin and Rolling Stone, and they were soon signed to Vice Records, subsequently releasing Los Valientos Del Mundo Nuevo, an ambitious album recorded live at a bar in Tijuana, Mexico, in February of 2007.
In their decade-long tenure with Vice, the Black Lips have evolved from wildly crooning over fuzzy, raucous music at house shows full of kids to wildly crooning over fuzzy, raucous music at international festivals in front of thousands of fans. They have toured consistently, with their zeal for travel taking them all over the world, and not without some international adventure: In 2009 the Black Lips went on their first (and last) tour of India, playing shows in Bangalore and Mumbai before chaos struck in Chennai after the band ditched their toned-down presence in favor of classic Black Lips capers, including some not so well received Lips-locking. After the same sex smooching and also Alexander baring his butt to the rowdy crowd, the tour’s sponsors pulled out and the band was nearly jailed, their passports confiscated by the disgruntled promoters. According to Swilley: “The first few shows, we were being really reserved because we didn’t want to offend anyone, but they kept telling us to do what we wanted…I guess “do whatever you want” didn’t include kissing each other, and I think Cole mooned the crowd, which is a huge no-no. We had to physically wrestle our passports back from the promoters. It was the scariest 15 hours of my life, but we got out of there.” The band ended up taking a 200 mile cab ride to the next province and hopped a flight to Berlin, narrowly escaping Indian prison.
Undeterred, the band jumped at the chance to become the first Western punk band to tour another notoriously conservative continent, the Middle East, just a few years later. Why? “It was important for a number of reasons,” Swilley says of the tour. “We’ve always wanted to push boundaries of where we go. Plus, a lot of people told us we couldn’t do it, and anytime someone tells us we can’t do something, then we kind of have to. We have O.D.D, oppositional defiance disorder.” This time, their shows went off without a hitch, and Black Lips played shows for crowds in Jordan, Cyprus, Egypt, Lebanon, Iraqi Kurdistan, and the United Arab Emirates in 2011 in support of that year’s release of their record Arabia Mountain, produced by Mark Ronson. The title was actually a reference to a mountain in Georgia, but that didn’t stop the Lips from playing the record all over the Middle East, to enthused fans and without causing any further international incidents. “Everyone was really nervous about us going there, but it really went off without a hitch,” adds Swilley. The band also hasn’t abandoned plans to become the first rock band to play on all seven continents, hoping to hit their last remaining one, Antarctica in the near future, and disregarding Metallica’s claim of this achievement: “Just when we were securing the funding, Metallica sniped us. They took a boat, probably a gold plated Versace boat, down there. But they actually didn’t play on land, and they didn’t play with amps, so technically they haven’t played Antarctica. Metallica hasn’t beat us yet.”
For their ninth studio album, the Black Lips have teamed up with Sean Lennon, who got on board to produce Satan’s graffiti or god’s art? in 2016. The Black Lips had formerly worked with Lennon on Arabia Mountain, where Lennon played theramin on several tracks. The band moved up to Lennon’s studio compound on a remote farm in upstate New York, and spent several months living and breathing the new record. This removal from the outside world, plus the return of beloved early guitarist Jack Hines and the exciting addition of new members Oakley Munson on drums and Zumi Rosow (the first female Black Lip) on saxophone, infused the project with a focused, intoxicating liveliness, similar to the spirit that had brought the Black Lips to life in the first place, way back in 1999. Only this time, the band is drawing from nearly two decades of experience and musicianship, and the newness is tethered by familiarity: Munson is a longtime friend of the band, and Rosow has been playing live with the Black Lips for several years now. There’s even a dash of kismet: unbeknownst to the band, after being off the grid for some time, Munson had just recently moved to a cabin a short distance away from Lennon’s compound, and the first time his phone ever rang after he plugged into the wall, Alexander was on the other end, asking him to play.
All of this excitement and immersion created the perfect storm for the Black Lips’ most musically evolved album to date. “It was a really beautiful experience. We were very far from civilization, and we were all living at the studio. We weren’t going home to our own beds every night; that was our whole world, 100% of the time,” says Swilley of the experience. “Making this record was the most wonderful few months of my life. It was by far my favorite time recording an album so far…It was just magic.” The Black Lips were joined by Saul Adamczewski of Fat White Family, who helped co-produce the record with Lennon, plus another rather magical guest: Yoko Ono. “She’s very cosmic,” Swilley says of the celebrated artist and musician, who makes an appearance on a few of the tracks. The final product is urgent and thoughtful, reflecting the growth the Black Lips have experienced since bursting onto the scene (once or twice quite literally on fire), but it’s also true to their original blistering, careening take on rock n’ roll: fuzzy, dirty, and rife with three and four part harmonies. Satan’s graffiti or god’s art? proves that while they may have grown up a bit and changed a few things around, the Black Lips are still as creatively unhinged and exhilarating as ever. Satan’s graffiti or god’s art? is out now on Vice Records.

Black Lips

Website: https://black-lips.com/

Facebook: https://facebook.com/theblacklips/

Instagram: https://instagram.com/theblacklips_/

Twitter: https://twitter.com/TheBlackLips

Support:

Plastic Pinks

Website: https://plasticpinks.bandcamp.com/

Facebook: https://facebook.com/plasticpinks/

Twitter: https://twitter.com/PlasticPinks

Instagram: https://instagram.com/plasticpinks

Rock & Roll outfit from Miami, FL.
Plastic Pinks formed in Jan of 2013 and have kept the integrity of their energetic sound throughout the years, even after going through some line up changes. Known for their charismatic performances, energetic music and their commitment to their craft, they have toured over the years and don’t seem to be slowing down anytime soon. They once shared the road with AJ Davila (Terror Amor / Davila 666) which helped pave the way for future tours where they promoted their various releases. Among those releases they had many breakthrough moments, like having their 7”inch record released by the Atlanta label, Die Slaughterhaus Records, in which the songs “Fui” and “Kelly” gained them momentum and inspired a craving to push harder than before. Later on, they released their digital / cassette EP, “Livin’ On the coast”, via Wiener Records. This particular EP propelled the band further which helped as a stepping stone towards to their later released album “Sunnyside Rabbits” (recorded/produced by AJ Davila) with Burger Records. During the Sunnyside Rabbits three month tour the band was featured on Daytrotter, as wells as a KEXP live session, which added more wind to their sails.
After playing various high profile shows like III POINTS festival, SXSW, Burgermania, Atlanta Mess-Around as well as having played with the likes of Unknown Mortal Orchestra, Warpaint, King Krule, Run The Jewels, RJD2, Ty Segall, Black Lips, Shannon and The Clams, The Spits, Thee Oh Sees, Hinds, La Luz, The Coathangers, Wand, Natural Child, DIIV, Neon Indian, Surfer Blood, Jacuzzi Boys, Kim and The Created, Jaill, Destruction Unit, The Garden, Iceage, Night Beats among the list, you can only ask yourself; What’s next for Plastic Pinks?
For their fourth release they will unleash “El Animal”, a six-song EP under the Ghost Drag Records banner. Plastic Pinks have taken their time to work on this upcoming release by exploring a broader sound and a less constrictive approach. For that they enlisted the help of Gordon Raphael (producer of “The Modern Age”, “Is this it” and “Room On Fire” by The Strokes) to do the EP’s mixing, as well as their upcoming album’s, as a way to capture a new era of Plastic Pinks. They are also working on their following album tentatively named “Don’t Forget The Mischief” with the help of their friend Robert Peters (Fuzz Baby Records) who recorded and co-produced “El Animal” to have it be released later on 2017.

Palomino Blond

Website: https://palominoblond.com

Facebook: https://facebook.com/palominoblond

Twitter: https://twitter.com/palominoblond

Instagram: https://instagram.com/palomino_blond/

Palomino Blond is a band from Miami, FL who came up in the tradition of the suburban D.I.Y. all-ages community. After filling countless rooms with earlier projects, the members came together over a shared love of classic alternative rock, and released demos during the Summer of 2018. The demo has seen relentless support from their homegrown fanbase and regional college radio stations alike.
Their demo; the single “Creature Natural” (along with its music video directed by Jon and Michael Cuartas); and frequent, dynamic live sets in their home state of Florida have solidified Palomino Blond as “next to carry the torch” (Amanda Starling, The Alternative) of indie rock from their home state to a larger audience.
The band is currently recording their debut LP with Jonathan Nunez (guitarist of SFL’s Torche and founder of Nunez Amplification). They are slated to play some of Florida’s most popular festivals in the coming months and show no signs of slowing down.

DJ sets by Danny Kokomo of Jacuzzi Boys

Website: https://jacuzziboys.com/

Facebook: https://facebook.com/jacuzziboys/

Twitter: https://twitter.com/JacuzziBoys

Instagram: https://instagram.com/jacuzziboys/

Melodime + The Talbott Brothers - The Rock Boat XX Pre-Party - Miami - 1/22/20
2020-01-22 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Melodime + The Talbott Brothers @ The Ground at Club Space in Miami. Join us before setting sail on The Rock Boat XX departing Miami!

Tickets: https://melodimemiami.eventbrite.com

Melodime is a Virginia-based band with influences in both country and rock that features emotionally charged anthems, piano driven hooks, and energetic guitar solos for a dynamic, organic sound.

Melodime, featuring Brad Rhodes (lead vocals, guitar), Sammy Duis (piano, organ, bass), Tyler Duis (drums), and Jon Wiley (guitar, mandolin, dobro), has performed over 100+ shows annually throughout the continental United States, sharing the stage with such well-known acts as Sam Hunt, Eli Young Band, A Thousand Horses, and Sister Hazel.
The band has also left its mark internationally with performances in Mexico, Canada, and Europe, all while founding and running a charity, ‘Now I Play Along Too,’ which provides musical instruments and lessons to underprivileged children in the DC area, Florida, Nepal, Kenya, and Haiti.
The band is quickly becoming a fan-favorite in the festival scene, playing five consecutive Rock Boat cruises, as well as Musikfest, Herndon Festival, Mile of Music, and other events. In their hometown of Northern Virginia, the group has performed at popular venues such as The State Theatre, 9:30 Club, The Hamilton, and Baltimore Soundstage.

Melodime

Website: https://melodime.com

Facebook: https://facebook.com/melodime

Twitter: https://twitter.com/melodime

Instagram: https://instagram.com/melodime
Support:

The Talbott Brothers

Website: https://thetalbottbrothers.com/

Facebook: https://facebook.com/talbottbrothers/

Twitter: https://twitter.com/talbottbrothers

Instagram: https://instagram.com/talbottbrothers/

The Talbott Brothers are a product of America’s heartland. Though currently based in Portland, Oregon, the duo grew up in Imperial, Nebraska, with a population just eking over 2,000. As indie-folk-rock musicians, Nick and Tyler Talbott, are somewhat of an anomaly, originating from a place where farming or ranching are the more typical career paths. Their honest songwriting is not only a breath of fresh air, but collections of down-to-earth messages that prove to be prevalent in today’s world.
Ghost Talker is the second full-length studio album from the sibling duo. Blood harmonies and sibling rivalry are evident in their songwriting with lyrics pulling from the trials of everyday life and the questions we all face. “Everyone has ghosts, whether they talk about them or not. We wanted to take off the mask and be honest with this record, hoping that what we needed to say is what people needed to hear.”
At its core, the album is transformative in nature, prompting the listener to question motives, face realities, and go to war with their own ghosts. Spiritual apprehension and seeking answers are common themes. “Shadowboxing” is a hard look in the mirror, realizing that what you have been fighting all along is your own fear. “It takes one good fight to turn things around.”
Lead single, “Run No More” forces a look at the past while offering a soul shaking guitar solo that feels like a rally cry. “We tried running for a long time but it doesn’t do a heart any good. Sometimes in a wake-up call you realize what’s most important to you. “Run No More” is about when your legs give out and you gotta turn around and fight.”
Drawing influence from John Mayer, Kaleo and Mumford & Sons, Ghost Talker will challenge your built-in world view and push you to embrace the unknown. No strangers to the road, The Talbott Brothers will be touring across the US, supporting the album release this fall 2019.

KRS-One - West Palm Beach - 1/12/20
2020-01-12 20:00 - 23:30 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents KRS-One with special guests Official Bobby Booshay, Hakim Green (Channel Live), Serum & DJ Heron @ Respectable Street in West Palm Beach.

Tickets: https://krs-one-wpb.eventbrite.com

KRS-One, an acronym for “Knowledge Reigning Supreme”, has been called the “conscience of Hip Hop” (Rolling Stone), “the greatest live emcee ever” (The Source), the “spokesperson for Hip Hop” (Wall Street Journal), “master teacher” (Zulu Nation) and the “son of Hip Hop” (Kool DJ Herc).
At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

VIP Seating for the KRS-One show includes a bottle of your choice of liquor, mixers and cocktail server for a party up to four for $350. GA ticket is required and separate. Very limited availability. Email kristenjkelly@gmail.com to reserve your VIP seats.

–

KRS-One
Website: https://KRS-ONE.com

Twitter: https://twitter.com/IAmKRSOne

Instagram: https://instagram.com/teacha_krsone

Appearing on the rap scene in 1986 as Boogie Down Productions releasing his first hit single “South Bronx” with his late DJ Scott La Rock, KRS “the one” made it clear that Hip Hop was going to have to take itself a lot more seriously than simply being a music genre.
With 20 published albums to his credit and his numerous appearances with other artists, KRS-One is believed to have written the most rhymes in Hip Hop’s history.
In the 1990s as “hip-hop” grew more and more commercialized and corporate, it was KRS-One that openly rejected such cultural exploitation and materialism grounding Hip Hop in its original principles of peace, love, unity and safely having fun.
Teaching everything from self-creation to stopping violence; from vegetarianism to transcendental meditation, from the establishment of Hip Hop Appreciation Week (every third week in May), to establishing Hip Hop as an international culture at the United Nations (2001), KRS-One has single-handedly held the history and original arts of Hip Hop together now for over two decades.
In addition to lecturing at over 500 universities in the United States and publishing three ground-breaking books; “The Science of Rap” (1995), “Ruminations” (2003), and the Gospel of Hip Hop” (2009), KRS-One has also established the Stop The Violence Movement (1989), influenced the creation of the “West-Coast All-Stars’ anti-gang anthem “We’re All In The Same Gang” (1990), warned the Hip Hop community against giving up their humanity for technological advancement (H. E. A. L.—Human Education Against Lies-1991), and has established the Temple of Hip Hop for the spiritual exploration of Hip Hop’s culture (1996).
It was KRS-One who first argued that “rap is something we do; Hip Hop is something we live” and introduced the “I am Hip Hop” philosophy in 1994 which Black Entertainment Television uses as the title of their Hip Hop Lifetime Achievement Award today. Without question, KRS-One has been the loudest voice for the actual preservation and expansion of original Hip Hop worldwide.
When he is not touring or lecturing, on his so-called “down-time”, KRS-One continues to share his unique knowledge of Hip Hop to younger audiences eager to hear the ‘teacha’ speak. Operating as a kind of “pop-up” school, KRS-One’s Temple of Hip Hop has appeared in various cities in USA also in the UK and Europe offering the more serious student of Hip Hop an effective way to live and understand the culture of Hip Hop more deeply.
KRS-One, the lyrical legend, drops his new 2017 album ‘The World Is Mind’. KRS-One brings that Boom Bap back, with tracks like; ‘Raw BEAT’ and the graffiti tribute ‘Out for Fame’. In addition KRS-One celebrates the South African clique langue on ‘Keep It Clicking’ and shares ancient wisdom on the title track ‘The World Is Mind’. This is another banger from the Hip Hop legend.
Awards:
2004, VH1 Hip Hop Honors
2007, I am Hip Hop, BET Hip Hop Awards
2007, Lifetime Achievement, BET Hip Hop Awards
2009, Living Legend Award, Urban Music Awards

Support:

Official Bobby Booshay

Website: https://newworldstation.com/artistlisting/bobby-booshay

Facebook: https://facebook.com/pg/officialbooshay

Twitter: https://twitter.com/officialbooshay

Instagram: https://instagram.com/officialbooshay

Clean Money Music artist Bobby Booshay is considered the answer to the current status of Hip Hop. His hard hitting lyrics and his versatile Flo’s create the perfect storm. He has performed with KRS-One, Big Daddy Kane, Method Man & Redman among others.
Hakim Green (Channel Live)

Website: https://madizm.info/

Facebook: https://facebook.com/Hakim-Green-214315545275683/

Twitter: https://twitter.com/HakimGreen

Instagram: https://instagram.com/hakimgreen

Hakim Green of The True School Hip Hop Band Channel Live. CEO of 24hrsofpeace, educator, activist and cannabis advocate.

Serum

Website: https://youtube.com/user/mcs3rum

Facebook: https://facebook.com/Serum305/

Twitter: https://twitter.com/SERUM305

Instagram: https://instagram.com/serum305/

Supah Emcee/Miami Freestyle Battle Relic/MTV Freshman of the Week Runner Up

On the decks:

DJ Heron

Website: https://soundcloud.com/dj_heron

Facebook: https://facebook.com/ONLY1DJHERON/

Twitter: https://twitter.com/dj_heron

Instagram: https://instagram.com/dj_heron/

DJ Heron, born in Lima, Peru raised in Brooklyn, New York he is undoubtedly no stranger to the hip-hop culture. Hip-Hop started with DJ and that’s what DJ Heron has been doing since the young age of 12 years old. Roaming the streets of Brooklyn, his older cousin made him carry countless of records that it was only a matter of time for Heron to start doing what he does best; being on the 1’s and 2’s. Couple of years later, he moved to South Florida to bless locals with sounds of the underground Hip-Hop that was hitting the airwaves in New York. Since there was a lack of Hip-Hop culture in Florida, DJ Heron would take frequent trips back to New York for the weekend just to record the hottest releases and formulate high- demand mix tapes Floridians would insist for when he would fly back down.

Apart from selling exclusive rare mix tapes, he started his first production company called 3rd Eye Productions with partner DJ Klassik now known as DJ Chris. During that time, DJ Heron starting producing vicious beats which were the ember that made him establish his own first studio called Florida Room Productions. Creating a buzz with his production, he landed his first record deal with Atlantic at just 18 years old. Unfortunately after 7 years the studio was robbed leaving him without his tools but not his luck. Shortly after the robbery occurred, a new door opened for DJ Heron that would change his career forever. Sony Music Records signed DJ Heron to their label giving him the opportunities to work with several artists, make his own productions, and go on the White Lion Tour that featured Tego Calderon, DJ Laz, Don Omar, and Voltio.

Having much success throughout his career, DJ Heron has opened up for many hip hop shows including Black Sheep, Leaders of the New School, Public Enemy with Queen Latifah, Tim Dog, and Termanology just to name a few . Furthermore, he was also the winner of the Pro AM DJ Battle of 2011 in which he competed with several other DJs nationwide. Side by side with host/ emcee Saheed, DJ Heron is now the main resident DJ of Re-Up radio, an online radio show airing every week playing old school, new school, and independent Hip-Hop artists music worldwide to fans tuning in across the globe. It won’t be long till’ you hear DJ Heron’s skills with upcoming Re-Up Radio mix tapes soon to be released throughout the year.

Cursive + Cloud Nothings + The Appleseed Cast - Miami - 11/16/19
2019-11-16 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Cursive, Cloud Nothings + The Appleseed Cast @ The Ground at Club Space in Miami.

Tickets: https://cursivemiami.eventbrite.com

Get Fixed Tour 2019…Join us for the return of Cursive to South FL and the Miami debut of Cloud Nothings. Support: The Appleseed Cast

Cursive

Website: https://cursivevitriola.com

Facebook: https://facebook.com/cursive

Twitter: https://twitter.com/cursivetheband

Instagram: https://instagram.com/cursivetheband

Over the past two decades, Cursive has become known for writing smart, tightly woven concept albums where frontman Tim Kasher turns his unflinching gaze on specific, oftentimes challenging themes, and examines them with an incisively brutal honesty. 2000’s Domestica dealt with divorce; 2003’s The Ugly Organ tackled art, sex, and relationships; 2006’s Happy Hollow skewered organized religion; 2009’s Mama, I’m Swollen grappled with the human condition and social morality; and 2012’s I Am Gemini explored the battle between good and evil. But the band’s remarkable eighth full-length, Vitriola, required a different approach — one less rigidly themed and more responsive as the band struggles with existentialism veering towards nihilism and despair; the ways in which society, much like a writer, creates and destroys; and an oncoming dystopia that feels eerily near at hand.
For the first time since Happy Hollow, Vitriola reunites Kasher, guitarist/singer Ted Stevens and bassist Matt Maginn with founding drummer Clint Schnase, as well as co-producer Mike Mogis at ARC Studios in Omaha. They’re joined by Patrick Newbery on keys (who’s been a full-time member for years) and touring mainstay Megan Siebe on cello. The album runs the sonic gamut between rich, resonant melodicism, Hitchcockian anxiety, and explosive catharsis — and no Cursive album would be complete without scream-along melodies and lyrics that, upon reflection, make for unlikely anthems.

Cloud Nothings

Website: https://cloudnothings.com

Facebook: https://facebook.com/cloudnothings

Twitter: https://twitter.com/cloudnothings

Instagram: https://instagram.com/cloudnothings

Cloud Nothings was founded in a Cleveland basement, the one-man recording project of Dylan Baldi. Prolific from the start, Baldi’s early work was rough but immediate: crudely recorded, spring-loaded spasms of Buzzcocks-informed pop that quickly found an online following among the lo-fi-inclined.
Their sixth studio album, entitled Last Building Burning, was released on October 19, 2018 on Carpark Records. Following its release “Under the Radar” rated the album 8/10 stating “…Cloud Nothings have never been better.” “The Line of Best Fit” 9/10 saying “Baldi and his conspirators have created something fantastic here – easily matching the scope and ambition of artists across the musical spectrum. They always seemed to be on the cusp of greatness, and Last Building Burning is their first step over that threshold.” “Pitchfork” 7.6 and singles out the track “Leave Him Now” as “Cloud Nothings at their best: direct, visceral, vulnerable. It hits in the gut and rings in the head, striking that golden ratio of ferocity and tunefulness that this band does best.”

Support:

The Appleseed Cast

Website: https://greenkansas.wix.com/theappleseedcast

Facebook: https://facebook.com/TheAppleseedCast

Twitter: https://twitter.com/appleseed_cast

Instagram: https://instagram.com/theappleseedcast

The Appleseed Cast is an American rock band, based in Lawrence, Kansas, with 20 years of recording and touring. The band was founded in the early days of emo by singer-guitarist Christopher Crisci and guitarist Aaron Pillar, and quickly grew to fame. The Appleseed Cast has steadily evolved over the release of eight full-length albums with Crisci at the songwriting helm, changing lineups but never breaking up, continuing to hone the TAC sound. The band’s current lineup includes Crisci, Ben Kimball, Nick Fredrickson, and Sean Bergman.
Major acclaim first came in the early 2000s and earned them a 9.0 from Pitchfork for their album set Low Level Owl, Vol I and Vol II. The band has enjoyed continued high praise for their work on Two Conversations, Peregrine, Illumination Ritual, and others.

Anthony Ramos (Hamilton, A Star Is Born) **Exclusive Florida Show** - Miami - 11/10/19
2019-11-10 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
https://heroesliveent.com/wp-content/uploads/2019/07/Miami-Feed.mp4
Heroes Live Entertainment presents Anthony Ramos: The Good & The Bad Tour – Only Florida Show with special guest Elliott Skinner @ The Ground at Club Space in Miami.

Tickets: https://anthonyramos.eventbrite.com

Anthony Ramos starred in the Grammy-award-winning Broadway smash, Hamilton and hit film, A Star Is Born with Lady Gaga and Bradley Cooper.

Anthony Ramos

Facebook: https://facebook.com/anthonyramosofficial/

Website: https://anthonyramosofficial.com/

Spotify: https://open.spotify.com/artist/660YptcR0hNHJ8iEr1qcse

Soundcloud: https://soundcloud.com/anthonyramosofficial

Instagram: https://instagram.com/anthonyramosofficial

Twitter: https://twitter.com/aramosofficial

YouTube: https://youtube.com/anthonyramos

Anthony Ramos, 26, is a Grammy-award-winning artist, best known for originating and starring as John Laurens/Philip Hamilton in the hit Broadway Musical, “Hamilton”. His solo debut followed the 2016 Presidential Election, when he released The Freedom EP, a series of songs written as a love-letter to an in-repair nation. After performing his music to sold out venues, Ramos jumped right back into the studio, and continues to churn out a new collection of equally thought-provoking and inspired tracks.

Ramos currently stars as “Mars Blackmon” in Spike Lee’s Netflix series, SHE’S GOTTA HAVE IT. His current credits include A STAR IS BORN opposite Lady Gaga and Bradley Cooper, a lead role in Monsters and Men for Neon, Godzilla: King of The Monsters for Warner Bros., a lead role in SUMMERTIME for director, Ed Burns, WHITE GIRL for Killer Films and a supporting role in PATTI CAKE$ for Fox Searchlight and a recurring role on NBC’s Will & Grace.
Support:

Elliott Skinner

Instagram: https://instagram.com/Elliottskinner

Twitter: https://twitter.com/elliotttskinner

Making Movies + Dama Vicke **FREE SHOW** - Miami - 10/20/19
2019-10-20 20:00 - 2019-10-21 00:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
https://heroesliveent.com/wp-content/uploads/2019/08/20-10-19-Miami-FL.mp4
Heroes Live Entertainment & Las Rosas present Making Movies with Dama Vicke & MINIMAL presents FINDELMUNDO @ Las Rosas in Miami.

Get your FREE tickets here. Early arrival strongly suggested. Space is limited!
Tickets: https://makingmovies.eventbrite.com

Get set for Making Movies to bring their mix of afro-latino rhythms and psychedelic rock’n’roll to the Magic City on their debut Miami show.

Making Movies

Website: https://mkngmvs.com

Facebook: https://facebook.com/mkngmvs

Twitter: https://twitter.com/mkngmvs

Instagram: https://instagram.com/mkngmvs
Energy, mysticism, roots– it’s hard to describe the genre-breaking music of Making Movies, a band that Rolling Stone says is “breaking down walls in the United States,” with a mix of afro-latino rhythms and psychedelic rock’n’roll that makes the group’s sound something unique. The connection between the Chi brothers (hailing from Santiago, Panama)– together with their Mexican bandmates, the Chaurand brothers– results in an overwhelming musical presence that takes you through landscapes festive, furious, refreshing, and dark.

At times the falsetto of Diego Chi (bassist) takes you to the underworld, while the fuzz of Enrique Chi’s guitar anchors his spirited voice in the midst of the Chaurand brothers’ primal and folkloric percussion. An explosion of energy on the stage––does the soundtrack make the movie, or does the movie make for the soundtrack?
In 2017 Art As Mentorship was created by Enrique Chi, born out of six years of collaboration between Making Movies and local non-profits Base Academy of Music and the Mattie Rhodes Center. What began as a week-long music education camp for youth in an underserved community has grown into a six-month songwriting and mentorship program called the Rebel Song Academy. Students get to record with and learn from industry professionals, like Grammy-winning producer Steve Berlin of Los Lobos who recorded the first class in 2018.
The world turned their attention to Making Movies as Rubén Blades, Flor De Toloache, Asdru Sierra of Ozomatli, David Hidalgo of Los Lobos and Las Cafeteras joined forces with the band on their new album, ameri’kana, which releases in May 2019. The first two singles, “No Te Calles” and “Cómo Perdonar”, were launched along with a movement that invites artists and fans to participate on the website NoTeCalles.World, by joining the chorus with Rubén Blades and Making Movies. The album includes “Delilah”, a song about immigration written during a week-long writing session between Blades and Lou Reed that had never before been recorded. Saying that “Rock’n’roll is Latin music” the band dedicates the album to the beautiful inhabitants of the ameri’kana continent.
When Making Movies performs live it is as though a spirit descends upon the room, entrancing audiences with the pulse of their Afro-Latino rhythms, psychedelic jams and rock’n’roll riffing. Armed with their ambitious and politically charged new album, I Am Another You, the band punches out one high-energy song after another, with theatrics and head-banging climaxes riding atop a bed of driving percussion. Their Latin American roots are placed front and center with moments where the front-man Enrique Chi trades his electric guitar for a folkloric Panamanian mejorana, and the Chaurand brothers hop off drums and percussion to instead supply the rhythmic pulse with a dueling zapateado huasteco, a traditional form of dance from Veracruz, Mexico.
The band’s political idea is straightforward enough that they can express it in four words: “We are all immigrants.” In supporting that cause, a portion of all proceeds from their latest release I
Am Another You will goes to the National Immigration Law Center.
The band has shared the stage with Arcade Fire, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.

Support:

Dama Vicke

Website: https://dama.love

Facebook: https://facebook.com/damavickemusic

Twitter: https://twitter.com/damavicke

Instagram: https://instagram.com/damavicke/

Dama Vicke, Best Songwriter at Best of Miami 2018 and winner of American Tracks Music Awards as Best Independent Artist and Best Lyrics released a 5 song debut EP titled “Point Of Inflection” a beautiful cinematic-like yet eerie and melodic, dressed in a mixture of alternative rock fusion with hints of experimental jazzy folk accents; her lyrics narrate true story scenes from her real life events.

​

Dama has performed in recognized USA venues, as well as internationally, La Habana, Cuba, Colombia, and Mexico City.

Her music videos have been directed by filmmaker Carla Forte, produced by Alexey Taran, also, filmmaker, choreographer, and professional dancer both from Bistoury Physical Theater.

​

Dama Vicke from Mexico City, a fanatic of suspense and horror films has been one of the most active artists in the South Florida music scene since early 2000’s. She began her career collaborating with US and Mexican artists, currently devoted to her solo EP where poetry, visual arts, dance, film, and theater form a strong essence supported by her live band.

Point Of Inflection highlights her talent as a singer-songwriter, working with Javier Guell guitar player and song-writer, along with producer Roger Izaguirre from Earplay Studio.

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Point Of Inflection promises to be an endearing project with a band to be savoured live, with a theatrical yet sensual form of expression and an outstanding musical performance by every single member of her band

MINIMAL presents: FINDELMUNDO

Facebook: https://facebook.com/minimalband/

Instagram: https://instagram.com/minimalband/

The Alarm + Modern English + Jay Aston's Gene Loves Jezebel: SIGMA LXXXV Tour - Miami - 9/7/19
2019-09-07 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents The Alarm, Modern English, Jay Aston’s Gene Loves Jezebel SIGMA LXXXV Tour @ The Ground at Club Space in Miami. This is The Alarm’s first South Florida show in 34 years!
https://heroesliveent.com/wp-content/uploads/2019/03/TheAlarm-videoflyer.mp4

Tickets: https://thealarmmiami.eventbrite.com

A fraternity of alternative British rock bands led by acoustic pioneers The Alarm, post punk auteurs Modern English, and the charismatic Jay Aston’s Gene Loves Jezebel will take to the road throughout North America in 2019.

The Alarm

Website: https://thealarm.com

Facebook: https://facebook.com/TheOfficialAlarm

Twitter: https://twitter.com/thealarm

Instagram: https://instagram.com/thealarm

The Alarm was made in Wales, UK and by the time of 1981’s debut single ‘Unsafe Building’, featured a daring mix of amped-up acoustic guitars, harmonica and passionate vocals that invited the enduring description “Bob Dylan meets The Clash”.

This is the sound of The Alarm that has been heard around the world ever since, with 17 Top 50 UK singles, a host of successful albums and over 6 million sales worldwide, a career that has also seen founding member Mike Peters sing on stage with the likes of Bob Dylan, Neil Young, Bruce Springsteen and U2. Hits include “Sixty Eight Guns”, “Strength”, “Rain In The Summertime”, “Where Were You Hiding When The Storm Broke?”, “Spirit Of ’76” and more.

Modern English

Website: https://modernenglish.me

Facebook: https://facebook.com/m0dernenglish

Twitter: https://twitter.com/m0dernenglish

Instagram: https://instagram.com/m0dernenglish

Modern English are a new wave/post-punk band from Colchester, Essex, England best known for their hit single “I Melt With You”. The song has been covered by a variety of artists, with several different versions being licensed for film and television worldwide. Other favorites include “Hands Across The Sea”, “Someone’s Calling” and “Ink And Paper”. The 4AD band recently released their first album in 30 years.

Jay Aston’s Gene Loves Jezebel

(with original members Jay Aston, James Stevenson, Pete Rizzo)

Website: https://genelovesjezebel.co.uk

Facebook: https://facebook.com/OfficialGeneLovesJezebel

Twitter: https://twitter.com/geneluvsjezebel

Instagram: https://instagram.com/GeneLovesJezebelwithJayAston

Gene Loves Jezebel (GLJ) are a British rock band formed in the early 1980s whose best-known songs include “Heartache”, “Desire (Come and Get It)” (1986), “The Motion Of Love” (1987), “Jealous” (1990) and “Break The Chain” (1993) as well as their broody dark alternative club hits “Bruises” (1983), “Influenza (Relapse)” (1984), and “The Cow” (1985).

Nitzer Ebb - Miami 5/24/19
2019-05-24 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Nitzer Ebb with Liebknecht (Daniel Myer from Haujobb) & DJ Paul Klov @ The Ground at Club Space in Miami.

Tickets: https://ticketfly.com/event/1816936

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.
Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.
After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”
Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.
Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

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Nitzer Ebb
Website: https://nitzer-ebb.com/
Facebook: https://facebook.com/NitzerEbbOfficial
Twitter: https://twitter.com/Nitzer_Ebb
Instagram: https://instagram.com/nitzerebbofficial

Support:
Liebknecht

Website: https://soundcloud.com/dmyer/liebknecht-next-drumapella
Facebook: https://facebook.com/LiebknechtOfficial
Twitter: https://twitter.com/DanielMyer
Instagram: https://instagram.com/liebknecht__
Liebknecht is the musical collaboration of Daniel Myer (Haujobb) & Rinaldo Bite. Liebknecht is techno, dancefloor elements mixed with dark textures, cryptic messages, eclectic experimental sounds and straight forward beats, always on the Edge between old school electro and club culture.

DJ Paul Klov (Bohemia AG)

Murphy's Law **FREE SHOW** - Miami - 5/10/19
2019-05-10 21:00 - 2019-05-11 01:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
Heroes Live Entertainment, Idle Hands Productions & Las Rosas present Murphy’s Law **Free Show** w/The Big Skandal, Bruceliamneeson & Brute @ Las Rosas in Miami. Tickets required for entry. Early arrival strongly suggested. Space is limited.

Tickets: https://ticketfly.com/event/1831446

Founded in Astoria, Queens in 1983, Murphy’s Law are a huge part of the New York and American hardcore legacy. Their albums, such as the self-entitled, “Murphy’s Law” and 1989 follow up “Back With A Bong” helped to create the sound of New York Hardcore back then, as well as what it stands for today.

Murphy’s Law
Facebook: https://facebook.com/Murphyslawnyhc/
Twitter: https://twitter.com/murphyslawnyhc
Instagram: https://instagram.com/murphyslawnyc/
Support:

The Big Skandal
Website: https://bigskandal.bandcamp.com
Facebook: https://facebook.com/BigSkandal
Instagram: https://instagram.com/thebigskandal
The Big Skandal are a Ska/Rocksteady band based in Miami, FL, drawing influences from traditional artists like The Skatalites, Laurel Aitken, and Prince Buster as well as later artists like The Specials, Operation Ivy, and Madness.
Bruceliamneeson
Facebook: https://facebook.com/Bruceliamneeson-411269712943770/
Hard Rock, Metal, Punk from Miami, FL on Terramoto Records.
Chris Callous-Guitar Vocals
Ely Bascoy -Bass Back up Vocals
Terrel Hopkins= Drums
Brute
Facebook: https://facebook.com/Brute-405760220241726/
Miami Oi! band featuring members of Nunhex, Antifaces and Die Trying.

of Montreal + Yip Deceiver + Haute Tension - Miami - 4/5/19
2019-04-05 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment & Poplife present of Montreal with Yip Deceiver (featuring of Montreal members) & Haute Tension @ The Ground at Club Space in Miami.

Tickets: https://ticketfly.com/event/1817124

of Montreal is a band from Athens, GA. The band’s recorded material can be divided into two distinct periods. Their early work focused on 60s-tinged pop and psychedelic elements channeled through the prism of Kevin Barnes’s unique lyricism. In more recent years of Montreal’s style changed to a mixture of electronica, funk, glam, and afrobeat music influenced by Prince and David Bowie.

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of Montreal
Website: https://ofmontreal.net
Facebook: https://facebook.com/ofmontreal
Twitter: https://twitter.com/xxofMontrealxx
Instagram: https://instagram.com/of_montreal

Support:

Yip Deceiver (featuring of Montreal members)
Website: https://soundcloud.com/yip-deceiver
Facebook: https://facebook.com/yipdeceiver/
Instagram: https://instagram.com/yipdeceiver

Haute Tension
Website: https://hautetensionband.com
Facebook: https://facebook.com/hautetensionmia
Twitter: https://twitter.com/haute_tension_
Instagram: https://instagram.com/hautetensionband

Haute Tension is a psychedelic, surf-noir band whose sound casts shades of punk over the slowly flooding Miami landscape. Enjoy the air of coconuts and palm trees while it lasts.

“This band is a party and you can’t help but to have a good time. – The Family Reviews
“No Miami act worked harder in 2018 than surf-noir trio Haute Tension…” -Lauren Reskin, Sweat Records, Owner.

The Messthetics (featuring members of Fugazi) **FREE SHOW** + Mary Lattimore, Harpist - Miami - 3/28/19
2019-03-28 19:30 - 23:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
Heroes Live Entertainment & Las Rosas present The Messthetics (featuring members of Fugazi) **Free Show** w/harpist on Ghostly International, Mary Lattimore & Miami Noise King, Rat Bastard @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

Tickets: https://ticketfly.com/event/1780958

The last time drummer Brendan Canty and bassist Joe Lally were in a band together, they were the rhythmic architects for Fugazi, an organization whose decade and a half of disciplined progressivism provided a necessary bridge between the zenith of late-punk expression and everything alternative in rock that followed. Anthony Pirog is a jazz and experimental guitarist based in Washington, D.C. The trio’s debut on Dischord Records was recorded at Canty’s practice space throughout 2017, live and mostly without overdubs. It’s a snapshot of a band dedicated to the live ideal, where structure gives birth to improvisation.

The Messthetics
Website: https://themessthetics.bandcamp.com/
Facebook: https://facebook.com/themessthetics/
Dischord Records: https://dischord.com/
Support:

Mary Lattimore
Website: https://marylattimore.net
Facebook: https://facebook.com/harpistmarylattimore/
Twitter: https://twitter.com/marylattimore
Instagram: https://instagram.com/maryoverthere
Mary Lattimore is a Los Angeles-based harpist. She experiments with effects through her Lyon and Healy Concert Grand pedal harp, concocting half-structured improvisations which can include both ambient glitter and unsettling noise. Her first solo record, the Withdrawing Room, was released on Desire Path Recordings in 2014. The solo recordings that followed, At the Dam and Collected Pieces, were released by Ghostly International.
Mary has also recorded synth + harp duo projects with Elysse Thebner Miller (And the Birds Flew Overhead) and Jeff Zeigler (Slant of Light) and has co-written reimagined scores for the 1968 experimental silent film Le Revelateur, directed by Philippe Garrel (who approved of the project), and the Czech New Wave classic Valerie and Her Week of Wonders, and performed these scores live throughout the US with Jeff Zeigler and the Valerie Project, respectively. She has contributed and written harp parts for such artists as Kurt Vile, Thurston Moore, Sharon Van Etten, Meg Baird, Steve Gunn, the Clientele, Hop Along, Jarvis Cocker, Karen Elson, Ed Askew and Quilt.
Ghostly International will release her third solo record in late spring of 2018.
Rat Bastard
Website: https://squelchers.com
Facebook: https://facebook.com/Rat-Bastard-Worldwide-126254357547041/
American guitarist and audio engineer/producer who served as second engineer and studio coordinator on Marilyn Manson and The Spooky Kids After School Special in 1991. He co-founded To Live And Shave In L.A. with Tom Smith (2), Scraping Teeth 1993 Spin magazine’s “Worst Band In America” and Laundry Room Squelchers. also, tour support for Costes’s Holy Virgin Cult in 2003.
Rat Bastard founded the International Noise Conference in 2003, which brings in noise artists from across the globe for 15-minute sets of energy, chaos and often confrontational theatrics to Miami.

Lee "Scratch" Perry + Subatomic Sound System - West Palm Beach - 2/15/19
2019-02-15 20:00 - 2019-02-16 00:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents Lee Scratch Perry + Subatomic Sound System 45th Anniversary Performance of “Blackboard Jungle Dub” + More. 1st dub album in history, live for the 1st time! Exclusive South Florida Show @ Respectable Street in West Palm Beach. Support: Spred The Dub.

Tickets: https://ticketfly.com/event/1790306

Grammy winning dub & reggae pioneer Lee “Scratch” Perry celebrates the 45th anniversary of his landmark album “Blackboard Jungle Dub”, the world’s first dub album. Scratch, now 82 years young, will embark on a tour across North America performing his 1973 studio masterpiece live in its entirety for the first time, aided by the technology of NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from the Black Ark era recordings. For the past 8 years, Subatomic Sound System has been Scratch’s go to band for re-creating the Black Ark sound live on stage. They will also perform music from their album “Super Ape Returns To Conquer” ( https://bit.ly/SS033s ) which topped both reggae and electronic charts in 2018, plus singles like “Black Ark Vampires” ( https://bit.ly/BAVss ) and classics from Perry’s work with the likes of Bob Marley, Max Romeo, and many more. Perry’s Blackboard Jungle album includes dub remixes of hit songs he co-wrote with Bob Marley, “Kaya” & “Keep On Movin”, as well as other big tunes from The Wailers and Junior Byles. Kaya turned out to be Marley’s most successful album of his career and celebrated its own anniversary with a massive festival earlier this year.

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Lee “Scratch” Perry

Website: https://subatomicsound.com

Facebook: https://facebook.com/perryscratch/

Twitter: https://twitter.com/scratchlee

Instagram: https://instagram.com/lee_scratch_perry

Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.

Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.

After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.

For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.

Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F

Subatomic Sound System

Website: https://subatomicsound.com

Facebook: https://facebook.com/SubatomicSoundSystem/

Twitter: https://twitter.com/SubatomicSound

Instagram: https://instagram.com/subatomic

Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.

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Support:
Spred The Dub
Website: https://spredthedub.com
Facebook: https://facebook.com/SpredTheDub
Twitter: https://twitter.com/SpredTheDub
Instagram: https://instagram.com/spredthedub

Peter Murphy: 40 Years Of Bauhaus feat. David J - Miami - 2/6/19
2019-02-06 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Peter Murphy: 40 Years Of Bauhaus, Ruby Celebration featuring David J, Performing “In The Flat Field” in its entirety plus extended encore of Bauhaus classics @ The Ground at Club Space in Miami. Support: UK psych-rock band Desert Mountain Tribe & New Orleans performing artist Vinsantos

Tickets: https://ticketfly.com/event/1782866

Originally formed in England in 1978, pioneering post-punk band Bauhaus carved out a singular musical niche combining minimalism, art school rock and dark glam, with a huge dose of their own experimentalism, originality and verve. Unswervingly bleak in their approach, they released their break-out hit “Bela Lugosi’s Dead” in 1979, an astonishing slice of brooding imagination.

They were signed to 4AD and released their debut album In The Flat Field in 1980, before moving on to release three further records via Beggars Banquet (Mask – 1981, The Sky’s Gone Out – 1982 and Burning From The Inside – 1983).

Although brief, their career was hugely influential and resonated across the decades. The band split in the early 1980s (but reformed briefly a few times throughout the years) and band members went on to focus on other projects. Peter Murphy continues to enjoy a successful solo career, spectacularly celebrated with the recently released 5-CD box containing his Beggars Banquet releases.

The forthcoming tour celebrates 40 years since the formation of Bauhaus – featuring two original members, vocalist Peter Murphy and bassist David J.

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Peter Murphy
Website: https://petermurphy.info/
Facebook: https://facebook.com/petermurphyinfo/
Twitter: https://twitter.com/petermurphyinfo
Instagram: https://instagram.com/petermurphyofficial

Windhand **FREE SHOW** - Miami - 1/27/19
2019-01-27 19:00 - 23:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
Heroes Live Entertainment & Las Rosas present Windhand **Free Show** with Genocide Pact, Ether & Absolver @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

RSVP: https://ticketfly.com/event/1768175

New album “Eternal Return” out on Relapse represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Once again the band has joined forces with producer Jack Endino (Nirvana, Soundgarden) with vivid artwork by Arik Roper (Sleep, High on Fire). Equally informed by heavy, fuzzed-out psych along with the iconic grunge / alternative groups of the 90s, WINDHAND has crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy borders.

Windhand
Website: https://windhand.band
Facebook: https://facebook.com/WindhandVA
Twitter: https://twitter.com/windhandva
Instagram: https://instagram.com/windhand
Support:

Genocide Pact
Website: https://genocidepact.bandcamp.com/
Facebook: https://facebook.com/genocidepact
Twitter: https://twitter.com/genocidepact
Instagram: https://instagram.com/genocidepact

Ether

Website: https://ethercoven.bigcartel.com

Facebook: https://facebook.com/EtherCoven

Instagram: https://instagram.com/ethercoven/

Absolver

Website: https://absolver.bandcamp.com/

Facebook: https://facebook.com/absolver.band/

Instagram: https://instagram.com/absolver_

Mineral: 25th Anniversary Tour + Tancred + Pohgoh - Miami - 1/9/19
2019-01-09 19:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Mineral: 25th Anniversary Tour with special guests Tancred & Pohgoh @ The Ground at Club Space in Miami.

Tickets: https://ticketfly.com/event/1682955

“When Mineral broke up in 1998, they had been together for only four years and released only two full-lengths, yet their shaping of the indie rock landscape cannot be overstated. “ – All Music Guide

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Mineral
Website: https://officialmineral.com/
Facebook: https://facebook.com/OfficialMineralMusic
Twitter: https://twitter.com/officialmineral
Instagram: https://instagram.com/officialmineral

EndSerenading was the second, and final album released by Mineral. It was the definitive statement by the Austin, TX based band. So final, in fact, that the band members had actually gone their separate ways prior to the album’s release in 1998.
What ended in 1998, actually began four years earlier, in Houston, TX, when friends Christopher Simpson (guitar/vocals), Jeremy Gomez (bass), Gabriel Wiley (drums) and Scott McCarver (guitar) formed the band Mineral. Mineral launched into touring immediately, often alongside other indie bands like Jimmy Eat World, The Promise Ring, Texas is the Reason, Knapsack, Braid, and The Get Up Kids, garnering them a legion of fans from the outset.
Eventually the band relocated to Austin, TX and a debut single, Gloria b/w Parking Lot, on Caulfield Records followed, as did more touring. Via a zine editor in Colorado, the single found it’s way to Jeff Matlow at crank! A RECORD COMPANY, which eventually led to an album deal and the release of The Power Of Failing in 1996.
Upon the release of the first album, Mineral quickly emerged as one of the leaders in the burgeoning indie / emo music scene. College radio loved the record. The press gushed about the band. It was inevitable that the major labels would come calling. Interscope Records eventually won the major label beauty contest and signed the band.
Such were the circumstances when the band went into Big Fish Studios in San Diego, California with Mark Trombino (Blink 182, Jimmy Eat World) to record one final record for crank! A RECORD COMPANY. EndSerenading was the result. The songs for the record had not come easily, nor did the recording of them. But the album was strong, emotional and daring. It was a Mineral album.
And then it was over. The perfunctory “creative differences” statement was issued. The album was released and new bands were formed. Christopher and Jeremy went on to form The Gloria Record and Gabe founded Pop Unknown.
In a short amount of time, Mineral’s poignant dynamics combined with impassioned lyrics about coming of age was influencing bands everywhere, and still inspires new bands in the indie scene today.
2019 marks the bands 25th anniversary.

Support:

Tancred
Website: https://tancredmusic.com/
Facebook: https://www.facebook.com/tancredmusic/
Twitter: https://twitter.com/tancredjess
Instagram: https://www.instagram.com/tancredjess/
Tancred is the stage name of former Now, Now guitarist Jess Abbott.
As Tancred, Abbott has released three full-length albums to date. Her first album, titled Capes, was released in 2011 on No Sleep Records. In 2013, Abbott signed to Topshelf Records and released her self-titled second full-length album. In 2016, Abbott signed to Polyvinyl Records and released her third full-length album titled Out of the Garden. On March 27, 2018, she premiered her new single Reviews and announced an album, Nightstand, to be released on June 1, 2018 via Polyvinyl.
Out of the Garden was recorded by OFF!’s Steven McDonald and That Dog.’s Anna Waronker, and was praised by many outlets, including NPR Music, which declared: “Out of the Garden is just phenomenal… this to me feels like a breakthrough.”
A video for Tancred’s song “Pens” was handpicked for NPR Music’s “Songs We Love” series and featured a cameo by Sadie Dupuis of Speedy Ortiz.
Tancred has toured with Foxing, Julien Baker, Weaves, and Jessica Hernandez & The Deltas, and also performed at the 2016 Riot Fest.

Pohgoh

Website: https://pohgoh.bandcamp.com

Facebook: https://facebook.com/PohgohFL

Instagram: https://instagram.com/pohgohfl

Twenty-one years is a long time between albums.

Since calling it quits in 1997, Tampa, FL’s Pohgoh has been known to break out the guitars for the occasional one-off reunion over the years. The last one reignited a missing passion and desire to write and perform music together. Susie Ulrey (vocals, guitar), Matt Slate (guitar), Keith Ulrey (drums) and new bassistBrian Roberts (Hankshaw, Murder Suicide Pact) spent the last couple of years hunkered down in their practice space revisiting the old material while hashing out fresh ideas.

In August 2017 the band made their way to Baltimore, MD’s Magpie Cage Recording Studio to record their sophomore full-length with engineer/producer J. Robbins (Jawbox, Burning Airlines). The result is Secret Club, Pohgoh’s first full-length since 1997’s posthumous In Memory Of Bab, consisting of songs dealing with life as a band after almost 20 years apart and Susie’s 15+ year battle with Multiple Sclerosis.

Diagnosed in 2001, Susie’s lyrics touch on the hardships and struggles of living with the disease including, but not limited to, a constant worry of being a burden to others (“Business Mode”), years of chemical and drug therapies (“Super Secret Club”) and a simple nightly fight pleading with her own legs to remain still (“Who’s The You”). The album does have its ‘light in the darkness’ moments, too, with songs about the direction of the reunited band (“Try Harder”) and the sheer power of positive thinking (“Bunch”), of which she declares “I lose battles, but I win wars.” All of this set to a backdrop of crunchy Superchunk-y guitars, even as they visit the more downtempo moments of reflection throughout the 11 tracks.

With a rich history within the 90’s DIY/indie/emo scene, Pohgoh was in a small league of female-fronted bands of the era alongside peers like Rainer Maria, Dahlia Seed & Jejune. The band’s previous catalog includes several singles, a split 7″ with Braid, the closing track on the Emo Diaries, Vol. 1 and the aforementioned full-length.

Secret Club is out now on CD/LP/Digital via New Granada Records (US), Barely Regal Records (UK/EU) and Waterslide Records (Japan).

PRAISE FOR SECRET CLUB:

“a dynamically playful and DIY-feeling fusion of emo, alternative rock, and power pop.”

– The Fader

“a fantastic piece of work that builds upon the bittersweet sonic bedrock the band initially laid out, while lyrically exploring the ups and downs of living with one bitch of a disease.”

– Kerrang (UK)

“They were everything I wanted in a band when I was playing music back in the day.”

– Washed Up Emo

“you should check this out if you’re fan of Pohgoh’s old pals like Braid and Rainer Maria, or newer bands that keep this sound alive like Into It Over It and Waxahatchee.”

– BrooklynVegan

“Alongside J Robbins’ typical rough-and-ready production style, Pohgoh feel so deeply ingrained in the classic emo aesthetic while simultaneously having grown, matured and experienced, and they’re able to capture those feelings in a great return.”

– The Sound Board

“It’s quite a musical feat for a band to contrast gloom and disheartenment so well with hope and solidarity. Pohgoh is able to do this in such a laid-back and easy manner as if the long hiatus had never existed.”

– Visions (Germany)

D.R.I. + Deathwish + More - West Palm Beach - 12/8/18
2018-12-08 20:00 - 2018-12-09 00:30 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
https://heroesliveent.com/wp-content/uploads/2017/12/45251678_494146477771453_5104327375326834209_n.mp4
Heroes Live Entertainment presents D.R.I. (Dirty Rotten Imbeciles), Deathwish, Old Habits & Church Girls @ Respectable Street in West Palm Beach.

Tickets: https://ticketfly.com/event/1634872

D.R.I. (Dirty Rotten Imbeciles) is a crossover thrash band that formed in Houston in 1982. D.R.I. integrated their hardcore punk roots with thrash metal influences and were a stylistic catalyst for their contemporaries — Suicidal Tendencies, Corrosion of Conformity, S.O.D., the Cro-Mags, Nuclear Assault and Cryptic Slaughter — alongside whom they are considered to be one of the major pioneers of “crossover thrash”, having a heavy influence on modern thrash, particularly Scott Ian and his band Anthrax.
D.R.I. **Only South Florida Show**
Website: https://dirtyrottenimbeciles.com
Facebook: https://facebook.com/DRI-137263955229/
Support:
Deathwish
Motor-Charged Punk from Wisconsin. DRI labelmates.
Facebook: https://facebook.com/deathwish666motorcharged/
Old Habits
Lake Worth Hardcore. Doing it right.
Facebook: https://facebook.com/OldHabitsHC/
Website: https://eulogyrecordings.com
Instagram: https://instagram.com/oldhabitshc
Links: https://aceshightattooshop.com ; https://blackrosetattooshop.com
Church Girls
Saint Lucie Rock N Roll. Grimey South Florida Orgy Anthems.
Website: https://churchgirlsfl.bandcamp.com
Facebook: https://facebook.com/ChurchGirlsFL/
Instagram: https://instagram.com/Official_Church_Girls/
Twitter: https://twitter.com/churchgirls_FL

Blac Rabbit **FREE SHOW** Seize The Day Tour 2018 - Miami - 11/3/18
2018-11-03 21:00 - 2018-11-04 01:00 | Las Rosas, 2898 NW 7th Ave, Miami, FL, 33127, United States
https://heroesliveent.com/wp-content/uploads/2018/09/BlacRabbit-Ellen.mp4
Heroes Live Entertainment & Las Rosas present Blac Rabbit **Free Show** Seize The Day Tour 2018 with JAIALAI, Moongazer & DJ Goldie Brown of Jacuzzi Boys @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

RSVP: https://ticketfly.com/event/1762696

Born and raised in Bed Stuy, Brooklyn, identical twin brothers Amiri and Rahiem Taylor do not make the type of music that their borough of origin is usually associated with. Growing up in the mecca of hip-hop culture, the Taylor brothers had more exposure in their house to pop, funk and soul music from the 60’s, 70’s and 80’s. In high school, they taught themselves how to play guitar and write songs based off of the Beatles. After high school they formed Blac Rabbit, bringing in former metal and church drummer Patrick Jones, followed by resident shredder Josh Lugo on bass (and sometimes guitar) to play their original psychedelic rock tunes. Tired of working boring grocery store jobs, Amiri and Rah started performing Beatles covers on the NYC subway, earning some pocket change, slowly building a reputation around the city while also performing their original material in New York’s best venues for up and coming acts. On December 23rd, 2017, the band released their debut self-titled EP, which was also self-recorded and self-mixed. On January 26th, 2018, Rah and Amiri were filmed performing Beatles songs on the train by New York Nico, the “Unofficial talent scout of New York City,” who posted the video to his 120K+ followers on Instagram. One of the videos went viral generating over 25M streams, leading to numerous TV and Radio appearances, including The Ellen Degeneres Show. The band also recorded a cover of “Michelle” by The Beatles for a Gucci ad campaign featuring Harry Styles. Meanwhile, Blac Rabbit’s fan base has increased significantly while they have been touring globally and recording their debut full-length album, set for release early 2019.

Blac Rabbit
Website: https://blacrabbit.com/
Facebook: https://facebook.com/blacrabbitband/
Twitter: https://twitter.com/blacrabbitband
Instagram: https://instagram.com/blacrabbitband/
Support:

JAIALAI (Miami Psych Rock // Garage Rock // Indie Rock)
Website: https://jaialaiofficial.bandcamp.com
Facebook: https://facebook.com/jaialaiofficial/
Instagram: https://instagram.com/jaialaiofficial/
Moongazer (South Florida Neo-Psychedelia Space Rock)
Website: https://moongazer.band
Facebook: https://facebook.com/moongazur/
Twitter: https://twitter.com/Moongazur
Instagram: https://instagram.com/moongazur/
DJ Goldie Brown of Jacuzzi Boys

Moonfest 2018 featuring Information Society + Bow Wow Wow's Annabella + Stray Cats' Slim Jim Phantom - West Palm Beach - 10/27/18
2018-10-27 20:00 - 2018-10-28 01:00 | Clematis Street, 520 Clematis Street, West Palm Beach, 33401, United States
Moonfest in partnership with Heroes Live Entertainment present Moonfest 2018 @ Clematis Street in Downtown West Palm Beach. Performances by Information Society, Bow Wow Wow’s Annabella & Stray Cats’ Slim Jim Phantom.

Tickets: https://moonfest.me/tickets
Promo Code:
HEROESGA ($5 OFF)
HEROESVIP ($20 OFF)
*Last chance to use our promo codes for Moonfest ticket discounts. Offer ends Monday at midnight.

5 Blocks. 3 Stages. Haunted House. $1000 Cash Costume Contest. Laser Light Show.
Heroes Live Entertainment is partnering with Moonfest to bring you the Moonfest 2018 headliners: ⁣⁣⁣
⁣⁣⁣
Information Society
Bow Wow Wow’s Annabella
Stray Cats’ Slim Jim Phantom
⁣
On October 27th at 8pm MOONFEST is set to take place along the 5 haunted blocks of Clematis Street. Tension is at an all-time high and society is at a breaking point. Enter one of the gates along the event site and attempt to survive amongst a street of possessed souls and predatory demons. The 26th Annual Moonfest anniversary promises to be one for the books.
A terrifying haunted house will be available for entry for those who dare that will test your nerves and survival skills.
A private entrance, scare areas within the VIP area, open bar, and a delicious food spread are a few of some of the perks of a VIP Pass holders.
General admission and VIP passes are on sale now for $10 and $55 for the month of September. So get your tickets fast!
A Costume Contest for $1000 will take place before the national headliner on the rock stage. You can start submitting your best costume early to avoid missing out through the link on the website.
Stay connected and tuned in for the full music lineup release very soon. As well as, additional attractions and experiences within this year’s festival. Bring your soul to the party of the year.
All we need is YOU!
STRICTLY 21 and up. ID required.

Performances by:
Information Society
Website: https://informationsociety.us
Facebook: https://facebook.com/informationsociety/
Twitter: https://twitter.com/insoc
Bandcamp: https://informationsociety.bandcamp.com

Bow Wow Wow’s Annabella
Website: https://annabellalwin.com
Facebook: https://facebook.com/AnnabellaOriginalBowwowwow/
Twitter: https://twitter.com/AnnabellaLwin2
Stray Cats’ Slim Jim Phantom
Website: https://slimjimphantom.com
Facebook: https://facebook.com/officialsjp/
Instagram: https://instagram.com/officialslimjimphantom/

Escape The Fate + Slaves + Famous Last Words + Picturesque + Set To Stun + Bloodbather - Miami - 10/5/18
2018-10-05 17:30 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
https://heroesliveent.com/wp-content/uploads/2018/07/ETF-live.mp4
Heroes Live Entertainment presents Escape The Fate, Slaves, Famous Last Words, Picturesque, Set To Stun & Bloodbather @ The Ground at Club Space in Miami. Under 18 w/Parent or Legal Guardian (Both must purchase tickets)

Tickets: https://ticketfly.com/event/1708651

Escape The Fate (formed 2004) is a post-hardcore band originating from Nevada signed to Eleven Seven Music. Their sixth album, I Am Human, was released on March 30, 2018 spawning a top 15 single, Broken Heart, at Active Rock radio currently and the song will only climb the charts. ETF recently wrapped up a North American tour with Papa Roach.

Escape The Fate
Website: https://escapethefate.com/
Facebook: https://facebook.com/escapethefate/
Twitter: https://twitter.com/EscapeTheFate
Instagram: https://instagram.com/escapethefate/
Slaves
Website: https://slavesband.com/
Facebook: https://facebook.com/officialslaves/
Twitter: https://twitter.com/SLAVESOFFICIAL
Instagram: https://instagram.com/SLAVESOFFICIAL/
Slaves is an American post-hardcore group formed in Sacramento, California. The band currently consists of lead vocalist Jonny Craig, formerly of Emarosa and Dance Gavin Dance, bassist Colin Vieira of Musical Charis and guitarist Weston Richmond. The band released their third studio album Beautiful Death on February 16, 2018.
Support:

Famous Last Words
Facebook: https://facebook.com/famouslastwordsmusic/
Twitter: https://twitter.com/FLW_music
Instagram: https://instagram.com/famouslastwordsband/
Picturesque
Website: https://picturesqueband.com
Facebook: https://facebook.com/picturesque/
Twitter: https://twitter.com/picturesqueband
Instagram: https://instagram.com/picturesqueband/
Set To Stun
Website: https://settostun.net
Facebook: https://facebook.com/SETTOSTUN/
Twitter: https://twitter.com/SETTOSTUNband
Instagram: https://instagram.com/SETTOSTUNband/
Bloodbather
Website: https://bloodbather.bandcamp.com
Facebook: https://facebook.com/bloodbather/
Twitter: https://twitter.com/bloodbather
Instagram: https://instagram.com/bloodbather/

Meat Beat Manifesto + Otto Von Schirach **Only Southern US Show** - Miami - 9/15/18
2018-09-15 20:00 - 23:00 | The Ground at Club Space, 34 NE 11th St, Miami, FL, 33132, United States
Heroes Live Entertainment presents Meat Beat Manifesto: Only Southern US Date @ The Ground at Club Space in Miami. Support: Otto Von Schirach & DJ Carlos Menendez (Fire & Ice, Backdoor, The Church)

Tickets: https://ticketfly.com/event/1646872

Jack Dangers is the composer and sound sculptor behind Meat Beat Manifesto. His constantly evolving musical invention has generated a long string of futuristic classics, like “Psyche Out,” “Helter Skelter,” “Radio Babylon,” “Edge of No Control” and “It’s The Music.” The single, “Prime Audio Soup,” from the Meat Beat Manifesto album Actual Sounds and Voices, was featured in the sci-fi fantasy blockbuster, The Matrix and on its platinum-selling soundtrack.
An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. As a premier remixer, producer, and sound designer, he has played a seminal role in defining tomorrows’ music today. Past production/remixing projects include Public Enemy, Scorn, David Bowie, Orbital, NIN, EBN, David Byrne, Merzbow, Depeche Mode, Terry Riley, Tower of Power and Coil. He has also made videos for Clive Barker, Tox Simian, and DJ Shadow.
Meat Beat Manifesto released their 2018 record, “Impossible Star” on January 19 via Flexidisc with distribution by Virtual Label. It is available on CD, digital, and vinyl. Drawing on the paranoid and surreal political and cultural climate, Jack Dangers likens the record “to an MC Escher optical illusion which spirals around and around and never seems to end.”
“Intriguing and intimidating, Dangers’ cultural osterizing evolves to the nth degree of studio sophistication…”
–ROLLING STONE
“Without MBM’s groundbreaking amalgams of hip-hop and industrial dance music, modern dance music genres such as Big Beat and Drum & Bass wouldn’t exist…one of Britain’s most inventive practitioners of sampladelic funk.”
–ALTERNATIVE PRESS
“A true innovator, MBM main man Jack Dangers helped lay down the rules for dub-inflected electronica, throwing down heavy breaks atop challenging experimental sound”
– CMJ
“The sounds of futuristic riddims that both predate electronic genre nicknames and mock their ideals; one that may be defined purely by its sphere of influence on modern music.
– URB

–

Meat Beat Manifesto
Website: https://meatbeatmanifesto.com/
Facebook: https://facebook.com/MeatBeatManifesto

Meat Beat Manifesto’s constantly evolving musical invention has generated a long string of influential futuristic classics in its 21 year career, including such tracks as “God O.D.”, “Strap Down”, “Psyche Out”, “Helter Skelter”, “Radio Babylon”, “Edge of No Control” and “It’s The Music”. The single, “Prime Audio Soup” (from the album Actual Sounds and Voices) was featured in the sci-fi fantasy blockbuster The Matrix and on its platinum-selling soundtrack.
An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. MBM recently contributed the track “Suicide” to the top-selling soundtrack to Underworld: Evolution and Jack’s remix of Tower Of Power’s “What Is Hip?” was nominated for a Grammy in 2006.

Support:

Otto Von Schirach
Facebook: https://facebook.com/ottovonschirach
Soundcloud: https://soundcloud.com/ottovonschirach
Twitter: @ottovonschirach
Instagram: @ottovonschirach
Otto von Schirach is an IDM and breakcore artist from Miami, Florida (USA), active since 1998. He is of Cuban/German descent. His style is more sporadic and noisy than other artists in the genre, and his visual aesthetic leans on the heavy metal side rather than electronic.
He has released most of his work on the Schematic and Beta Bodega labels, and was featured in the 2002 documentary Electro-Dziska. Otto’s live performances include outfits, masks and props, and he has toured with the band Skinny Puppy. He is also credited on the Skinny Puppy albums The Greater Wrong Of The Right and Mythmaker. In 2011 he has toured U.S.A. with Atari Teenage Riot.
He also does a large amount of work in the areas of music production and remixing and has collaborated with several artists such as Modeselektor on their records Happy Birthday! and Monkeytown. Recently von Schirach has become increasingly involved with the Miami Bass Warriors, a Miami Bass focused project with Jose el Rey, El Tigre and Debbie D from Avenue D. Their debut video, “Going Back to Calle 8,” was featured on Pitbull’s show La Esquina.

The Soft Moon + Boy Harsher - Miami - 4/25/18
2018-04-25 20:00 - 23:30 | Gramps, 176 NW 24th St, Miami, FL, 33127, United States
Heroes Live Entertainment presents The Soft Moon with special guests Boy Harsher and Laboratory @ Gramps in Miami (Wynwood).

Tickets: https://ticketfly.com/event/1596957

The Soft Moon gives the darkly hypnotic sounds of Suicide, Joy Division, Bauhaus, and Krautrock new life with a stripped-down, lo-fi approach. The Soft Moon is led by Luis Vasquez inspired by his Afro-Cuban heritage and the wide-open spaces of the Mojave Desert where he was raised.
The Soft Moon
Website: https://thesoftmoon.com/
Facebook: https://facebook.com/thesoftmoon
Twitter: @thesoftmoon
Instagram: @the_soft_moon
Support:
Boy Harsher
Website: https://boyharsher.com/
Facebook: https://facebook.com/boyharsher/
Twitter: @boyharsher
Instagram: @boyharsher
Boy Harsher is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable.
Laboratory
Website: https://laboratorymiami.bandcamp.com/releases
Facebook: https://facebook.com/laboratorymiami
Instagram: @laboratory_propaganda
Detuned synths for detuned souls. Currently the brainchild of Miami’s Ryan Carmody & Didi Aragon. Industrial, Post-Punk, Musique Concrete, Eerie Music, Sci-Fi.

Eyehategod + Cro-Mags + Shroud Eater + Ether - Margate (Fort Lauderdale) - 4/1/18
2018-04-01 18:30 - 23:00 | O’Malley’s, 1388 N. State Road 7, Margate, FL, 33063, United States
Heroes Live Entertainment presents Eyehategod “30th Anniversary Tour” w/Cro-Mags, Shroud Eater & Ether @ O’Malley’s in Margate (Fort Lauderdale).

Tickets: https://ticketfly.com/event/1617898

https://heroesliveent.com/wp-content/uploads/2017/12/EHG-videoflyer.mp4

The misanthropic sludge metal outfit Eyehategod was formed in New Orleans in 1988, and became an important part of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. Eyehategod was the brainchild of guitarist Jimmy Bower and drummer Joe LaCaze; the two recruited vocalist Michael D. Williams, lead guitarist Brian Patton, and bassist Steve Dale, and debuted in 1992 with the album In the Name of Suffering.
EYEHATEGOD “30th Anniversary Tour”
Website: https://eyehategod.ee/
Facebook: https://facebook.com/OfficialEyeHateGod/
Twitter: @EyehategodNola
Instagram: @EyehategodNola
Cro-Mags
Website: https://cro-mags.com/
Facebook: https://facebook.com/Cro-Mags-28749578197/
The Cro-Mags are an American hardcore punk turned crossover thrash band from New York City. The band, which had a strong cult following, has released five studio albums, their first two considered the most influential. According to AllMusic, “before the Cro-Mags, the idea of combining heavy metal and hardcore together was unheard of. But with the release of their classic debut, The Age of Quarrel, hardcore-metal was born, and in its wake came a legion of similarly styled offspring (Biohazard, Vision of Disorder, etc.).”
Support:
Shroud Eater
Website: https://shroudeaterrocks.com/
Facebook: https://facebook.com/shroudeater/
Twitter: @Shroud_Eater
Instagram: @shroud_eater
Miami’s Shroud Eater gained praise from preeminent tastemakers such as Noisey, Cvlt Nation, HellRide Music, The Obelisk and others, Shroud Eater have proven they bring the heavy with the best of them; Heavy Planet dubbed them “Stoner-Sludge Titans”, while Ghost Cult Magazine called them the “Future of sludge metal”. The band has performed at the much lauded Psycho Las Vegas, as well as Destroyer Fest, Wvrm Fest, 305 Fest, Fresh Fest, and the Tennessean Sludge Festival.
Ether
Website: https://ethercoven.bigcartel.com
Facebook: https://facebook.com/EtherCoven/
Instagram: @ethercoven
Doom, but punk… kinda.

KRS-One: The World Is Mind Tour - West Palm Beach - 2/25/18
2018-02-25 20:00 - 2018-02-26 00:00 | Respectable Street, 518 Clematis St, West Palm Beach, FL, 33401, United States
Heroes Live Entertainment presents KRS-One: The World Is Mind Tour @ Respectable Street in West Palm Beach. Special guests: DJ S.U.N. One, Brōōt McCoy (West Palm Beach) & Elohim The Anomaly (Miami).

Tickets: https://ticketfly.com/event/1634687

KRS-One, an acronym for “Knowledge Reigning Supreme”, has been called the “conscience of Hip Hop” (Rolling Stone), “the greatest live emcee ever” (The Source), the “spokesperson for Hip Hop” (Wall Street Journal), “master teacher” (Zulu Nation) and the “son of Hip Hop” (Kool DJ Herc).
At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

–

KRS-One: The World Is Mind Tour
THE WORLD IS MIND available at www.KRS-ONE.com

Website: krs-one.com/

Twitter: @IAmKRSOne

Instagram: @teacha_krsone

Appearing on the rap scene in 1986 as Boogie Down Productions releasing his first hit single “South Bronx” with his late DJ Scott La Rock, KRS “the one” made it clear that Hip Hop was going to have to take itself a lot more seriously than simply being a music genre.
With 20 published albums to his credit and his numerous appearances with other artists, KRS-One is believed to have written the most rhymes in Hip Hop’s history.
In the 1990s as “hip-hop” grew more and more commercialized and corporate, it was KRS-One that openly rejected such cultural exploitation and materialism grounding Hip Hop in its original principles of peace, love, unity and safely having fun.
Teaching everything from self-creation to stopping violence; from vegetarianism to transcendental meditation, from the establishment of Hip Hop Appreciation Week (every third week in May), to establishing Hip Hop as an international culture at the United Nations (2001), KRS-One has single-handedly held the history and original arts of Hip Hop together now for over two decades.
In addition to lecturing at over 500 universities in the United States and publishing three ground-breaking books; “The Science of Rap” (1995), “Ruminations” (2003), and the Gospel of Hip Hop” (2009), KRS-One has also established the Stop The Violence Movement (1989), influenced the creation of the “West-Coast All-Stars’ anti-gang anthem “We’re All In The Same Gang” (1990), warned the Hip Hop community against giving up their humanity for technological advancement (H. E. A. L.—Human Education Against Lies-1991), and has established the Temple of Hip Hop for the spiritual exploration of Hip Hop’s culture (1996).
It was KRS-One who first argued that “rap is something we do; Hip Hop is something we live” and introduced the “I am Hip Hop” philosophy in 1994 which Black Entertainment Television uses as the title of their Hip Hop Lifetime Achievement Award today. Without question, KRS-One has been the loudest voice for the actual preservation and expansion of original Hip Hop worldwide.
When he is not touring or lecturing, on his so-called “down-time”, KRS-One continues to share his unique knowledge of Hip Hop to younger audiences eager to hear the ‘teacha’ speak. Operating as a kind of “pop-up” school, KRS-One’s Temple of Hip Hop has appeared in various cities in USA also in the UK and Europe offering the more serious student of Hip Hop an effective way to live and understand the culture of Hip Hop more deeply.
KRS-One, the lyrical legend, drops his new 2017 album ‘The World Is Mind’. KRS-One brings that Boom Bap back, with tracks like; ‘Raw BEAT’ and the graffiti tribute ‘Out for Fame’. In addition KRS-One celebrates the South African clique langue on ‘Keep It Clicking’ and shares ancient wisdom on the title track ‘The World Is Mind’. This is another banger from the Hip Hop legend.
Awards:
2004, VH1 Hip Hop Honors
2007, I am Hip Hop, BET Hip Hop Awards
2007, Lifetime Achievement, BET Hip Hop Awards
2009, Living Legend Award, Urban Music Awards

Support:

On the decks: DJ S.U.N. One

Brōōt McCoy (West Palm Beach)

https://brootmccoy.bandcamp.com

https://soundcloud.com/brootmccoy

FB: https://facebook.com/BrootMcCoy

Twitter: https://twitter.com/brootmccoy

Instagram: @brootmccoy

Originally from Boston Mass, now residing in West Palm Beach FL.

Influences: Real Hip-Hop artists including Big L, Rakim & Erick B, Wu-tang Clan, James Brown, Louis Armstrong, Blu, DOOM, Nas, GZA, The Doppelgangaz, Jamla

Elohim The Anomaly (Miami)

YouTube: https://youtube.com/watch?v=Yc-rspUp07c

FB: https://facebook.com/ElohimtheAnomaly/

Twitter: https://twitter.com/elohimdanomaly

Instagram: @elohimtheanomaly

Elohim AKA Brother Nkosi X is a well known product of Miami. His love for Hip Hop and Islam as taught by the Honorable Elijah Muhammad and his student the honorable minister Louis Farrakhan is the driving force behind his resurgence. The world is in store for sound it has been crying out for. Brace yourself.

In the patio:

Art Exhibition by BOHEMÏAAGPRODUKT (Bohemïa AG) featuring Renda Writer.
WorldPeaceMuralTour.com
Bohemïa AG chose Renda because KRS-ONE inspired his life mission.
https://youtu.be/_xZrnpfFhoo
