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SUMMARY:KRS-One - West Palm Beach - 1/12/20
DESCRIPTION:Heroes Live Entertainment presents KRS-One with special guests Official Bobby Booshay\, Hakim Green (Channel Live)\, Serum & DJ Heron @ Respectable Street in West Palm Beach. \n\nTickets: https://krs-one-wpb.eventbrite.com\n\n\n\nKRS-One\, an acronym for “Knowledge Reigning Supreme”\, has been called the “conscience of Hip Hop” (Rolling Stone)\, “the greatest live emcee ever” (The Source)\, the “spokesperson for Hip Hop” (Wall Street Journal)\, “master teacher” (Zulu Nation) and the “son of Hip Hop” (Kool DJ Herc). \nAt the 2008 BET Awards\, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture. \n\n\n\nVIP Seating for the KRS-One show includes a bottle of your choice of liquor\, mixers and cocktail server for a party up to four for $350. GA ticket is required and separate. Very limited availability. Email kristenjkelly@gmail.com to reserve your VIP seats.\n\n\n–\n\n\nKRS-One\nWebsite: http://KRS-ONE.com\n\n\nTwitter: http://twitter.com/IAmKRSOne\n\n\nInstagram: http://instagram.com/teacha_krsone\n\n\n \n\n\n\nAppearing on the rap scene in 1986 as Boogie Down Productions releasing his first hit single “South Bronx” with his late DJ Scott La Rock\, KRS “the one” made it clear that Hip Hop was going to have to take itself a lot more seriously than simply being a music genre. \nWith 20 published albums to his credit and his numerous appearances with other artists\, KRS-One is believed to have written the most rhymes in Hip Hop’s history. \nIn the 1990s as “hip-hop” grew more and more commercialized and corporate\, it was KRS-One that openly rejected such cultural exploitation and materialism grounding Hip Hop in its original principles of peace\, love\, unity and safely having fun. \nTeaching everything from self-creation to stopping violence; from vegetarianism to transcendental meditation\, from the establishment of Hip Hop Appreciation Week (every third week in May)\, to establishing Hip Hop as an international culture at the United Nations (2001)\, KRS-One has single-handedly held the history and original arts of Hip Hop together now for over two decades. \nIn addition to lecturing at over 500 universities in the United States and publishing three ground-breaking books; “The Science of Rap” (1995)\, “Ruminations” (2003)\, and the Gospel of Hip Hop” (2009)\, KRS-One has also established the Stop The Violence Movement (1989)\, influenced the creation of the “West-Coast All-Stars’ anti-gang anthem “We’re All In The Same Gang” (1990)\, warned the Hip Hop community against giving up their humanity for technological advancement (H. E. A. L.—Human Education Against Lies-1991)\, and has established the Temple of Hip Hop for the spiritual exploration of Hip Hop’s culture (1996). \nIt was KRS-One who first argued that “rap is something we do; Hip Hop is something we live” and introduced the “I am Hip Hop” philosophy in 1994 which Black Entertainment Television uses as the title of their Hip Hop Lifetime Achievement Award today. Without question\, KRS-One has been the loudest voice for the actual preservation and expansion of original Hip Hop worldwide. \nWhen he is not touring or lecturing\, on his so-called “down-time”\, KRS-One continues to share his unique knowledge of Hip Hop to younger audiences eager to hear the ‘teacha’ speak. Operating as a kind of “pop-up” school\, KRS-One’s Temple of Hip Hop has appeared in various cities in USA also in the UK and Europe offering the more serious student of Hip Hop an effective way to live and understand the culture of Hip Hop more deeply. \nKRS-One\, the lyrical legend\, drops his new 2017 album ‘The World Is Mind’. KRS-One brings that Boom Bap back\, with tracks like; ‘Raw BEAT’ and the graffiti tribute ‘Out for Fame’. In addition KRS-One celebrates the South African clique langue on ‘Keep It Clicking’ and shares ancient wisdom on the title track ‘The World Is Mind’. This is another banger from the Hip Hop legend. \nAwards: \n2004\, VH1 Hip Hop Honors\n2007\, I am Hip Hop\, BET Hip Hop Awards\n2007\, Lifetime Achievement\, BET Hip Hop Awards\n2009\, Living Legend Award\, Urban Music Awards \n\n\n\n\n\nSupport:\n\n\n \n\n\nOfficial Bobby Booshay\n\n\nWebsite: https://newworldstation.com/artistlisting/bobby-booshay\n\n\nFacebook: https://facebook.com/pg/officialbooshay\n\n\nTwitter: https://twitter.com/officialbooshay\n\n\nInstagram: https://instagram.com/officialbooshay\n\n\n \n\n\n\nClean Money Music artist Bobby Booshay is considered the answer to the current status of Hip Hop. His hard hitting lyrics and his versatile Flo’s create the perfect storm. He has performed with KRS-One\, Big Daddy Kane\, Method Man & Redman among others. \nHakim Green (Channel Live) \n\n\n\n\n\nWebsite: http://madizm.info/\n\n\nFacebook: http://facebook.com/Hakim-Green-214315545275683/\n\n\nTwitter: https://twitter.com/HakimGreen \n\n\nInstagram: https://instagram.com/hakimgreen \n\n\n \n\n\nHakim Green of The True School Hip Hop Band Channel Live. CEO of 24hrsofpeace\, educator\, activist and cannabis advocate.\n\n\n\n\n\n \n\n\n\n\n\n\nSerum\n\n\nWebsite: http://youtube.com/user/mcs3rum\n\n\nFacebook: https://facebook.com/Serum305/\n\n\nTwitter: https://twitter.com/SERUM305\n\n\nInstagram: https://instagram.com/serum305/\n\n\n \n\n\nSupah Emcee/Miami Freestyle Battle Relic/MTV Freshman of the Week Runner Up\n\n\n \n\n\nOn the decks: \n\n\n \n\n\nDJ Heron\n\n\nWebsite: https://soundcloud.com/dj_heron\n\n\nFacebook: https://facebook.com/ONLY1DJHERON/\n\n\nTwitter: https://twitter.com/dj_heron\n\n\nInstagram: https://instagram.com/dj_heron/\n\n\n \n\n\nDJ Heron\, born in Lima\, Peru raised in Brooklyn\, New York he is undoubtedly no stranger to the hip-hop culture. Hip-Hop started with DJ and that’s what DJ Heron has been doing since the young age of 12 years old. Roaming the streets of Brooklyn\, his older cousin made him carry countless of records that it was only a matter of time for Heron to start doing what he does best; being on the 1’s and 2’s. Couple of years later\, he moved to South Florida to bless locals with sounds of the underground Hip-Hop that was hitting the airwaves in New York. Since there was a lack of Hip-Hop culture in Florida\, DJ Heron would take frequent trips back to New York for the weekend just to record the hottest releases and formulate high- demand mix tapes Floridians would insist for when he would fly back down.\n\n\n \n\n\nApart from selling exclusive rare mix tapes\, he started his first production company called 3rd Eye Productions with partner DJ Klassik now known as DJ Chris. During that time\, DJ Heron starting producing vicious beats which were the ember that made him establish his own first studio called Florida Room Productions. Creating a buzz with his production\, he landed his first record deal with Atlantic at just 18 years old. Unfortunately after 7 years the studio was robbed leaving him without his tools but not his luck. Shortly after the robbery occurred\, a new door opened for DJ Heron that would change his career forever. Sony Music Records signed DJ Heron to their label giving him the opportunities to work with several artists\, make his own productions\, and go on the White Lion Tour that featured Tego Calderon\, DJ Laz\, Don Omar\, and Voltio.\n\n\n \n\n\nHaving much success throughout his career\, DJ Heron has opened up for many hip hop shows including Black Sheep\, Leaders of the New School\, Public Enemy with Queen Latifah\, Tim Dog\, and Termanology just to name a few . Furthermore\, he was also the winner of the Pro AM DJ Battle of 2011 in which he competed with several other DJs nationwide. Side by side with host/ emcee Saheed\, DJ Heron is now the main resident DJ of Re-Up radio\, an online radio show airing every week playing old school\, new school\, and independent Hip-Hop artists music worldwide to fans tuning in across the globe. It won’t be long till’ you hear DJ Heron’s skills with upcoming Re-Up Radio mix tapes soon to be released throughout the year.
URL:https://heroesliveent.com/event/krs-one-wpb/
LOCATION:Respectable Street\, 518 Clematis St\, West Palm Beach\, FL\, 33401\, United States
CATEGORIES:Concert
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SUMMARY:Melodime + The Talbott Brothers - The Rock Boat XX Pre-Party - Miami - 1/22/20
DESCRIPTION:Heroes Live Entertainment presents Melodime + The Talbott Brothers @ The Ground at Club Space in Miami. Join us before setting sail on The Rock Boat XX departing Miami! \n\nTickets: https://melodimemiami.eventbrite.com\n\n\n\nMelodime is a Virginia-based band with influences in both country and rock that features emotionally charged anthems\, piano driven hooks\, and energetic guitar solos for a dynamic\, organic sound. \n\n\n\n\n\n\nMelodime\, featuring Brad Rhodes (lead vocals\, guitar)\, Sammy Duis (piano\, organ\, bass)\, Tyler Duis (drums)\, and Jon Wiley (guitar\, mandolin\, dobro)\, has performed over 100+ shows annually throughout the continental United States\, sharing the stage with such well-known acts as Sam Hunt\, Eli Young Band\, A Thousand Horses\, and Sister Hazel. \nThe band has also left its mark internationally with performances in Mexico\, Canada\, and Europe\, all while founding and running a charity\, ‘Now I Play Along Too\,’ which provides musical instruments and lessons to underprivileged children in the DC area\, Florida\, Nepal\, Kenya\, and Haiti. \nThe band is quickly becoming a fan-favorite in the festival scene\, playing five consecutive Rock Boat cruises\, as well as Musikfest\, Herndon Festival\, Mile of Music\, and other events. In their hometown of Northern Virginia\, the group has performed at popular venues such as The State Theatre\, 9:30 Club\, The Hamilton\, and Baltimore Soundstage. \n\nMelodime\n\n\nWebsite: https://melodime.com\n\n\nFacebook: https://facebook.com/melodime\n\n\nTwitter: https://twitter.com/melodime\n\n\n\nInstagram: https://instagram.com/melodime \nSupport: \n\n\n\n\n\n\n\n\n\n\n\nThe Talbott Brothers\n\n\nWebsite: https://thetalbottbrothers.com/\n\n\nFacebook: https://facebook.com/talbottbrothers/\n\n\nTwitter: https://twitter.com/talbottbrothers\n\n\nInstagram: https://instagram.com/talbottbrothers/\n\n\n \n\n\n\n\nThe Talbott Brothers are a product of America’s heartland. Though currently based in Portland\, Oregon\, the duo grew up in Imperial\, Nebraska\, with a population just eking over 2\,000. As indie-folk-rock musicians\, Nick and Tyler Talbott\, are somewhat of an anomaly\, originating from a place where farming or ranching are the more typical career paths. Their honest songwriting is not only a breath of fresh air\, but collections of down-to-earth messages that prove to be prevalent in today’s world. \nGhost Talker is the second full-length studio album from the sibling duo. Blood harmonies and sibling rivalry are evident in their songwriting with lyrics pulling from the trials of everyday life and the questions we all face. “Everyone has ghosts\, whether they talk about them or not. We wanted to take off the mask and be honest with this record\, hoping that what we needed to say is what people needed to hear.” \nAt its core\, the album is transformative in nature\, prompting the listener to question motives\, face realities\, and go to war with their own ghosts. Spiritual apprehension and seeking answers are common themes. “Shadowboxing” is a hard look in the mirror\, realizing that what you have been fighting all along is your own fear. “It takes one good fight to turn things around.” \nLead single\, “Run No More” forces a look at the past while offering a soul shaking guitar solo that feels like a rally cry. “We tried running for a long time but it doesn’t do a heart any good. Sometimes in a wake-up call you realize what’s most important to you. “Run No More” is about when your legs give out and you gotta turn around and fight.” \nDrawing influence from John Mayer\, Kaleo and Mumford & Sons\, Ghost Talker will challenge your built-in world view and push you to embrace the unknown. No strangers to the road\, The Talbott Brothers will be touring across the US\, supporting the album release this fall 2019.
URL:https://heroesliveent.com/event/thetalbottbrothers/
LOCATION:The Ground at Club Space\, 34 NE 11th St\, Miami\, FL\, 33132\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/New_York:20200124T190000
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SUMMARY:Black Lips **Record Release Show** + Plastic Pinks + Palomino Blond + DJ sets by Danny Kokomo of Jacuzzi Boys - Miami - 1/24/20
DESCRIPTION:Heroes Live Entertainment presents Black Lips **Record Release Show** w/Plastic Pinks\, Palomino Blond & DJ sets by Danny Kokomo of Jacuzzi Boys. Party with one of the Peach State’s wildest bands! \n\nTickets: https://blacklipsmiami.eventbrite.com\n\n\n\n\n\nThe story of the Black Lips began in Dunwoody\, Georgia\, a quiet\, conservative suburb of Atlanta\, in the year 1999. Born of a mutual love of Link Wray\, The Stooges\, and The Ramones\, and sealed through a shared dedication to defiance\, the band formed after childhood friends Jared Swilley and Cole Alexander were kicked out of Dunwoody High for separate\, yet equally bad\, behavior. The former classmates took their love of music and restless energy and channeled it into their newly found free time\, and joined by friends Ben Eberbaugh and Joe Bradley\, the Black Lips started playing shows around Atlanta\, at house parties and bars. They spent this time honing their sound – garage rock infused with blues\, psychedelia\, and punk\, plus a healthy dose of reckless abandon – and released their first 7-inch\, “Ain’t Coming Back\,” in 2002 on Die Slaughterhouse records (named in homage to the flophouse den they called home). Shortly before the band was set to head out on their first ever national tour\, Eberbaugh was tragically killed by a drunk driver. Devastated but determined to carry on in Eberbaugh’s honor\, the Black Lips hit the road as a trio just a few days later. \nIt’s been 15 years\, but that passionate dedication to touring has never left the band. The Black Lips have released eight full-length albums since that first tour\, and have traveled the country and the world extensively\, making a name for themselves as an electrifying\, must-see live act. It helps that the same mischievous spirit that helped speed up their exit from the educational system is still very much alive\, thriving in its new environment on stage\, resplendent with punk rock theatrics and miscellaneous bodily fluids\, amongst other things. The band’s energy and unique “flower punk” sound helped them build a rabid fan base\, and after releasing their first two albums through Bomp!\, they put out the critically celebrated Let It Bloom on In The Red records. This record garnered the Black Lips features in Spin and Rolling Stone\, and they were soon signed to Vice Records\, subsequently releasing Los Valientos Del Mundo Nuevo\, an ambitious album recorded live at a bar in Tijuana\, Mexico\, in February of 2007. \nIn their decade-long tenure with Vice\, the Black Lips have evolved from wildly crooning over fuzzy\, raucous music at house shows full of kids to wildly crooning over fuzzy\, raucous music at international festivals in front of thousands of fans. They have toured consistently\, with their zeal for travel taking them all over the world\, and not without some international adventure: In 2009 the Black Lips went on their first (and last) tour of India\, playing shows in Bangalore and Mumbai before chaos struck in Chennai after the band ditched their toned-down presence in favor of classic Black Lips capers\, including some not so well received Lips-locking. After the same sex smooching and also Alexander baring his butt to the rowdy crowd\, the tour’s sponsors pulled out and the band was nearly jailed\, their passports confiscated by the disgruntled promoters. According to Swilley: “The first few shows\, we were being really reserved because we didn’t want to offend anyone\, but they kept telling us to do what we wanted…I guess “do whatever you want” didn’t include kissing each other\, and I think Cole mooned the crowd\, which is a huge no-no. We had to physically wrestle our passports back from the promoters. It was the scariest 15 hours of my life\, but we got out of there.” The band ended up taking a 200 mile cab ride to the next province and hopped a flight to Berlin\, narrowly escaping Indian prison. \nUndeterred\, the band jumped at the chance to become the first Western punk band to tour another notoriously conservative continent\, the Middle East\, just a few years later. Why? “It was important for a number of reasons\,” Swilley says of the tour. “We’ve always wanted to push boundaries of where we go. Plus\, a lot of people told us we couldn’t do it\, and anytime someone tells us we can’t do something\, then we kind of have to. We have O.D.D\, oppositional defiance disorder.” This time\, their shows went off without a hitch\, and Black Lips played shows for crowds in Jordan\, Cyprus\, Egypt\, Lebanon\, Iraqi Kurdistan\, and the United Arab Emirates in 2011 in support of that year’s release of their record Arabia Mountain\, produced by Mark Ronson. The title was actually a reference to a mountain in Georgia\, but that didn’t stop the Lips from playing the record all over the Middle East\, to enthused fans and without causing any further international incidents. “Everyone was really nervous about us going there\, but it really went off without a hitch\,” adds Swilley. The band also hasn’t abandoned plans to become the first rock band to play on all seven continents\, hoping to hit their last remaining one\, Antarctica in the near future\, and disregarding Metallica’s claim of this achievement: “Just when we were securing the funding\, Metallica sniped us. They took a boat\, probably a gold plated Versace boat\, down there. But they actually didn’t play on land\, and they didn’t play with amps\, so technically they haven’t played Antarctica. Metallica hasn’t beat us yet.” \nFor their ninth studio album\, the Black Lips have teamed up with Sean Lennon\, who got on board to produce Satan’s graffiti or god’s art? in 2016. The Black Lips had formerly worked with Lennon on Arabia Mountain\, where Lennon played theramin on several tracks. The band moved up to Lennon’s studio compound on a remote farm in upstate New York\, and spent several months living and breathing the new record. This removal from the outside world\, plus the return of beloved early guitarist Jack Hines and the exciting addition of new members Oakley Munson on drums and Zumi Rosow (the first female Black Lip) on saxophone\, infused the project with a focused\, intoxicating liveliness\, similar to the spirit that had brought the Black Lips to life in the first place\, way back in 1999. Only this time\, the band is drawing from nearly two decades of experience and musicianship\, and the newness is tethered by familiarity: Munson is a longtime friend of the band\, and Rosow has been playing live with the Black Lips for several years now. There’s even a dash of kismet: unbeknownst to the band\, after being off the grid for some time\, Munson had just recently moved to a cabin a short distance away from Lennon’s compound\, and the first time his phone ever rang after he plugged into the wall\, Alexander was on the other end\, asking him to play. \nAll of this excitement and immersion created the perfect storm for the Black Lips’ most musically evolved album to date. “It was a really beautiful experience. We were very far from civilization\, and we were all living at the studio. We weren’t going home to our own beds every night; that was our whole world\, 100% of the time\,” says Swilley of the experience. “Making this record was the most wonderful few months of my life. It was by far my favorite time recording an album so far…It was just magic.” The Black Lips were joined by Saul Adamczewski of Fat White Family\, who helped co-produce the record with Lennon\, plus another rather magical guest: Yoko Ono. “She’s very cosmic\,” Swilley says of the celebrated artist and musician\, who makes an appearance on a few of the tracks. The final product is urgent and thoughtful\, reflecting the growth the Black Lips have experienced since bursting onto the scene (once or twice quite literally on fire)\, but it’s also true to their original blistering\, careening take on rock n’ roll: fuzzy\, dirty\, and rife with three and four part harmonies. Satan’s graffiti or god’s art? proves that while they may have grown up a bit and changed a few things around\, the Black Lips are still as creatively unhinged and exhilarating as ever. Satan’s graffiti or god’s art? is out now on Vice Records. \n\n\n\n\n\n\n\n\n \n\n\nBlack Lips\n\n\n\n\n\n\n\n\n\n\n\n\nWebsite: http://black-lips.com/\n\n\nFacebook: https://facebook.com/theblacklips/\n\n\nInstagram: https://instagram.com/theblacklips_/\n\n\nTwitter: https://twitter.com/TheBlackLips\n\n\n\n\n\n  \nSupport: \n\n\n\n\n\n\n\n\n\n\n\nPlastic Pinks\n\n\nWebsite: https://plasticpinks.bandcamp.com/ \n\n\nFacebook: http://facebook.com/plasticpinks/\n\n\nTwitter: https://twitter.com/PlasticPinks\n\n\nInstagram: https://instagram.com/plasticpinks\n\n\n\n  \nRock & Roll outfit from Miami\, FL. \nPlastic Pinks formed in Jan of 2013 and have kept the integrity of their energetic sound throughout the years\, even after going through some line up changes. Known for their charismatic performances\, energetic music and their commitment to their craft\, they have toured over the years and don’t seem to be slowing down anytime soon. They once shared the road with AJ Davila (Terror Amor / Davila 666) which helped pave the way for future tours where they promoted their various releases. Among those releases they had many breakthrough moments\, like having their 7”inch record released by the Atlanta label\, Die Slaughterhaus Records\, in which the songs “Fui” and “Kelly” gained them momentum and inspired a craving to push harder than before. Later on\, they released their digital / cassette EP\, “Livin’ On the coast”\, via Wiener Records. This particular EP propelled the band further which helped as a stepping stone towards to their later released album “Sunnyside Rabbits” (recorded/produced by AJ Davila) with Burger Records. During the Sunnyside Rabbits three month tour the band was featured on Daytrotter\, as wells as a KEXP live session\, which added more wind to their sails. \nAfter playing various high profile shows like III POINTS festival\, SXSW\, Burgermania\, Atlanta Mess-Around as well as having played with the likes of Unknown Mortal Orchestra\, Warpaint\, King Krule\, Run The Jewels\, RJD2\, Ty Segall\, Black Lips\, Shannon and The Clams\, The Spits\, Thee Oh Sees\, Hinds\, La Luz\, The Coathangers\, Wand\, Natural Child\, DIIV\, Neon Indian\, Surfer Blood\, Jacuzzi Boys\, Kim and The Created\, Jaill\, Destruction Unit\, The Garden\, Iceage\, Night Beats among the list\, you can only ask yourself; What’s next for Plastic Pinks? \nFor their fourth release they will unleash “El Animal”\, a six-song EP under the Ghost Drag Records banner. Plastic Pinks have taken their time to work on this upcoming release by exploring a broader sound and a less constrictive approach. For that they enlisted the help of Gordon Raphael (producer of “The Modern Age”\, “Is this it” and  “Room On Fire” by The Strokes) to do the EP’s mixing\, as well as their upcoming album’s\, as a way to capture a new era of Plastic Pinks. They are also working on their following album tentatively named “Don’t Forget The Mischief” with the help of their friend Robert Peters (Fuzz Baby Records) who recorded and co-produced “El Animal” to have it be released later on 2017. \n\n\n\n\n  \n\n\n\n\n\n\n\n\n\n\n\nPalomino Blond\n\n\nWebsite: http://palominoblond.com\n\n\nFacebook: http://facebook.com/palominoblond\n\n\nTwitter: https://twitter.com/palominoblond\n\n\nInstagram: http://instagram.com/palomino_blond/\n\n\n\n  \nPalomino Blond is a band from Miami\, FL who came up in the tradition of the suburban D.I.Y. all-ages community. After filling countless rooms with earlier projects\, the members came together over a shared love of classic alternative rock\, and released demos during the Summer of 2018. The demo has seen relentless support from their homegrown fanbase and regional college radio stations alike.  \nTheir demo; the single “Creature Natural” (along with its music video directed by Jon and Michael Cuartas); and frequent\, dynamic live sets in their home state of Florida have solidified Palomino Blond as “next to carry the torch” (Amanda Starling\, The Alternative) of indie rock from their home state to a larger audience.  \nThe band is currently recording their debut LP with Jonathan Nunez (guitarist of SFL’s Torche and founder of Nunez Amplification). They are slated to play some of Florida’s most popular festivals in the coming months and show no signs of slowing down. \n  \n\n\n\n\n\n\n\n\n\n\n\nDJ sets by Danny Kokomo of Jacuzzi Boys\n\n\nWebsite: https://jacuzziboys.com/\n\n\nFacebook: https://facebook.com/jacuzziboys/\n\n\nTwitter: https://twitter.com/JacuzziBoys\n\n\nInstagram: https://instagram.com/jacuzziboys/
URL:https://heroesliveent.com/event/blacklips/
LOCATION:The Ground at Club Space\, 34 NE 11th St\, Miami\, FL\, 33132\, United States
CATEGORIES:Concert
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