Heroes Live Entertainment presents The Black Queen: Fever Daydream 10 Year Anniversary Tour with special guests Trace Amount + Violet Silhouette on Wednesday, June 3, 2026 @ Respectable Street in West Palm Beach, Florida. This is the only Florida show. Los Angeles dark-wave/electronic act THE BLACK QUEEN has announced a spring tour to celebrate the 10-year anniversary of their cult-classic debut album “Fever Daydream”. Featuring singer Greg Puciato (solo artist, Better Lovers, ex-The Dillinger Escape Plan) and multi-instrumentalist and acclaimed technician Steve Ryan (Nine Inch Nails, A Perfect Circle), the band will perform the record in full during a series of intimate shows in May and June, the first THE BLACK QUEEN has played since 2019.
Tickets: https://theblackqueen.eventbrite.com
7:00PM (Doors) | 8:00PM (Show) | 18+
The Black Queen
Website: https://theblackqueen.com
Instagram: https://instagram.com/theblackqueenofficial
Facebook: https://facebook.com/theblackqueenofficial
YouTube: https://youtube.com/theblackqueenofficial
- Ten Year Anniversary of cult-classic debut album Fever Daydream
- First tour since early 2019
- Band will play album in full as well as other cuts off of “Infinite Games” and new unreleased music off of the upcoming third LP
- Only Florida show
A kind of power synth pop trio, the Black Queen began in casual fashion and developed into a full-blown band treated by its members as much more than an extracurricular project. In 2011, Greg Puciato, Dillinger Escape Plan’s vocalist, and Steven Alexander, a seasoned tech (DEP, Nine Inch Nails, Ke$ha ), began working on material with one another that deviated significantly from the former’s main band. Later in the year, Joshua Eustis (NIN, Puscifer) was added to the fold, after Puciato crossed paths with the multi-instrumentalist, producer, and songwriter at a Puscifer gig. Puciato’s interests had long involved electronic music — his primary band had covered songs by Massive Attack, Depeche Mode, and even Aphex Twin — and he admired Eustis’ output with Telefon Tel Aviv. The two also shared a love for R&B, a genre detectable throughout Eustis’ recorded history. Within a couple years, Puciato, Alexander, and Eustis were deeply involved in the Black Queen, living with one another in Los Angeles, and supporting each other through bleak personal matters. In 2015, they debuted the Black Queen with the ballad “The End Where We Start” and quickly followed it with the relatively uptempo “Ice to Never,” a pair of singles that were closer in construction to Telefon Tel Aviv’s Immolate Yourself than anything by Dillinger Escape Plan. Additionally, these songs featured some of Puciato’s most melodic and restrained vocal performances without sacrificing any feeling. Fever Daydream, their debut album, was released in January 2016. They went on to promote the record with an international tour later that year before Puciato returned to Dillinger to record their final album, Dissociation, which saw release in October 2016. DEP spent almost the entirety of 2017 touring in support of the record before taking a break and Puciato returned the Black Queen fold in 2018 to record their sophomore effort — Infinite Games — which saw release in September 2018. ~ Andy Kellman, Rovi
Support:
Trace Amount
Website: https://instagram.com/traceamount_/
YouTube: https://youtube.com/channel/UCCemPYn7k6nJb7Qxgdr4UBA
Bandcamp: https://traceamountnyc.bandcamp.com/
Spotify: https://open.spotify.com/artist/4GcHlS205ouPUuXcXtQEZH
First conceived in 2019, Trace Amount is the creative outlet of vocalist, drummer, producer, and visual artist Brandon Gallagher. The project took shape during the early stages of the COVID pandemic, inspired by the grim realities of life in New York City at that time, and has evolved at a lightning pace ever since. Revolver Magazine has described it in these words: “Trace Amount is the one-man project of Brooklyn’s Brandon Gallagher, a prolific musician and visual artist… In just a few years, he’s already unloaded a wealth of harsh, confrontational industrial material under the Trace Amount moniker… Glitchy vocals, pounding drums, screechy noise soundscapes and a pummeling atmosphere.” BrooklynVegan meanwhile has labelled it as “the exact middle ground between The Downward Spiral and the death industrial/power electronics scene.”
Violet Silhouette
Website: https://linktr.ee/violetsilhouetteofficial
Instagram: https://instagram.com/violetsilhouetteofficial
Facebook: https://facebook.com/violetsilhouetteofficial
Spotify: https://open.spotify.com/artist/1xoGda31OCAFmbps3m7Wcq
In their latest body of work, Dance-Punk/Postwave duo Violet Silhouette explores the concept of “Neuromanticism” – a strange collection of sensory experiences and our sometimes fatal chase to reach the “highest” ideal for truth and love Formed in late 2019, the group released its first EP “SEMIPERMANENTDEREALIZATION” in 2021, writing and recording in the midst of the pandemic. The encroachment of internal chaos felt in the group’s ‘emotional unconscious’ spawns a pandemonium of haunting archetypes and secret love languages that form what the band calls internally, “The Silhouette.” An always forming, malleable entity that encompasses the end result of their writing, production, and performances. This is evident in the band’s emotionally-charged and exuberant live shows. The performance is a personification of defiance. Like something caged up that has no intention of staying there for long. Violet Silhouette surfaces with their first single “Strange Wind” from the band’s forthcoming second EP “FEVERBLUE”.
