Heroes Live Entertainment

South Florida premier live music presenter and concert promoter

Clan Of Xymox – NEW DATE – 3/18/22

March 18, 2022 heroesliveent
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Heroes Live Entertainment presents Clan Of Xymox w/The Bellwether Syndicate & Astari Nite @ Respectable Street in West Palm Beach.
Tickets: https://clanofxymox2022.eventbrite.com

Dutch darkwave pioneers Clan Of Xymox perform for their first South Florida show since 1991 at Respectable Street in West Palm Beach.

New album “Limbo” out now! Clan of Xymox with special guests The Bellwether Syndicate – William Faith (of Faith and the Muse) and Sarah Rose (aka DJ Scary Lady Sarah), Astari Nite and Jolt Radio’s Shadowplay DJs.

 

Clan Of Xymox

Instagram: http://instagram.com/clan.of.xymox

Since their formation in their native Holland, Clan of Xymox has been constantly changing, always challenging and often quite breathtaking. Formed in 80’s Amsterdam and signed to leading English independent label 4AD, home at one time to the Cocteau Twins, Dead Can Dance, and Pixies among others. The 4AD period saw the release of the band’s self-titled debut album and the second album Medusa. Those two records were full of tumbling electro beats, throbbing sequencers and moody vocals.

Clan of Xymox became one of the pioneers of the dark and moody electronic music that later became known as darkwave. Later they got signed to a subsidiary of Polygram USA. Their releases as solely Xymox were in a more synthpop/dance music vein. This period was known as their most commercial one, having dance chart hits in the USA.

In 1997, Ronny Moorings made the decision to restart Clan of Xymox and return to his musical roots in the Gothic electro scene. Since then, the band signed to USA based Metropolis Records, releasing a series of critically acclaimed albums.

The band has released 15 studio albums, 2 DVD’s, a remix and live album, “Best Of” and even a covers album. In 2017, “Days Of Black“ was released worldwide. It remains faithful to its roots and new-wave basis, but progressively evolved towards more melodic and harmonious songs.

Clan of Xymox have done what many similar bands fail consistently to do. They’ve upped their game, shaken things around, plunged back into the darkness and come up with something sounding fresh, original, and exciting. To the great enthusiasm of their fans, the band still tours with great energy worldwide on a constant basis. Current line-up consists of: Ronny Moorings, Mojca, Mario, Sean and Daniel.

Support:

The Bellwether Syndicate
Website: http://thebellwethersyndicate.com 
Facebook: https://facebook.com/thebellwethersyndicate/
Instagram: https://instagram.com/thebellwethersyndicate/
Twitter: https://twitter.com/BellwetherSyn

Fronted by veteran artist William Faith (of Faith and the Muse) and Sarah Rose (aka DJ Scary Lady Sarah), The Bellwether Syndicate are, as illustrated by their debut, coloring outside of prescribed genre lines, choosing here to push the boundaries of style and substance into something relevant and vital.

While the music is written and recorded by William and Sarah, the live show features collaborators Philly Peroxide (keyboards/percussion), Paul Sin (bass) and Faith’s long-time drummer Stevyn Grey. The Bellwether Syndicate present a powerful and commanding live performance, where the sound and substance of the recorded work truly comes to life; where the art is made whole by the audience — and this is a band that knows how to connect with its audience: not a typical fan base, but an engaged and invested network of family and familiars spanning the globe.

Astari Nite
Website: https://astarinitengp.bandcamp.com
Facebook: https://facebook.com/astarinitemusic
Instagram: https://instagram.com/astarinite43
Twitter: https://twitter.com/astarinite

Astari Nite crosses an obscure mix between gothic rock and post-punk, exploring themes of death, love and the occult.

Having performed alongside acts such as Peter Murphy, The Damned, Psychedelic Furs, She Wants Revenge, Cold Cave, Assemblage 23, Black Rebel Motorcycle Club, Modern English and She Past Away, they have established themselves as contemporaries of the GOTHIC ROCK scene.

Astari Nite has released two brand new singles so far in 2021 titled All Else is a Curse and Pocket Full of Posies and can be heard at https://astarinitengp.bandcamp.com

Plus Jolt Radio’s Shadowplay DJs

http://joltradio.org/artist/shadowplay

Living In Oblivion: 80s 90s Party feat. Anything Box – 2/12/22

February 12, 2022 heroesliveent
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Heroes Live Entertainment presents Living In Oblivion: 80s 90s Party featuring ANYTHING BOX (First South Florida show since the ’90s!) plus DJ Dino of Synthology 101 and special guests TBA @ Respectable Street in West Palm Beach.

Tickets: https://anythingbox.eventbrite.com

ANYTHING BOX (First South Florida show since the ’90s!)

Anything Box
Website: https://anythingbox.com
Facebook: https://facebook.com/endpop
Twitter: https://twitter.com/endpop
Instagram: https://instagram.com/endpop

Formed in 1986 by Claude S. with two friends, Dania Morales and Paul Rijnders, the New Jersey trio Anything Box took their name from the title of a book of short stories. The act signed with Epic and released its debut album, Peace, in 1990, notching a hit with the upbeat “Living in Oblivion.” The song crossed over from clubs (Billboard Dance #10) and managed to climb onto the pop charts (reaching #65). They returned a year later with their second album, Worth produced by Gareth Jones (Depeche Mode, Einstürzende Neubauten, Wire, Erasure). With a current lineup consisting solely of Claude Strilio, Anything Box continues to incorporate more and more influences into its electronic pop framework.

Support:

DJ Dino of Synthology 101 will be spinning 80s-90s synthpop and dance music.

Nitzer Ebb – 11/19/21

November 19, 2021 heroesliveent
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Heroes Live Entertainment presents Nitzer Ebb with special guests TBD and DJ Paul Klov (Bohemia AG) @ Respectable Street in West Palm Beach.
Tickets: https://nitzerebb.eventbrite.com

Join in the chant! The British pioneers of EBM return to South Florida!

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

–

 

Support:

TBD

Website:
Facebook:
Instagram:
Twitter:

and DJ Paul Klov (Bohemia AG) 

Nitzer Ebb – 5/24/19

May 24, 2019 heroesliveent
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Heroes Live Entertainment presents Nitzer Ebb with Liebknecht (Daniel Myer from Haujobb) & DJ Paul Klov @ The Ground at Club Space in Miami.
Tickets: http://ticketfly.com/event/1816936

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

–

 

Support:

Liebknecht

Website: https://soundcloud.com/dmyer/liebknecht-next-drumapella
Facebook: http://facebook.com/LiebknechtOfficial
Twitter: https://twitter.com/DanielMyer
Instagram: http://instagram.com/liebknecht__

Liebknecht is the musical collaboration of Daniel Myer (Haujobb) & Rinaldo Bite. Liebknecht is techno, dancefloor elements mixed with dark textures, cryptic messages, eclectic experimental sounds and straight forward beats, always on the Edge between old school electro and club culture.

DJ Paul Klov (Bohemia AG)

of Montreal – 4/5/19

April 5, 2019 heroesliveent
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Heroes Live Entertainment presents of Montreal with Yip Deceiver (featuring of Montreal members) & Haute Tension @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1817124

of Montreal is a band from Athens, GA. 

The band’s recorded material can be divided into two distinct periods. Their early work focused on 60s-tinged pop and psychedelic elements channeled through the prism of Kevin Barnes’s unique lyricism. In more recent years of Montreal’s style changed to a mixture of electronica, funk, glam, and afrobeat music influenced by Prince and David Bowie.

–

 

Support:

Yip Deceiver (featuring of Montreal members)
Website: http://soundcloud.com/yip-deceiver
Facebook: http://facebook.com/yipdeceiver/
Instagram: http://instagram.com/yipdeceiver

Haute Tension
Website: http://hautetensionband.com
Facebook: http://facebook.com/hautetensionmia
Twitter: http://twitter.com/haute_tension_
Instagram: http://instagram.com/hautetensionband

Haute Tension is a psychedelic, surf-noir band whose sound casts shades of punk over the slowly flooding Miami landscape. Enjoy the air of coconuts and palm trees while it lasts.

“This band is a party and you can’t help but to have a good time. – The Family Reviews

“No Miami act worked harder in 2018 than surf-noir trio Haute Tension…” -Lauren Reskin, Sweat Records, Owner.

Lee “Scratch” Perry + Subatomic Sound System – 2/15/19

February 15, 2019 heroesliveent
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Heroes Live Entertainment presents Lee Scratch Perry + Subatomic Sound System 45th Anniversary Performance of “Blackboard Jungle Dub” + More. 1st dub album in history, live for the 1st time! Exclusive South Florida Show @ Respectable Street in West Palm Beach. Support: Spred The Dub.
Tickets: http://ticketfly.com/event/1790306

Grammy winning dub & reggae pioneer Lee “Scratch” Perry celebrates the 45th anniversary of his landmark album “Blackboard Jungle Dub”, the world’s first dub album. Scratch, now 82 years young, will embark on a tour across North America performing his 1973 studio masterpiece live in its entirety for the first time, aided by the technology of NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from the Black Ark era recordings. For the past 8 years, Subatomic Sound System has been Scratch’s go to band for re-creating the Black Ark sound live on stage. They will also perform music from their album “Super Ape Returns To Conquer” ( http://bit.ly/SS033s ) which topped both reggae and electronic charts in 2018, plus singles like “Black Ark Vampires” ( http://bit.ly/BAVss ) and classics from Perry’s work with the likes of Bob Marley, Max Romeo, and many more. Perry’s Blackboard Jungle album includes dub remixes of hit songs he co-wrote with Bob Marley, “Kaya” & “Keep On Movin”, as well as other big tunes from The Wailers and Junior Byles. Kaya turned out to be Marley’s most successful album of his career and celebrated its own anniversary with a massive festival earlier this year.

–
Lee “Scratch” Perry
 
Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.
 
Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.
 
After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.
 
For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.
 
Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F
 
Subatomic Sound System
 
Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.
–

Moonfest 2018 featuring Information Society, Bow Wow Wow’s Annabella, Stray Cats’ Slim Jim Phantom – 10/27/18

October 27, 2018 heroesliveent
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Moonfest in partnership with Heroes Live Entertainment present Moonfest 2018 @ Clematis Street in Downtown West Palm Beach. Performances by Information Society, Bow Wow Wow’s Annabella & Stray Cats’ Slim Jim Phantom.

Tickets: http://moonfest.me/tickets
Promo Code:
HEROESGA ($5 OFF)
HEROESVIP ($20 OFF)

*Last chance to use our promo codes for Moonfest ticket discounts. Offer ends Monday at midnight.

5 Blocks. 3 Stages. Haunted House. $1000 Cash Costume Contest. Laser Light Show.

Heroes Live Entertainment is partnering with Moonfest to bring you the Moonfest 2018 headliners: ⁣⁣⁣
⁣⁣⁣
Information Society
Bow Wow Wow’s Annabella
Stray Cats’ Slim Jim Phantom
⁣

On October 27th at 8pm MOONFEST is set to take place along the 5 haunted blocks of Clematis Street. Tension is at an all-time high and society is at a breaking point. Enter one of the gates along the event site and attempt to survive amongst a street of possessed souls and predatory demons. The 26th Annual Moonfest anniversary promises to be one for the books.

A terrifying haunted house will be available for entry for those who dare that will test your nerves and survival skills.

A private entrance, scare areas within the VIP area, open bar, and a delicious food spread are a few of some of the perks of a VIP Pass holders.

General admission and VIP passes are on sale now for $10 and $55 for the month of September. So get your tickets fast!

A Costume Contest for $1000 will take place before the national headliner on the rock stage. You can start submitting your best costume early to avoid missing out through the link on the website.

Stay connected and tuned in for the full music lineup release very soon. As well as, additional attractions and experiences within this year’s festival. Bring your soul to the party of the year.

All we need is YOU!

STRICTLY 21 and up. ID required.

Performances by:

Information Society
Website: http://informationsociety.us
Facebook: http://facebook.com/informationsociety/
Twitter: https://twitter.com/insoc
Bandcamp: https://informationsociety.bandcamp.com

Meat Beat Manifesto with Otto Von Schirach **Only Southern US Show** – 9/15/18

September 15, 2018 heroesliveent
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Heroes Live Entertainment presents Meat Beat Manifesto: Only Southern US Date @ The Ground at Club Space in Miami. Support: Otto Von Schirach & DJ Carlos Menendez (Fire & Ice, Backdoor, The Church)

Tickets: http://ticketfly.com/event/1646872

Jack Dangers is the composer and sound sculptor behind Meat Beat Manifesto. His constantly evolving musical invention has generated a long string of futuristic classics, like “Psyche Out,” “Helter Skelter,” “Radio Babylon,” “Edge of No Control” and “It’s The Music.” The single, “Prime Audio Soup,” from the Meat Beat Manifesto album Actual Sounds and Voices, was featured in the sci-fi fantasy blockbuster, The Matrix and on its platinum-selling soundtrack.

An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. As a premier remixer, producer, and sound designer, he has played a seminal role in defining tomorrows’ music today. Past production/remixing projects include Public Enemy, Scorn, David Bowie, Orbital, NIN, EBN, David Byrne, Merzbow, Depeche Mode, Terry Riley, Tower of Power and Coil. He has also made videos for Clive Barker, Tox Simian, and DJ Shadow.

Meat Beat Manifesto released their 2018 record, “Impossible Star” on January 19 via Flexidisc with distribution by Virtual Label. It is available on CD, digital, and vinyl. Drawing on the paranoid and surreal political and cultural climate, Jack Dangers likens the record “to an MC Escher optical illusion which spirals around and around and never seems to end.”

“Intriguing and intimidating, Dangers’ cultural osterizing evolves to the nth degree of studio sophistication…”
–ROLLING STONE

“Without MBM’s groundbreaking amalgams of hip-hop and industrial dance music, modern dance music genres such as Big Beat and Drum & Bass wouldn’t exist…one of Britain’s most inventive practitioners of sampladelic funk.”
–ALTERNATIVE PRESS

“A true innovator, MBM main man Jack Dangers helped lay down the rules for dub-inflected electronica, throwing down heavy breaks atop challenging experimental sound”
– CMJ

“The sounds of futuristic riddims that both predate electronic genre nicknames and mock their ideals; one that may be defined purely by its sphere of influence on modern music.
– URB

–
 

Meat Beat Manifesto’s constantly evolving musical invention has generated a long string of influential futuristic classics in its 21 year career, including such tracks as “God O.D.”, “Strap Down”, “Psyche Out”, “Helter Skelter”, “Radio Babylon”, “Edge of No Control” and “It’s The Music”. The single, “Prime Audio Soup” (from the album Actual Sounds and Voices) was featured in the sci-fi fantasy blockbuster The Matrix and on its platinum-selling soundtrack.

An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. MBM recently contributed the track “Suicide” to the top-selling soundtrack to Underworld: Evolution and Jack’s remix of Tower Of Power’s “What Is Hip?” was nominated for a Grammy in 2006.

Support:

Otto Von Schirach
Facebook: http://facebook.com/ottovonschirach
Soundcloud: http://soundcloud.com/ottovonschirach
Twitter: @ottovonschirach
Instagram: @ottovonschirach

Otto von Schirach is an IDM and breakcore artist from Miami, Florida (USA), active since 1998. He is of Cuban/German descent. His style is more sporadic and noisy than other artists in the genre, and his visual aesthetic leans on the heavy metal side rather than electronic.

He has released most of his work on the Schematic and Beta Bodega labels, and was featured in the 2002 documentary Electro-Dziska. Otto’s live performances include outfits, masks and props, and he has toured with the band Skinny Puppy. He is also credited on the Skinny Puppy albums The Greater Wrong Of The Right and Mythmaker. In 2011 he has toured U.S.A. with Atari Teenage Riot.

He also does a large amount of work in the areas of music production and remixing and has collaborated with several artists such as Modeselektor on their records Happy Birthday! and Monkeytown. Recently von Schirach has become increasingly involved with the Miami Bass Warriors, a Miami Bass focused project with Jose el Rey, El Tigre and Debbie D from Avenue D. Their debut video, “Going Back to Calle 8,” was featured on Pitbull’s show La Esquina.

The Soft Moon, Boy Harsher & More – 4/25/18

April 25, 2018 heroesliveent
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Heroes Live Entertainment presents The Soft Moon with special guests Boy Harsher and Laboratory @ Gramps in Miami (Wynwood).

Tickets: http://ticketfly.com/event/1596957

The Soft Moon gives the darkly hypnotic sounds of Suicide, Joy Division, Bauhaus, and Krautrock new life with a stripped-down, lo-fi approach. The Soft Moon is led by Luis Vasquez inspired by his Afro-Cuban heritage and the wide-open spaces of the Mojave Desert where he was raised.

The Soft Moon
Website: http://thesoftmoon.com/
Facebook: http://facebook.com/thesoftmoon
Twitter: @thesoftmoon
Instagram: @the_soft_moon

Support:

Boy Harsher
Website: http://boyharsher.com/
Facebook: http://facebook.com/boyharsher/
Twitter: @boyharsher
Instagram: @boyharsher

Boy Harsher is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable.

Laboratory
Website: http://laboratorymiami.bandcamp.com/releases
Facebook: http://facebook.com/laboratorymiami
Instagram: @laboratory_propaganda

Detuned synths for detuned souls. Currently the brainchild of Miami’s Ryan Carmody & Didi Aragon. Industrial, Post-Punk, Musique Concrete, Eerie Music, Sci-Fi.

Lee “Scratch” Perry + Subatomic Sound System – Miami – 1/13/18

January 13, 2018 heroesliveent
0 Comment

Heroes Live Entertainment presents Lee “Scratch” Perry + Subatomic Sound System @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1603593

 

Eccentric producer and Grammy-winning reggae & dub artist Lee “Scratch” Perry celebrates his 80th year on earth and 40th anniversary of his landmark album “Super Ape”.

Lee “Scratch” Perry will perform the Super Ape album in its entirety with NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from Perry’s Black Ark era recordings. They will also perform brand new music like their latest single “Black Ark Vampires” and other classics from Perry’s work with the likes of Bob Marley & Max Romeo.
 
Lee “Scratch” Perry & Subatomic Sound System’s new release “Black Ark Vampires” is currently topping charts http://bit.ly/BAVss
–
Lee “Scratch” Perry
Twitter: @scratchlee
Instagram: @lee_scratch_perry
 
Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.
 
Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.
 
After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.
 
For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.
 
Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F
 
Subatomic Sound System
Twitter: @SubatomicSound
Instagram: @subatomic
 
Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.
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