Heroes Live Entertainment

Florida's premier indie concert promoter. Miami, WPB, Orlando, Tampa

Sidewalks and Skeletons + CASHFORGOLD “Afterlight Tour” with special guests ΣΕΘ(SET) + SUFFER RING – Fort Lauderdale – 1/24/26

Heroes Live Entertainment presents Sidewalks and Skeletons + CASHFORGOLD “Afterlight Tour” with special guests ΣΕΘ(SET) and SUFFER RING on Saturday, January 24, 2026 @ Kemistry Nightclub in Fort Lauderdale. This is the UK artist’s debut Florida show.

Tickets: https://sidewalksandskeletons.eventbrite.com

7:00PM (Doors) | 7:30PM (Show) | 18+

Sidewalks and Skeletons
Website: https://sidewalksandskeletons.com
Spotify: https://open.spotify.com/artist/48nHO1cuTbpx4ELhChsxX1
Instagram: https://instagram.com/sidewalksandskeletons
Facebook: https://facebook.com/sidewalksandskeletons

Music for you to listen to while you walk through cemeteries alone at 3am.

Sidewalks and Skeletons is the solo-project of UK artist Jake Lee, who grew up in Bradford UK playing in many different bands as a deathcore guitarist, as well as gravitating towards creating dark electronic music starting in 2006 and making S&S his main solo project by 2011.

Jake created the name “Sidewalks and Skeletons” as a metaphor for the things that remain after death. “The earth you walked, and your bones: They are all that are left behind”.

Recently featured in the Devolver Digital video game “RUINER” – and movies such as “King Knight”, “M.F.A” and more – S&S has also worked with & played shows with bands such as HEALTH, Brothel, Crosses †††, CASHFORGOLD and many others.

S&S has headline toured all across the USA, EUROPE, and the UK, and has many more upcoming tour dates. His current USA headline Tour has had multiple fully sold out dates, and continues to grow.

Sidewalks and Skeletons’ latest album “EXORCISM” dropped worldwide on 2/2/22. The main single from this album was , which currently has over 7.6 million streams.

In 2023, and started their new shoegaze band , who debuted their first song “” in May, to critical acclaim. They are currently working on a full length album.

Sidewalks and Skeletons top song currently has over 140 million streams and continues to grow.

You won’t want to miss what comes next.

CASHFORGOLD
Website: https://cashforgoldmusic.com
Instagram: https://instagram.com/cash.forgold
Spotify: https://open.spotify.com/artist/4FzthA7DjutA71z91I1DKX
Facebook: https://facebook.com/officialcashforgold

You could call CASHFORGOLD a haunted doll. Ethereal and introspective, the independent singer-songwriter emerged from the underground world of dark electronic music on SoundCloud in the late 2010s. With her signature blend of airy celestial vocals and brooding electronica, she has carved out a unique space somewhere between cinematic soundscapes and dance music, captivating an eclectic following.Balancing beauty and melancholy, her soft, innocent voice carries an inexplicable edge, creating a haunting and emotive atmosphere. Her debut album, manic pixie nightmare (February 2022), is a genre-blending journey exploring themes of longing and loss in the digital age.CASHFORGOLD is a frequent collaborator with Sidewalks and Skeletons, recently joining him on an 18-show USA and EU tour as direct support. She has also shared the stage with notable acts such as Pictureplane, brothel, barnacleboi, SUFFER RING, Transviolet, and Pussy Riot. In 2023, CASHFORGOLD and Sidewalks and Skeletons formed soft siren, a dreampop/shoegaze side project set to release its debut album in 2025.

Support:

ΣΕΘ(SET)
Website: https://linktr.ee/churchofset
Instagram: https://instagram.com/churchofset
Facebook: https://facebook.com/churchofset
Spotify: https://open.spotify.com/artist/0Jw9xHHMt7eezXleS7Mfbb

Southern Arizona-based Puerto Rican artist ΣΕΘ(SET) blends Industrial, Witch House, Wave, and Bass into a sound dubbed “SubGoth.” Known for intense live performances that merge electronic production with immersive visuals, ΣΕΘ has built a global following across North America and Europe. Recent releases include a cover of “Stereo Love” featuring Lunarfluxx and the fourth album “The Rotting Wood (And The Eternal Darkness),” which explores new sonic territory while staying true to melancholic dreamscapes and dark atmospheres.

SUFFER RING
Website: https://bio.site/sufferring
Instagram: https://instagram.com/_suffer_ring
Facebook: https://facebook.com/sufferrringgg
Spotify: https://open.spotify.com/artist/3ivYfGrpUXp5c8bSGzvvFX

SUFFER RING is a synth punk project lead by Corey Thomas Davenport. LOG OFF

Matte Blvck “Holy Wars Tour” + So Much Blood + L.U.S.T – West Palm Beach – 2/28/26

Heroes Live Entertainment presents Matte Blvck “Holy Wars Tour” with special guests So Much Blood + L.U.S.T on Saturday, February 28, 2026 @ Respectable Street in West Palm Beach, Florida. This is the San Diego band’s debut South Florida show.

Matte Black is an electronic group out of San Diego, CA. Producing sounds of sinister pleasures , visual arts and mechanicaltinged dance music . The group captures lush dark-synth stylings complimented by gritty industrial anthems , while embodying their affinity for underground techno. Alex Gonzales , Bidi Cobra , and Daniel Corrales serve as the three-piece ensemble.

Tickets: https://matteblvck.eventbrite.com

7:00PM (GA Doors) | 6:00PM (VIP Doors) | 8:00PM (Show) | 18+

Matte Blvck
Website: https://matteblvckmusic.com
Instagram: https://instagram.com/matteblvckus
Facebook: https://facebook.com/matteblvckus
Spotify: https://open.spotify.com/artist/5dLBLBaOEt2F6ag7q8iYTy

Matte Blvck, a trio formed by Alex Gonzales, Daniel Corrales, and Bidi Cobra, is known for their unique blend of Darkwave and Industrial music. They recently released their highly anticipated second album, “Vows.” The album’s standout single, “BTTR,” is a collaboration with the legendary Clan of Xymox, one of the pioneering bands in the Darkwave and Post Punk genre. This remarkable partnership brings together elements of dark euphoria, evocative nostalgia, and immersive soundscapes, creating an intense and mesmerizing auditory experience.

The hauntingly beautiful duet between Ronny Moorings and Alex Gonzales introduces a dreamlike, serene quality that contrasts with the driving force of the EBM bass lines, pulsating mechanical drumbeats, and intricate cinematic arrangements. “BTTR” not only pays homage to the classic Darkwave sound but also infuses it with a modern twist, perfectly capturing the essence of the genre’s evolution over the past thirty years.

The infectious chorus hook “Make Me Better” draws its inspiration and is rooted in Dependent Personality Disorder. The lyrics delve into the experience of individuals who possess an overwhelming need to be taken care of and depend on others for their fulfillment and happiness. The line “Talk to me, as all I want is to feel” poignantly reflects the struggle of those who may inadvertently drain the vitality of others in their pursuit of contentment, leading to a cycle of perpetual yearning for the happiness that eludes them.

Ronny Moorings, the lead vocalist, songwriter, and the longest-standing member of Clan of Xymox, has been an integral part of the band’s journey. Initially releasing their albums through 4AD and later with Polygram, the band has now found a home with Metropolis Records. Over the years, Clan of Xymox has experienced periods of both mainstream success and obscurity, and now, the resurgence of darkwave music has taken the world by storm. Although Ronny has never officially embraced the darkwave label, there are rumors that the renowned John Peel, of Radio 1 fame, coined the term during their “Peel Sessions” in the early 1980s.

The genesis of the song “BTTR” can be traced back to 2019 when it was initially considered forinclusion in Matte Blvck’s album “I’m Waving, Not Drowning.” However, it underwent extensivereworking and was deemed not yet ready for release. The initial production of the song tookplace at Matte Blvck’s studio in San Diego. Later, it underwent re-recording with live instrumentsat Secret Hand Studios in Los Angeles, which is owned by Jeff Friedl, a renowned drummerassociated with Devo, A Perfect Circle, and Puscifer. The song was engineered by Matt McJunkins, known for his work with A Perfect Circle, Puscifer, and Poppy. The mixing process was handled by Aaron Short, a Grammy-nominated mixing engineer with credits including Broods, Benee, So Below, Madison Beer, and Israel Medina, a long-term collaborator of Matte Blvck.Matte Blvck expressed, “We believed that this song needed to encapsulate the essence of our live performances.’BTTR’ has been our closing piece at concerts since our inception, alwayseliciting an enthusiastic response from the audience. We entrusted the production to Matt McJunkins, someone who truly understands live performance, and Aaron Short, who has the expertise to further develop our sound.”

Matte Blvck’s second album,”Vows,” showcases the band’s evolving musical direction and setsthe stage for their future endeavors. The album boasts intricate production and a wealth ofmelodic content, resulting in a captivating blend of complexity and danceability. It is evident thatthe band is driven to expand their sonic boundaries while remaining true to their original sound. With nine tracks,”Vows” delves into a diverse array of dark electronic music genres, including breakbeats, industrial, darkwave, cinematic dark pop, alternative, electro, synth wave, andtechno. This multifaceted album is now accessible across all digital and physical platforms offering listeners a rich and immersive musical experience.

Support:

So Much Blood
Website: https://somuchblood.net
Instagram: https://instagram.com/somuch_blood
Bandcamo: https://somuchbloodbeats.bandcamp.com
Spotify: https://open.spotify.com/artist/6hkpJFemRVwe27YMmbKeIv

Detroit bred Los Angeles based Elektronaut + artist.

L.U.S.T (Lucid Ultra Seduction Technique)
Website: https://lustofficial.com
Instagram: https://instagram.com/lust.music.official
YouTube: https://youtube.com/@lucidultraseductiontechnique
Spotify: https://open.spotify.com/artist/3ZcktCI7Hu8zPiaFpT8ErC

Armando Doval Keyboardist/Drummer + Raquel Pupo Vocalist/Keyboardist

L.U.S.T. (Lucid Ultra Seduction Technique) is an emerging electronic music duo from Miami, Florida. The duo consists of Roxy, mezzo-soprano known for her powerful and emotive vocal delivery. She is a self produced music artist for Indigovox since 2002 and has played alongside artists such as Fischerspooner, Shiny Toy Guns, Joy Electric and The Start.

Armando Doval is a music engineer/producer and runs Electric Halo Recordings Music Studio based out of Miami, FL. He is well recognized for his dedication to the electronic music scene. He has been in several bands in South Florida and has played alongside My Life With The Thrill Kill Kult and The Genitorturers.

Mentallo and the Fixer “Resurrection Tour 2025” with Deep Red + Miss FD – West Palm Beach – 11/14/25

Heroes Live Entertainment presents Mentallo and the Fixer “Resurrection Tour 2025” with special guests Deep Red and Miss FD on Friday, November 14, 2025 @ Respectable Street in West Palm Beach. First US Tour since 2006! First South Florida show since 1997!

Tickets: https://mentallo.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

Mentallo and the Fixer
Website: linktr.ee/mentalloandthefixer
Facebook: https://facebook.com/mentalloandthefixer
Instagram: https://instagram.com/mentalloandthefixerofficial
Spotify: https://open.spotify.com/artist/0kH01XHMN4NFDO65akV5Fd

After years of anticipation within the electro-industrial scene, the legendary duo Mentallo & The Fixer have officially reunited. Brothers Gary and Dwayne Dassing, the masterminds behind the project, have returned to the studio. Known for their intricate programming, chilling samples, and a signature blend of sci-fi dread and societal commentary, Mentallo & The Fixer dominated the 90’s industrial landscape. 2025 marks their first full-length album as a duo since 1997’s ‘Burnt Beyond Recognition’. Adding further to this, the band will embark on their first US tour since 2006, coinciding with the 30th anniversary of their classic album, ‘Where Angels Fear to Tread’. This offers longtime fans a rare opportunity to witness the band’s intense live performances and introduces a new generation to their groundbreaking sound, solidifying their legacy as true innovators of electro-industrial music.

Support:

Deep Red
Linktree: https://linktr.ee/therealdeepred
Instagram: https://instagram.com/therealdeepred/
Bandcamp: https://deepred1.bandcamp.com
Facebook: https://facebook.com/TheRealDeepRed 

“I dream in red, my nightmares are based in red”

Deep Red was formed in 1996. Shortly after, their song Holy You would be included in Cleopatra Records’ “The Goth Box”. That paved the way to appearances in a slew of other compilations and eventually, being signed to Project Pitchfork’s label and a European tour with them. Now they are back to reclaim their place in the Darkwave musical realm..

Dark electronic duo Deep Red has released their latest single, “The Red Door,” a powerful and immersive track that sets the stage for the band’s forthcoming EP, Atom Rot – The EP. Known for their atmospheric soundscapes and emotionally charged storytelling, Deep Red pushes their signature cinematic style into bold new territory with this release.

Miss FD
Website: http://missfd.com 
Instagram: https://instagram.com/missfdmusic
Facebook: https://facebook.com/MissFDMusic
Spotify: https://open.spotify.com/artist/5MfolMgbY2TAIpwk4oQmaN

Dark music for dark hearts.

Miss FD is an underground dark electronic music artist, singer, songwriter, producer, and performer. Her distinctive musical style blends darkwave, cyberpunk, industrial, and dark synthpop influences, complemented by her signature dynamic vocals which range from ethereal to empowering and edgy. She is an independent producer in the dark electro/gothic scene since 2009.

Her vibrant and uplifting 4-song EP, EUPHORIA, was released in 2025. The energetic EP was written, performed, recorded, and produced by gothpop song enchantress Miss FD. EUPHORIA blends electro-industrial, dark electro, and vibrant futurepop energy, An inspiring, mood-lifting, club-friendly electronic music EP, EUPHORIA aims to fill the hearts of fans of edgy electronic sounds with magic and light!

Dancing Plague + Violent Vickie + L.U.S.T (Lucid Ultra Seduction Technique) – West Palm Beach – 5/9/25

Heroes Live Entertainment presents Dancing Plague with special guests Violent Vickie + L.U.S.T on Friday, May 9, 2025 @ Respectable Street in West Palm Beach.
Dancing Plague makes broodingly intense and emotional dark electronic music. Since its inception in 2015, the solo project has released four albums and four EPs, solidifying its place in the world of darkwave and body music.

Tickets: https://dp.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

Dancing Plague
Website: linktr.ee/dancingplaguemusic
Instagram: https://instagram.com/dancingplaguemusic
Bandcamp: https://dancingplaguemusic.bandcamp.com
Facebook: https://facebook.com/dancingplaguemusic

“Portland’s Dancing Plague masterly combines gloomy and brooding goth-tinged darkwave moods with intensely turbulent and uncompromising EBM and techno-driving rhythms peppered with emotionally charged lyrics and haunted by his unmistakable profound baritone. Depression, anxiety, and a solid understanding of mortality give his music an authenticity felt in the highly cathartic transference that takes place during his expulsion of inner demons.”

Support:

Violent Vickie
Website: https://violentvickie.com
Instagram: https://instagram.com/violentvickie
Facebook: https://facebook.com/ViolentVickieMusic
Twitter: https://twitter.com/violentvickie

Violent Vickie is a Dark SynthRiot artist and DJ, originally from Los Angeles and now based in West Palm Beach, FL. Vickie has toured with Hanin Elias of Atari Teenage Riot and shared the stage with Pastel Ghost, Trans X, Missing Persons,  Assemblage 23, and Them Are Us Too.  Violent Vickie recently played Absolution Fest where she shared the stage with Traitrs, Vision Video, and Creux Lies.

Vickie has been featured in Post Punk, EDM Joy, Medium, and Curve Magazine.  Vickie’s tracks have been selected for Fresh on the Net (UK) and she recently released a DJ mix for Rinse France. Vickie has toured the US, Europe, Mexico and Canada and played Occupy Oakland, Insted Fest, Shoutback Fest, Gay Prides & Ladyfests.

Violent Vickie’s music has been released by Crunch Pod (LA), Emerald & Doreen Recordings (Berlin), Riot Grrrl Berlin, and LoveCraft Bar (PDX). Her track “The Wolf“ was featured in a National Organization for Women film. She was interviewed for the documentary “GRRRL”, part of the museum exhibit “Alien She”. Her LP “Monster Alley” was voted best album by KALX and her tracks have been remixed by 30+ artists.

Vickie’s sophomore LP Division was released in September 2020 on Crunch Pod, a remix album for her song “Under the Gun” was released in February 2021 on Emerald & Doreen Recordings, and she released Division Remixes LP in 2022 featuring remixes by Fragrance, Kontravoid, Dimension 23, and Maduro.

L.U.S.T (Lucid Ultra Seduction Technique)
Website: https://lustofficial.com
Instagram: https://instagram.com/lust.music.official
YouTube: https://youtube.com/@lucidultraseductiontechnique
Spotify: https://open.spotify.com/artist/3ZcktCI7Hu8zPiaFpT8ErC

Armando Doval Keyboardist/Drummer + Raquel Pupo Vocalist/Keyboardist

Urban Heat + Blood Orchid + Violet Silhouette – West Palm Beach – 3/30/25

Heroes Live Entertainment presents Urban Heat with special guests Blood Orchid + Violet Silhouette on Sunday, March 30, 2025 @ Respectable Street in West Palm Beach, Florida. Urban Heat received multiple Austin Music Awards nominations including Band of the Year.

Tickets: https://urbanheat.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

Urban Heat (“Dark 80s stylings with the energy of the now”)
Website: https://urbanheatband.com
Spotify: https://open.spotify.com/artist/5Dc9FlL6znNOM7854ghaRp
Instagram: https://instagram.com/urbanheatband
Facebook: https://facebook.com/urbanheatband

“…Urban Heat has taken Austin’s clubs and America’s goth underground in such a blitz that it feels like it suddenly arose from the ether.” – Andy O’Conner, SPIN

“A lightning rod of dark electro/proto-punk/new wave/synth wave/part goth/part industrial sound that is all the things but… simultaneously transcending them into something fresher.” – Laurie Gallardo, KUTX 98.9

Austin is known as the music capital of the world — and Urban Heat is one of its greatest exports. The band, formed only five years ago as the brainchild of singer/multi-instrumentalist Jonathan Horstmann, has quickly become known for their fiery live shows and infectious darkwave anthems that harken back to the ‘80s with a modern sensibility. Powered by the magnetic Horstmann’s melodic baritone vocals & the pummeling rhythm section of Kevin Naquin and Paxel Foley, UH has won over fans show by show.

Appearances at major California festivals like Cruel World and Darker Waves saw Urban Heat play to their biggest audiences, with their set pointed as one of the best of the day. At home, Urban Heat has long been the talk of SXSW & graced the stage of the Austin City Limits Festival.

Now, with The Tower, we see the band at its absolute peak. Songs like the arena-ready “Seven Safe Places” and the intricately steady “Take it to Your Grave” show the band’s sonic versatility. The latter, which best exemplifies the majority of the record, is about feelings of unworthiness and fears of self-sabotage. Introspectiveness dots Horstmann’s lyrics, driving home their power and relatability.

With a headlining show at Los Angeles’ famed El Rey Theater under their belt, a North American tour, & Fall European tour with Molchat Doma, Urban Heat is ready to show the world what anyone who has seen them already knows: they’re a band that is going to dominate the airwaves for years to come.

Support:

Blood Orchid (Multi-instrumentalist from Miami, FL)
Spotify: https://open.spotify.com/artist/6HKQlmergzUB4c9Eo1KxpG
Instagram: https://instagram.com/bloodorchid
YouTube: https://youtube.com/@BloodOrchidMusic
Facebook: https://facebook.com/BloodOrchidMusic

Blood Orchid is an American alternative rock & indie pop project formed in 2019 in Miami, Florida. It was founded by multi-instrumentalist Niko Javan.

“I am a musician and visual artist from Miami, Florida. I play guitar, bass, synthesizer, sing, produce, and create all the visuals to accompany my music.”

“From a very young age, my parents began to teach me that in life, I would be better off taking my own path rather than following a path that somebody else sets for me. “Be your own man, build your own world, work for yourself… or you’ll get stuck working for people who don’t respect you…” – CanvasRebel Magazine

Violet Silhouette (West Palm Beach trio with “the sound of the Neuromantic”)
Instagram: https://instagram.com/violetsilhouetteofficial
Linktree: https://linktr.ee/violetsilhouetteofficial
Bandcamp: https://violetsilhouette.bandcamp.com
Facebook: https://facebook.com/violetsilhouetteofficial

What happens when you mix brooding existentialism with a love of synthesizers and noise-rock? — Violet Silhouette may have an answer, in fact, it has all of them. Born from a tropical depression, Violet Silhouette is an American musical duo or group that may or may not sound like how dusk feels but with more reverb. Their live shows have been called “very good” and exist with the intent of giving the viewer and performer a shared catharsis. The first EP titled SEMIPERMANENTDEREALIZATION has been considered appropriate for all mood levels, intimate settings, and night driving.

“…the dance-punk/postwave triumvirate embarks on a fresh voyage, diving deep into the multifaceted realm of “Neuromanticism.” This exotic medley of sensory experimentation, paired with our recurrently perilous quest for the quintessence of truth and love, pushes boundaries in the genre-bending musical landscape. Imbued with kaleidoscopic undertones and a brooding romanticism, their sound provokes thought, smears the lines, and adds a new dimension to the continually evolving realms of alternative music.” Alice Teeple (Post-punk.com)

Violet Silhouette is:

  • Zaii Valdes [vox•guitars•synthesizer•drum programming]
  • Dan Potvin [synthesizer•guitar•vox•sequencing]
  • Justin Gianoutsos [bass]

ULTRA SUNN + Bestial Mouths + Miss FD + DJ Dino – Miami – 3/28/25

Heroes Live Entertainment presents ULTRA SUNN with special guests Bestial Mouths + Miss FD + DJ Dino on Friday, March 28, 2025 @ Gramps in Miami. This is the Belgian duo’s debut Florida show! Band of the Year 2024 Winner in Belgium

“The Brussels pair, ULTRA SUNN, captivated hearts with their chart-topping single, “Keep Your Eyes Peeled,” amassing a dedicated fandom while gracing stages across Europe, North and South America.” – POSTPUNK.COM

“It’s unmistakably clear that ULTRA SUNN are here to stay and will set you and more dance floors on fire than they already did. They’re on the top of their musical game.” – TURN UP THE VOLUME


Tickets: https://ultrasunn.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

ULTRA SUNN is a contemporary EBM/Coldwave/New Beat band from Brussels, Belgium, formed in late 2019 by frontman and multi-instrumentalist Sam Huge and keyboardist/producer Gaelle Souflet. In 2023, they were joined on stage by keyboardist and percussionist Alexis Andrigo.

ULTRA SUNN expresses a desire for modernity through its themes, fresh approach to sounds and collaborations (Kontravoid, Kris Baha, Curses, Sarin) while being the heirs of the famous Sound Of Belgium and classical EBM. ULTRA SUNN regularly played alongside Front 242, Nitzer Ebb, DAF or A Split Second.

In 2020 with the release of their hit “Keep Your Eyes Peeled,” the duo gained widespread recognition, performing concerts all around the world, from Brussels to Los Angeles, Las Vegas, Calgary, Sao Paulo, Mexico, Bogota, Berlin, London, and many more.

The band already released 3 EPs called ‘Night is Mine’, ‘Body Electric’ and ‘Kill Your Idols’, all borrowing from their activities in classical arts and fashion shows, their New Beat and EBM inspirations and their desire to create dancing and luminous hymns about self improvement, gender equality, fight against anxiety. Always with an inclusive, powerful and positive spirit.

In 2023, ULTRA SUNN signed a worldwide, multi-album deal with Canadian-based label Artoffact Records then embarked on a tour in Latin America, (Mexico, Medellin, Bogota, Lima, Santiago, and Sao Paulo).

The duo annonces their first full LP for April 2024 as well as two USA tours for Spring and Fall 2024. The first tour will include the Sick New World Festival in Las Vegas then Los Angeles, the band will also play up the west coast to end in Vancouver, Canada. The second tour will start from New York, go down the east coast to Florida then pass through Louisiana, Texas, Tennessee among other places, and end in Chicago.

ULTRA SUNN is already rescheduled across Europe, and will stop at the Orangerie, Botanique in Brussels, in their home town to celebrate the release of ‘US’, their long-awaited first full album.

Support:

Bestial Mouths
Website: https://bestialmouths.com 
Instagram: https://instagram.com/bestialmouths
Facebook: https://facebook.com/@BESTIALMOUTHS
Spotify: https://open.spotify.com/artist/0vHo9GceFuSSJjSbF49Uzt

Since their inception in 2009, Berlin via NYC & LA outfit Bestial Mouths have been creating some of the most powerful darkwave in the musical underground. Now guided primarily by frontwoman and co-founder Lynette Cerezo, whose vocals range from operatic, extended-technique furies to shouted monologues, the band are a medium for pure, intense emotion.

Bestial’s latest incarnation continues to channel new and experimental paths through the project’s original gothic post-punk roots. Led by Cerezo’s visceral, emotional voice and lyrics, and featuring beautifully brutal production from Brant Showers (AAIMON/SØLVE), Alex DeGroot (Zola Jesus) and Balázs Képli (nullius in verba) and a live incarnation with David Foster (HUREN/TESTE) and Raf Abr (FUROR) the music of Bestial Mouths is the journey of a soul shattered—then stapled back together by female rage and self-determination.

Miss FD
Website: http://missfd.com 
Instagram: https://instagram.com/missfdmusic
Facebook: https://facebook.com/MissFDMusic
Spotify: https://open.spotify.com/artist/5MfolMgbY2TAIpwk4oQmaN

Dark music for dark hearts.

Miss FD is an underground dark electronic music artist, singer, songwriter, producer, and performer.

Her distinctive musical style blends darkwave, cyberpunk, industrial, and dark synthpop influences, complemented by her signature dynamic vocals which range from ethereal to empowering and edgy.

With a discography spanning multiple albums and collaborations, Miss FD’s most recent releases underscore her commitment to the dark electronic music scene. Her 2021 three-song EP “Adore”, followed by her single “Your Core”, showcase futuristic and cyberpunk elements. 2022 witnessed the release of her exploration of Gobekli Tepe in her three-song dark pop EP, “As Above, So Below”, followed by her cyberpunk single “Menticide” released the same year. Miss FD released her cyber-industrial single and cinematic music video for “Distractions” in 2023, followed by her most recent 2024 single release “Syndicated”.

Miss FD has also released several collaboration tracks with Vulture Culture: : “Ashes of Stars” in 2018, “Spitfire” in 2019, and “Faster Than Light” in 2020, and their latest dark EDM collaboration “Enough” released in 2024.

DJ Dino
Instagram: https://instagram.com/djdinorio
Facebook: https://facebook.com/djdinorio

DJ / Drummer from Miami Florida, DJ Dino has been a staple in the South Florida music scene, and a proponent of all wave and dark electronic music since the mid 80s and into the more recent revival scene. Dino is behind the long-time running show SYNTHOLOGY 101 Radio, and has taken up residency at Miami’s dark underground party “Malicia Goth Nights”, making it one of the hottest monthly events in the South Florida Goth Scene. Here is where he serves his latest discoveries and the most cutting edge in goth, minimal synth, upperwave, post punk revival, darkwave, EBM, italo, and resurrected obscure coffin classics for the baby bats and darks alike. As a side note, Dino (formerly of Formula Redux) is the current drummer for Nutrix Recordings and Mannequin Records recording artist “Life In Sodom”, who were a big part of the golden age of Goth music in the 1990s, and have been actively releasing music since 1991.

PIG (ex-KMFDM alumni) “Heroin for the Damned Tour” with Unitcode:Machine + Wicked Playground – West Palm Beach – 11/1/24

Heroes Live Entertainment presents PIG (ex-KMFDM alumni) “Heroin for the Damned Tour” with special guests Unitcode:Machine and Wicked Playground on Friday, November 1, 2024 @ Respectable Street in West Palm Beach. First South Florida show since 2017!

Tickets: https://pigband.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

PIG – the venerated project of head hog Raymond Watts & his herd of swine – returns in top form on Red Room. Watts & Co tease, taunt, tempt & tantalize with PIG’s singular blend of hook laden, genre bending, electronic tinged rock & roll, full of malevolent reverence, glitz, glamour, sleaze, sin & swing.

Guest appearances by Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more!

<PÎG> is Raymond Watts, a British musician whose brand of electronic rock is danceable and deadly serious in turn. Watts’s words spring from the well of gallows humour in a world of corruscating cruelty and truth. <PÎG> climbs peaks and mines troughs, and musical genres slide and collide like tectonic plates.

In 1986 Raymond Watts awoke in West Berlin. It was a time of terror and turmoil, in a city so depraved and decadent that the East Germans had walled it in. Watts had cut his teeth on tape loops in London and Hamburg, but inspired by Berlin’s fetid air and his first 8-bit sampler, Watts gave birth to <PÎG> in 1988, when <PÎG> was cut from his belly with a rusty screwdriver in a basement opposite The Wall. The first squeals were committed to tape, and saw the light of day as A Poke in the Eye. Wax Trax! jumped to release it.

A year earlier, in Hamburg, he was bludgeoning the first KMFDM album into shape with En Esch and Sascha Konietzko. He had also helped deliver the sonic slaughter of Einsturzende Neubauten, Psychic TV and most of the Berlin and Hamburg underground, as both live and studio sound engineer, and producer.

After writing the music for the second KMFDM album, Watts then slipped away to tour with Foetus, playing keyboards and guitar.

When The Wall collapsed, the party was over. Watts returned to London and <PÎG> albums poured forth: Praise the Lard, A Stroll in the Pork, Shit For Brains, Red Raw & Sore and The Swining. Watts programmed, produced and performed, ploughing a lone furrow until Karl Hyde, singer and sinner with Underworld, came to his assistance on guitars followed by Steve White.

Watts had also developed a taste for all things Japanese. His label was based there, his morals were parked there and <PÎG> had toured there many times. He was soon involved with a highly successful bunch of ne’er-do-wells called Schaft. Their album Switchblade, and a sold-out tour, followed.

In 1994, <PÎG> opened for NIN. This led to <PÎG>’s Sinsation album being released on Nothing Records — and then a return to Wax Trax! for Wrecked.

Watts also rejoined KMFDM in 1994, for the <PÎG> v KMFDM EP Sin, Sex & Salvation. On the ensuing album Nihil Watts resumed writing and vocal duties and several heaving tours followed, with Watts orchestrating the chaos from centre stage like a rampant ringmaster armed only with talent and tequila.

When not on tour, Watts could be found in his Ranch Apocalypse studios in London, working on <PÎG>’s No One Gets Out of Her Alive, Prime Evil, Disrupt Degrade & Devastate and the KMFDM albums Symbols, Attak and WW111. On the album Genuine American Monster, Watts reunited with legendary guitarist Guenter Schulz.

While in Toyko, Watts gave birth to the band Schwein with Sascha Konietzko and the Japanese musicians Sakurai and Imai. The albums Schweinstein, Son Of Schweinstein and a sold-out tour ensued.

After releasing the <PÎG> album Pigmartyr (Pigmata on Metropolis), Watts spent time in London indoctrinating his piglets and initiating them into the parish of the pork. When not leading his children down the path of righteousness, he could be found writing music for fashion and films for Alexander McQueen, Chloe, Marios Schwab, Halston, The Row and others. He also wrote music and did sound design for Punk: Chaos to Couture, the exhibition at the Met in New York.

In the final show before his death, Alexander McQueen commissioned Watts and John Gosling, Watts’s old partner-in-crime from Psychic TV days, to embellish the serene instrumental track Inside, from <PÎG>’s Genuine American Monster album. This became the soundtrack to what is seen as McQueen’s masterpiece, Plato’s Atlantis. This show was reprised as the finale of Savage Beauty, the McQueen retrospective that broke all records at the Met in New York and the V&A in London. He also wrote other original music and did sound design for the show.

Last year, in 2015, <PÎG> dipped his trotter in the trough once more, and released both the much lauded <PÎG> v Primitive Race EP Long in the Tooth, and the Compound Eye Sessions: <PÎG> v MC Lord of the Flies (aka Marc Heal, of Cubanate).

The Primitive Race collaboration brought together Watts and Mark Thwaite, of The Mission, Tricky and Peter Murphy fame, amongst many others. Together they set about writing what would become the main column of misery around which the new <PÎG> album, The Gospel, has been built. Watts’ newest partner in swine, Z. Marr of Combichrist fame, shared production and writing duties.

The new <PÎG> album, The Gospel, is a collection of twelve songs of ruin, redemption, resolution and resurrection. Across this tale of grime and punishment En Esch and Guenter Schulz leave their unmistakable trail of greasy fingerprints.

Support:

Unitcode:Machine
Bandcamp: https://unitcode.bandcamp.com
Facebook: https://facebook.com/unitc0de
Instagram: https://instagram.com/unitcode_machine
Linktree: https://linktr.ee/unitcode

Starting 2000, UNITCODE:MACHINE is a project from Texas Native Eric Kristoffer. Following in the steps of other Texas electronic artists, Eric’s style of electro-industrial takes from many inspirations to create a sound unique to the project. Ever changing, UNITCODE:MACHINE’s list of comparable projects changes from album to album.

NEW ALBUM PRODUCED BY CHRIS HALL OF STABBING WESTWARD:

“It was a real honor and pleasure to work with Eric. He put his heart on soul into this album both musically and lyrically. He was willing to truly expose his inner demons and flaws and turn them into beautiful emotional lyrics that really moved me. this is not easy to do. and it’s scary as hell to put yourself out there in such a painfully honest way. In a world of fake social media perfection, it’s a shocking and wonderful thing to experience true humanity. This is one of those rare albums that I can listen to all the way through and not skip any tracks. I am incredibly proud to have had a hand in bringing these songs to life. I hope that you will give it a listen and if you like it buy a copy to support indie music and musicians. thanks Chris”

Wicked Playground
YouTube: https://youtube.com/@wickedplayground3394/videos
Instagram: https://instagram.com/wickedplaygroundmusic
Spotify: https://open.spotify.com/artist/0R6cpc6UNLQMDhmpxLAjy1

Miami band fusing alternative, metal, industrial and rock.

For fans of: Deftones, Nine Inch Nails, Rammstein, Korn, Marilyn Manson, Alice In Chains, Meshuggah, Tool, Rage Against The Machine, Ministry, Skinny Puppy, The Used, Chevelle, Evanescence, Disturbed, Sevendust

Nitzer Ebb – West Palm Beach – 11/19/21

Heroes Live Entertainment presents Nitzer Ebb with special guests Alpha Quadrant and DJ Paul Klov @ Respectable Street in West Palm Beach.

Tickets: https://nitzerebb.eventbrite.com

Join in the chant! The British pioneers of EBM return to South Florida!

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

 

Support:

Alpha Quadrant

Synth-wave-pop-tech-core-step duo with a penchant for 80s/early 90s aesthetique, shiny outfits, Sci-Fi, and other nerdly/life things.

Website: https://alphaquadrantofficial.bandcamp.com
Facebook: https://www.facebook.com/alphaquadrantofficial
Instagram: https://www.instagram.com/alphaqdrnt
Twitter: https://twitter.com/ALPHAQDRNT

and DJ Paul Klov (Bohemia AG) will be spinning industrial and EBM to get you on the dancefloor.

Nitzer Ebb – Miami 5/24/19

Heroes Live Entertainment presents Nitzer Ebb with Liebknecht (Daniel Myer from Haujobb) & DJ Paul Klov @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1816936

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

 

Support:

Liebknecht

Website: https://soundcloud.com/dmyer/liebknecht-next-drumapella
Facebook: http://facebook.com/LiebknechtOfficial
Twitter: https://twitter.com/DanielMyer
Instagram: http://instagram.com/liebknecht__

Liebknecht is the musical collaboration of Daniel Myer (Haujobb) & Rinaldo Bite. Liebknecht is techno, dancefloor elements mixed with dark textures, cryptic messages, eclectic experimental sounds and straight forward beats, always on the Edge between old school electro and club culture.

DJ Paul Klov (Bohemia AG)

Moonfest 2018 featuring Information Society + Bow Wow Wow’s Annabella + Stray Cats’ Slim Jim Phantom – West Palm Beach – 10/27/18

Moonfest in partnership with Heroes Live Entertainment present Moonfest 2018 @ Clematis Street in Downtown West Palm Beach. Performances by Information Society, Bow Wow Wow’s Annabella & Stray Cats’ Slim Jim Phantom.


Tickets: http://moonfest.me/tickets
Promo Code:
HEROESGA ($5 OFF)
HEROESVIP ($20 OFF)

*Last chance to use our promo codes for Moonfest ticket discounts. Offer ends Monday at midnight.


5 Blocks. 3 Stages. Haunted House. $1000 Cash Costume Contest. Laser Light Show.

Heroes Live Entertainment is partnering with Moonfest to bring you the Moonfest 2018 headliners: ⁣⁣⁣
⁣⁣⁣
Information Society
Bow Wow Wow’s Annabella
Stray Cats’ Slim Jim Phantom

On October 27th at 8pm MOONFEST is set to take place along the 5 haunted blocks of Clematis Street. Tension is at an all-time high and society is at a breaking point. Enter one of the gates along the event site and attempt to survive amongst a street of possessed souls and predatory demons. The 26th Annual Moonfest anniversary promises to be one for the books.

A terrifying haunted house will be available for entry for those who dare that will test your nerves and survival skills.

A private entrance, scare areas within the VIP area, open bar, and a delicious food spread are a few of some of the perks of a VIP Pass holders.

General admission and VIP passes are on sale now for $10 and $55 for the month of September. So get your tickets fast!

A Costume Contest for $1000 will take place before the national headliner on the rock stage. You can start submitting your best costume early to avoid missing out through the link on the website.

Stay connected and tuned in for the full music lineup release very soon. As well as, additional attractions and experiences within this year’s festival. Bring your soul to the party of the year.

All we need is YOU!

STRICTLY 21 and up. ID required.

Performances by:

Information Society
Website: http://informationsociety.us
Facebook: http://facebook.com/informationsociety/
Twitter: https://twitter.com/insoc
Bandcamp: https://informationsociety.bandcamp.com