Heroes Live Entertainment

Florida's premier independent concert promoter.

Automelodi + Night Foundation – Miami Beach – 10/19/25

Heroes Live Entertainment presents Automelodi with special guest Night Foundation on Sunday, October 19, 2025 @ Kill Your Idol in Miami Beach.

Tickets: https://automelodi.eventbrite.com

8:00PM (Doors) | 9:00PM (Show) | 21+

Automelodi is the main musical project of Canadian songwriter/producer Xavier Paradis, formerly known as Arnaud Lazlaud and later as Echo Kitty, who has been playing since the mid-’90s in the purest Neue Deutsche Welle and Fad Gadget styles.

Formed in 2006, Automelodi is a constantly evolving project based around the solo work of songwriter/producer Xavier Paradis. With a career that spans over two decades, Paradis is a well-established figure in Montreal’s dense electronic music culture, releasing over time with various projects, performance line-ups, or under different monikers such as Arnaud Lazlaud. He also collaborates with artists like Liz Wendelbo (of Xeno & Oaklander) as the duo Liz and László, as well as Latvian Producer Dmitry Distant.

Automelodi’s music embraces and re-contextualizes a spectrum of influences that include the lesser-known European synthpop and post-punk of the latter Twentieth Century, combined with literary stylizations reminiscent of Gallic songwriters such as Serge Gainsbourg and Brigitte Fontaine—with nearly all vocals delivered in French. Following the self-released first EP, an eponymous album was released in 2010 by the now defunct Brooklyn label Wierd Records. The second LP, “Surlendemains acides”, was released in digital format in 2013. A third LP, “Mirages au futur verre-brisé,” was released in 2019 on Austin’s Holodeck Records. The release was followed that same year by an extensive tour of Europe. Automelodi resumed touring in 2023, with several dates across the USA, and is currently working on a collection of new songs, including some singles to be released in 2024/2025.

In parallel to his work as Automelodi, Paradis has also been very active over the past two decades as a music producer, focusing primarily on mixing and remixing for other projects and artists such as Bootblacks, Silent EM, The Harrow, and Laura Krieg.

Support:

Night Foundation
Soundcloud: https://soundcloud.com/night_foundation
Instagram: https://instagram.com/noir_age
Facebook: https://facebook.com/thenightfoundation
Bandcamp: https://night-foundation.bandcamp.com

Night Foundation is the instrumental solo project of multimedia artist Richard Vergez. It explores existential soundscapes, utilizing analogue hardware, including vintage synthesizers, found percussion, tape effects, and manipulated wind instruments. There is a deep inspiration from Krautrock, film music, early industrial and ambient music, and the dark, rhythmic pulse of post-punk. His music has seen physical release on labels spanning the UK, Germany, Lithuania, and the US. A most recent vinyl release on his label, Noir Age, features underground legend Little Annie.

Dancing Plague + Violent Vickie + L.U.S.T (Lucid Ultra Seduction Technique) – West Palm Beach – 5/9/25

Heroes Live Entertainment presents Dancing Plague with special guests Violent Vickie + L.U.S.T on Friday, May 9, 2025 @ Respectable Street in West Palm Beach.
Dancing Plague makes broodingly intense and emotional dark electronic music. Since the solo project’s inception in 2015, Dancing Plague has released four albums and four EPs, solidifying them in the world of darkwave and body music.

Tickets: https://dp.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

Dancing Plague
Website: linktr.ee/dancingplaguemusic
Instagram: https://instagram.com/dancingplaguemusic
Bandcamp: https://dancingplaguemusic.bandcamp.com
Facebook: https://facebook.com/dancingplaguemusic

“Portland’s Dancing Plague masterly combines gloomy and brooding goth-tinged darkwave moods with intensely turbulent and uncompromising EBM and techno-driving rhythms peppered with emotionally charged lyrics and haunted by his unmistakable profound baritone. Depression, anxiety, and a solid understanding of mortality give his music an authenticity felt in the highly cathartic transference that takes place during his expulsion of inner demons.”

Support:

Violent Vickie
Website: https://violentvickie.com
Instagram: https://instagram.com/violentvickie
Facebook: https://facebook.com/ViolentVickieMusic
Twitter: https://twitter.com/violentvickie

Violent Vickie is a Dark SynthRiot artist and DJ, originally from Los Angeles and now based in West Palm Beach, FL. Vickie has toured with Hanin Elias of Atari Teenage Riot and shared the stage with Pastel Ghost, Trans X, Missing Persons,  Assemblage 23, and Them Are Us Too.  Violent Vickie recently played Absolution Fest where she shared the stage with Traitrs, Vision Video, and Creux Lies.

Vickie has been featured in Post Punk, EDM Joy, Medium, and Curve Magazine.  Vickie’s tracks have been selected for Fresh on the Net (UK) and she recently released a DJ mix for Rinse France. Vickie has toured the US, Europe, Mexico and Canada and played Occupy Oakland, Insted Fest, Shoutback Fest, Gay Prides & Ladyfests.

Violent Vickie’s music has been released by Crunch Pod (LA), Emerald & Doreen Recordings (Berlin), Riot Grrrl Berlin, and LoveCraft Bar (PDX). Her track “The Wolf“ was featured in a National Organization for Women film. She was interviewed for the documentary “GRRRL”, part of the museum exhibit “Alien She”. Her LP “Monster Alley” was voted best album by KALX and her tracks have been remixed by 30+ artists.

Vickie’s sophomore LP Division was released in September 2020 on Crunch Pod, a remix album for her song “Under the Gun” was released in February 2021 on Emerald & Doreen Recordings, and she released Division Remixes LP in 2022 featuring remixes by Fragrance, Kontravoid, Dimension 23, and Maduro.

L.U.S.T (Lucid Ultra Seduction Technique)
Website: https://allmylinks.com/lust-music
Instagram: https://instagram.com/lustmusik
YouTube: https://youtube.com/@Lustmusikofficial
Spotify: https://open.spotify.com/artist/3ZcktCI7Hu8zPiaFpT8ErC

Armando Doval Keyboardist/Drummer + Raquel Pupo Vocalist/Keyboardist

Urban Heat + Blood Orchid + Violet Silhouette – West Palm Beach – 3/30/25

Heroes Live Entertainment presents Urban Heat with special guests Blood Orchid + Violet Silhouette on Sunday, March 30, 2025 @ Respectable Street in West Palm Beach, Florida. Urban Heat received multiple Austin Music Awards nominations including Band of the Year.

Tickets: https://urbanheat.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

Urban Heat (“Dark 80s stylings with the energy of the now”)
Website: https://urbanheatband.com
Spotify: https://open.spotify.com/artist/5Dc9FlL6znNOM7854ghaRp
Instagram: https://instagram.com/urbanheatband
Facebook: https://facebook.com/urbanheatband

“…Urban Heat has taken Austin’s clubs and America’s goth underground in such a blitz that it feels like it suddenly arose from the ether.” – Andy O’Conner, SPIN

“A lightning rod of dark electro/proto-punk/new wave/synth wave/part goth/part industrial sound that is all the things but… simultaneously transcending them into something fresher.” – Laurie Gallardo, KUTX 98.9

Austin is known as the music capital of the world — and Urban Heat is one of its greatest exports. The band, formed only five years ago as the brainchild of singer/multi-instrumentalist Jonathan Horstmann, has quickly become known for their fiery live shows and infectious darkwave anthems that harken back to the ‘80s with a modern sensibility. Powered by the magnetic Horstmann’s melodic baritone vocals & the pummeling rhythm section of Kevin Naquin and Paxel Foley, UH has won over fans show by show.

Appearances at major California festivals like Cruel World and Darker Waves saw Urban Heat play to their biggest audiences, with their set pointed as one of the best of the day. At home, Urban Heat has long been the talk of SXSW & graced the stage of the Austin City Limits Festival.

Now, with The Tower, we see the band at its absolute peak. Songs like the arena-ready “Seven Safe Places” and the intricately steady “Take it to Your Grave” show the band’s sonic versatility. The latter, which best exemplifies the majority of the record, is about feelings of unworthiness and fears of self-sabotage. Introspectiveness dots Horstmann’s lyrics, driving home their power and relatability.

With a headlining show at Los Angeles’ famed El Rey Theater under their belt, a North American tour, & Fall European tour with Molchat Doma, Urban Heat is ready to show the world what anyone who has seen them already knows: they’re a band that is going to dominate the airwaves for years to come.

Support:

Blood Orchid (Multi-instrumentalist from Miami, FL)
Spotify: https://open.spotify.com/artist/6HKQlmergzUB4c9Eo1KxpG
Instagram: https://instagram.com/bloodorchid
YouTube: https://youtube.com/@BloodOrchidMusic
Facebook: https://facebook.com/BloodOrchidMusic

Blood Orchid is an American alternative rock & indie pop project formed in 2019 in Miami, Florida. It was founded by multi-instrumentalist Niko Javan.

“I am a musician and visual artist from Miami, Florida. I play guitar, bass, synthesizer, sing, produce, and create all the visuals to accompany my music.”

“From a very young age, my parents began to teach me that in life, I would be better off taking my own path rather than following a path that somebody else sets for me. “Be your own man, build your own world, work for yourself… or you’ll get stuck working for people who don’t respect you…” – CanvasRebel Magazine

Violet Silhouette (West Palm Beach trio with “the sound of the Neuromantic”)
Instagram: https://instagram.com/violetsilhouetteofficial
Linktree: https://linktr.ee/violetsilhouetteofficial
Bandcamp: https://violetsilhouette.bandcamp.com
Facebook: https://facebook.com/violetsilhouetteofficial

What happens when you mix brooding existentialism with a love of synthesizers and noise-rock? — Violet Silhouette may have an answer, in fact, it has all of them. Born from a tropical depression, Violet Silhouette is an American musical duo or group that may or may not sound like how dusk feels but with more reverb. Their live shows have been called “very good” and exist with the intent of giving the viewer and performer a shared catharsis. The first EP titled SEMIPERMANENTDEREALIZATION has been considered appropriate for all mood levels, intimate settings, and night driving.

“…the dance-punk/postwave triumvirate embarks on a fresh voyage, diving deep into the multifaceted realm of “Neuromanticism.” This exotic medley of sensory experimentation, paired with our recurrently perilous quest for the quintessence of truth and love, pushes boundaries in the genre-bending musical landscape. Imbued with kaleidoscopic undertones and a brooding romanticism, their sound provokes thought, smears the lines, and adds a new dimension to the continually evolving realms of alternative music.” Alice Teeple (Post-punk.com)

Violet Silhouette is:

  • Zaii Valdes [vox•guitars•synthesizer•drum programming]
  • Dan Potvin [synthesizer•guitar•vox•sequencing]
  • Justin Gianoutsos [bass]

ULTRA SUNN + Bestial Mouths + Miss FD + DJ Dino – Miami – 3/28/25

Heroes Live Entertainment presents ULTRA SUNN with special guests Bestial Mouths + Miss FD + DJ Dino on Friday, March 28, 2025 @ Gramps in Miami. This is the Belgian duo’s debut Florida show! Band of the Year 2024 Winner in Belgium

“The Brussels pair, ULTRA SUNN, captivated hearts with their chart-topping single, “Keep Your Eyes Peeled,” amassing a dedicated fandom while gracing stages across Europe, North and South America.” – POSTPUNK.COM

“It’s unmistakably clear that ULTRA SUNN are here to stay and will set you and more dance floors on fire than they already did. They’re on the top of their musical game.” – TURN UP THE VOLUME


Tickets: https://ultrasunn.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

ULTRA SUNN is a contemporary EBM/Coldwave/New Beat band from Brussels, Belgium, formed in late 2019 by frontman and multi-instrumentalist Sam Huge and keyboardist/producer Gaelle Souflet. In 2023, they were joined on stage by keyboardist and percussionist Alexis Andrigo.

ULTRA SUNN expresses a desire for modernity through its themes, fresh approach to sounds and collaborations (Kontravoid, Kris Baha, Curses, Sarin) while being the heirs of the famous Sound Of Belgium and classical EBM. ULTRA SUNN regularly played alongside Front 242, Nitzer Ebb, DAF or A Split Second.

In 2020 with the release of their hit “Keep Your Eyes Peeled,” the duo gained widespread recognition, performing concerts all around the world, from Brussels to Los Angeles, Las Vegas, Calgary, Sao Paulo, Mexico, Bogota, Berlin, London, and many more.

The band already released 3 EPs called ‘Night is Mine’, ‘Body Electric’ and ‘Kill Your Idols’, all borrowing from their activities in classical arts and fashion shows, their New Beat and EBM inspirations and their desire to create dancing and luminous hymns about self improvement, gender equality, fight against anxiety. Always with an inclusive, powerful and positive spirit.

In 2023, ULTRA SUNN signed a worldwide, multi-album deal with Canadian-based label Artoffact Records then embarked on a tour in Latin America, (Mexico, Medellin, Bogota, Lima, Santiago, and Sao Paulo).

The duo annonces their first full LP for April 2024 as well as two USA tours for Spring and Fall 2024. The first tour will include the Sick New World Festival in Las Vegas then Los Angeles, the band will also play up the west coast to end in Vancouver, Canada. The second tour will start from New York, go down the east coast to Florida then pass through Louisiana, Texas, Tennessee among other places, and end in Chicago.

ULTRA SUNN is already rescheduled across Europe, and will stop at the Orangerie, Botanique in Brussels, in their home town to celebrate the release of ‘US’, their long-awaited first full album.

Support:

Bestial Mouths
Website: https://bestialmouths.com 
Instagram: https://instagram.com/bestialmouths
Facebook: https://facebook.com/@BESTIALMOUTHS
Spotify: https://open.spotify.com/artist/0vHo9GceFuSSJjSbF49Uzt

Since their inception in 2009, Berlin via NYC & LA outfit Bestial Mouths have been creating some of the most powerful darkwave in the musical underground. Now guided primarily by frontwoman and co-founder Lynette Cerezo, whose vocals range from operatic, extended-technique furies to shouted monologues, the band are a medium for pure, intense emotion.

Bestial’s latest incarnation continues to channel new and experimental paths through the project’s original gothic post-punk roots. Led by Cerezo’s visceral, emotional voice and lyrics, and featuring beautifully brutal production from Brant Showers (AAIMON/SØLVE), Alex DeGroot (Zola Jesus) and Balázs Képli (nullius in verba) and a live incarnation with David Foster (HUREN/TESTE) and Raf Abr (FUROR) the music of Bestial Mouths is the journey of a soul shattered—then stapled back together by female rage and self-determination.

Miss FD
Website: http://missfd.com 
Instagram: https://instagram.com/missfdmusic
Facebook: https://facebook.com/MissFDMusic
Spotify: https://open.spotify.com/artist/5MfolMgbY2TAIpwk4oQmaN

Dark music for dark hearts.

Miss FD is an underground dark electronic music artist, singer, songwriter, producer, and performer.

Her distinctive musical style blends darkwave, cyberpunk, industrial, and dark synthpop influences, complemented by her signature dynamic vocals which range from ethereal to empowering and edgy.

With a discography spanning multiple albums and collaborations, Miss FD’s most recent releases underscore her commitment to the dark electronic music scene. Her 2021 three-song EP “Adore”, followed by her single “Your Core”, showcase futuristic and cyberpunk elements. 2022 witnessed the release of her exploration of Gobekli Tepe in her three-song dark pop EP, “As Above, So Below”, followed by her cyberpunk single “Menticide” released the same year. Miss FD released her cyber-industrial single and cinematic music video for “Distractions” in 2023, followed by her most recent 2024 single release “Syndicated”.

Miss FD has also released several collaboration tracks with Vulture Culture: : “Ashes of Stars” in 2018, “Spitfire” in 2019, and “Faster Than Light” in 2020, and their latest dark EDM collaboration “Enough” released in 2024.

DJ Dino
Instagram: https://instagram.com/djdinorio
Facebook: https://facebook.com/djdinorio

DJ / Drummer from Miami Florida, DJ Dino has been a staple in the South Florida music scene, and a proponent of all wave and dark electronic music since the mid 80s and into the more recent revival scene. Dino is behind the long-time running show SYNTHOLOGY 101 Radio, and has taken up residency at Miami’s dark underground party “Malicia Goth Nights”, making it one of the hottest monthly events in the South Florida Goth Scene. Here is where he serves his latest discoveries and the most cutting edge in goth, minimal synth, upperwave, post punk revival, darkwave, EBM, italo, and resurrected obscure coffin classics for the baby bats and darks alike. As a side note, Dino (formerly of Formula Redux) is the current drummer for Nutrix Recordings and Mannequin Records recording artist “Life In Sodom”, who were a big part of the golden age of Goth music in the 1990s, and have been actively releasing music since 1991.

PIG (ex-KMFDM alumni) “Heroin for the Damned Tour” with Unitcode:Machine + Wicked Playground – West Palm Beach – 11/1/24

Heroes Live Entertainment presents PIG (ex-KMFDM alumni) “Heroin for the Damned Tour” with special guests Unitcode:Machine and Wicked Playground on Friday, November 1, 2024 @ Respectable Street in West Palm Beach. First South Florida show since 2017!

Tickets: https://pigband.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

PIG – the venerated project of head hog Raymond Watts & his herd of swine – returns in top form on Red Room. Watts & Co tease, taunt, tempt & tantalize with PIG’s singular blend of hook laden, genre bending, electronic tinged rock & roll, full of malevolent reverence, glitz, glamour, sleaze, sin & swing.

Guest appearances by Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more!

<PÎG> is Raymond Watts, a British musician whose brand of electronic rock is danceable and deadly serious in turn. Watts’s words spring from the well of gallows humour in a world of corruscating cruelty and truth. <PÎG> climbs peaks and mines troughs, and musical genres slide and collide like tectonic plates.

In 1986 Raymond Watts awoke in West Berlin. It was a time of terror and turmoil, in a city so depraved and decadent that the East Germans had walled it in. Watts had cut his teeth on tape loops in London and Hamburg, but inspired by Berlin’s fetid air and his first 8-bit sampler, Watts gave birth to <PÎG> in 1988, when <PÎG> was cut from his belly with a rusty screwdriver in a basement opposite The Wall. The first squeals were committed to tape, and saw the light of day as A Poke in the Eye. Wax Trax! jumped to release it.

A year earlier, in Hamburg, he was bludgeoning the first KMFDM album into shape with En Esch and Sascha Konietzko. He had also helped deliver the sonic slaughter of Einsturzende Neubauten, Psychic TV and most of the Berlin and Hamburg underground, as both live and studio sound engineer, and producer.

After writing the music for the second KMFDM album, Watts then slipped away to tour with Foetus, playing keyboards and guitar.

When The Wall collapsed, the party was over. Watts returned to London and <PÎG> albums poured forth: Praise the Lard, A Stroll in the Pork, Shit For Brains, Red Raw & Sore and The Swining. Watts programmed, produced and performed, ploughing a lone furrow until Karl Hyde, singer and sinner with Underworld, came to his assistance on guitars followed by Steve White.

Watts had also developed a taste for all things Japanese. His label was based there, his morals were parked there and <PÎG> had toured there many times. He was soon involved with a highly successful bunch of ne’er-do-wells called Schaft. Their album Switchblade, and a sold-out tour, followed.

In 1994, <PÎG> opened for NIN. This led to <PÎG>’s Sinsation album being released on Nothing Records — and then a return to Wax Trax! for Wrecked.

Watts also rejoined KMFDM in 1994, for the <PÎG> v KMFDM EP Sin, Sex & Salvation. On the ensuing album Nihil Watts resumed writing and vocal duties and several heaving tours followed, with Watts orchestrating the chaos from centre stage like a rampant ringmaster armed only with talent and tequila.

When not on tour, Watts could be found in his Ranch Apocalypse studios in London, working on <PÎG>’s No One Gets Out of Her Alive, Prime Evil, Disrupt Degrade & Devastate and the KMFDM albums Symbols, Attak and WW111. On the album Genuine American Monster, Watts reunited with legendary guitarist Guenter Schulz.

While in Toyko, Watts gave birth to the band Schwein with Sascha Konietzko and the Japanese musicians Sakurai and Imai. The albums Schweinstein, Son Of Schweinstein and a sold-out tour ensued.

After releasing the <PÎG> album Pigmartyr (Pigmata on Metropolis), Watts spent time in London indoctrinating his piglets and initiating them into the parish of the pork. When not leading his children down the path of righteousness, he could be found writing music for fashion and films for Alexander McQueen, Chloe, Marios Schwab, Halston, The Row and others. He also wrote music and did sound design for Punk: Chaos to Couture, the exhibition at the Met in New York.

In the final show before his death, Alexander McQueen commissioned Watts and John Gosling, Watts’s old partner-in-crime from Psychic TV days, to embellish the serene instrumental track Inside, from <PÎG>’s Genuine American Monster album. This became the soundtrack to what is seen as McQueen’s masterpiece, Plato’s Atlantis. This show was reprised as the finale of Savage Beauty, the McQueen retrospective that broke all records at the Met in New York and the V&A in London. He also wrote other original music and did sound design for the show.

Last year, in 2015, <PÎG> dipped his trotter in the trough once more, and released both the much lauded <PÎG> v Primitive Race EP Long in the Tooth, and the Compound Eye Sessions: <PÎG> v MC Lord of the Flies (aka Marc Heal, of Cubanate).

The Primitive Race collaboration brought together Watts and Mark Thwaite, of The Mission, Tricky and Peter Murphy fame, amongst many others. Together they set about writing what would become the main column of misery around which the new <PÎG> album, The Gospel, has been built. Watts’ newest partner in swine, Z. Marr of Combichrist fame, shared production and writing duties.

The new <PÎG> album, The Gospel, is a collection of twelve songs of ruin, redemption, resolution and resurrection. Across this tale of grime and punishment En Esch and Guenter Schulz leave their unmistakable trail of greasy fingerprints.

Support:

Unitcode:Machine
Bandcamp: https://unitcode.bandcamp.com
Facebook: https://facebook.com/unitc0de
Instagram: https://instagram.com/unitcode_machine
Linktree: https://linktr.ee/unitcode

Starting 2000, UNITCODE:MACHINE is a project from Texas Native Eric Kristoffer. Following in the steps of other Texas electronic artists, Eric’s style of electro-industrial takes from many inspirations to create a sound unique to the project. Ever changing, UNITCODE:MACHINE’s list of comparable projects changes from album to album.

NEW ALBUM PRODUCED BY CHRIS HALL OF STABBING WESTWARD:

“It was a real honor and pleasure to work with Eric. He put his heart on soul into this album both musically and lyrically. He was willing to truly expose his inner demons and flaws and turn them into beautiful emotional lyrics that really moved me. this is not easy to do. and it’s scary as hell to put yourself out there in such a painfully honest way. In a world of fake social media perfection, it’s a shocking and wonderful thing to experience true humanity. This is one of those rare albums that I can listen to all the way through and not skip any tracks. I am incredibly proud to have had a hand in bringing these songs to life. I hope that you will give it a listen and if you like it buy a copy to support indie music and musicians. thanks Chris”

Wicked Playground
YouTube: https://youtube.com/@wickedplayground3394/videos
Instagram: https://instagram.com/wickedplaygroundmusic
Spotify: https://open.spotify.com/artist/0R6cpc6UNLQMDhmpxLAjy1

Miami band fusing alternative, metal, industrial and rock.

For fans of: Deftones, Nine Inch Nails, Rammstein, Korn, Marilyn Manson, Alice In Chains, Meshuggah, Tool, Rage Against The Machine, Ministry, Skinny Puppy, The Used, Chevelle, Evanescence, Disturbed, Sevendust

Nitzer Ebb – West Palm Beach – 11/19/21

Heroes Live Entertainment presents Nitzer Ebb with special guests Alpha Quadrant and DJ Paul Klov @ Respectable Street in West Palm Beach.

Tickets: https://nitzerebb.eventbrite.com

Join in the chant! The British pioneers of EBM return to South Florida!

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

 

Support:

Alpha Quadrant

Synth-wave-pop-tech-core-step duo with a penchant for 80s/early 90s aesthetique, shiny outfits, Sci-Fi, and other nerdly/life things.

Website: https://alphaquadrantofficial.bandcamp.com
Facebook: https://www.facebook.com/alphaquadrantofficial
Instagram: https://www.instagram.com/alphaqdrnt
Twitter: https://twitter.com/ALPHAQDRNT

and DJ Paul Klov (Bohemia AG) will be spinning industrial and EBM to get you on the dancefloor.

Nitzer Ebb – Miami 5/24/19

Heroes Live Entertainment presents Nitzer Ebb with Liebknecht (Daniel Myer from Haujobb) & DJ Paul Klov @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1816936

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

 

Support:

Liebknecht

Website: https://soundcloud.com/dmyer/liebknecht-next-drumapella
Facebook: http://facebook.com/LiebknechtOfficial
Twitter: https://twitter.com/DanielMyer
Instagram: http://instagram.com/liebknecht__

Liebknecht is the musical collaboration of Daniel Myer (Haujobb) & Rinaldo Bite. Liebknecht is techno, dancefloor elements mixed with dark textures, cryptic messages, eclectic experimental sounds and straight forward beats, always on the Edge between old school electro and club culture.

DJ Paul Klov (Bohemia AG)

Moonfest 2018 featuring Information Society + Bow Wow Wow’s Annabella + Stray Cats’ Slim Jim Phantom – West Palm Beach – 10/27/18

Moonfest in partnership with Heroes Live Entertainment present Moonfest 2018 @ Clematis Street in Downtown West Palm Beach. Performances by Information Society, Bow Wow Wow’s Annabella & Stray Cats’ Slim Jim Phantom.


Tickets: http://moonfest.me/tickets
Promo Code:
HEROESGA ($5 OFF)
HEROESVIP ($20 OFF)

*Last chance to use our promo codes for Moonfest ticket discounts. Offer ends Monday at midnight.


5 Blocks. 3 Stages. Haunted House. $1000 Cash Costume Contest. Laser Light Show.

Heroes Live Entertainment is partnering with Moonfest to bring you the Moonfest 2018 headliners: ⁣⁣⁣
⁣⁣⁣
Information Society
Bow Wow Wow’s Annabella
Stray Cats’ Slim Jim Phantom

On October 27th at 8pm MOONFEST is set to take place along the 5 haunted blocks of Clematis Street. Tension is at an all-time high and society is at a breaking point. Enter one of the gates along the event site and attempt to survive amongst a street of possessed souls and predatory demons. The 26th Annual Moonfest anniversary promises to be one for the books.

A terrifying haunted house will be available for entry for those who dare that will test your nerves and survival skills.

A private entrance, scare areas within the VIP area, open bar, and a delicious food spread are a few of some of the perks of a VIP Pass holders.

General admission and VIP passes are on sale now for $10 and $55 for the month of September. So get your tickets fast!

A Costume Contest for $1000 will take place before the national headliner on the rock stage. You can start submitting your best costume early to avoid missing out through the link on the website.

Stay connected and tuned in for the full music lineup release very soon. As well as, additional attractions and experiences within this year’s festival. Bring your soul to the party of the year.

All we need is YOU!

STRICTLY 21 and up. ID required.

Performances by:

Information Society
Website: http://informationsociety.us
Facebook: http://facebook.com/informationsociety/
Twitter: https://twitter.com/insoc
Bandcamp: https://informationsociety.bandcamp.com

Meat Beat Manifesto + Otto Von Schirach **Only Southern US Show** – Miami – 9/15/18

Heroes Live Entertainment presents Meat Beat Manifesto: Only Southern US Date @ The Ground at Club Space in Miami. Support: Otto Von Schirach & DJ Carlos Menendez (Fire & Ice, Backdoor, The Church)


Tickets: http://ticketfly.com/event/1646872

Jack Dangers is the composer and sound sculptor behind Meat Beat Manifesto. His constantly evolving musical invention has generated a long string of futuristic classics, like “Psyche Out,” “Helter Skelter,” “Radio Babylon,” “Edge of No Control” and “It’s The Music.” The single, “Prime Audio Soup,” from the Meat Beat Manifesto album Actual Sounds and Voices, was featured in the sci-fi fantasy blockbuster, The Matrix and on its platinum-selling soundtrack.

An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. As a premier remixer, producer, and sound designer, he has played a seminal role in defining tomorrows’ music today. Past production/remixing projects include Public Enemy, Scorn, David Bowie, Orbital, NIN, EBN, David Byrne, Merzbow, Depeche Mode, Terry Riley, Tower of Power and Coil. He has also made videos for Clive Barker, Tox Simian, and DJ Shadow.

Meat Beat Manifesto released their 2018 record, “Impossible Star” on January 19 via Flexidisc with distribution by Virtual Label. It is available on CD, digital, and vinyl. Drawing on the paranoid and surreal political and cultural climate, Jack Dangers likens the record “to an MC Escher optical illusion which spirals around and around and never seems to end.”

“Intriguing and intimidating, Dangers’ cultural osterizing evolves to the nth degree of studio sophistication…”
–ROLLING STONE

“Without MBM’s groundbreaking amalgams of hip-hop and industrial dance music, modern dance music genres such as Big Beat and Drum & Bass wouldn’t exist…one of Britain’s most inventive practitioners of sampladelic funk.”
–ALTERNATIVE PRESS

“A true innovator, MBM main man Jack Dangers helped lay down the rules for dub-inflected electronica, throwing down heavy breaks atop challenging experimental sound”
– CMJ

“The sounds of futuristic riddims that both predate electronic genre nicknames and mock their ideals; one that may be defined purely by its sphere of influence on modern music.
– URB

 

Meat Beat Manifesto’s constantly evolving musical invention has generated a long string of influential futuristic classics in its 21 year career, including such tracks as “God O.D.”, “Strap Down”, “Psyche Out”, “Helter Skelter”, “Radio Babylon”, “Edge of No Control” and “It’s The Music”. The single, “Prime Audio Soup” (from the album Actual Sounds and Voices) was featured in the sci-fi fantasy blockbuster The Matrix and on its platinum-selling soundtrack.

An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. MBM recently contributed the track “Suicide” to the top-selling soundtrack to Underworld: Evolution and Jack’s remix of Tower Of Power’s “What Is Hip?” was nominated for a Grammy in 2006.

Support:

Otto Von Schirach
Facebook: http://facebook.com/ottovonschirach
Soundcloud: http://soundcloud.com/ottovonschirach
Twitter: @ottovonschirach
Instagram: @ottovonschirach

Otto von Schirach is an IDM and breakcore artist from Miami, Florida (USA), active since 1998. He is of Cuban/German descent. His style is more sporadic and noisy than other artists in the genre, and his visual aesthetic leans on the heavy metal side rather than electronic.

He has released most of his work on the Schematic and Beta Bodega labels, and was featured in the 2002 documentary Electro-Dziska. Otto’s live performances include outfits, masks and props, and he has toured with the band Skinny Puppy. He is also credited on the Skinny Puppy albums The Greater Wrong Of The Right and Mythmaker. In 2011 he has toured U.S.A. with Atari Teenage Riot.

He also does a large amount of work in the areas of music production and remixing and has collaborated with several artists such as Modeselektor on their records Happy Birthday! and Monkeytown. Recently von Schirach has become increasingly involved with the Miami Bass Warriors, a Miami Bass focused project with Jose el Rey, El Tigre and Debbie D from Avenue D. Their debut video, “Going Back to Calle 8,” was featured on Pitbull’s show La Esquina.

Front Line Assembly + Cubanate – West Palm Beach – 11/4/17

Respectable Street in partnership with Heroes Live Entertainment present Front Line Assembly with Cubanate, Vampyre Anvil, Cyanide Regime & Skoros @ Respectable Street in West Palm Beach.


Tickets: http://ticketfly.com/event/1564861

Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released what for many has become the genre’s crowning moment, the classic album Tactical Neural Implant, which to this day still defines the best of industrial music.

FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial’s perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. Also in 1996, Front Line Assembly followed up Hard Wired with two CD singles, “Circuitry” and “Plasticity”, and toured North America with Numb and Die Krupps.

1997 saw the first realignment of Front Line Assembly since 1990, with the departure of Rhys Fulber and the addition of Chris Peterson to the ranks. Front Line’s 1998 album, FLAvor of the Weak, featured the band’s first flirtation with electronica. Re-Wind, a twin CD of remixes, followed later that year. The duo then released Implode in 1999, and Epitaph in 2001. Epitaph exhibited building intros, trancy synth lines, pulsing beats, and solid melodies, which proved to be contagious anthems for a new future of industrial music.

After the 2001 release of Epitaph, another changing of the FLA “guard” occurred: Chris Peterson left, and original member, Rhys Fulber (Fear Factory, Conjour One) returned. The newly charged Front Line Assembly delivered the highly anticipated Maniacal single in late 2003. The successful single laid the ground work for the 2004 album Civilization, and Vanished EP which featured three unreleased tracks.

Then finally in 2005 came the event that everyone was waiting for, a Front Line Assembly fusion. Bill Leeb, Rhys Fulber, and Chris Peterson with new members Jeremy Inkel, Adrian White, and Jarod Slingerland began working on the 2006 album, Artificial Soldier. The newly re-formed line-up managed to create an album that no only lived up to the expectations of Front Line Assembly fans, but surpassed them. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb’s trademark vocals couldn’t be fused together any tighter if you tried to do it at an atomic level. As if all of those factors weren’t enough, two guest vocalists appear on Artificial Soldier – Eskil Simonsson from Covenant (on “The Storm”) and Jean-Luc De Meyer from Front 242 (on “Future Fail”)! After the release of the album, the band embarked on a successful world tour, and released the remix album Fallout one year later.

Throughout the years, FLA has seen many line-up changes. Bill Leeb remains the constant behind the band. For 2010, a new line-up has emerged featuring Jeremy Inkel, Chris Peterson on programming duties, and Jared Slingerland on Guitars, and FLA has been joined by Three Inches of Blood guitarist Justin Hagberg, and guest keyboardist Craig Huxtable of Landscape Body Machine.

The result of this reinvigorated lineup is the all new album Improvised. Electronic. Device. As well as the Shifting Through The Lens single. The new songs demonstrate that FLA has not lost its edge over the past almost two and a half decades. And as if Front Line Assembly’s legacy and namesake alone weren’t enough for the album, Al Jourgensen from Ministry contributes his vocals to the song “Stupidity.”

Bill’s work can also be heard on a wide number of side projects, including Noise Unit, Delerium, InterMix, Cyberaktif, Equinox, and Synaesthesia. Bill has also contributed music to the popular video game, Quake 3 – The Arena.

Facebook: http://facebook.com/frontlineassembly

Support:

Cubanate
Website: http://soundcloud.com/marc-heal
Facebook: http://facebook.com/cubanate
Twitter: @Marc_Heal

Vampyre Anvil
Website: http://vampyreanvil.bandcamp.com
Facebook: http://facebook.com/vampyreanvil

Cyanide Regime
Website: http://cyanideregime.com
Facebook: http://facebook.com/cyanideregime