Heroes Live Entertainment

Florida's premier independent concert promoter.

Emery: 20th Anniversary of “The Question” + ’68 + FLAKE – Orlando – 5/30/25

February 3, 2025 heroesliveent
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Lambgoat + Heroes Live Entertainment present Emery: 20th Anniversary of “The Question” with special guests ’68 and FLAKE on Friday, May 30, 2025 @ The Abbey in Orlando.

Tickets: https://emery.eventbrite.com
Pre-Show VIP packages: https://emerymusic.com

5:00PM (VIP) | 6:00PM (Doors) | 7:00PM (Show) | 18+

Emery
Website: https://emerymusic.com
Facebook: https://facebook.com/emery
Instagram: https://instagram.com/emeryofficial
Spotify: https://open.spotify.com/artist/4feAxLUxIU7G4KXhH0h2ni

Emery is the realest, most relatable band of the era. The undisputed kings of Christian emo have spent two decades creating emotional experiences by blending post-hardcore chaos, melodies, and lyrics that hit way too close to home. They’re the band that makes you scream, cry, and laugh, sometimes all in the same breath. Known for their self-aware humor and ability to turn heartbreak into harmony, and innovative DIY approach, Emery has become a favorite for fans who love music that feels as real and messy as life. Emery keeps it loud, honest, and unapologetically fun.

Support:

’68
Website: https://theband68.com
Facebook: https://facebook.com/theyare68
Instagram: https://instagram.com/theyare68
X: https://twitter.com/theyare68

Josh Scogin kickstarted his small band with the big sound in 2013, naming the two-man outfit he modestly undersells as “a little rock, a little blues, a little hardcore” after his father’s old Camaro. And there’s a muscle car-sized rumble beneath the hood of what the Atlanta, Georgia native and his percussive partner-in-crime, Nikko Yamada, unleash with an array of guitar, bass, drums, keys, and pedals, careening between swinging barnburners, wild haymakers, and moody atmosphere.

The passion, the hunger, the good humor, it all connects with diverse crowds. Deliciously stripped down and vibrant, ’68 excels in intimate environments, to be sure, but is no less unignorable on giant festival stages or on the road with Bring Me The Horizon, Stone Sour, Beartooth, Avatar, August Burns Red, The Amity Affliction, and Underoath, where they’ve earned new converts every day.

In Humor and Sadness, the first album by ’68, debuted at No. 1 on the Billboard New Artist Chart. Two Parts Viper followed in 2017. Grammy-winning producer Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains) became a believer after just a few songs of a ’68 set. On ‘Give One Take One’, crafted with Raskulinecz in Nashville, the band’s high intensity bombast threatens but never swallows the underlying groove. – Ryan J Downey

‘Give One Take One’, the new album, is out now.

FLAKE
Website: https://linktr.ee/thisisflake
TikTok: https://tiktok.com/@thisisflake_
Instagram: https://instagram.com/thisisflake
Spotify: https://open.spotify.com/artist/1Wa1fIdJf5bscEK7XjnBIU?si=l-Te3aJPR7Sy3pwKjKkElw&nd=1&dlsi=9d3c755cf66d4536

Blake Loggans. Artist from Kansas.

The Messthetics (featuring members of Fugazi) **FREE SHOW** + Mary Lattimore, Harpist – Miami – 3/28/19

September 26, 2018 heroesliveent
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Heroes Live Entertainment & Las Rosas present The Messthetics (featuring members of Fugazi) **Free Show** w/harpist on Ghostly International, Mary Lattimore & Miami Noise King, Rat Bastard @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

Tickets: http://ticketfly.com/event/1780958

The last time drummer Brendan Canty and bassist Joe Lally were in a band together, they were the rhythmic architects for Fugazi, an organization whose decade and a half of disciplined progressivism provided a necessary bridge between the zenith of late-punk expression and everything alternative in rock that followed. Anthony Pirog is a jazz and experimental guitarist based in Washington, D.C. The trio’s debut on Dischord Records was recorded at Canty’s practice space throughout 2017, live and mostly without overdubs. It’s a snapshot of a band dedicated to the live ideal, where structure gives birth to improvisation.

The Messthetics
Website: http://themessthetics.bandcamp.com/
Facebook: http://facebook.com/themessthetics/
Dischord Records: http://dischord.com/

Support:

Mary Lattimore
Website: http://marylattimore.net
Facebook: http://facebook.com/harpistmarylattimore/
Twitter: http://twitter.com/marylattimore
Instagram: http://instagram.com/maryoverthere

Mary Lattimore is a Los Angeles-based harpist. She experiments with effects through her Lyon and Healy Concert Grand pedal harp, concocting half-structured improvisations which can include both ambient glitter and unsettling noise. Her first solo record, the Withdrawing Room, was released on Desire Path Recordings in 2014. The solo recordings that followed, At the Dam and Collected Pieces, were released by Ghostly International.
Mary has also recorded synth + harp duo projects with Elysse Thebner Miller (And the Birds Flew Overhead) and Jeff Zeigler (Slant of Light) and has co-written reimagined scores for the 1968 experimental silent film Le Revelateur, directed by Philippe Garrel (who approved of the project), and the Czech New Wave classic Valerie and Her Week of Wonders, and performed these scores live throughout the US with Jeff Zeigler and the Valerie Project, respectively. She has contributed and written harp parts for such artists as Kurt Vile, Thurston Moore, Sharon Van Etten, Meg Baird, Steve Gunn, the Clientele, Hop Along, Jarvis Cocker, Karen Elson, Ed Askew and Quilt.
Ghostly International will release her third solo record in late spring of 2018.

Rat Bastard
Website: http://squelchers.com
Facebook: http://facebook.com/Rat-Bastard-Worldwide-126254357547041/

American guitarist and audio engineer/producer who served as second engineer and studio coordinator on Marilyn Manson and The Spooky Kids After School Special in 1991. He co-founded To Live And Shave In L.A. with Tom Smith (2), Scraping Teeth 1993 Spin magazine’s “Worst Band In America” and Laundry Room Squelchers. also, tour support for Costes’s Holy Virgin Cult in 2003.
Rat Bastard founded the International Noise Conference in 2003, which brings in noise artists from across the globe for 15-minute sets of energy, chaos and often confrontational theatrics to Miami.