Heroes Live Entertainment

South Florida live music presenter and concert promoter

The Messthetics (featuring members of Fugazi) **Free Show** – 3/28/19

The Messthetics (featuring members of Fugazi) **Free Show** @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.


Tickets: http://ticketfly.com/event/1780958

The last time drummer Brendan Canty and bassist Joe Lally were in a band together, they were the rhythmic architects for Fugazi, an organization whose decade and a half of disciplined progressivism provided a necessary bridge between the zenith of late-punk expression and everything alternative in rock that followed. Anthony Pirog is a jazz and experimental guitarist based in Washington, D.C. The trio’s debut on Dischord Records was recorded at Canty’s practice space throughout 2017, live and mostly without overdubs. It’s a snapshot of a band dedicated to the live ideal, where structure gives birth to improvisation.

The Messthetics
Website: http://themessthetics.bandcamp.com/
Facebook: http://facebook.com/themessthetics/
Dischord Records: http://dischord.com/

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Mineral: 25th Anniversary Tour with Tancred & Pohgoh – 1/9/18

Mineral: 25th Anniversary Tour with special guests Tancred & Pohgoh @ The Ground at Club Space in Miami.


Tickets: http://ticketfly.com/event/1682955

“When Mineral broke up in 1998, they had been together for only four years and released only two full-lengths, yet their shaping of the indie rock landscape cannot be overstated. “ – All Music Guide

 

EndSerenading was the second, and final album released by Mineral. It was the definitive statement by the Austin, TX based band. So final, in fact, that the band members had actually gone their separate ways prior to the album’s release in 1998.

What ended in 1998, actually began four years earlier, in Houston, TX, when friends Christopher Simpson (guitar/vocals), Jeremy Gomez (bass), Gabriel Wiley (drums) and Scott McCarver (guitar) formed the band Mineral. Mineral launched into touring immediately, often alongside other indie bands like Jimmy Eat World, The Promise Ring, Texas is the Reason, Knapsack, Braid, and The Get Up Kids, garnering them a legion of fans from the outset.

Eventually the band relocated to Austin, TX and a debut single, Gloria b/w Parking Lot, on Caulfield Records followed, as did more touring. Via a zine editor in Colorado, the single found it’s way to Jeff Matlow at crank! A RECORD COMPANY, which eventually led to an album deal and the release of The Power Of Failing in 1996.

Upon the release of the first album, Mineral quickly emerged as one of the leaders in the burgeoning indie / emo music scene. College radio loved the record. The press gushed about the band. It was inevitable that the major labels would come calling. Interscope Records eventually won the major label beauty contest and signed the band.

Such were the circumstances when the band went into Big Fish Studios in San Diego, California with Mark Trombino (Blink 182, Jimmy Eat World) to record one final record for crank! A RECORD COMPANY. EndSerenading was the result. The songs for the record had not come easily, nor did the recording of them. But the album was strong, emotional and daring. It was a Mineral album.

And then it was over. The perfunctory “creative differences” statement was issued. The album was released and new bands were formed. Christopher and Jeremy went on to form The Gloria Record and Gabe founded Pop Unknown.

In a short amount of time, Mineral’s poignant dynamics combined with impassioned lyrics about coming of age was influencing bands everywhere, and still inspires new bands in the indie scene today.

2019 marks the bands 25th anniversary.

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Tancred
Website: https://tancredmusic.com/
Facebook: https://www.facebook.com/tancredmusic/
Twitter: https://twitter.com/tancredjess
Instagram: https://www.instagram.com/tancredjess/

Tancred is the stage name of former Now, Now guitarist Jess Abbott.

As Tancred, Abbott has released three full-length albums to date. Her first album, titled Capes, was released in 2011 on No Sleep Records. In 2013, Abbott signed to Topshelf Records and released her self-titled second full-length album. In 2016, Abbott signed to Polyvinyl Records and released her third full-length album titled Out of the Garden. On March 27, 2018, she premiered her new single Reviews and announced an album, Nightstand, to be released on June 1, 2018 via Polyvinyl.

Out of the Garden was recorded by OFF!’s Steven McDonald and That Dog.’s Anna Waronker, and was praised by many outlets, including NPR Music, which declared: “Out of the Garden is just phenomenal… this to me feels like a breakthrough.”

A video for Tancred’s song “Pens” was handpicked for NPR Music’s “Songs We Love” series and featured a cameo by Sadie Dupuis of Speedy Ortiz.

Tancred has toured with Foxing, Julien Baker, Weaves, and Jessica Hernandez & The Deltas, and also performed at the 2016 Riot Fest.

Pohgoh
 
Twenty-one years is a long time between albums.
 
Since calling it quits in 1997, Tampa, FL’s Pohgoh has been known to break out the guitars for the occasional one-off reunion over the years. The last one reignited a missing passion and desire to write and perform music together. Susie Ulrey (vocals, guitar), Matt Slate (guitar), Keith Ulrey (drums) and new bassistBrian Roberts (Hankshaw, Murder Suicide Pact) spent the last couple of years hunkered down in their practice space revisiting the old material while hashing out fresh ideas.
In August 2017 the band made their way to Baltimore, MD’s Magpie Cage Recording Studio to record their sophomore full-length with engineer/producer J. Robbins (Jawbox, Burning Airlines). The result is Secret Club, Pohgoh’s first full-length since 1997’s posthumous In Memory Of Bab, consisting of songs dealing with life as a band after almost 20 years apart and Susie’s 15+ year battle with Multiple Sclerosis.
 
Diagnosed in 2001, Susie’s lyrics touch on the hardships and struggles of living with the disease including, but not limited to, a constant worry of being a burden to others (“Business Mode”), years of chemical and drug therapies (“Super Secret Club”) and a simple nightly fight pleading with her own legs to remain still (“Who’s The You”). The album does have its ‘light in the darkness’ moments, too, with songs about the direction of the reunited band (“Try Harder”) and the sheer power of positive thinking (“Bunch”), of which she declares “I lose battles, but I win wars.” All of this set to a backdrop of crunchy Superchunk-y guitars, even as they visit the more downtempo moments of reflection throughout the 11 tracks.
 
With a rich history within the 90’s DIY/indie/emo scene, Pohgoh was in a small league of female-fronted bands of the era alongside peers like Rainer Maria, Dahlia Seed & Jejune. The band’s previous catalog includes several singles, a split 7″ with Braid, the closing track on the Emo Diaries, Vol. 1 and the aforementioned full-length.
Secret Club is out now on CD/LP/Digital via New Granada Records (US), Barely Regal Records (UK/EU) and Waterslide Records (Japan).
 
PRAISE FOR SECRET CLUB:
“a dynamically playful and DIY-feeling fusion of emo, alternative rock, and power pop.”
– The Fader
 
“a fantastic piece of work that builds upon the bittersweet sonic bedrock the band initially laid out, while lyrically exploring the ups and downs of living with one bitch of a disease.”
– Kerrang (UK)
 
“They were everything I wanted in a band when I was playing music back in the day.”
– Washed Up Emo
 
“you should check this out if you’re fan of Pohgoh’s old pals like Braid and Rainer Maria, or newer bands that keep this sound alive like Into It Over It and Waxahatchee.”
– BrooklynVegan
 
“Alongside J Robbins’ typical rough-and-ready production style, Pohgoh feel so deeply ingrained in the classic emo aesthetic while simultaneously having grown, matured and experienced, and they’re able to capture those feelings in a great return.”
– The Sound Board
 
“It’s quite a musical feat for a band to contrast gloom and disheartenment so well with hope and solidarity. Pohgoh is able to do this in such a laid-back and easy manner as if the long hiatus had never existed.”
– Visions (Germany)