Heroes Live Entertainment

South Florida live music presenter and concert promoter

Berlin + Big Country: The 80s Cruise Pre-Party – 3/7/20

Berlin + Big Country: The 80s Cruise Pre-Party @ The Ground at Club Space in Miami.


Tickets: https://berlinbigcountry.eventbrite.com

L.A. synthpop legends BERLIN and Scottish rock giants BIG COUNTRY share the stage in Miami. Join us before setting sail on The 80s Cruise!

Lead by the playfully sexy Terri Nunn, Berlin is known for their high, energetic live show as well as their multi-platinum hits including:

“TAKE MY BREATH AWAY”
“NO MORE WORDS”
“MASQUERADE”
“SEX (I’M A…)”
“THE METRO”

The multi-GRAMMY nominated Scottish rock band Big Country scored 17 top 30 UK singles and massive worldwide hits including:

“IN A BIG COUNTRY”
“FIELDS OF FIRE”
“WONDERLAND”
“KING OF EMOTION”
“LOOK AWAY”

Dance to DJ sets of the best in 80s classic alternative. Meet fellow cruisers before setting sail on The 80s Cruise departing Miami.

Berlin

“New music is the lifeblood of anybody making music— it’s that creation, excitement, new babies [songs]! It inspires me and it inspires others,” declares Terri Nunn, the charismatic and enigmatic singer of L.A.’s iconic synth electro-pop pioneers, BERLIN.

BERLIN will forever be recognized as the American progenitor of electro-pop artistry with sensually appealing lyrics. Few bands emerging from the era of BERLIN have achieved as far-reaching and long-lasting an impact and, rarely, such a timeless array of musical grooves. The Los Angeles-based band made its first national impression with the provocative single “Sex (I’m A…)” from the platinum-selling debut EP Pleasure Victim in 1982. “The Metro” and “No More Words” were also chart toppers, but it was the unforgettable, intimate, and strikingly beautiful love song, “Take My Breath Away” that took the band to another level. The ballad’s defining role in the Tom Cruise film, Top Gun, helped solidify BERLIN’s everlasting place in American pop-culture. The song was a #1 international hit and received both the Golden Globe and Academy Award for “Best Original Song” in 1986.

The band released its seventh studio album, Animal, in 2013. Animal explored contemporary electronic dance music while remaining true to the groundbreaking sound and Nunn’s signature vocals that continue to define BERLIN. Animal was the result of Nunn’s re-ignited love affair with current electronic music, and the feeling that BERLIN could make a unique statement in the EDM [electronic dance music] milieu. “It’s still my favorite medium. I’ve loved it since I met John [Crawford, original Berlin bassist) in 1979, when he wanted to bring electronic music to America, because it wasn’t here yet,” she recalls. “What it’s morphing into is exciting me so much, I was motivated to look for songwriting partners to help us initial impression on the music world in 1982, with their seductive single, “Sex (I’m A…),” from the platinum- certified debut EP Pleasure Victim. BERLIN’s first full length LP, Love Life, hit in 1984 and was certified gold. In 1986, BERLIN topped the charts with the unforgettable, intimate and strikingly beautiful love song, “Take My Breath Away.” The ballad’s defining role in the Tom Cruise film Top Gun has also helped solidify BERLIN’s everlasting place in American pop-culture. Nunn’s ongoing influence earned her the #11 spot on VH1.com’s “100 Greatest Women in
Rock,” while, as an actress, she played leading roles in films including Katie: Portrait of a Centerfold with Kim Basinger, and Thank God It’s Friday with Jeff Goldblum and Debra Winger.

Currently, Nunn is recording a brand new BERLIN studio album with her original BERLIN band members and co-writers, John Crawford (bass) and David Diamond (keyboards). The album is scheduled for release in mid 2019. The album is being produced by Australian producers Andy and Thom Mak. The album marks the first collaboration by Nunn, Crawford and Diamond since Love Life, the third BERLIN album, released in 1984.

Video was very important to early hits like “Sex (I’m A…)” and “The Metro”— has also taken on new meaning for BERLIN. “YouTube is the new MTV,” Nunn notes. “We used to spend so much money on mini movies, but now all you need is a good HD camera and a guy who knows some lighting. Online is where people go to see and hear music— it’s free and it’s easy and so wonderful.” Nunn’s honesty and infectious enthusiasm carries through every aspect of Animal, which she views as an entirely new chapter. “I always looked at music as passion. All we can do is appreciate that people’s passion is so strong for music… I feel it too, it’s part of my DNA, and I love what I grew up with. What I learn as I get older,” she concludes, “is that it’s not about money or ‘making it.’ Sure, they’re fun games, but it’s about connection, that’s where the real joy, passion and bliss comes from, and music is such a huge part of connecting people. It’s the way… to bliss.”

BERLIN’s discography has yielded twelve gold and platinum album awards. The band—founded by Nunn, bassist John Crawford, and keyboard player David Diamond—made its everlasting place in American pop-culture. Nunn’s ongoing influence earned her the #11 spot on VH1.com’s “100 Greatest Women in Rock,” while, as an actress, she played leading roles in films including Katie: Portrait of a Centerfold with Kim Basinger, and Thank God It’s Friday with Jeff Goldblum and Debra Winger. Along with comedienne, Wendy Liebman, Nunn also previously hosted the critically acclaimed radio show Unbound with Terri Nunn on 88.5 FM KCSN Los Angeles.

Despite her many creative outlets, music, BERLIN and touring remain Nunn’s first love. Nunn, a rabid music fan, was inspired by Fleetwood Mac’s “Rhiannon” and her discovery of the LA club scene, starting with the band, X. Looking back, she recalls her own early musical dreams. “I remember going to a Rolling Stones concert at the Rose Bowl, and I couldn’t believe they did 2 1⁄2 hours of songs and I knew every single one! That’s a legacy, a body of work that has mattered to people. That’s what I aspired to,” she says. “Of course, no way am I close to that body of work, but I have a number of songs that people love that much, and they come to hear Berlin over and over. I’m so grateful for that.”

Big Country
 

Big Country was originally formed in 1981 by guitar playing founder members Stuart Adamson and Bruce Watson both native of the band’s hometown Dunfermline in Scotland.

Initially driven by a shared vision of widescreen guitar melody, harmony and lyric, the classic Big Country sound was further enhanced later that summer by the arrival of drummer Mark Brzezicki and bass player Tony Butler. This is the Big Country that (with producer Steve Lillywhite), recorded the classic debut album ‘The Crossing’ in 1983.

The band broke massively worldwide with the release of the album’s classic singles ‘Fields Of Fire’, ‘Chance’ and signature song ‘In A Big Country’, which went on to become massive worldwide hits, selling over 2 million copies and driving ‘The Crossing’ to 3 prestigious Grammy nominations in the USA.

The run of success continued throughout the 1980′s with the release of the anthemic single ‘Wonderland’ and the second album ‘Steeltown’ (1984), which debuted at Number 1 in the UK and contained the hit singles ‘East Of Eden, ‘Just a Shadow’ and ‘Where The Rose Is Sown’ . In 1985, Big Country appeared at Live Aid in London followed by further successful album releases ‘The Seer’ (1986, which included the bands biggest UK hit ‘Look Away’, which also reached Number 1 in the Irish Singles chart) and ‘Peace In Our Time’ (1988), which saw the band playing the first ever privately promoted gig in Russia at the Moscow Sports Stadium.

At the start of the 90’s ‘Through A Big Country’, featuring all the bands classic hits was released, followed by the fifth studio album ‘No Place Like Home’ (1991) taking the band’s total record sales to well over five million copies.

Further studio albums Buffalo Skinners (1993) and ‘Why The Long Face (1995) followed, which saw Big Country landing the special guest slot on the Rolling Stones ‘Voodoo Lounge’ European tour and several shows in the UK and Ireland with Led Zeppelin’s Jimmy Page and Robert Plant in 1995.

In August 1998 they were once again invited to open for the Rolling Stones on their ‘Bridges To Babylon” tour of Europe prompting Mick Jagger to say that Big Country were “one of the best opening bands we ever had”.

Two songs written at that time (‘Somebody Else’ and ‘Devil In The Eye’) were co-written with Ray Davies of The Kinks who invited the band to back him on the main stage at Glastonbury to perform a storming set in the rain.

By now singer Stuart Adamson had relocated to Nashville, Tennessee and so his fellow bandmates decamped to America to join him in writing and recording the album ‘Driving To Damascus’. It would be the last album they recorded together. With Stuart at the helm, Big Country, scored 17 top 30 UK singles achieving 5 gold and platinum status albums along the way. Stuart and Big Country would tour Europe one final time in 2000 and on the closing night at their beloved Barrowlands in Glasgow the band were fatefully joined on stage for one last song by Alarm singer Mike Peters and Bruce Watson’s son Jamie on guitar.

On December 16th 2001, Stuart Adamson took his own life in Honolulu, USA. He is survived by his children Callum and Kirsten. A celebration of Stuart’s life was held at Glasgow Barrowlands in May 2002 featuring the remaining members of Big Country with special guest vocalists including Mike Peters who would also sing with the band at a fan club convention in Zaandam, Holland.

The remaining three members had no real thoughts of performing as Big Country again. But, Tony Butler, Mark Brzezicki and Bruce Watson re-united in 2007 to celebrate the band’s Twenty-fifth anniversary. “It wasn’t a come-back… it was just the three of us having fun, as friends and as a band, and hoping to give the fans some enjoyment by playing our songs live, to celebrate 25 years” – Bruce Watson

In the summer of 2010, Bruce Watson finally picked up the phone and asked Mike Peters to do what he had previously been reluctant to do and sing with Big Country officially. In order to celebrate 30 years since the band was formed, Mike (a longstanding friend of Stuart’s who credits the words of ‘In A Big Country’ as literally inspiring him to ‘Stay Alive’ through two very public cancer battles), instinctively agreed and dates were booked. The first was fittingly in Glasgow, Scotland on New Years Eve 2010 and the second in the band’s hometown of Dunfermline. There was instant chemistry with the band also being joined by Bruce Watson’s son Jamie on guitar as Big Country again sought solace in the music and the freedom to express their love and admiration for their departed friend Stuart Adamson (who’s usual space at the centre of the stage was left symbolically vacant).

“When we are playing it is as if we never stopped, but I know we have, I know we suffered a great loss. But you heal . . . slowly. I can assure you that Stuart will be there with us every night, in our thoughts, in our words, and in our hearts. And now we find ourselves maybe not fully healed, but whole enough to hear the calling to continue this story. And time has made me realise that this story has always been about our fans, the love we have for our fans, and the love they have selflessly given us back.” – Bruce Watson

“When Bruce Watson called and asked me to sing for Big Country it was something I didn’t need to think twice about. It’s been an incredible honour getting to know the music of Big Country intimately and a pleasure to be around such great musicians and fans alike. I find singing the lyrics of Stuart Adamson very life affirming” – Mike Peters

Two years of intense and emotional shows followed with the ‘new’ Big Country fuelled by a renewed energy and once again revelling in the dreams and visions that had brought them together in the first place, finding instant and respectful acceptance by fans and critics alike. Since then, the band have performed at many of the UK and Europe’s most famous festivals, including Isle Of Wight (Twice), V Festival, T In The Park, Oxegen, Pink Pop and Cropredy creating a new generation of fans and renewing the passion for diehards with the introduction of new original songs such as ‘Another Country’ and ‘The Journey’ which encapsulate not only the sound but the heart and soul of Big Country past, present and future.

With the promise of a new era dawning for the band and the realisation that Big Country now have the platform to once again record and tour on a world wide scale, bassist Tony Butler has decided that his time in Big Country has come to a close and so he has retired gracefully from the stage. The band now welcomes Scott Whitley on bass.

In April 2013, Big Country released The Journey and toured across the globe in support of this highly acclaimed album throughout the year.

Coming into 2014, new challenges arose for Big Country. With Mike Peters dedicating his efforts full-time towards the support of the 30th Anniversary of The Alarm’s Declaration, Big Country have been joined by Simon Hough to perform vocal duties. He has fit in perfectly as the band continues its touring throughout the year that Big Country celebrated the 30th Anniversary of the release of the album, ‘Steeltown’. 2015 sees a massive Best Of (and more) tour of the UK and Europe, during which, Scott Whitley joined the band on bass, following Derek’s departure after 3 years. With 2016 comes the 30th Anniversary of ‘The Seer’ with the album being performed in its entirety on tour.

Making Movies + Dama Vicke **Free Show** – 10/20/19

Making Movies with Dama Vicke & MINIMAL presents FINDELMUNDO @ Las Rosas in Miami.


Get your FREE tickets here. Early arrival strongly suggested. Space is limited!

Tickets: https://makingmovies.eventbrite.com

Get set for Making Movies to bring their mix of afro-latino rhythms and psychedelic rock’n’roll to the Magic City on their debut Miami show.

Making Movies

Instagram: https://instagram.com/mkngmvs

Energy, mysticism, roots– it’s hard to describe the genre-breaking music of Making Movies, a band that Rolling Stone says is “breaking down walls in the United States,” with a mix of afro-latino rhythms and psychedelic rock’n’roll that makes the group’s sound something unique. The connection between the Chi brothers (hailing from Santiago, Panama)– together with their Mexican bandmates, the Chaurand brothers– results in an overwhelming musical presence that takes you through landscapes festive, furious, refreshing, and dark.

At times the falsetto of Diego Chi (bassist) takes you to the underworld, while the fuzz of Enrique Chi’s guitar anchors his spirited voice in the midst of the Chaurand brothers’ primal and folkloric percussion. An explosion of energy on the stage––does the soundtrack make the movie, or does the movie make for the soundtrack?

In 2017 Art As Mentorship was created by Enrique Chi, born out of six years of collaboration between Making Movies and local non-profits Base Academy of Music and the Mattie Rhodes Center. What began as a week-long music education camp for youth in an underserved community has grown into a six-month songwriting and mentorship program called the Rebel Song Academy. Students get to record with and learn from industry professionals, like Grammy-winning producer Steve Berlin of Los Lobos who recorded the first class in 2018.

The world turned their attention to Making Movies as Rubén Blades, Flor De Toloache, Asdru Sierra of Ozomatli, David Hidalgo of Los Lobos and Las Cafeteras joined forces with the band on their new album, ameri’kana, which releases in May 2019. The first two singles, “No Te Calles” and “Cómo Perdonar”, were launched along with a movement that invites artists and fans to participate on the website NoTeCalles.World, by joining the chorus with Rubén Blades and Making Movies. The album includes “Delilah”, a song about immigration written during a week-long writing session between Blades and Lou Reed that had never before been recorded. Saying that “Rock’n’roll is Latin music” the band dedicates the album to the beautiful inhabitants of the ameri’kana continent.

When Making Movies performs live it is as though a spirit descends upon the room, entrancing audiences with the pulse of their Afro-Latino rhythms, psychedelic jams and rock’n’roll riffing. Armed with their ambitious and politically charged new album, I Am Another You, the band punches out one high-energy song after another, with theatrics and head-banging climaxes riding atop a bed of driving percussion. Their Latin American roots are placed front and center with moments where the front-man Enrique Chi trades his electric guitar for a folkloric Panamanian mejorana, and the Chaurand brothers hop off drums and percussion to instead supply the rhythmic pulse with a dueling zapateado huasteco, a traditional form of dance from Veracruz, Mexico.

The band’s political idea is straightforward enough that they can express it in four words: “We are all immigrants.” In supporting that cause, a portion of all proceeds from their latest release I
Am Another You will goes to the National Immigration Law Center.

The band has shared the stage with Arcade Fire, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.

Support:
 
Dama Vicke
 
Dama Vicke, Best Songwriter at Best of Miami 2018 and winner of American Tracks Music Awards as Best Independent Artist and Best Lyrics released a 5 song debut EP titled “Point Of Inflection” a beautiful cinematic-like yet eerie and melodic, dressed in a mixture of alternative rock fusion with hints of experimental jazzy folk accents; her lyrics narrate true story scenes from her real life events.
Dama has performed in recognized USA venues, as well as internationally, La Habana, Cuba, Colombia, and Mexico City.
Her music videos have been directed by filmmaker Carla Forte, produced by Alexey Taran, also, filmmaker, choreographer, and professional dancer both from Bistoury Physical Theater.
Dama Vicke from Mexico City, a fanatic of suspense and horror films has been one of the most active artists in the South Florida music scene since early 2000’s. She began her career collaborating with US and Mexican artists, currently devoted to her solo EP where poetry, visual arts, dance, film, and theater form a strong essence supported by her live band.
 
Point Of Inflection highlights her talent as a singer-songwriter, working with Javier Guell guitar player and song-writer, along with producer Roger Izaguirre from Earplay Studio.

Point Of Inflection promises to be an endearing project with a band to be savoured live, with a theatrical yet sensual form of expression and an outstanding musical performance by every single member of her band

 
MINIMAL presents: FINDELMUNDO