Heroes Live Entertainment

Florida's premier independent concert promoter. Miami, West Palm Beach, Orlando, Tampa

NYE! Strangelove-The DEPECHE MODE Experience + Electric Duke (tribute to David Bowie from UK) – Orlando – 12/31/22

June 17, 2022 heroesliveent
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Ring in the New Year with the ultimate ’80s party! Heroes Live Entertainment presents Strangelove–The DEPECHE MODE Experience with special guests: Electric Duke (tribute to David Bowie from UK) and DJ Smilin’Dan (resident DJ at The Independent Bar for 15 years) at The Abbey in Orlando, Florida. Grab your tickets now!

Tickets: https://strangelovenye.eventbrite.com

Ring in the New Year with the ultimate ’80s party! Strangelove–The DEPECHE MODE Experience + Electric Duke (tribute to David Bowie from UK) at The Abbey in Orlando. 8:00PM (Doors) | 9:00PM (Show) | 18+
  • Bottle service will be available. Contact [email protected] for details.
  • Ticket purchase is required and separate from any bottle service.

 

 

Los Angeles based Strangelove-The DEPECHE MODE Experience delivers a career-spanning, pitch-perfect “best of” concert that transports the listener through time and touches on several key points in Depeche Mode’s 40+ year career. Songs from throughout the Depeche canon are lovingly recreated; from favorites on DM’s debut Speak and Spell to the newest fare from ‘Mode’s latest- 2017’s “Spirit”. No detail of STRANGELOVE’s presentation has been overlooked. The visual presentation with stage set pieces and in-show costume changes reflect different eras of Depeche Mode’s story.

DEPECHE MODE’S MARTIN GORE ON STRANGELOVE-THE DEPECHE MODE EXPERIENCE:

“They do it to such fine detail that’s it’s scary. They play to very big crowds. They have videos that they’ve made, screens behind them, it’s like a full on production. I think they are fulfilling a fan’s needs by being there when we are not on tour. Keeping the fans satiated while we’re taking a break.”

Special Guest: Electric Duke
(tribute to David Bowie from UK)
https://facebook.com/electricduke

Electric Duke frontman Julian Shah-Tayler, from UK, has collaborated with several David Bowie musicians (on original albums and Bowie material) and effortlessly channels the zeitgeist of Ziggy Stardust.

DJ SMILIN’DAN
Website: https://mixcloud.com/djsmilindan
Facebook: https://facebook.com/djsmilindan
Instagram: https://instagram.com/djsmilindan
Twitter: https://twitter.com/DJSmilinDan

We Were Promised Jetpacks + Breakup Shoes – West Palm Beach – 10/19/22

June 2, 2022 heroesliveent
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Heroes Live Entertainment presents We Were Promised Jetpacks with special guests Breakup Shoes on October 19 @ Respectable Street in West Palm Beach. The celebrated Scottish rock band is excited to announce U.S. Fall tour dates in support of their critically-acclaimed album Enjoy the View out now via Big Scary Monsters.
Tickets: https://wwpj.eventbrite.com
Half bracing post-punk and half tuneful indie pop, We Were Promised Jetpacks formed while they were still attending high school in Edinburgh. Fifteen years into their career, the trio is more focused than ever.

We Were Promised Jetpacks

 

We Were Promised Jetpacks’ tender, delicate poise is still stunning and heartbreaking in equal measure. – Flood Magazine 

The frothy melodies, spiraling guitar riffs, and catchy refrains of this newfound aesthetic suits the band well and make Enjoy the View one of the year’s more stimulating aural
experiences. – Under The Radar 

Single “Fat Chance” reveals a surprise partway through, emerging as an anthem about overcoming long odds, doing “a complete 180” and climbing out of the ruins, stronger than ever. – NPR Music

Scottish post-punk outfit We Were Promised Jetpacks’ fifth album Enjoy the View is many things at once: A quiet rumination on past relationships, a strain of optimism for the future, an ode to open-road guitar music and a nod to the band’s best-known, angular musicianship and intense live shows. – Atwood Magazine

Since releasing 2018’s ‘The More I Sleep The Less I Dream’, We Were Promised Jetpacks’ Adam Thompson, Sean Smith, and Darren Lackie have embraced change head-on. Amicably parting ways with guitarist Michael Palmer, leaving a notable empty fourth corner in their practice room, it marked a transitory moment in the band’s acclaimed career and one that would be cemented by events to come.

Entering 2020 as a trio with a handful of songs written and a small tour under their belts, the world around them came to a sudden halt. Yet despite the unquestionable hardship that the lockdown brought with it, for a band looking to rebuild following a dramatic change, it also proved to be a blessing in disguise.

“I guess it ended up being a lot more collaborative between the three of us,” Sean notes of their fifth studio record, ‘Enjoy The View’. Unable to meet in person, the album began to take shape across countless files bouncing back and forth between their respective Edinburgh homes. As well as providing the space to think more broadly about their own roles in the band, isolation also allowed them to approach their collective sound in new ways.

“If you’re trying to write a part when two other people are smashing their instruments it’s not the easiest thing,” Adam laughs. “Writing remotely, you could mute parts and work on things in your head. It just gave us a bit more creative freedom to try different things.” For Darren, separated from his kit, drumming became an entirely digital venture. “I could be a bit freer,” he notes, immediately backed up by his bandmates. “It was nice for Darren to have the space to try something he normally couldn’t,” Adam smiles, celebrating the opportunity for the trio to switch up their songwriting process. 

With the space to focus on the structure of the songs over what is immediately possible in a practice room, the band shifted gears. “We’ve always considered ourselves a live band more than a studio band,” Darren notes, explaining how the past twelve months have forced a change. “This was more about focussing on making a really great album rather than thinking about how we play it live. Let’s make an album that’s just slightly different for us.”

The result, ‘Enjoy The View’, is also the product of a more settled band. Fifteen years into their career, the trio is more focused than ever. “We are doing this for ourselves and the people who like our music and get something out of it,” Adam gleams, “I’m really excited about being able to show them the new record.” 

“I’ve had a really nice time writing this album,” he states matter-of-factly, signaling his appreciation to his bandmates. “We’re all very appreciative of the people who are still listening to us,” Darren adds, “it pushes us to keep getting better”. Nodding to both the band and their ever-loyal fans, Adam agrees. “It is very much our band, and we do this because we can do it together.”

Support:

Breakup Shoes
Website: https://www.breakupshoes.com
Facebook: https://www.facebook.com/breakupshoes
Instagram: https://www.instagram.com/breakupshoes
Twitter: https://twitter.com/breakupshoes

Emerging from the heyday of the Phoenix house show scene, Breakup Shoes’ intimate yet celebratory style derives from their DIY origins as down-and-out college roommates. Their earliest tracks gave a unique expression to the long Arizona summer through a crafty blend of west coast beach rock mellowed out by a bedroom pop charm, which quickly earned a cult following with debut EP Nicotine Dream. Their first full-length record, Unrequited Love (& other clichés), propelled the band to a national audience and earned them gigs with Soccer Mommy, Men I Trust, No Vacation and more. Follow up record So Money, Baby pairs Zawisa’s sweet melodies with a rich production style and brought the band their first full national tour with Summer Salt. Their most recent EP, 2021’s Narratives, finds the band in a smoother, more mature sound that matches Zawisa’s reflective lyrics, yearning for simpler times in complex tones. Breakup Shoes consists of Phoenix locals Nick Zawisa (lyricist/vocalist), Matthew Witsoe (drums), John MacLeod (guitar/bass), and Jake Peña (bass/guitar).

Front 242 **FREE SHOW** Respectable Street 35th Anniversary Block Party – West Palm Beach – 9/17/22

April 18, 2022 heroesliveent
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Respectable Street + Heroes Live Entertainment present Front 242 Exclusive Florida Show headlining on Saturday, September 17, 2022 @ Respectable Street 35th Anniversary Block Party at 500 Block of Clematis St in West Palm Beach.

Tickets: https://front242.eventbrite.com

Front 242’s history starts in 1981 when Daniel B. lays out his ideas on the first single: « Body to Body ». Patrick Codenys (keyboards) and Jean-Luc De Meyer (vocals) join the band for the first album « Geography » in (1982), followed by Richard 23 (vocalist/stage performer) in 1983.

While developing their own independent recording and graphic units, along with a unique presentation on stage, the band progressively reaches a larger audience in Europe, touring and releasing records of its brand new genre they soon label « Electronic Body Music (aka EBM) ».  EBM is a collage and synthesis of music and sounds, recycled from the media or TV, often reflecting or enriched by other artistic disciplines. In 1984, Front 242 signed on the label Wax Trax from Chicago. The EP « Take One » (1984) is their first U.S. release, their success there will be massive.

Gaining experience in large European festivals and U.S. shows from 1985, the band establishes itself as a very powerful live group, and EBM spreads across Europe. The albums « No Comment » (1985), « Official Version » (1987), and « Front By Front » (1988, including HeadHunter and Welcome to Paradise) seal Front 242’s international breakthrough and their status as an innovative and pioneering band.

Front 242’s vision continues to evolve toward fuller maturity after the acclaimed album « Tyranny For You » (1991). The two next albums, « 06:21:03:11 Up Evil » and « 05:22:09:12 Off » (1993) breakthrough the classical Front formula to bring in new vocalists, live guitars, and drums, along with a new producer, Andy Wallace (Nirvana, Sonic Youth). This begins by redistributing roles and rules within the group while retaining the scope of invention and the radical attitude that goes along with Front 242’s music.

During a four year hiatus (1993-1997), the band releases the albums « Live Code », recorded during their last world tour, and « Mut@ge – Mix@ge », a compilation album where The Prodigy, The Orb, Underworld, Rico Conning, and others propose innovative mixes of Front 242 tracks.

The four original members of the band reunited in 1997 and, with German drummer Tim Kroker, start performing live again. Several live albums follow, capturing the energy and reflecting the numerous changes brought in by the versions being performed on stage.

After a long studio absence, the EP « Still & Raw » and the Album « Pulse » come out in 2003. These records are based on aesthetics of the 70’s and ’80s. Here, Front 242 re-creates the original sound that was at the center of its art, enriched by 20 years of experience: analog technologies and vintage machines pulsing into deconstructed tracks where emotion and research are still conveyed by a purely electronic attitude.

Having re-released their back catalog in newer, enriched versions, and breaking from the idea that every live campaign must necessarily be preceded by a new album, Front 242 currently continues playing throughout the world with the same level of intensity, with the same success as ever, followed and cheered by crowds of loyal fans celebrating the band’s uniqueness and renowned integrity.
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Website: https://www.front242.com
Facebook: https://www.facebook.com/Front.242
Instagram: https://www.instagram.com/front242official

 

The Ocean Blue: Exclusive Florida Show + Conversation Piece – Orlando – 11/5/22

January 28, 2022 heroesliveent
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Heroes Live Entertainment presents The Ocean Blue **Exclusive Florida Show** @ The Abbey in Orlando. Special guests: Conversation Piece + DJ Smilin’Dan (resident DJ at The Independent Bar for 15 years)
Tickets: https://theoceanblue2022.eventbrite.com
Join us as we welcome the indie-pop band on Saturday, November 5, 2022, to The Abbey in Downtown Orlando for their ONLY FLORIDA SHOW.
8:00PM (GA Doors) | 8:30PM (Show) | 6:30 (VIP Doors) | 18+

 

 

The Ocean Blue arrived as the 1980s drew to close, and their debut record on the famed Sire Records label in 1989 seemed to summarize the best of the musical decade. The band of four teenagers from Hershey, Pennsylvania quickly achieved widespread acclaim and radio & MTV airplay, with top 10 Modern Rock/College Radio hits like Between Something and Nothing and Drifting, Falling. They followed their debut release with the subtle and atmospheric Cerulean, which included perhaps their most beloved song, Ballerina Out of Control, and followed that with their highest charting pop album Beneath the Rhythm and Sound and the single Sublime, featuring a video of the band in the sublime landscape of Iceland. The band’s fourth record for Mercury/PolyGram, See The Ocean Blue, was a departure to a more guitar rock sound of the 60s and 70s, but with the band’s 80s DNA peeking through. After a busy decade of recording and touring, the band left the majors in the late 90s. Several independent releases and related touring followed in the 2000s, including 2000’s Davy Jones Locker and 2004’s Waterworks EP, and some wider international touring. In 2013, after much anticipation, the band released their first full length record in over 10 years, Ultramarine, on Korda Records, a Minneapolis-based label cooperative label the band helped launch that same year. The record was a welcome return for fans of the band and a younger generation of fans, and garnered widespread praise as one of their very best albums. In 2015, the band worked with Sire and Rhino Records to reissue their first 3 Sire albums on vinyl. The band marked the occasion by performing the first 2 albums in their entirety at limited concerts throughout the U.S. In 2016, the band did a full South American Tour where some of their most passionate fans reside.

The band has now returned with their signature dream pop sound on the beautifully powerful Kings and Queens / Knaves and Thieves. Out now on Korda Records. See the band on tour in 2019-2021.

Seafoam Walls **FREE SHOW** A Shot Worth Taking – The Concert Series – Miami – 10/3/21

September 28, 2021 heroesliveent
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Hornitos Tequila in partnership with Poplife & Heroes Live Entertainment present Seafoam Walls @ Gramps in Miami (Wynwood).

FREE with RSVP: https://grampsevent.splashthat.com

“Miami band Seafoam Walls have been exploring a unique blend of soul, jazz, dreampop and indie rock — they call it “Caribbean Jazzgaze” — since 2016, and following a few singles/EPs, are set to release their debut album, XVI, in November via Thurston Moore’s The Daydream Library Series label.” – Brooklyn Vegan

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Nitzer Ebb – West Palm Beach – 11/19/21

August 3, 2021 heroesliveent
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Heroes Live Entertainment presents Nitzer Ebb with special guests Alpha Quadrant and DJ Paul Klov @ Respectable Street in West Palm Beach.
Tickets: https://nitzerebb.eventbrite.com

Join in the chant! The British pioneers of EBM return to South Florida!

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

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Support:

Alpha Quadrant

Synth-wave-pop-tech-core-step duo with a penchant for 80s/early 90s aesthetique, shiny outfits, Sci-Fi, and other nerdly/life things.

Website: https://alphaquadrantofficial.bandcamp.com
Facebook: https://www.facebook.com/alphaquadrantofficial
Instagram: https://www.instagram.com/alphaqdrnt
Twitter: https://twitter.com/ALPHAQDRNT

and DJ Paul Klov (Bohemia AG) will be spinning industrial and EBM to get you on the dancefloor.

of Montreal + Locate S,1 + Palomino Blond – West Palm Beach – 3/16/22

July 29, 2021 heroesliveent
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Heroes Live Entertainment & Poplife present of Montreal with special guests Locate S,1 and Palomino Blond @ Respectable Street in West Palm Beach.

Tickets: https://ofmontreal2022.eventbrite.com
**Proof Of Vax/Neg test required for entry by artist request**

Round up the troops! of Montreal return to South Florida for another exciting show to promote their new album “I Feel Safe With You, Trash”.

The Athens band’s recorded material can be divided into two distinct periods. Their early work focused on 60s-tinged pop and psychedelic elements channeled through the prism of Kevin Barnes’s unique lyricism. In more recent years of Montreal’s style changed to a mixture of electronica, funk, glam, and afrobeat music influenced by Prince and David Bowie.

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Support:

Locate S,1
Website: https://locates1.com
Facebook: https://facebook.com/christina.schneider.locates1
Instagram: https://instagram.com/locate_s1

After a particularly rough solo performance in 2018 when one of her own friends talked loudly throughout her set, Christina Schneider exited the venue and told herself, “If they’re not even going to listen, then I’m fucking done.” It wasn’t quite the feeling she’d hoped for after dedicating her life to creating subversive, genre-fluid pop music. Working under various aliases since 2014 — including CE Schneider Topical, Jepeto Solutions, Christina Schneider’s Genius Grant and now Locate S,1 — she’s explored everything from groovy garage rock to minimalist
bedroom pop to Syd Barrett-style psychedelia.

Palomino Blond
Website: https://palominoblond.com
Facebook: https:/facebook.com/palominoblond
Instagram: https://instagram.com/palomino_blond
Twitter: https://twitter.com/palominoblond

Palomino Blond is a rock band from Miami, FL that sometimes sounds evil and sometimes sounds pretty…

Promo Assets: https://bit.ly/pbassets

Video for “Creature Natural” – https://www.youtube.com/watch?v=kYqz8QC4Gys
Video for “Damage” – https://www.youtube.com/watch?v=S3nvy1BxSeI
“Supergalore” – Live at Heartwood Soundstage – https://www.youtube.com/watch?v=s0yYmIj986Q

Past features on: Bandcamp Daily, Talkhouse, Brooklyn Vegan, Alt-Citizen, The Orlando Weekly, The Alternative, Tom Tom, Creative Loafing (Tampa), NPR Latino and Miami New Times.

Band has been touted and played on Radio by both Laura Jane Grace (of Against Me! on Vans Ch. 66) and the legendary Iggy Pop (on BBC6).

Recent support shows (2019-21) with: Black Lips, Surfer Blood, The Casket Lottery, Last Dinosaurs, Chastity Belt, The Pauses, A Place to Bury Strangers, Born Ruffians, Ceramic Animal, Thelma and the Sleaze, and Spendtime Palace.

Recent Festival Plays: Sing Out Loud (St. Augustine, FL,) The Fest 19 (Gainesville, FL,) iii Points (Miami, FL)
Upcoming January 2022 SE Tour w/MOLD! and Seafoam Walls (Ecstatic Peace/Daydream Library)

R.I.Y.L. – The Breeders, The Smashing Pumpkins, The Jesus and Mary Chain, Sonic Youth, Chelsea Wolfe, Cocteau Twins

Eyehategod: A History of Nomadic Behavior Tour + Ether Coven + Seven Serpents – West Palm Beach – 10/24/21

July 21, 2021 heroesliveent
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Heroes Live Entertainment presents EYEHATEGOD with Ether Coven and Seven Serpents @ Respectable Street in West Palm Beach.

Tickets: https://eyehategod2021.eventbrite.com

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US, and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.

“The quintessential Southern sludge band” – PITCHFORK

“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY TIMES

“…True musical pioneers in every sense of the word.” – THRASHER MAGAZINE

ROLLING STONE:

Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list

One of “America’s great live bands”

EYEHATEGOD
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Instagram: http://instagram.com/EyehategodNola
Twitter: http://twitter.com/EyehategodNola

Support:

Ether Coven
Website: https://ethercoven.bigcartel.com
Facebook: https://www.facebook.com/EtherCoven
Instagram: https://www.instagram.com/ethercoven/
Bandcamp: https://ethercoven.bandcamp.com

Living In Oblivion: 80s 90s Party feat. Anything Box + London Exchange – West Palm Beach – 2/12/22

June 28, 2021 heroesliveent
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Heroes Live Entertainment presents Living In Oblivion: 80s 90s Party feat. ANYTHING BOX (First South Florida show since the ’90s!) with special guests LONDON EXCHANGE (Record Release Party) and DJ Dino of Synthology 101 @ Respectable Street in West Palm Beach.

Tickets: https://anythingbox.eventbrite.com

Anything Box

Formed in 1986 by Claude S. with two friends, Dania Morales and Paul Rijnders, the New Jersey trio Anything Box took their name from the title of a book of short stories. The act signed with Epic and released its debut album, Peace, in 1990, notching a hit with the upbeat “Living in Oblivion.” The song crossed over from clubs (Billboard Dance #10) and managed to climb onto the pop charts (reaching #65). They returned a year later with their second album, Worth produced by Gareth Jones (Depeche Mode, Einstürzende Neubauten, Wire, Erasure). With a current lineup consisting solely of Claude Strilio, Anything Box continues to incorporate more and more influences into its electronic pop framework.

 

Support:

London Exchange

Formed in 1988, London Exchange brought together elements of New Wave, Dance, and Freestyle. Inspired by groups like Information Society, New Order, and Depeche Mode, London Exchange was one of the pioneering bands of retro EDM that was taking off in the US & Europe in the late 80’s and early 90’s.

The band went on to Chart (3) 12″ singles: “Memories Of You” (1989), “Lost Without Your Touch” (1990), “Girl Inside The Magazine” (1991)

Touring the nation & worldwide exposure has made this band a staple of electro-pop-styled music on the radio and the dancefloor since their debut in 1988!

Website: http://londonexchange88.com
Facebook: https://facebook.com/LondonExchange
Twitter: https://twitter.com/LondonExchange
Instagram: https://instagram.com/londonexchange88

DJ Dino of Synthology 101 will be spinning synthpop, freestyle, and electro classics.

The Mission (UK) + Chameleons + Theatre of Hate “Deja Vu Tour 2023” **NEW DATE** – West Palm Beach – 9/10/23

April 28, 2021 heroesliveent
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Heroes Live Entertainment presents The Mission (UK) + Chameleons + Theatre of Hate “Deja Vu Tour 2023” on Sunday, September 10, 2023 @ Respectable Street in West Palm Beach. This will be The Mission UK’s first Florida show in 24 years!
Tickets: https://themissionuk.eventbrite.com

*Tickets purchased on the original date will be honored. 

British Post-Punk legends The Mission (UK), Chameleons, and Theatre of Hate will embark on the Deja Vu Tour that will hit North American cities in the fall of 2023.

The Mission (UK) will be making its return to the States for the first time in nearly a decade. Wayne Hussey, one of the architects of Goth and Post-Punk, emerged from playing guitar in The Sisters of Mercy to form The Mission in 1986 along with Craig Adams and Simon Hinkler. They have enhanced their reputation as one of the best and most exciting live bands in the world winning countless accolades and inspiring both lurid media stories and a fanatical following.

Chameleons original members Mark Burgess and Reg Smithies will reunite for the first time in many moons. The Manchester post-punk legends have an endearing and untarnished legacy having released many classic albums that warm the dark hearts of fans globally. Their debut album, Script of the Bridge, set the tone and remains an essential album to this day.

Theatre of Hate will be returning to North America after successful tours in previous years. Led by singer/songwriter, Kirk Brandon, Theatre of Hate released their iconic debut studio album, Westworld, which was produced by Mick Jones of The Clash and entered the Top 20 charts in the UK. Known for being one of the era’s best live acts, Theatre of Hate has continued building upon that legacy.