Heroes Live Entertainment

Florida's premier indie concert promoter. Miami, WPB, Orlando, Tampa

The Soft Moon + Boy Harsher – Miami – 4/25/18

Heroes Live Entertainment presents The Soft Moon with special guests Boy Harsher and Laboratory @ Gramps in Miami (Wynwood).


Tickets: http://ticketfly.com/event/1596957

The Soft Moon gives the darkly hypnotic sounds of Suicide, Joy Division, Bauhaus, and Krautrock new life with a stripped-down, lo-fi approach. The Soft Moon is led by Luis Vasquez inspired by his Afro-Cuban heritage and the wide-open spaces of the Mojave Desert where he was raised.

The Soft Moon
Website: http://thesoftmoon.com/
Facebook: http://facebook.com/thesoftmoon
Twitter: @thesoftmoon
Instagram: @the_soft_moon

Support:

Boy Harsher
Website: http://boyharsher.com/
Facebook: http://facebook.com/boyharsher/
Twitter: @boyharsher
Instagram: @boyharsher

Boy Harsher is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable.

Laboratory
Website: http://laboratorymiami.bandcamp.com/releases
Facebook: http://facebook.com/laboratorymiami
Instagram: @laboratory_propaganda

Detuned synths for detuned souls. Currently the brainchild of Miami’s Ryan Carmody & Didi Aragon. Industrial, Post-Punk, Musique Concrete, Eerie Music, Sci-Fi.

Nouvelle Vague – Miami Beach – 3/29/17

Heroes Live Entertainment presents Nouvelle Vague with special guest Liset Alea @ North Beach Bandshell in Miami Beach.


Tickets: http://ticketfly.com/event/1405731


Bossa Nova = Nouvelle Vague = New Wave.

This transliteration was the starting point for Marc Collin and Olivier Libaux’s unique project, which, by appropriating the punk and post-punk cannon and running it through the Bossa Nova filter, reinvented the cover band genre, revealing new and brilliant talents along the way: Camille, Phoebe Killdeer (whose Fade Out Lines was remixed by The Avener,) Élodie Frégé, Mélanie Pain, and, soon, Liset Alea.

The gambit paid off, with sales of over one million records over four albums released between 2004 and 2010, and world tours that included stops at venues such as London’s Royal Albert Hall, L.A.’s Hollywood Bowl and Paris’ Olympia.

Since 2011, Nouvelle Vague had stopped recording, focusing on an innovative live show created in collaboration with the mythical Jean-Charles de Castelbajac (Ceremony and Dawn Of Innocence,) and branching out into different projects: Olivier’s Uncovered Queen of the Stone Age, and Marc’s Bristol, along with his Kwaidan label.

The time seems right to write a new chapter in the Nouvelle Vague saga: with a new album “I Could Be Happy” and live show, the band and its coterie of female vocalists continue their time travels with a renewed alegria.

Website: http://nouvellevaguemusic.com
Facebook: http://facebook.com/nouvellevagueofficial
Twitter: http://twitter.com/nouvellesvagues
Instagram: http://instagram.com/nouvellesvagues

Support:

Liset Alea
Website: http://soundcloud.com/lisetalea
Facebook: http://facebook.com/LisetAlea
Twitter: http://twitter.com/LisetAlea
Instagram: http://instagram.com/lisetalea

Liset Alea has lived a thousand lives. Born in Havana to an impulsive country man who was working in Fidel Castro’s kitchen and from whom he often stole the occasional piece of meat for the family and a literature major mother who had published some of her erotic poetry. At an early age, she already mastered the art of escape, the immigrant’s task of learning how to leave behind one’s home, family, friends, language, comforts and survive in an unfamiliar place.

At 15 she began to study the voice with America Crespo, a Cuban opera legend and Musical Theater at Miami’s New World School of the Arts. At 19 she moves to New York, a waitress by night, she enters the New School Jazz Conservatory for Vocal Jazz and buys her first guitar. She becomes the front woman of the electronic band Etro Anime, co-writes their 1st album which is released through V2. After witnessing the fall of the World Trade Center, she leaves the United States to Amsterdam with the band. They embark upon a tour supporting Kosheen and later Llorca where she meets Alexkid with whom she writes and records ‘Come with Me’ on his “Mint” album. “Come with Me” becomes an instant electro club and radio hit and she joins Alexkid’s band for a 46 dates European tour.
Seduced by the European way of life, she settles in London for a while, travels to Milan, Athens, Madrid, Berlin for songwriting sessions, many of these collaborations entered the charts in their respective country.

While not on the road she starts working on what will become “Heart- Headed”, her new album co-produced alongside by Marc Collin. Months in the making, “Heart-Headed” displays a balance of craft and emotion and exhibits the refined craftsmanship of her writing.

Her voice, reminiscent at times of Jennifer Charles (Elysian Fields), Marianne Faithful or even a Cuban Lana del Rey, is set against string and flute arrangements, vintage synthesizers and urgent guitars.

The first single “Hunter & Tiger”, heralds “Heart-Headed” as an album that comes straight from the heart but remains grounded in the early rock’n’roll era echoing Wanda Jackson’s Hard Headed woman.
‘Alea Jacta Est’, The die is cast; the future is hers on “Heart-Headed”.