Heroes Live Entertainment

South Florida live music presenter and concert promoter

The Soft Moon, Boy Harsher & More – 4/25/18

The Soft Moon with special guests Boy Harsher and Laboratory

@ Gramps in Miami (Wynwood).


Tickets: http://ticketfly.com/event/1596957

The Soft Moon gives the darkly hypnotic sounds of Suicide, Joy Division, Bauhaus, and Krautrock new life with a stripped-down, lo-fi approach. The Soft Moon is led by Luis Vasquez inspired by his Afro-Cuban heritage and the wide-open spaces of the Mojave Desert where he was raised.

The Soft Moon
Website: http://thesoftmoon.com/
Facebook: http://facebook.com/thesoftmoon
Twitter: @thesoftmoon
Instagram: @the_soft_moon

Support:

Boy Harsher
Website: http://boyharsher.com/
Facebook: http://facebook.com/boyharsher/
Twitter: @boyharsher
Instagram: @boyharsher

Boy Harsher is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable.

Laboratory
Website: http://laboratorymiami.bandcamp.com/releases
Facebook: http://facebook.com/laboratorymiami
Instagram: @laboratory_propaganda

Detuned synths for detuned souls. Currently the brainchild of Miami’s Ryan Carmody & Didi Aragon. Industrial, Post-Punk, Musique Concrete, Eerie Music, Sci-Fi.

Eyehategod, Cro-Mags & More – 4/1/18

Eyehategod “30th Anniversary Tour” w/Cro-Mags, Shroud Eater & Ether

@ O’Malley’s in Margate (Fort Lauderdale).


Tickets: http://ticketfly.com/event/1617898

 

The misanthropic sludge metal outfit Eyehategod was formed in New Orleans in 1988, and became an important part of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. Eyehategod was the brainchild of guitarist Jimmy Bower and drummer Joe LaCaze; the two recruited vocalist Michael D. Williams, lead guitarist Brian Patton, and bassist Steve Dale, and debuted in 1992 with the album In the Name of Suffering.

EYEHATEGOD “30th Anniversary Tour”
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Twitter: @EyehategodNola
Instagram: @EyehategodNola

Cro-Mags
Website: http://cro-mags.com/
Facebook: http://facebook.com/Cro-Mags-28749578197/

The Cro-Mags are an American hardcore punk turned crossover thrash band from New York City. The band, which had a strong cult following, has released five studio albums, their first two considered the most influential. According to AllMusic, “before the Cro-Mags, the idea of combining heavy metal and hardcore together was unheard of. But with the release of their classic debut, The Age of Quarrel, hardcore-metal was born, and in its wake came a legion of similarly styled offspring (Biohazard, Vision of Disorder, etc.).”

Support:

Shroud Eater
Website: http://shroudeaterrocks.com/
Facebook: http://facebook.com/shroudeater/
Twitter: @Shroud_Eater
Instagram: @shroud_eater

Miami’s Shroud Eater gained praise from preeminent tastemakers such as Noisey, Cvlt Nation, HellRide Music, The Obelisk and others, Shroud Eater have proven they bring the heavy with the best of them; Heavy Planet dubbed them “Stoner-Sludge Titans”, while Ghost Cult Magazine called them the “Future of sludge metal”. The band has performed at the much lauded Psycho Las Vegas, as well as Destroyer Fest, Wvrm Fest, 305 Fest, Fresh Fest, and the Tennessean Sludge Festival.

Ether
Website: http://ethercoven.bigcartel.com
Facebook: http://facebook.com/EtherCoven/
Instagram: @ethercoven

Doom, but punk… kinda.

KRS-One: The World Is Mind Tour – 2/25/18

KRS-One: The World Is Mind Tour @ Respectable Street in West Palm Beach.


Tickets: http://ticketfly.com/event/1634687

KRS-One, an acronym for “Knowledge Reigning Supreme”, has been called the “conscience of Hip Hop” (Rolling Stone), “the greatest live emcee ever” (The Source), the “spokesperson for Hip Hop” (Wall Street Journal), “master teacher” (Zulu Nation) and the “son of Hip Hop” (Kool DJ Herc).

At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

KRS-One: The World Is Mind Tour
THE WORLD IS MIND available at www.KRS-ONE.com
Website: krs-one.com/
Twitter: @IAmKRSOne
Instagram: @teacha_krsone
 

Appearing on the rap scene in 1986 as Boogie Down Productions releasing his first hit single “South Bronx” with his late DJ Scott La Rock, KRS “the one” made it clear that Hip Hop was going to have to take itself a lot more seriously than simply being a music genre.

With 20 published albums to his credit and his numerous appearances with other artists, KRS-One is believed to have written the most rhymes in Hip Hop’s history.

In the 1990s as “hip-hop” grew more and more commercialized and corporate, it was KRS-One that openly rejected such cultural exploitation and materialism grounding Hip Hop in its original principles of peace, love, unity and safely having fun.

Teaching everything from self-creation to stopping violence; from vegetarianism to transcendental meditation, from the establishment of Hip Hop Appreciation Week (every third week in May), to establishing Hip Hop as an international culture at the United Nations (2001), KRS-One has single-handedly held the history and original arts of Hip Hop together now for over two decades.

In addition to lecturing at over 500 universities in the United States and publishing three ground-breaking books; “The Science of Rap” (1995), “Ruminations” (2003), and the Gospel of Hip Hop” (2009), KRS-One has also established the Stop The Violence Movement (1989), influenced the creation of the “West-Coast All-Stars’ anti-gang anthem “We’re All In The Same Gang” (1990), warned the Hip Hop community against giving up their humanity for technological advancement (H. E. A. L.—Human Education Against Lies-1991), and has established the Temple of Hip Hop for the spiritual exploration of Hip Hop’s culture (1996).

It was KRS-One who first argued that “rap is something we do; Hip Hop is something we live” and introduced the “I am Hip Hop” philosophy in 1994 which Black Entertainment Television uses as the title of their Hip Hop Lifetime Achievement Award today. Without question, KRS-One has been the loudest voice for the actual preservation and expansion of original Hip Hop worldwide.

When he is not touring or lecturing, on his so-called “down-time”, KRS-One continues to share his unique knowledge of Hip Hop to younger audiences eager to hear the ‘teacha’ speak. Operating as a kind of “pop-up” school, KRS-One’s Temple of Hip Hop has appeared in various cities in USA also in the UK and Europe offering the more serious student of Hip Hop an effective way to live and understand the culture of Hip Hop more deeply.

KRS-One, the lyrical legend, drops his new 2017 album ‘The World Is Mind’. KRS-One brings that Boom Bap back, with tracks like; ‘Raw BEAT’ and the graffiti tribute ‘Out for Fame’. In addition KRS-One celebrates the South African clique langue on ‘Keep It Clicking’ and shares ancient wisdom on the title track ‘The World Is Mind’. This is another banger from the Hip Hop legend.

Awards:

2004, VH1 Hip Hop Honors
2007, I am Hip Hop, BET Hip Hop Awards
2007, Lifetime Achievement, BET Hip Hop Awards
2009, Living Legend Award, Urban Music Awards

Support:

On the decks: DJ S.U.N. One
 
Brōōt McCoy (West Palm Beach)
Instagram: @brootmccoy
 
Originally from Boston Mass, now residing in West Palm Beach FL.
Influences: Real Hip-Hop artists including Big L, Rakim & Erick B, Wu-tang Clan, James Brown, Louis Armstrong, Blu, DOOM, Nas, GZA, The Doppelgangaz, Jamla
 
Elohim The Anomaly (Miami)
Instagram: @elohimtheanomaly
 
Elohim AKA Brother Nkosi X is a well known product of Miami. His love for Hip Hop and Islam as taught by the Honorable Elijah Muhammad and his student the honorable minister Louis Farrakhan is the driving force behind his resurgence. The world is in store for sound it has been crying out for. Brace yourself.
 
In the patio:

Art Exhibition by BOHEMÏAAGPRODUKT (Bohemïa AG) featuring Renda Writer.
WorldPeaceMuralTour.com

Bohemïa AG chose Renda because KRS-ONE inspired his life mission.
https://youtu.be/_xZrnpfFhoo

Lee “Scratch” Perry + Subatomic Sound System – Miami – 1/13/18

Lee “Scratch” Perry + Subatomic Sound System @ The Ground at Club Space in Miami.


Tickets: http://ticketfly.com/event/1603593

 

Eccentric producer and Grammy-winning reggae & dub artist Lee “Scratch” Perry celebrates his 80th year on earth and 40th anniversary of his landmark album “Super Ape”.

Lee “Scratch” Perry will perform the Super Ape album in its entirety with NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from Perry’s Black Ark era recordings. They will also perform brand new music like their latest single “Black Ark Vampires” and other classics from Perry’s work with the likes of Bob Marley & Max Romeo.
 
Lee “Scratch” Perry & Subatomic Sound System’s new release “Black Ark Vampires” is currently topping charts http://bit.ly/BAVss
Lee “Scratch” Perry
Twitter: @scratchlee
Instagram: @lee_scratch_perry
 
Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.
 
Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.
 
After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.
 
For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.
 
Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F
 
Subatomic Sound System
Twitter: @SubatomicSound
Instagram: @subatomic
 
Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.
Support:
 
DJ Kiva

Lee “Scratch” Perry + Subatomic Sound System – West Palm Beach – 1/12/18

Lee “Scratch” Perry + Subatomic Sound System kick off their US Tour @ Respectable Street in West Palm Beach.


Tickets: http://ticketfly.com/event/1603588

 

Eccentric producer and Grammy-winning reggae & dub artist Lee “Scratch” Perry celebrates his 80th year on earth and 40th anniversary of his landmark album “Super Ape”.

 
Lee “Scratch” Perry will perform the Super Ape album in its entirety with NYC’s Subatomic Sound System, his hybrid band of new school electronics and veteran Jamaican musicians from Perry’s Black Ark era recordings. They will also perform brand new music like their latest single “Black Ark Vampires” and other classics from Perry’s work with the likes of Bob Marley & Max Romeo.
 
Lee “Scratch” Perry & Subatomic Sound System’s new release “Black Ark Vampires” is currently topping charts http://bit.ly/BAVss
Lee “Scratch” Perry
Twitter: @scratchlee
Instagram: @lee_scratch_perry
 
Producer, mixer and Grammy-winning reggae dub artist, Lee “Scratch” Perry has been overturning tradition and confounding conventional wisdom for more than five decades. In the process, the widely acknowledged father of dub reggae became arguably the first creatively driven “artist-producer” in modern recorded music. In 2004, Rolling Stone Magazine ranked Perry on their list of the 100 Greatest Artists of All Time.
 
Born in Jamaica in 1936, Lee Perry began in the music business in the 1950’s and by the 1960’s became known for his innovative production techniques as well as his eccentric character. His first single “People Funny Boy” in 1968 was notable for its innovative use of sampling as well as a fast, chugging beat that would soon become identifiable as “reggae”. Concurrent with his own releases with the Upsetters, Perry produced numerous reggae artists at his Black Ark studio, including Bob Marley and the Wailers, The Heptones, and Max Romeo.
 
After his famed Black Ark Studio was consumed by fire, Perry took refuge in England and the U.S., performing live and making records with collaborators from a wide range of musical genres, all artists who had been inspired by his innovative work: British dub producers Adrian Sherwood and Mad Professor, punk legends The Clash and Public Image, rap innovators the Beastie Boys, and in recent years the Rolling Stones’ Keith Richards, Funkadelic’s George Clinton, rocker Andrew W.K., electronic artists like The Orb, and of course NYC bass music specialists Subatomic Sound System who back in 2007 collaborated with Dubblestandart on Scratch’s first dubstep remixes.
 
For over six years in the USA, Subatomic Sound System has been Scratch’s go to band for bringing his Black Ark Studio sound live to the stage, a unique hybrid configuration that brings together a handful of live musicians like veteran Jamaican percussionist Larry McDonald with computers and live dub mixing of classic recordings as well as brand new sounds Scratch hears from outer space. Lee “Scratch” Perry, now into his sixth decade as a pop-music provocateur, has few peers when it comes to fresh ideas and their implementation. He remains one of the world’s most imaginative sonic architects.
 
Watch this playlist of Lee Scratch Perry & Subatomic Sound System starting War Ina Babylon at Coachella 2013: https://youtu.be/CvUswefcglU?list=PLrSutf-KvSF4UTRF4-_nv7g7LWaQttO8F
 
Subatomic Sound System
Twitter: @SubatomicSound
Instagram: @subatomic
 
Subatomic Sound System and the Subatomic Sound label, NYC dub and bass music specialists, sound revolutinaries, and founders of Dub Champions festival. Touring worldwide as DJ, live performance, or backing band for Lee Scratch Perry.

Front Line Assembly – 11/4/17

Front Line Assembly

with Cubanate, Vampyre Anvil, Cyanide Regime & Skoros

@ Respectable Street in West Palm Beach.


Tickets: http://ticketfly.com/event/1564861

Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released what for many has become the genre’s crowning moment, the classic album Tactical Neural Implant, which to this day still defines the best of industrial music.

FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial’s perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. Also in 1996, Front Line Assembly followed up Hard Wired with two CD singles, “Circuitry” and “Plasticity”, and toured North America with Numb and Die Krupps.

1997 saw the first realignment of Front Line Assembly since 1990, with the departure of Rhys Fulber and the addition of Chris Peterson to the ranks. Front Line’s 1998 album, FLAvor of the Weak, featured the band’s first flirtation with electronica. Re-Wind, a twin CD of remixes, followed later that year. The duo then released Implode in 1999, and Epitaph in 2001. Epitaph exhibited building intros, trancy synth lines, pulsing beats, and solid melodies, which proved to be contagious anthems for a new future of industrial music.

After the 2001 release of Epitaph, another changing of the FLA “guard” occurred: Chris Peterson left, and original member, Rhys Fulber (Fear Factory, Conjour One) returned. The newly charged Front Line Assembly delivered the highly anticipated Maniacal single in late 2003. The successful single laid the ground work for the 2004 album Civilization, and Vanished EP which featured three unreleased tracks.

Then finally in 2005 came the event that everyone was waiting for, a Front Line Assembly fusion. Bill Leeb, Rhys Fulber, and Chris Peterson with new members Jeremy Inkel, Adrian White, and Jarod Slingerland began working on the 2006 album, Artificial Soldier. The newly re-formed line-up managed to create an album that no only lived up to the expectations of Front Line Assembly fans, but surpassed them. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb’s trademark vocals couldn’t be fused together any tighter if you tried to do it at an atomic level. As if all of those factors weren’t enough, two guest vocalists appear on Artificial Soldier – Eskil Simonsson from Covenant (on “The Storm”) and Jean-Luc De Meyer from Front 242 (on “Future Fail”)! After the release of the album, the band embarked on a successful world tour, and released the remix album Fallout one year later.

Throughout the years, FLA has seen many line-up changes. Bill Leeb remains the constant behind the band. For 2010, a new line-up has emerged featuring Jeremy Inkel, Chris Peterson on programming duties, and Jared Slingerland on Guitars, and FLA has been joined by Three Inches of Blood guitarist Justin Hagberg, and guest keyboardist Craig Huxtable of Landscape Body Machine.

The result of this reinvigorated lineup is the all new album Improvised. Electronic. Device. As well as the Shifting Through The Lens single. The new songs demonstrate that FLA has not lost its edge over the past almost two and a half decades. And as if Front Line Assembly’s legacy and namesake alone weren’t enough for the album, Al Jourgensen from Ministry contributes his vocals to the song “Stupidity.”

Bill’s work can also be heard on a wide number of side projects, including Noise Unit, Delerium, InterMix, Cyberaktif, Equinox, and Synaesthesia. Bill has also contributed music to the popular video game, Quake 3 – The Arena.

Facebook: http://facebook.com/frontlineassembly

Support:

Cubanate
Website: http://soundcloud.com/marc-heal
Facebook: http://facebook.com/cubanate
Twitter: @Marc_Heal

Vampyre Anvil
Website: http://vampyreanvil.bandcamp.com
Facebook: http://facebook.com/vampyreanvil

Cyanide Regime
Website: http://cyanideregime.com
Facebook: http://facebook.com/cyanideregime

Insane Clown Posse: The Great Milenko 20th Anniversary Tour – 10/18/17

Insane Clown Posse:
The Great Milenko 20th Anniversary Tour
with R.A. The Rugged Man, Lyte, Ouija & Web Three

@ The Hangar in Miami.


Tickets: http://ticketfly.com/event/1551927

Insane Clown Posse

Few artists have as devoted a fan base (“Juggalos” as they call themselves) and are as roundly dismissed by critics as Insane Clown Posse, the Wayne, Michigan, rap-metal duo of Violent J (a.k.a. Joe Bruce) and Shaggy 2 Dope (a.k.a. Joey Utsler). Still, ICP’s longevity and marketing acumen have brought a success even their detractors must acknowledge.

Originally, Violent J and Shaggy 2 Dope were part of a rap quartet called Inner City Posse, which formed in 1988; when the group broke apart, Insance Clown Posse took its place in the local firmament. Their debut, 1992’s Carnival of Carnage, introduced the group’s new sound, which mixed harder rock elements among the beats and rhymes and its essential pose (clowns in full make-up anticipating the apocalypse, basically). But despite a steady stream of albums that sell well to the group’s surprisingly large core, ICP’s main draw is its live show featuring all manner of sideshow shenanigans, including pyrotechnics and the liberal tossing of Faygo soda onto a willing audience.

With a growing fan-base, 1994’s The Ringmaster sold well, eventually going gold, and led to the band signing with Jive records for 1995’s The Riddle Box. The band jumped to Hollywood Records for 1997’s The Great Milenko (Number 63) which helped propel ICP into the national spotlight; Hollywood’s pulling the album off shelves due to questionable lyrical content gave the album an even further push as the burgeoning nü-metal audience couldn’t wait to hear what all the fuss was about. Island eventually issued the disc. The band began making headlines but not so much for their music but thanks to a road accident (Violent J suffered a concussion), fights with their own audiences and at an Indiana Waffle House, and a panic attack onstage in Minneapolis (J’s).

By 1999, when the group issued The Amazing Jeckel Brothers, it had enough clout to debut at Number Four on the Top 200, and like Kiss before them, they began merchandising like crazy: multiple CD covers, a movie (Big Money Hustlas, which bypassed theaters for video), comic books, even part-time careers as professional wrestlers for both members, as well as appearances in a pair of wrestling video games. The group closed out the initial run of its ‘Dark Carnival’ series of albums with Shangri-La and Hell’s Pit, with the former album proclaiming that they had been leading their fans to God the whole time. ICP’s profile has shrunk in recent years (they’ve gone back to indie labels and tour in less high-profile a fashion), but their fan base remains as loyal as their 2007 release the The Tempest, which debuted at Number 20 on the Top 200, proved.

Website: http://insaneclownposse.com
Facebook: http://facebook.com/INSANECLOWNPOSSE
Twitter: @icp
Instagram: @therealicp

Support:

R.A. The Rugged Man
Website: http://ratheruggedman.net
Facebook: http://facebook.com/RAtheRuggedMan
Twitter: @RAtheRuggedMan
Instagram: @ratheruggedmanofficial

R.A. Thorburn, better known by his stage name R.A. the Rugged Man, is an American rapper. He began his music career at age 12, building a reputation locally for his lyrical skills. After a nine-label bidding war for his services, R.A. signed to major label Jive Records at age 18. Eventually R.A. and the label parted ways. His first album, Night of the Bloody Apes, was never released.

Since then, he has worked with the likes of Mobb Deep, Wu-Tang Clan, Kool G Rap, and Notorious B.I.G, as well as producers Erick Sermon, Trackmasters, DJ Quik, The Alchemist, J-Zone, and Ayatollah. He was featured on all three of Rawkus’s Soundbombing albums, as well as the platinum-selling WWF Aggression album. After a brief stint on Capitol Records (during which he recorded another unreleased album, American Lowlife), R.A. signed with independent label Nature Sounds and released his official debut, Die, Rugged Man, Die. In 2013, R.A. released his second album, Legends Never Die. The album was released on April 30, 2013 by Nature Sounds.

Lyte
Website: http://psychopathicrecords.com/Artists
Facebook: http://facebook.com/monstarLyte
Twitter: @lyte_official
Instagram: @lyte_official

The newest addition to the Psychopathic Records roster for 2017, Lyte comes to the label with an already well established fanbase built upon his his exhilarating and energetic live performances — a wicked blend of chopper-like rhymes and banging beats teamed with an unmistakable stage presence. He has toured with such acts as Critical Bill, Project Born, Motown Rage, and Twiztid. Lyte released his first mixtape (“Follow the Lyte) in 2014 and is readying his debut album for Psychopathic Records for its release in mid-2017. A multitalented performer, songwriter, and producer, Lyte is certain to illuminate the underground rap world in 2017.

Ouija
Facebook: http://facebook.com/FuccOuija

Web Three
Website: http://webthree.net
Facebook: http://facebook.com/webthreemusic
Twitter: @WebThreeMusic
Instagram: @webthree

Way more than just a rock/rap fusion outfit, Web Three Music is its own genre. It’s a “work hard, party hard” ethos mixed with social commentary, hard-hitting beats, live instruments, witty lyrics, and an undertone that urges listeners to be themselves. Web Three is “Do You” music, blending genres from hip hop to rock, with a touch of electro and soul. Having shared the stage with such artists as HED (p.e.), Twista, Project Pat, and Rehab, the band has developed a dedicated fan base and a close-knit family like following which fills venues. Web Three’s sound has been compared to Linkin Park, The Beastie Boys, and Rage Against the Machine… It’s up to you to decide for yourself.

Web Three’s name derives from his initials. Born William E. Bachelor III, Web is a charismatic rapper who is a self-described one-man mosh pit of style and a hip-hop fiend. He blends a natural gift for verse with a “f— it” attitude, making him the MC that stands out in a field of regurgitating one-offs. Equally important is his supporting cast. The incessantly joking Dita Von Bloom functions as the band’s hype man and second vocalist. Mike Dickson, the band’s guitarist, brings live instrumentation and adds energy to the already amped-up shows. Demonic theatrics are embodied by Ratt. The soft-spoken DJ Needlez runs the sequencing and turntables during the live show.

The lyrical flow has variety and is effortless. The music is firm and thick. The entire sound is full yet rageful. The complementary releases of the harder album “Do You,” and the more introspective “Loss, Love, and The New Normal” featuring Kaaren Styles, taken together present a complete range of talent that showcases the true depth of Web Three.