Heroes Live Entertainment

Florida's premier independent concert promoter.

Moon Destroys (ex-Torche + Royal Thunder) + the LAB – Miami Beach – 12/21/24

Heroes Live Entertainment presents Moon Destroys (ex-Torche + Royal Thunder) + the LAB on Saturday, December 21, 2024 @ Kill Your Idol in Miami Beach.

Tickets: https://moondestroys.eventbrite.com

Limited tickets available for this intimate show. Your support helps fund their national tour with Elder.


8:00PM (Doors) | 9:00PM (Show) | 21+
2 for 1 drinks from 8-10PM

MOON DESTROYS is the brainchild of Guitarist Juan Montoya (ex-Torche, MonstrO, Killer be Killed) and Drummer Evan Diprima (Gold Pyramid, ex-Royal Thunder). The band released their debut EP, ‘Maiden Voyage’ in 2020 via Brutal Panda Records, then took a brief hiatus. In 2024, Vocalist/Guitarist Charlie Suárez (MonstrO, Sunday Driver) joined the fold. Suárez previously graced the stage with Montoya in the Miami/Atlanta band, MonstrO.

Bringing heavy rock and psychedelia elements, the band is a powerhouse of seasoned musicians that draw influences from The Cure, Black Sabbath, and Pink Floyd. In the summer of 2024, the band self-recorded and produced their debut full-length record, expected to be released sometime in 2025.

Support:

the LAB
Website: https://linktr.ee/thelab___
Instagram: https://www.instagram.com/thelab___/

Rock n’ roll concocted by Harold Trucco (Guitar/Vox), Brian Tate (Bass/Vox), and Brian Lange (Drums/Percussion/Vox). From the city of Miami comes a power trio ready to tear the place down but with a smile, ya know? It’s a matter of science…

EYEHATEGOD + Iron Buddha + Seven Serpents – West Palm Beach – 10/26/24

Heroes Live Entertainment presents EYEHATEGOD with special guests Iron Buddha and Seven Serpents on Saturday, October 26, 2024 @ Respectable Street in West Palm Beach.


Tickets: https://ehg2024.eventbrite.com

“The quintessential Southern sludge band” – PITCHFORK

“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY TIMES

“…True musical pioneers in every sense of the word.” – THRASHER MAGAZINE

ROLLING STONE:

Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list

One of “America’s great live bands”

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US, and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.

EYEHATEGOD
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Instagram: http://instagram.com/EyehategodNola
Twitter: http://twitter.com/EyehategodNola

Support:

Iron Buddha
Website: https://linktr.ee/ironbuddhariffs
Instagram: https://instagram.com/iron_buddha_band
Facebook: https://facebook.com/Ironbuddha666
Bandcamp: https://ironbuddha.bandcamp.com

Iron Buddha is a three-piece sludge metal band from South Florida making waves in their underground scene. Iron Buddha is rooted in strong tradition while also breaking new ground with crushing riffs, earth-shattering grooves, and powerful distortion and fuzz.

Drawing inspiration from legendary sludge metal and post-metal acts like Neurosis, Mastodon, ISIS, and YOB, Iron Buddha has created a heavy and dynamic sound unique to themselves. Their EP, “Raze//Repose,” is a new push in a new direction, showcases the band’s evolution as musicians, and solidifies their reputation as a formidable up-and-coming act.

Seven Serpents
Website: https://linktr.ee/Sevenserpents
Facebook: https://www.facebook.com/sevenserpents666
Instagram: https://www.instagram.com/sevenserpents/
Bandcamp: https://sevenserpents.bandcamp.com

Hailing from the swamps of South Florida since 2016. Mixing hardcore and modern metal backgrounds with sludge and stoner metal roots, the band hopes to provide a dismal, visceral experience with each track.

Eyehategod: A History of Nomadic Behavior Tour + Ether Coven + Seven Serpents – West Palm Beach – 10/24/21

Heroes Live Entertainment presents EYEHATEGOD with Ether Coven and Seven Serpents @ Respectable Street in West Palm Beach.


Tickets: https://eyehategod2021.eventbrite.com

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US, and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.

“The quintessential Southern sludge band” – PITCHFORK

“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY TIMES

“…True musical pioneers in every sense of the word.” – THRASHER MAGAZINE

ROLLING STONE:

Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list

One of “America’s great live bands”

EYEHATEGOD
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Instagram: http://instagram.com/EyehategodNola
Twitter: http://twitter.com/EyehategodNola

Support:

Ether Coven
Website: https://ethercoven.bigcartel.com
Facebook: https://www.facebook.com/EtherCoven
Instagram: https://www.instagram.com/ethercoven/
Bandcamp: https://ethercoven.bandcamp.com

Murphy’s Law **FREE SHOW** – Miami – 5/10/19

Heroes Live Entertainment, Idle Hands Productions & Las Rosas present Murphy’s Law **Free Show** w/The Big Skandal, Bruceliamneeson & Brute @ Las Rosas in Miami. Tickets required for entry. Early arrival strongly suggested. Space is limited.


Tickets: http://ticketfly.com/event/1831446

Founded in Astoria, Queens in 1983, Murphy’s Law are a huge part of the New York and American hardcore legacy. Their albums, such as the self-entitled, “Murphy’s Law” and 1989 follow up “Back With A Bong” helped to create the sound of New York Hardcore back then, as well as what it stands for today.

Murphy’s Law
Facebook: http://facebook.com/Murphyslawnyhc/
Twitter: http://twitter.com/murphyslawnyhc
Instagram: http://instagram.com/murphyslawnyc/

Support:

The Big Skandal
Website: http://bigskandal.bandcamp.com
Facebook: http://facebook.com/BigSkandal
Instagram: http://instagram.com/thebigskandal

The Big Skandal are a Ska/Rocksteady band based in Miami, FL, drawing influences from traditional artists like The Skatalites, Laurel Aitken, and Prince Buster as well as later artists like The Specials, Operation Ivy, and Madness.

Bruceliamneeson
Facebook: http://facebook.com/Bruceliamneeson-411269712943770/

Hard Rock, Metal, Punk from Miami, FL on Terramoto Records.

Chris Callous-Guitar Vocals
Ely Bascoy -Bass Back up Vocals
Terrel Hopkins= Drums

Brute
Facebook: http://facebook.com/Brute-405760220241726/

Miami Oi! band featuring members of Nunhex, Antifaces and Die Trying.

Windhand **FREE SHOW** – Miami – 1/27/19

Heroes Live Entertainment & Las Rosas present Windhand **Free Show** with Genocide Pact, Ether & Absolver @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.


RSVP: http://ticketfly.com/event/1768175

New album “Eternal Return” out on Relapse represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Once again the band has joined forces with producer Jack Endino (Nirvana, Soundgarden) with vivid artwork by Arik Roper (Sleep, High on Fire). Equally informed by heavy, fuzzed-out psych along with the iconic grunge / alternative groups of the 90s, WINDHAND has crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy borders.

Windhand
Website: http://windhand.band
Facebook: http://facebook.com/WindhandVA
Twitter: http://twitter.com/windhandva
Instagram: http://instagram.com/windhand

Support:

Escape The Fate + Slaves + Famous Last Words + Picturesque + Set To Stun + Bloodbather – Miami – 10/5/18

Heroes Live Entertainment presents Escape The Fate, Slaves, Famous Last Words, Picturesque, Set To Stun & Bloodbather @ The Ground at Club Space in Miami. Under 18 w/Parent or Legal Guardian (Both must purchase tickets)


Tickets: http://ticketfly.com/event/1708651

Escape The Fate (formed 2004) is a post-hardcore band originating from Nevada signed to Eleven Seven Music. Their sixth album, I Am Human, was released on March 30, 2018 spawning a top 15 single, Broken Heart, at Active Rock radio currently and the song will only climb the charts. ETF recently wrapped up a North American tour with Papa Roach.

Escape The Fate
Website: http://escapethefate.com/
Facebook: http://facebook.com/escapethefate/
Twitter: http://twitter.com/EscapeTheFate
Instagram: http://instagram.com/escapethefate/

Slaves
Website: http://slavesband.com/
Facebook: http://facebook.com/officialslaves/
Twitter: http://twitter.com/SLAVESOFFICIAL
Instagram: http://instagram.com/SLAVESOFFICIAL/

Slaves is an American post-hardcore group formed in Sacramento, California. The band currently consists of lead vocalist Jonny Craig, formerly of Emarosa and Dance Gavin Dance, bassist Colin Vieira of Musical Charis and guitarist Weston Richmond. The band released their third studio album Beautiful Death on February 16, 2018.

Support:

D.R.I. + Deathwish + More – West Palm Beach – 12/8/18

Heroes Live Entertainment presents D.R.I. (Dirty Rotten Imbeciles), Deathwish, Old Habits & Church Girls @ Respectable Street in West Palm Beach.


Tickets: http://ticketfly.com/event/1634872 

D.R.I. (Dirty Rotten Imbeciles) is a crossover thrash band that formed in Houston in 1982. D.R.I. integrated their hardcore punk roots with thrash metal influences and were a stylistic catalyst for their contemporaries — Suicidal Tendencies, Corrosion of Conformity, S.O.D., the Cro-Mags, Nuclear Assault and Cryptic Slaughter — alongside whom they are considered to be one of the major pioneers of “crossover thrash”, having a heavy influence on modern thrash, particularly Scott Ian and his band Anthrax.

D.R.I. **Only South Florida Show**
Website: http://dirtyrottenimbeciles.com
Facebook: http://facebook.com/DRI-137263955229/

Support:

Deathwish
Motor-Charged Punk from Wisconsin. DRI labelmates.
Facebook: http://facebook.com/deathwish666motorcharged/

Old Habits
Lake Worth Hardcore. Doing it right.
Facebook: http://facebook.com/OldHabitsHC/
Website: http://eulogyrecordings.com
Instagram: http://instagram.com/oldhabitshc
Links: http://aceshightattooshop.com ; http://blackrosetattooshop.com

Church Girls
Saint Lucie Rock N Roll. Grimey South Florida Orgy Anthems.
Website: http://churchgirlsfl.bandcamp.com
Facebook: http://facebook.com/ChurchGirlsFL/
Instagram: http://instagram.com/Official_Church_Girls/
Twitter: http://twitter.com/churchgirls_FL

Eyehategod + Cro-Mags + Shroud Eater + Ether – Margate (Fort Lauderdale) – 4/1/18

Heroes Live Entertainment presents Eyehategod “30th Anniversary Tour” w/Cro-Mags, Shroud Eater & Ether @ O’Malley’s in Margate (Fort Lauderdale).


Tickets: http://ticketfly.com/event/1617898

 

The misanthropic sludge metal outfit Eyehategod was formed in New Orleans in 1988, and became an important part of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. Eyehategod was the brainchild of guitarist Jimmy Bower and drummer Joe LaCaze; the two recruited vocalist Michael D. Williams, lead guitarist Brian Patton, and bassist Steve Dale, and debuted in 1992 with the album In the Name of Suffering.

EYEHATEGOD “30th Anniversary Tour”
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Twitter: @EyehategodNola
Instagram: @EyehategodNola

Cro-Mags
Website: http://cro-mags.com/
Facebook: http://facebook.com/Cro-Mags-28749578197/

The Cro-Mags are an American hardcore punk turned crossover thrash band from New York City. The band, which had a strong cult following, has released five studio albums, their first two considered the most influential. According to AllMusic, “before the Cro-Mags, the idea of combining heavy metal and hardcore together was unheard of. But with the release of their classic debut, The Age of Quarrel, hardcore-metal was born, and in its wake came a legion of similarly styled offspring (Biohazard, Vision of Disorder, etc.).”

Support:

Shroud Eater
Website: http://shroudeaterrocks.com/
Facebook: http://facebook.com/shroudeater/
Twitter: @Shroud_Eater
Instagram: @shroud_eater

Miami’s Shroud Eater gained praise from preeminent tastemakers such as Noisey, Cvlt Nation, HellRide Music, The Obelisk and others, Shroud Eater have proven they bring the heavy with the best of them; Heavy Planet dubbed them “Stoner-Sludge Titans”, while Ghost Cult Magazine called them the “Future of sludge metal”. The band has performed at the much lauded Psycho Las Vegas, as well as Destroyer Fest, Wvrm Fest, 305 Fest, Fresh Fest, and the Tennessean Sludge Festival.

Ether
Website: http://ethercoven.bigcartel.com
Facebook: http://facebook.com/EtherCoven/
Instagram: @ethercoven

Doom, but punk… kinda.

Whitechapel: “Decade of Defilement Tour” + Carnifex + Rings of Saturn + Entheos + So This Is Suffering + Bloodbather – Miami – 11/12/17

Heroes Live Entertainment presents Whitechapel: “Decade of Defilement Tour” Celebrating 10 Years of “The Somatic Defilement” with special guests Carnifex, Rings Of Saturn, Entheos, So This Is Suffering & Bloodbather @ The Ground at Club Space in Miami.


Tickets: http://ticketfly.com/event/1507518

With five genre-redefining albums to their name, the Knoxville, Tennessee natives have carved themselves a unique niche in contemporary metal, and in doing so have spoken to legions of fans. Making their presence known with 2007’s The Somatic Defilement, their profile has steadily grown, and 2014’s Our Endless War saw them crack the top 10 on the Billboard Top 200 for the first time. Their reputation for maintaining their integrity is well-earned, and going into their sixth full-length this commitment is stronger than ever. “I honestly don’t think that we ever have to prove anything to anyone, we do this because we enjoy it, and if people want to listen and support us, that’s just a bonus,” says Bozeman. “With this record we knew what we didn’t want to do. We wanted to get away from the faster stuff, because we’re burned out on that 260bpm blastbeat thing. We’ve done that. Ultimately none of us agree with genre pigeon-holing, and we’re not afraid to write what we want to write, no matter what anyone else thinks.” While the band had clear ideas for elements they wanted to explore, they did not allow this to dictate the record, which developed more naturally, focusing on what was best for the individual songs, refusing to accept anything less than the absolute best they could possibly do. “Nothing was set in concrete when we started writing, and we did not force anything,” Wade states. “For example, the idea of including some clean singing was brought up before any songs were written, but it was never really like ‘okay, we’re doing this’ until the songs that we planned to have that on were complete and Phil could say ‘so I’m clean singing on these, right?’. At that moment it felt exciting that we were exploring musical territory that we hadn’t before, and that we were confident in doing so.” In realizing the album, the band – rounded out by guitarists Ben Savage and Zach Householder, bassist Gabe Crisp and drummer Ben Harclerode – reunited with producer Mark Lewis (The Black Dahlia Murder, Cannibal Corpse). “When it comes to recording we have the ‘if it’s not broke, don’t fix it’ mentality, and he really does find ways to make us sound better with each record. From ‘Whitechapel‘ (2012) to ‘Our Endless War‘, there really was a large step forward in terms of the production and tones, and I feel that is also the case with the progression from ‘Our Endless War‘ to ‘Mark of the Blade‘. This is the biggest we have ever sounded on a record, and it’s great to see his growth as a producer matched with our growth as musicians.

Whitechapel

Twitter: @WhitechapelBand
Instagram: @whitechapelband

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Support:

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Twitter: @carnifex
Instagram: @Carnifex
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Facebook: https://facebook.com/RingsofSaturnband
Instagram: @lucasmannofficial
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Twitter: @entheosofficial
Instagram: @entheosband
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So This Is Suffering
Facebook: https://facebook.com/sothisissuffering
Instagram: @sothisissuffering
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Bloodbather
Website: https://bloodbather.bandcamp.com/releases
Facebook: https://facebook.com/bloodbather
Twitter: @bloodbather
Instagram: @bloodbather

Insane Clown Posse: The Great Milenko 20th Anniversary Tour + R.A. The Rugged Man – Miami – 10/18/17

Heroes Live Entertainment presents Insane Clown Posse: The Great Milenko 20th Anniversary Tour with R.A. The Rugged Man, Lyte, Ouija & Web Three @ The Hangar in Miami.


Tickets: http://ticketfly.com/event/1551927

Insane Clown Posse

Few artists have as devoted a fan base (“Juggalos” as they call themselves) and are as roundly dismissed by critics as Insane Clown Posse, the Wayne, Michigan, rap-metal duo of Violent J (a.k.a. Joe Bruce) and Shaggy 2 Dope (a.k.a. Joey Utsler). Still, ICP’s longevity and marketing acumen have brought a success even their detractors must acknowledge.

Originally, Violent J and Shaggy 2 Dope were part of a rap quartet called Inner City Posse, which formed in 1988; when the group broke apart, Insance Clown Posse took its place in the local firmament. Their debut, 1992’s Carnival of Carnage, introduced the group’s new sound, which mixed harder rock elements among the beats and rhymes and its essential pose (clowns in full make-up anticipating the apocalypse, basically). But despite a steady stream of albums that sell well to the group’s surprisingly large core, ICP’s main draw is its live show featuring all manner of sideshow shenanigans, including pyrotechnics and the liberal tossing of Faygo soda onto a willing audience.

With a growing fan-base, 1994’s The Ringmaster sold well, eventually going gold, and led to the band signing with Jive records for 1995’s The Riddle Box. The band jumped to Hollywood Records for 1997’s The Great Milenko (Number 63) which helped propel ICP into the national spotlight; Hollywood’s pulling the album off shelves due to questionable lyrical content gave the album an even further push as the burgeoning nü-metal audience couldn’t wait to hear what all the fuss was about. Island eventually issued the disc. The band began making headlines but not so much for their music but thanks to a road accident (Violent J suffered a concussion), fights with their own audiences and at an Indiana Waffle House, and a panic attack onstage in Minneapolis (J’s).

By 1999, when the group issued The Amazing Jeckel Brothers, it had enough clout to debut at Number Four on the Top 200, and like Kiss before them, they began merchandising like crazy: multiple CD covers, a movie (Big Money Hustlas, which bypassed theaters for video), comic books, even part-time careers as professional wrestlers for both members, as well as appearances in a pair of wrestling video games. The group closed out the initial run of its ‘Dark Carnival’ series of albums with Shangri-La and Hell’s Pit, with the former album proclaiming that they had been leading their fans to God the whole time. ICP’s profile has shrunk in recent years (they’ve gone back to indie labels and tour in less high-profile a fashion), but their fan base remains as loyal as their 2007 release the The Tempest, which debuted at Number 20 on the Top 200, proved.

Website: http://insaneclownposse.com
Facebook: http://facebook.com/INSANECLOWNPOSSE
Twitter: @icp
Instagram: @therealicp

Support:

R.A. The Rugged Man
Website: http://ratheruggedman.net
Facebook: http://facebook.com/RAtheRuggedMan
Twitter: @RAtheRuggedMan
Instagram: @ratheruggedmanofficial

R.A. Thorburn, better known by his stage name R.A. the Rugged Man, is an American rapper. He began his music career at age 12, building a reputation locally for his lyrical skills. After a nine-label bidding war for his services, R.A. signed to major label Jive Records at age 18. Eventually R.A. and the label parted ways. His first album, Night of the Bloody Apes, was never released.

Since then, he has worked with the likes of Mobb Deep, Wu-Tang Clan, Kool G Rap, and Notorious B.I.G, as well as producers Erick Sermon, Trackmasters, DJ Quik, The Alchemist, J-Zone, and Ayatollah. He was featured on all three of Rawkus’s Soundbombing albums, as well as the platinum-selling WWF Aggression album. After a brief stint on Capitol Records (during which he recorded another unreleased album, American Lowlife), R.A. signed with independent label Nature Sounds and released his official debut, Die, Rugged Man, Die. In 2013, R.A. released his second album, Legends Never Die. The album was released on April 30, 2013 by Nature Sounds.

Lyte
Website: http://psychopathicrecords.com/Artists
Facebook: http://facebook.com/monstarLyte
Twitter: @lyte_official
Instagram: @lyte_official

The newest addition to the Psychopathic Records roster for 2017, Lyte comes to the label with an already well established fanbase built upon his his exhilarating and energetic live performances — a wicked blend of chopper-like rhymes and banging beats teamed with an unmistakable stage presence. He has toured with such acts as Critical Bill, Project Born, Motown Rage, and Twiztid. Lyte released his first mixtape (“Follow the Lyte) in 2014 and is readying his debut album for Psychopathic Records for its release in mid-2017. A multitalented performer, songwriter, and producer, Lyte is certain to illuminate the underground rap world in 2017.

Ouija
Facebook: http://facebook.com/FuccOuija

Web Three
Website: http://webthree.net
Facebook: http://facebook.com/webthreemusic
Twitter: @WebThreeMusic
Instagram: @webthree

Way more than just a rock/rap fusion outfit, Web Three Music is its own genre. It’s a “work hard, party hard” ethos mixed with social commentary, hard-hitting beats, live instruments, witty lyrics, and an undertone that urges listeners to be themselves. Web Three is “Do You” music, blending genres from hip hop to rock, with a touch of electro and soul. Having shared the stage with such artists as HED (p.e.), Twista, Project Pat, and Rehab, the band has developed a dedicated fan base and a close-knit family like following which fills venues. Web Three’s sound has been compared to Linkin Park, The Beastie Boys, and Rage Against the Machine… It’s up to you to decide for yourself.

Web Three’s name derives from his initials. Born William E. Bachelor III, Web is a charismatic rapper who is a self-described one-man mosh pit of style and a hip-hop fiend. He blends a natural gift for verse with a “f— it” attitude, making him the MC that stands out in a field of regurgitating one-offs. Equally important is his supporting cast. The incessantly joking Dita Von Bloom functions as the band’s hype man and second vocalist. Mike Dickson, the band’s guitarist, brings live instrumentation and adds energy to the already amped-up shows. Demonic theatrics are embodied by Ratt. The soft-spoken DJ Needlez runs the sequencing and turntables during the live show.

The lyrical flow has variety and is effortless. The music is firm and thick. The entire sound is full yet rageful. The complementary releases of the harder album “Do You,” and the more introspective “Loss, Love, and The New Normal” featuring Kaaren Styles, taken together present a complete range of talent that showcases the true depth of Web Three.