Heroes Live Entertainment

Florida's premier indie concert promoter. Miami, WPB, Orlando, Tampa

We Were Promised Jetpacks + Breakup Shoes – West Palm Beach – 10/19/22

Heroes Live Entertainment presents We Were Promised Jetpacks with special guests Breakup Shoes on October 19 @ Respectable Street in West Palm Beach. The celebrated Scottish rock band is excited to announce U.S. Fall tour dates in support of their critically-acclaimed album Enjoy the View out now via Big Scary Monsters.

Tickets: https://wwpj.eventbrite.com

Half bracing post-punk and half tuneful indie pop, We Were Promised Jetpacks formed while they were still attending high school in Edinburgh. Fifteen years into their career, the trio is more focused than ever.

We Were Promised Jetpacks

 

We Were Promised Jetpacks’ tender, delicate poise is still stunning and heartbreaking in equal measure. – Flood Magazine 

The frothy melodies, spiraling guitar riffs, and catchy refrains of this newfound aesthetic suits the band well and make Enjoy the View one of the year’s more stimulating aural
experiences. – Under The Radar 

Single “Fat Chance” reveals a surprise partway through, emerging as an anthem about overcoming long odds, doing “a complete 180” and climbing out of the ruins, stronger than ever. – NPR Music

Scottish post-punk outfit We Were Promised Jetpacks’ fifth album Enjoy the View is many things at once: A quiet rumination on past relationships, a strain of optimism for the future, an ode to open-road guitar music and a nod to the band’s best-known, angular musicianship and intense live shows. – Atwood Magazine


Since releasing 2018’s ‘The More I Sleep The Less I Dream’, We Were Promised Jetpacks’ Adam Thompson, Sean Smith, and Darren Lackie have embraced change head-on. Amicably parting ways with guitarist Michael Palmer, leaving a notable empty fourth corner in their practice room, it marked a transitory moment in the band’s acclaimed career and one that would be cemented by events to come.

Entering 2020 as a trio with a handful of songs written and a small tour under their belts, the world around them came to a sudden halt. Yet despite the unquestionable hardship that the lockdown brought with it, for a band looking to rebuild following a dramatic change, it also proved to be a blessing in disguise.

“I guess it ended up being a lot more collaborative between the three of us,” Sean notes of their fifth studio record, ‘Enjoy The View’. Unable to meet in person, the album began to take shape across countless files bouncing back and forth between their respective Edinburgh homes. As well as providing the space to think more broadly about their own roles in the band, isolation also allowed them to approach their collective sound in new ways.

“If you’re trying to write a part when two other people are smashing their instruments it’s not the easiest thing,” Adam laughs. “Writing remotely, you could mute parts and work on things in your head. It just gave us a bit more creative freedom to try different things.” For Darren, separated from his kit, drumming became an entirely digital venture. “I could be a bit freer,” he notes, immediately backed up by his bandmates. “It was nice for Darren to have the space to try something he normally couldn’t,” Adam smiles, celebrating the opportunity for the trio to switch up their songwriting process. 

With the space to focus on the structure of the songs over what is immediately possible in a practice room, the band shifted gears. “We’ve always considered ourselves a live band more than a studio band,” Darren notes, explaining how the past twelve months have forced a change. “This was more about focussing on making a really great album rather than thinking about how we play it live. Let’s make an album that’s just slightly different for us.”

The result, ‘Enjoy The View’, is also the product of a more settled band. Fifteen years into their career, the trio is more focused than ever. “We are doing this for ourselves and the people who like our music and get something out of it,” Adam gleams, “I’m really excited about being able to show them the new record.” 

“I’ve had a really nice time writing this album,” he states matter-of-factly, signaling his appreciation to his bandmates. “We’re all very appreciative of the people who are still listening to us,” Darren adds, “it pushes us to keep getting better”. Nodding to both the band and their ever-loyal fans, Adam agrees. “It is very much our band, and we do this because we can do it together.”

Support:

Breakup Shoes
Website: https://www.breakupshoes.com
Facebook: https://www.facebook.com/breakupshoes
Instagram: https://www.instagram.com/breakupshoes
Twitter: https://twitter.com/breakupshoes

Emerging from the heyday of the Phoenix house show scene, Breakup Shoes’ intimate yet celebratory style derives from their DIY origins as down-and-out college roommates. Their earliest tracks gave a unique expression to the long Arizona summer through a crafty blend of west coast beach rock mellowed out by a bedroom pop charm, which quickly earned a cult following with debut EP Nicotine Dream. Their first full-length record, Unrequited Love (& other clichés), propelled the band to a national audience and earned them gigs with Soccer Mommy, Men I Trust, No Vacation and more. Follow up record So Money, Baby pairs Zawisa’s sweet melodies with a rich production style and brought the band their first full national tour with Summer Salt. Their most recent EP, 2021’s Narratives, finds the band in a smoother, more mature sound that matches Zawisa’s reflective lyrics, yearning for simpler times in complex tones. Breakup Shoes consists of Phoenix locals Nick Zawisa (lyricist/vocalist), Matthew Witsoe (drums), John MacLeod (guitar/bass), and Jake Peña (bass/guitar).

of Montreal + Locate S,1 + Palomino Blond – West Palm Beach – 3/16/22

Heroes Live Entertainment & Poplife present of Montreal with special guests Locate S,1 and Palomino Blond @ Respectable Street in West Palm Beach.


Tickets: https://ofmontreal2022.eventbrite.com
**Proof Of Vax/Neg test required for entry by artist request**

Round up the troops! of Montreal return to South Florida for another exciting show to promote their new album “I Feel Safe With You, Trash”.

The Athens band’s recorded material can be divided into two distinct periods. Their early work focused on 60s-tinged pop and psychedelic elements channeled through the prism of Kevin Barnes’s unique lyricism. In more recent years of Montreal’s style changed to a mixture of electronica, funk, glam, and afrobeat music influenced by Prince and David Bowie.

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Support:

Locate S,1
Website: https://locates1.com
Facebook: https://facebook.com/christina.schneider.locates1
Instagram: https://instagram.com/locate_s1

After a particularly rough solo performance in 2018 when one of her own friends talked loudly throughout her set, Christina Schneider exited the venue and told herself, “If they’re not even going to listen, then I’m fucking done.” It wasn’t quite the feeling she’d hoped for after dedicating her life to creating subversive, genre-fluid pop music. Working under various aliases since 2014 — including CE Schneider Topical, Jepeto Solutions, Christina Schneider’s Genius Grant and now Locate S,1 — she’s explored everything from groovy garage rock to minimalist
bedroom pop to Syd Barrett-style psychedelia.

Palomino Blond
Website: https://palominoblond.com
Facebook: https:/facebook.com/palominoblond
Instagram: https://instagram.com/palomino_blond
Twitter: https://twitter.com/palominoblond

Palomino Blond is a rock band from Miami, FL that sometimes sounds evil and sometimes sounds pretty…

Promo Assets: https://bit.ly/pbassets

Video for “Creature Natural” – https://www.youtube.com/watch?v=kYqz8QC4Gys
Video for “Damage” – https://www.youtube.com/watch?v=S3nvy1BxSeI
“Supergalore” – Live at Heartwood Soundstage – https://www.youtube.com/watch?v=s0yYmIj986Q

Past features on: Bandcamp Daily, Talkhouse, Brooklyn Vegan, Alt-Citizen, The Orlando Weekly, The Alternative, Tom Tom, Creative Loafing (Tampa), NPR Latino and Miami New Times.

Band has been touted and played on Radio by both Laura Jane Grace (of Against Me! on Vans Ch. 66) and the legendary Iggy Pop (on BBC6).

Recent support shows (2019-21) with: Black Lips, Surfer Blood, The Casket Lottery, Last Dinosaurs, Chastity Belt, The Pauses, A Place to Bury Strangers, Born Ruffians, Ceramic Animal, Thelma and the Sleaze, and Spendtime Palace.

Recent Festival Plays: Sing Out Loud (St. Augustine, FL,) The Fest 19 (Gainesville, FL,) iii Points (Miami, FL)
Upcoming January 2022 SE Tour w/MOLD! and Seafoam Walls (Ecstatic Peace/Daydream Library)

R.I.Y.L. – The Breeders, The Smashing Pumpkins, The Jesus and Mary Chain, Sonic Youth, Chelsea Wolfe, Cocteau Twins

Clan Of Xymox + The Bellwether Syndicate + Astari Nite **NEW DATE** – West Palm Beach – 3/17/23

Heroes Live Entertainment presents Clan Of Xymox with special guests The Bellwether Syndicate & Astari Nite on Friday, March 17, 2023 @ Respectable Street in West Palm Beach. First South Florida show since 1991!

Tickets: https://clanofxymox2023.eventbrite.com

*Tickets purchased on the original date will be honored. 


Dutch darkwave pioneers Clan Of Xymox will perform their first South Florida show since 1991 at Respectable Street in West Palm Beach. Clan of Xymox with special guests The Bellwether Syndicate – William Faith (of Faith and the Muse) and Sarah Rose (aka DJ Scary Lady Sarah), Astari Nite and Jolt Radio’s Shadowplay DJs. Watch Video Flyer

Clan Of Xymox

Instagram: https://instagram.com/clan.of.xymox

Since their formation in their native Holland, Clan of Xymox has been constantly changing, always challenging and often quite breathtaking. Formed in 80’s Amsterdam and signed to leading English independent label 4AD, home at one time to the Cocteau Twins, Dead Can Dance, and Pixies among others. The 4AD period saw the release of the band’s self-titled debut album and the second album Medusa. Those two records were full of tumbling electro beats, throbbing sequencers and moody vocals.

Clan of Xymox became one of the pioneers of the dark and moody electronic music that later became known as darkwave. Later they got signed to a subsidiary of Polygram USA. Their releases as solely Xymox were in a more synthpop/dance music vein. This period was known as their most commercial one, having dance chart hits in the USA.

In 1997, Ronny Moorings made the decision to restart Clan of Xymox and return to his musical roots in the Gothic electro scene. Since then, the band signed to USA based Metropolis Records, releasing a series of critically acclaimed albums.

The band has released 15 studio albums, 2 DVD’s, a remix and live album, “Best Of” and even a covers album. In 2017, “Days Of Black“ was released worldwide. It remains faithful to its roots and new-wave basis, but progressively evolved towards more melodic and harmonious songs.

Clan of Xymox have done what many similar bands fail consistently to do. They’ve upped their game, shaken things around, plunged back into the darkness and come up with something sounding fresh, original, and exciting. To the great enthusiasm of their fans, the band still tours with great energy worldwide on a constant basis. Current line-up consists of: Ronny Moorings, Mojca, Mario, Sean and Daniel.

Support:

The Bellwether Syndicate
Website: https://thebellwethersyndicate.com 
Facebook: https://facebook.com/thebellwethersyndicate/
Instagram: https://instagram.com/thebellwethersyndicate/
Twitter: https://twitter.com/BellwetherSyn

Fronted by veteran artist William Faith (of Faith and the Muse) and Sarah Rose (aka DJ Scary Lady Sarah), The Bellwether Syndicate are, as illustrated by their debut, coloring outside of prescribed genre lines, choosing here to push the boundaries of style and substance into something relevant and vital.

While the music is written and recorded by William and Sarah, the live show features collaborators Philly Peroxide (keyboards/percussion), Paul Sin (bass) and Faith’s long-time drummer Stevyn Grey. The Bellwether Syndicate present a powerful and commanding live performance, where the sound and substance of the recorded work truly comes to life; where the art is made whole by the audience — and this is a band that knows how to connect with its audience: not a typical fan base, but an engaged and invested network of family and familiars spanning the globe.

Astari Nite
Website: https://astarinitengp.bandcamp.com
Facebook: https://facebook.com/astarinitemusic
Instagram: https://instagram.com/astarinite43
Twitter: https://twitter.com/astarinite

Astari Nite crosses an obscure mix between gothic rock and post-punk, exploring themes of death, love and the occult.

Having performed alongside acts such as Peter Murphy, The Damned, Psychedelic Furs, She Wants Revenge, Cold Cave, Assemblage 23, Black Rebel Motorcycle Club, Modern English and She Past Away, they have established themselves as contemporaries of the GOTHIC ROCK scene.

Astari Nite has released two brand new singles so far in 2021 titled All Else is a Curse and Pocket Full of Posies and can be heard at https://astarinitengp.bandcamp.com

Plus Jolt Radio’s Shadowplay DJs

https://joltradio.org/artist/shadowplay

Nitzer Ebb – Miami 5/24/19

Heroes Live Entertainment presents Nitzer Ebb with Liebknecht (Daniel Myer from Haujobb) & DJ Paul Klov @ The Ground at Club Space in Miami.

Tickets: https://ticketfly.com/event/1816936

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

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Support:

Liebknecht

Website: https://soundcloud.com/dmyer/liebknecht-next-drumapella
Facebook: https://facebook.com/LiebknechtOfficial
Twitter: https://twitter.com/DanielMyer
Instagram: https://instagram.com/liebknecht__

Liebknecht is the musical collaboration of Daniel Myer (Haujobb) & Rinaldo Bite. Liebknecht is techno, dancefloor elements mixed with dark textures, cryptic messages, eclectic experimental sounds and straight forward beats, always on the Edge between old school electro and club culture.

DJ Paul Klov (Bohemia AG)

The Soft Moon + Boy Harsher – Miami – 4/25/18

Heroes Live Entertainment presents The Soft Moon with special guests Boy Harsher and Laboratory @ Gramps in Miami (Wynwood).


Tickets: https://ticketfly.com/event/1596957

The Soft Moon gives the darkly hypnotic sounds of Suicide, Joy Division, Bauhaus, and Krautrock new life with a stripped-down, lo-fi approach. The Soft Moon is led by Luis Vasquez inspired by his Afro-Cuban heritage and the wide-open spaces of the Mojave Desert where he was raised.

The Soft Moon
Website: https://thesoftmoon.com/
Facebook: https://facebook.com/thesoftmoon
Twitter: @thesoftmoon
Instagram: @the_soft_moon

Support:

Boy Harsher
Website: https://boyharsher.com/
Facebook: https://facebook.com/boyharsher/
Twitter: @boyharsher
Instagram: @boyharsher

Boy Harsher is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable.

Laboratory
Website: https://laboratorymiami.bandcamp.com/releases
Facebook: https://facebook.com/laboratorymiami
Instagram: @laboratory_propaganda

Detuned synths for detuned souls. Currently the brainchild of Miami’s Ryan Carmody & Didi Aragon. Industrial, Post-Punk, Musique Concrete, Eerie Music, Sci-Fi.