Heroes Live Entertainment

Florida's premier independent concert promoter. Miami, West Palm Beach, Orlando, Tampa

Escape The Fate + Slaves + Famous Last Words + Picturesque + Set To Stun + Bloodbather – Miami – 10/5/18

July 11, 2018 heroesliveent
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Heroes Live Entertainment presents Escape The Fate, Slaves, Famous Last Words, Picturesque, Set To Stun & Bloodbather @ The Ground at Club Space in Miami. Under 18 w/Parent or Legal Guardian (Both must purchase tickets)

Tickets: http://ticketfly.com/event/1708651

Escape The Fate (formed 2004) is a post-hardcore band originating from Nevada signed to Eleven Seven Music. Their sixth album, I Am Human, was released on March 30, 2018 spawning a top 15 single, Broken Heart, at Active Rock radio currently and the song will only climb the charts. ETF recently wrapped up a North American tour with Papa Roach.

Escape The Fate
Website: http://escapethefate.com/
Facebook: http://facebook.com/escapethefate/
Twitter: http://twitter.com/EscapeTheFate
Instagram: http://instagram.com/escapethefate/

Slaves
Website: http://slavesband.com/
Facebook: http://facebook.com/officialslaves/
Twitter: http://twitter.com/SLAVESOFFICIAL
Instagram: http://instagram.com/SLAVESOFFICIAL/

Slaves is an American post-hardcore group formed in Sacramento, California. The band currently consists of lead vocalist Jonny Craig, formerly of Emarosa and Dance Gavin Dance, bassist Colin Vieira of Musical Charis and guitarist Weston Richmond. The band released their third studio album Beautiful Death on February 16, 2018.

Support:

Mineral: 25th Anniversary Tour + Tancred + Pohgoh – Miami – 1/9/19

April 12, 2018 heroesliveent
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Heroes Live Entertainment presents Mineral: 25th Anniversary Tour with special guests Tancred & Pohgoh @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1682955

“When Mineral broke up in 1998, they had been together for only four years and released only two full-lengths, yet their shaping of the indie rock landscape cannot be overstated. “ – All Music Guide

–

 

EndSerenading was the second, and final album released by Mineral. It was the definitive statement by the Austin, TX based band. So final, in fact, that the band members had actually gone their separate ways prior to the album’s release in 1998.

What ended in 1998, actually began four years earlier, in Houston, TX, when friends Christopher Simpson (guitar/vocals), Jeremy Gomez (bass), Gabriel Wiley (drums) and Scott McCarver (guitar) formed the band Mineral. Mineral launched into touring immediately, often alongside other indie bands like Jimmy Eat World, The Promise Ring, Texas is the Reason, Knapsack, Braid, and The Get Up Kids, garnering them a legion of fans from the outset.

Eventually the band relocated to Austin, TX and a debut single, Gloria b/w Parking Lot, on Caulfield Records followed, as did more touring. Via a zine editor in Colorado, the single found it’s way to Jeff Matlow at crank! A RECORD COMPANY, which eventually led to an album deal and the release of The Power Of Failing in 1996.

Upon the release of the first album, Mineral quickly emerged as one of the leaders in the burgeoning indie / emo music scene. College radio loved the record. The press gushed about the band. It was inevitable that the major labels would come calling. Interscope Records eventually won the major label beauty contest and signed the band.

Such were the circumstances when the band went into Big Fish Studios in San Diego, California with Mark Trombino (Blink 182, Jimmy Eat World) to record one final record for crank! A RECORD COMPANY. EndSerenading was the result. The songs for the record had not come easily, nor did the recording of them. But the album was strong, emotional and daring. It was a Mineral album.

And then it was over. The perfunctory “creative differences” statement was issued. The album was released and new bands were formed. Christopher and Jeremy went on to form The Gloria Record and Gabe founded Pop Unknown.

In a short amount of time, Mineral’s poignant dynamics combined with impassioned lyrics about coming of age was influencing bands everywhere, and still inspires new bands in the indie scene today.

2019 marks the bands 25th anniversary.

Support:

 

Tancred
Website: https://tancredmusic.com/
Facebook: https://www.facebook.com/tancredmusic/
Twitter: https://twitter.com/tancredjess
Instagram: https://www.instagram.com/tancredjess/

Tancred is the stage name of former Now, Now guitarist Jess Abbott.

As Tancred, Abbott has released three full-length albums to date. Her first album, titled Capes, was released in 2011 on No Sleep Records. In 2013, Abbott signed to Topshelf Records and released her self-titled second full-length album. In 2016, Abbott signed to Polyvinyl Records and released her third full-length album titled Out of the Garden. On March 27, 2018, she premiered her new single Reviews and announced an album, Nightstand, to be released on June 1, 2018 via Polyvinyl.

Out of the Garden was recorded by OFF!’s Steven McDonald and That Dog.’s Anna Waronker, and was praised by many outlets, including NPR Music, which declared: “Out of the Garden is just phenomenal… this to me feels like a breakthrough.”

A video for Tancred’s song “Pens” was handpicked for NPR Music’s “Songs We Love” series and featured a cameo by Sadie Dupuis of Speedy Ortiz.

Tancred has toured with Foxing, Julien Baker, Weaves, and Jessica Hernandez & The Deltas, and also performed at the 2016 Riot Fest.

Pohgoh
 
Twenty-one years is a long time between albums.
 
Since calling it quits in 1997, Tampa, FL’s Pohgoh has been known to break out the guitars for the occasional one-off reunion over the years. The last one reignited a missing passion and desire to write and perform music together. Susie Ulrey (vocals, guitar), Matt Slate (guitar), Keith Ulrey (drums) and new bassistBrian Roberts (Hankshaw, Murder Suicide Pact) spent the last couple of years hunkered down in their practice space revisiting the old material while hashing out fresh ideas.
In August 2017 the band made their way to Baltimore, MD’s Magpie Cage Recording Studio to record their sophomore full-length with engineer/producer J. Robbins (Jawbox, Burning Airlines). The result is Secret Club, Pohgoh’s first full-length since 1997’s posthumous In Memory Of Bab, consisting of songs dealing with life as a band after almost 20 years apart and Susie’s 15+ year battle with Multiple Sclerosis.
 
Diagnosed in 2001, Susie’s lyrics touch on the hardships and struggles of living with the disease including, but not limited to, a constant worry of being a burden to others (“Business Mode”), years of chemical and drug therapies (“Super Secret Club”) and a simple nightly fight pleading with her own legs to remain still (“Who’s The You”). The album does have its ‘light in the darkness’ moments, too, with songs about the direction of the reunited band (“Try Harder”) and the sheer power of positive thinking (“Bunch”), of which she declares “I lose battles, but I win wars.” All of this set to a backdrop of crunchy Superchunk-y guitars, even as they visit the more downtempo moments of reflection throughout the 11 tracks.
 
With a rich history within the 90’s DIY/indie/emo scene, Pohgoh was in a small league of female-fronted bands of the era alongside peers like Rainer Maria, Dahlia Seed & Jejune. The band’s previous catalog includes several singles, a split 7″ with Braid, the closing track on the Emo Diaries, Vol. 1 and the aforementioned full-length.
Secret Club is out now on CD/LP/Digital via New Granada Records (US), Barely Regal Records (UK/EU) and Waterslide Records (Japan).
 
PRAISE FOR SECRET CLUB:
“a dynamically playful and DIY-feeling fusion of emo, alternative rock, and power pop.”
– The Fader
 
“a fantastic piece of work that builds upon the bittersweet sonic bedrock the band initially laid out, while lyrically exploring the ups and downs of living with one bitch of a disease.”
– Kerrang (UK)
 
“They were everything I wanted in a band when I was playing music back in the day.”
– Washed Up Emo
 
“you should check this out if you’re fan of Pohgoh’s old pals like Braid and Rainer Maria, or newer bands that keep this sound alive like Into It Over It and Waxahatchee.”
– BrooklynVegan
 
“Alongside J Robbins’ typical rough-and-ready production style, Pohgoh feel so deeply ingrained in the classic emo aesthetic while simultaneously having grown, matured and experienced, and they’re able to capture those feelings in a great return.”
– The Sound Board
 
“It’s quite a musical feat for a band to contrast gloom and disheartenment so well with hope and solidarity. Pohgoh is able to do this in such a laid-back and easy manner as if the long hiatus had never existed.”
– Visions (Germany)

Meat Beat Manifesto + Otto Von Schirach **Only Southern US Show** – Miami – 9/15/18

February 13, 2018 heroesliveent
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Heroes Live Entertainment presents Meat Beat Manifesto: Only Southern US Date @ The Ground at Club Space in Miami. Support: Otto Von Schirach & DJ Carlos Menendez (Fire & Ice, Backdoor, The Church)

Tickets: http://ticketfly.com/event/1646872

Jack Dangers is the composer and sound sculptor behind Meat Beat Manifesto. His constantly evolving musical invention has generated a long string of futuristic classics, like “Psyche Out,” “Helter Skelter,” “Radio Babylon,” “Edge of No Control” and “It’s The Music.” The single, “Prime Audio Soup,” from the Meat Beat Manifesto album Actual Sounds and Voices, was featured in the sci-fi fantasy blockbuster, The Matrix and on its platinum-selling soundtrack.

An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. As a premier remixer, producer, and sound designer, he has played a seminal role in defining tomorrows’ music today. Past production/remixing projects include Public Enemy, Scorn, David Bowie, Orbital, NIN, EBN, David Byrne, Merzbow, Depeche Mode, Terry Riley, Tower of Power and Coil. He has also made videos for Clive Barker, Tox Simian, and DJ Shadow.

Meat Beat Manifesto released their 2018 record, “Impossible Star” on January 19 via Flexidisc with distribution by Virtual Label. It is available on CD, digital, and vinyl. Drawing on the paranoid and surreal political and cultural climate, Jack Dangers likens the record “to an MC Escher optical illusion which spirals around and around and never seems to end.”

“Intriguing and intimidating, Dangers’ cultural osterizing evolves to the nth degree of studio sophistication…”
–ROLLING STONE

“Without MBM’s groundbreaking amalgams of hip-hop and industrial dance music, modern dance music genres such as Big Beat and Drum & Bass wouldn’t exist…one of Britain’s most inventive practitioners of sampladelic funk.”
–ALTERNATIVE PRESS

“A true innovator, MBM main man Jack Dangers helped lay down the rules for dub-inflected electronica, throwing down heavy breaks atop challenging experimental sound”
– CMJ

“The sounds of futuristic riddims that both predate electronic genre nicknames and mock their ideals; one that may be defined purely by its sphere of influence on modern music.
– URB

–
 

Meat Beat Manifesto’s constantly evolving musical invention has generated a long string of influential futuristic classics in its 21 year career, including such tracks as “God O.D.”, “Strap Down”, “Psyche Out”, “Helter Skelter”, “Radio Babylon”, “Edge of No Control” and “It’s The Music”. The single, “Prime Audio Soup” (from the album Actual Sounds and Voices) was featured in the sci-fi fantasy blockbuster The Matrix and on its platinum-selling soundtrack.

An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. MBM recently contributed the track “Suicide” to the top-selling soundtrack to Underworld: Evolution and Jack’s remix of Tower Of Power’s “What Is Hip?” was nominated for a Grammy in 2006.

Support:

Otto Von Schirach
Facebook: http://facebook.com/ottovonschirach
Soundcloud: http://soundcloud.com/ottovonschirach
Twitter: @ottovonschirach
Instagram: @ottovonschirach

Otto von Schirach is an IDM and breakcore artist from Miami, Florida (USA), active since 1998. He is of Cuban/German descent. His style is more sporadic and noisy than other artists in the genre, and his visual aesthetic leans on the heavy metal side rather than electronic.

He has released most of his work on the Schematic and Beta Bodega labels, and was featured in the 2002 documentary Electro-Dziska. Otto’s live performances include outfits, masks and props, and he has toured with the band Skinny Puppy. He is also credited on the Skinny Puppy albums The Greater Wrong Of The Right and Mythmaker. In 2011 he has toured U.S.A. with Atari Teenage Riot.

He also does a large amount of work in the areas of music production and remixing and has collaborated with several artists such as Modeselektor on their records Happy Birthday! and Monkeytown. Recently von Schirach has become increasingly involved with the Miami Bass Warriors, a Miami Bass focused project with Jose el Rey, El Tigre and Debbie D from Avenue D. Their debut video, “Going Back to Calle 8,” was featured on Pitbull’s show La Esquina.

D.R.I. + Deathwish + More – West Palm Beach – 12/8/18

December 29, 2017 heroesliveent
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Heroes Live Entertainment presents D.R.I. (Dirty Rotten Imbeciles), Deathwish, Old Habits & Church Girls @ Respectable Street in West Palm Beach.

Tickets: http://ticketfly.com/event/1634872 

D.R.I. (Dirty Rotten Imbeciles) is a crossover thrash band that formed in Houston in 1982. D.R.I. integrated their hardcore punk roots with thrash metal influences and were a stylistic catalyst for their contemporaries — Suicidal Tendencies, Corrosion of Conformity, S.O.D., the Cro-Mags, Nuclear Assault and Cryptic Slaughter — alongside whom they are considered to be one of the major pioneers of “crossover thrash”, having a heavy influence on modern thrash, particularly Scott Ian and his band Anthrax.

D.R.I. **Only South Florida Show**
Website: http://dirtyrottenimbeciles.com
Facebook: http://facebook.com/DRI-137263955229/

Support:

Deathwish
Motor-Charged Punk from Wisconsin. DRI labelmates.
Facebook: http://facebook.com/deathwish666motorcharged/

Old Habits
Lake Worth Hardcore. Doing it right.
Facebook: http://facebook.com/OldHabitsHC/
Website: http://eulogyrecordings.com
Instagram: http://instagram.com/oldhabitshc
Links: http://aceshightattooshop.com ; http://blackrosetattooshop.com

Church Girls
Saint Lucie Rock N Roll. Grimey South Florida Orgy Anthems.
Website: http://churchgirlsfl.bandcamp.com
Facebook: http://facebook.com/ChurchGirlsFL/
Instagram: http://instagram.com/Official_Church_Girls/
Twitter: http://twitter.com/churchgirls_FL

Eyehategod + Cro-Mags + Shroud Eater + Ether – Margate (Fort Lauderdale) – 4/1/18

December 27, 2017 heroesliveent
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Heroes Live Entertainment presents Eyehategod “30th Anniversary Tour” w/Cro-Mags, Shroud Eater & Ether @ O’Malley’s in Margate (Fort Lauderdale).

Tickets: http://ticketfly.com/event/1617898

 

The misanthropic sludge metal outfit Eyehategod was formed in New Orleans in 1988, and became an important part of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. Eyehategod was the brainchild of guitarist Jimmy Bower and drummer Joe LaCaze; the two recruited vocalist Michael D. Williams, lead guitarist Brian Patton, and bassist Steve Dale, and debuted in 1992 with the album In the Name of Suffering.

EYEHATEGOD “30th Anniversary Tour”
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Twitter: @EyehategodNola
Instagram: @EyehategodNola

Cro-Mags
Website: http://cro-mags.com/
Facebook: http://facebook.com/Cro-Mags-28749578197/

The Cro-Mags are an American hardcore punk turned crossover thrash band from New York City. The band, which had a strong cult following, has released five studio albums, their first two considered the most influential. According to AllMusic, “before the Cro-Mags, the idea of combining heavy metal and hardcore together was unheard of. But with the release of their classic debut, The Age of Quarrel, hardcore-metal was born, and in its wake came a legion of similarly styled offspring (Biohazard, Vision of Disorder, etc.).”

Support:

Shroud Eater
Website: http://shroudeaterrocks.com/
Facebook: http://facebook.com/shroudeater/
Twitter: @Shroud_Eater
Instagram: @shroud_eater

Miami’s Shroud Eater gained praise from preeminent tastemakers such as Noisey, Cvlt Nation, HellRide Music, The Obelisk and others, Shroud Eater have proven they bring the heavy with the best of them; Heavy Planet dubbed them “Stoner-Sludge Titans”, while Ghost Cult Magazine called them the “Future of sludge metal”. The band has performed at the much lauded Psycho Las Vegas, as well as Destroyer Fest, Wvrm Fest, 305 Fest, Fresh Fest, and the Tennessean Sludge Festival.

Ether
Website: http://ethercoven.bigcartel.com
Facebook: http://facebook.com/EtherCoven/
Instagram: @ethercoven

Doom, but punk… kinda.

The Soft Moon + Boy Harsher – Miami – 4/25/18

November 29, 2017 heroesliveent
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Heroes Live Entertainment presents The Soft Moon with special guests Boy Harsher and Laboratory @ Gramps in Miami (Wynwood).

Tickets: http://ticketfly.com/event/1596957

The Soft Moon gives the darkly hypnotic sounds of Suicide, Joy Division, Bauhaus, and Krautrock new life with a stripped-down, lo-fi approach. The Soft Moon is led by Luis Vasquez inspired by his Afro-Cuban heritage and the wide-open spaces of the Mojave Desert where he was raised.

The Soft Moon
Website: http://thesoftmoon.com/
Facebook: http://facebook.com/thesoftmoon
Twitter: @thesoftmoon
Instagram: @the_soft_moon

Support:

Boy Harsher
Website: http://boyharsher.com/
Facebook: http://facebook.com/boyharsher/
Twitter: @boyharsher
Instagram: @boyharsher

Boy Harsher is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable.

Laboratory
Website: http://laboratorymiami.bandcamp.com/releases
Facebook: http://facebook.com/laboratorymiami
Instagram: @laboratory_propaganda

Detuned synths for detuned souls. Currently the brainchild of Miami’s Ryan Carmody & Didi Aragon. Industrial, Post-Punk, Musique Concrete, Eerie Music, Sci-Fi.

Front Line Assembly + Cubanate – West Palm Beach – 11/4/17

September 16, 2017 heroesliveent
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Respectable Street in partnership with Heroes Live Entertainment present Front Line Assembly with Cubanate, Vampyre Anvil, Cyanide Regime & Skoros @ Respectable Street in West Palm Beach.

Tickets: http://ticketfly.com/event/1564861

Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released what for many has become the genre’s crowning moment, the classic album Tactical Neural Implant, which to this day still defines the best of industrial music.

FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial’s perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. Also in 1996, Front Line Assembly followed up Hard Wired with two CD singles, “Circuitry” and “Plasticity”, and toured North America with Numb and Die Krupps.

1997 saw the first realignment of Front Line Assembly since 1990, with the departure of Rhys Fulber and the addition of Chris Peterson to the ranks. Front Line’s 1998 album, FLAvor of the Weak, featured the band’s first flirtation with electronica. Re-Wind, a twin CD of remixes, followed later that year. The duo then released Implode in 1999, and Epitaph in 2001. Epitaph exhibited building intros, trancy synth lines, pulsing beats, and solid melodies, which proved to be contagious anthems for a new future of industrial music.

After the 2001 release of Epitaph, another changing of the FLA “guard” occurred: Chris Peterson left, and original member, Rhys Fulber (Fear Factory, Conjour One) returned. The newly charged Front Line Assembly delivered the highly anticipated Maniacal single in late 2003. The successful single laid the ground work for the 2004 album Civilization, and Vanished EP which featured three unreleased tracks.

Then finally in 2005 came the event that everyone was waiting for, a Front Line Assembly fusion. Bill Leeb, Rhys Fulber, and Chris Peterson with new members Jeremy Inkel, Adrian White, and Jarod Slingerland began working on the 2006 album, Artificial Soldier. The newly re-formed line-up managed to create an album that no only lived up to the expectations of Front Line Assembly fans, but surpassed them. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb’s trademark vocals couldn’t be fused together any tighter if you tried to do it at an atomic level. As if all of those factors weren’t enough, two guest vocalists appear on Artificial Soldier – Eskil Simonsson from Covenant (on “The Storm”) and Jean-Luc De Meyer from Front 242 (on “Future Fail”)! After the release of the album, the band embarked on a successful world tour, and released the remix album Fallout one year later.

Throughout the years, FLA has seen many line-up changes. Bill Leeb remains the constant behind the band. For 2010, a new line-up has emerged featuring Jeremy Inkel, Chris Peterson on programming duties, and Jared Slingerland on Guitars, and FLA has been joined by Three Inches of Blood guitarist Justin Hagberg, and guest keyboardist Craig Huxtable of Landscape Body Machine.

The result of this reinvigorated lineup is the all new album Improvised. Electronic. Device. As well as the Shifting Through The Lens single. The new songs demonstrate that FLA has not lost its edge over the past almost two and a half decades. And as if Front Line Assembly’s legacy and namesake alone weren’t enough for the album, Al Jourgensen from Ministry contributes his vocals to the song “Stupidity.”

Bill’s work can also be heard on a wide number of side projects, including Noise Unit, Delerium, InterMix, Cyberaktif, Equinox, and Synaesthesia. Bill has also contributed music to the popular video game, Quake 3 – The Arena.

Facebook: http://facebook.com/frontlineassembly

Support:

Cubanate
Website: http://soundcloud.com/marc-heal
Facebook: http://facebook.com/cubanate
Twitter: @Marc_Heal

Vampyre Anvil
Website: http://vampyreanvil.bandcamp.com
Facebook: http://facebook.com/vampyreanvil

Cyanide Regime
Website: http://cyanideregime.com
Facebook: http://facebook.com/cyanideregime

Whitechapel: “Decade of Defilement Tour” + Carnifex + Rings of Saturn + Entheos + So This Is Suffering + Bloodbather – Miami – 11/12/17

August 28, 2017 heroesliveent
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Heroes Live Entertainment presents Whitechapel: “Decade of Defilement Tour” Celebrating 10 Years of “The Somatic Defilement” with special guests Carnifex, Rings Of Saturn, Entheos, So This Is Suffering & Bloodbather @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1507518

With five genre-redefining albums to their name, the Knoxville, Tennessee natives have carved themselves a unique niche in contemporary metal, and in doing so have spoken to legions of fans. Making their presence known with 2007’s The Somatic Defilement, their profile has steadily grown, and 2014’s Our Endless War saw them crack the top 10 on the Billboard Top 200 for the first time. Their reputation for maintaining their integrity is well-earned, and going into their sixth full-length this commitment is stronger than ever. “I honestly don’t think that we ever have to prove anything to anyone, we do this because we enjoy it, and if people want to listen and support us, that’s just a bonus,” says Bozeman. “With this record we knew what we didn’t want to do. We wanted to get away from the faster stuff, because we’re burned out on that 260bpm blastbeat thing. We’ve done that. Ultimately none of us agree with genre pigeon-holing, and we’re not afraid to write what we want to write, no matter what anyone else thinks.” While the band had clear ideas for elements they wanted to explore, they did not allow this to dictate the record, which developed more naturally, focusing on what was best for the individual songs, refusing to accept anything less than the absolute best they could possibly do. “Nothing was set in concrete when we started writing, and we did not force anything,” Wade states. “For example, the idea of including some clean singing was brought up before any songs were written, but it was never really like ‘okay, we’re doing this’ until the songs that we planned to have that on were complete and Phil could say ‘so I’m clean singing on these, right?’. At that moment it felt exciting that we were exploring musical territory that we hadn’t before, and that we were confident in doing so.” In realizing the album, the band – rounded out by guitarists Ben Savage and Zach Householder, bassist Gabe Crisp and drummer Ben Harclerode – reunited with producer Mark Lewis (The Black Dahlia Murder, Cannibal Corpse). “When it comes to recording we have the ‘if it’s not broke, don’t fix it’ mentality, and he really does find ways to make us sound better with each record. From ‘Whitechapel‘ (2012) to ‘Our Endless War‘, there really was a large step forward in terms of the production and tones, and I feel that is also the case with the progression from ‘Our Endless War‘ to ‘Mark of the Blade‘. This is the biggest we have ever sounded on a record, and it’s great to see his growth as a producer matched with our growth as musicians.”

Whitechapel

Twitter: @WhitechapelBand
Instagram: @whitechapelband

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Support:

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Twitter: @carnifex
Instagram: @Carnifex
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Facebook: https://facebook.com/RingsofSaturnband
Instagram: @lucasmannofficial
<>
Twitter: @entheosofficial
Instagram: @entheosband
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So This Is Suffering
Facebook: https://facebook.com/sothisissuffering
Instagram: @sothisissuffering
<>
Bloodbather
Website: https://bloodbather.bandcamp.com/releases
Facebook: https://facebook.com/bloodbather
Twitter: @bloodbather
Instagram: @bloodbather

Insane Clown Posse: The Great Milenko 20th Anniversary Tour + R.A. The Rugged Man – Miami – 10/18/17

August 24, 2017 heroesliveent
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Heroes Live Entertainment presents Insane Clown Posse: The Great Milenko 20th Anniversary Tour with R.A. The Rugged Man, Lyte, Ouija & Web Three @ The Hangar in Miami.

Tickets: http://ticketfly.com/event/1551927

Insane Clown Posse

Few artists have as devoted a fan base (“Juggalos” as they call themselves) and are as roundly dismissed by critics as Insane Clown Posse, the Wayne, Michigan, rap-metal duo of Violent J (a.k.a. Joe Bruce) and Shaggy 2 Dope (a.k.a. Joey Utsler). Still, ICP’s longevity and marketing acumen have brought a success even their detractors must acknowledge.

Originally, Violent J and Shaggy 2 Dope were part of a rap quartet called Inner City Posse, which formed in 1988; when the group broke apart, Insance Clown Posse took its place in the local firmament. Their debut, 1992’s Carnival of Carnage, introduced the group’s new sound, which mixed harder rock elements among the beats and rhymes and its essential pose (clowns in full make-up anticipating the apocalypse, basically). But despite a steady stream of albums that sell well to the group’s surprisingly large core, ICP’s main draw is its live show featuring all manner of sideshow shenanigans, including pyrotechnics and the liberal tossing of Faygo soda onto a willing audience.

With a growing fan-base, 1994’s The Ringmaster sold well, eventually going gold, and led to the band signing with Jive records for 1995’s The Riddle Box. The band jumped to Hollywood Records for 1997’s The Great Milenko (Number 63) which helped propel ICP into the national spotlight; Hollywood’s pulling the album off shelves due to questionable lyrical content gave the album an even further push as the burgeoning nü-metal audience couldn’t wait to hear what all the fuss was about. Island eventually issued the disc. The band began making headlines but not so much for their music but thanks to a road accident (Violent J suffered a concussion), fights with their own audiences and at an Indiana Waffle House, and a panic attack onstage in Minneapolis (J’s).

By 1999, when the group issued The Amazing Jeckel Brothers, it had enough clout to debut at Number Four on the Top 200, and like Kiss before them, they began merchandising like crazy: multiple CD covers, a movie (Big Money Hustlas, which bypassed theaters for video), comic books, even part-time careers as professional wrestlers for both members, as well as appearances in a pair of wrestling video games. The group closed out the initial run of its ‘Dark Carnival’ series of albums with Shangri-La and Hell’s Pit, with the former album proclaiming that they had been leading their fans to God the whole time. ICP’s profile has shrunk in recent years (they’ve gone back to indie labels and tour in less high-profile a fashion), but their fan base remains as loyal as their 2007 release the The Tempest, which debuted at Number 20 on the Top 200, proved.

Website: http://insaneclownposse.com
Facebook: http://facebook.com/INSANECLOWNPOSSE
Twitter: @icp
Instagram: @therealicp

Support:

R.A. The Rugged Man
Website: http://ratheruggedman.net
Facebook: http://facebook.com/RAtheRuggedMan
Twitter: @RAtheRuggedMan
Instagram: @ratheruggedmanofficial

R.A. Thorburn, better known by his stage name R.A. the Rugged Man, is an American rapper. He began his music career at age 12, building a reputation locally for his lyrical skills. After a nine-label bidding war for his services, R.A. signed to major label Jive Records at age 18. Eventually R.A. and the label parted ways. His first album, Night of the Bloody Apes, was never released.

Since then, he has worked with the likes of Mobb Deep, Wu-Tang Clan, Kool G Rap, and Notorious B.I.G, as well as producers Erick Sermon, Trackmasters, DJ Quik, The Alchemist, J-Zone, and Ayatollah. He was featured on all three of Rawkus’s Soundbombing albums, as well as the platinum-selling WWF Aggression album. After a brief stint on Capitol Records (during which he recorded another unreleased album, American Lowlife), R.A. signed with independent label Nature Sounds and released his official debut, Die, Rugged Man, Die. In 2013, R.A. released his second album, Legends Never Die. The album was released on April 30, 2013 by Nature Sounds.

Lyte
Website: http://psychopathicrecords.com/Artists
Facebook: http://facebook.com/monstarLyte
Twitter: @lyte_official
Instagram: @lyte_official

The newest addition to the Psychopathic Records roster for 2017, Lyte comes to the label with an already well established fanbase built upon his his exhilarating and energetic live performances — a wicked blend of chopper-like rhymes and banging beats teamed with an unmistakable stage presence. He has toured with such acts as Critical Bill, Project Born, Motown Rage, and Twiztid. Lyte released his first mixtape (“Follow the Lyte) in 2014 and is readying his debut album for Psychopathic Records for its release in mid-2017. A multitalented performer, songwriter, and producer, Lyte is certain to illuminate the underground rap world in 2017.

Ouija
Facebook: http://facebook.com/FuccOuija

Web Three
Website: http://webthree.net
Facebook: http://facebook.com/webthreemusic
Twitter: @WebThreeMusic
Instagram: @webthree

Way more than just a rock/rap fusion outfit, Web Three Music is its own genre. It’s a “work hard, party hard” ethos mixed with social commentary, hard-hitting beats, live instruments, witty lyrics, and an undertone that urges listeners to be themselves. Web Three is “Do You” music, blending genres from hip hop to rock, with a touch of electro and soul. Having shared the stage with such artists as HED (p.e.), Twista, Project Pat, and Rehab, the band has developed a dedicated fan base and a close-knit family like following which fills venues. Web Three’s sound has been compared to Linkin Park, The Beastie Boys, and Rage Against the Machine… It’s up to you to decide for yourself.

Web Three’s name derives from his initials. Born William E. Bachelor III, Web is a charismatic rapper who is a self-described one-man mosh pit of style and a hip-hop fiend. He blends a natural gift for verse with a “f— it” attitude, making him the MC that stands out in a field of regurgitating one-offs. Equally important is his supporting cast. The incessantly joking Dita Von Bloom functions as the band’s hype man and second vocalist. Mike Dickson, the band’s guitarist, brings live instrumentation and adds energy to the already amped-up shows. Demonic theatrics are embodied by Ratt. The soft-spoken DJ Needlez runs the sequencing and turntables during the live show.

The lyrical flow has variety and is effortless. The music is firm and thick. The entire sound is full yet rageful. The complementary releases of the harder album “Do You,” and the more introspective “Loss, Love, and The New Normal” featuring Kaaren Styles, taken together present a complete range of talent that showcases the true depth of Web Three.

Wax Tailor – Miami – 11/2/17

August 16, 2017 heroesliveent
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Heroes Live Entertainment presents Wax Tailor: Solo Set & Guests – Feat. Charlotte Savary, Mattic & Dirty Art Club @ The Ground at Club Space in Miami.

Tickets: http://ticketfly.com/event/1507501

Wax Tailor

After a successful tour of 25 shows across the US this year, Wax Tailor is back for a new US Tour in November. For those additional 20 shows, mixing music & visuals, he will be joined on stage by Charlotte Savary (singer), Mattic (MC) & he’s also bringing Dirty Art Club as the opening act. The french producer is releasing « By Any Remixes Necessary », a relecture of his last album where he invites a dozen of producers. This album will be a world premiere as it will be released in a new format called “Vinyl connected ».

A defining figure of the european electronic scene, Wax Tailor’s unique sound lays somewhere between cinematic electro and orchestral hip-hop. Digging through the crates of the forgotten melodies, the DJ / producer crafts musical fantasies where silver era Hollywood and 20th century music come together. He has gained recognition through the years with five studio albums, two double live albums and about seven hundred concerts in over fifty countries. With his last studio album, “By Any Beats Necessary” (featuring Tricky, Ghostface Killah, Lee Fields, R.A The Rugged Man, Token…), Wax Tailor initiates a new take on the western frontier, leading us on a fabled road where Blues, Psychedelic Rock, Soul, Funk and Hip-Hop collide.

Wax Tailor has collaborated with numerous artists (Ghostface Killah, Tricky, Sharon Jones, Lee Fields, Ursula Rucker, Keziah Jones, Aloe Blacc, Charlie Winston, Alice Russell, Archive, RJD2, DJ Format, DJ Vadim, General Elektriks, Daedelus…).

Website: http://waxtailor.com
Facebook: http://facebook.com/thewaxtailor
Twitter: @waxtailor
Instagram: @waxtailor

Support:

Dirty Art Club
Website: http://dirtyartclub.bandcamp.com
Facebook: http://facebook.com/DirtyArtClub
Twitter: @DirtyArtClub
Instagram: @dirtyartclub