Heroes Live Entertainment

Florida's premier indie concert promoter. Miami, WPB, Orlando, Tampa

CAVITY + Devalued + Prison Warder – Miami – 3/21/26

December 11, 2025 heroesliveent
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Heroes Live Entertainment presents CAVITY with special guests Devalued and Prison Warder on Saturday, March 21, 2026 @ Las Rosas in Miami. This is the Florida sludge/doom metal band’s long-awaited return. Hometown show!
Tickets: https://cavity.eventbrite.com

8:00PM (Doors) | 9:00PM (Show) | 21+

CAVITY
Instagram: https://instagram.com/cavityad
Bandcamp: https://cavityafterdeath.bandcamp.com
Spotify: https://open.spotify.com/artist/4r1fs0uCxOqVajSaQvUQE2
Facebook: https://facebook.com/cavityad

Cavity is primarily a sludge and doom metal band, originating from Miami, Florida, known for their heavy, abrasive sound influenced by hardcore punk, with some later work incorporating industrial elements. They are considered pioneers of the sludgecore genre, featuring downtuned riffs, powerful drumming, and a visceral, sometimes catchy, style. 

Cavity have announced their return. Originally formed in 1992, the band would have a 10 year run before taking a 13 year hiatus again reforming as Cavity A.D. in 2015. That version of the group would be in existence until 2020 before the band would once again go on hiatus.

The current line up is made up of the returning vocalist Rene Barge, bassist Dan Gorostiaga, and guitarist Ed Matus joined by guitarist Andrew McLees and drummer Davin Sosa.

Support:

Devalued
Instagram: https://instagram.com/devalued_band
Facebook: https://facebook.com/Devaluedband
Bandcamp: https://devalued.bandcamp.com
Spotify: https://open.spotify.com/artist/3PgQ8WfMRqb3QBSjWPoEUs

Devalued is a Miami-based False Jazz trio that creates music that feels like the soundtrack to urban decay. Their unique sound combines elements of sludge, punk, grind and experimental noise, creating a frenzied and cacophonous blend that reflects the disintegrating beauty of the city. Their music is a reflection of the brutal realities of Miami, where the sun-drenched streets are filled with both hope and decay.

Their songs are filled with jarring rhythms and angular melodies that evoke a sense of disintegration and dissolution. They delve deep into the human psyche, exploring the darkest corners of the mind where addiction and self-destruction lurk.

They have a unique ability to capture the brutal realities of addiction, the pain of existence, and the slow decay of the soul.

The band’s live shows are intense and chaotic, with the three members of Devalued thrashing around on stage, lost in the music they are creating. Devalued is a band that demands to be experienced live, as their energy and intensity cannot be captured on record alone.

Despite the darkness and decay of their music, Devalued is a band that has found a way to transcend the pain and chaos of their surroundings. They are true artists, using their music to explore the deepest parts of the human experience and to offer a glimpse of something beyond the decay.

Prison Warder
Instagram: https://instagram.com/prisonwarder_band
Facebook: https://facebook.com/prisonwarderFl
Bandcamp: https://prisonwarder.bandcamp.com
Spotify: https://open.spotify.com/artist/4ADetAU3kbcxQLt2IknnOy

“Named in reference to David Icke’s theory that the worlds’ elites are lizard people from another dimension, Prison Warder is Ana Farina Mackliff on bass, Lauren Palma on guitar, Bryan Adams on drums and Christopher Aschbrenner on vocals. With such a nod, it may be obvious, Prison Warder feels dangerous because it is as sardonic as it is smart. Prison Warder’s masterful drums are perhaps what hold it all together, guitar and bass that seem bellicose lend Prison Warder much of their unique sound. Screeching and dissonant, the music makes me think of getting headbutt right in the mouth, and liking it. Were Prison Warder a person, you might cross the street to avoid such a fate. Layered with vocals from pacing madman Aschbrenner, which are spoken or shouted or screamed, a transgressive but lovable sound is born. If I had to pick a band to be reminded of, I might say Shellac, but only at their most vicious. I might say Pissed Jeans.” -Abbie Bateman

Crowbar + Eyehategod “Summer U.S. Tour 2025” + Bleeth – West Palm Beach – 8/9/25

April 6, 2025 heroesliveent
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Heroes Live Entertainment presents Crowbar + Eyehategod “Summer U.S. Tour 2025” with special guest Bleeth on Saturday, August 9, 2025 @ Respectable Street in West Palm Beach. Crowbar and Eyehategod are both legendary sludge metal bands from New Orleans, often cited as influential in the genre, and have a history of members collaborating and touring together, with Eyehategod’s Mike IX Williams also having a notable role in Crowbar. 
Tickets: https://crowbar.eventbrite.com

7:00PM (Doors) | 8:00PM (Show) | 18+

Crowbar
Website: https://crowbarnola.com
Facebook: https://facebook.com/crowbarmusic
Instagram: https://instagram.com/crowbarmusic
Spotify: https://open.spotify.com/artist/3xtIpqzIOfQUxKce8BU4Ka

The moment you hear it, you know it’s CROWBAR. Praised by Pitchfork, VICE, and Metal Hammer. Twice immortalized by MTV’s Beavis and Butt-Head. The group is worshipped by the heartbroken and downtrodden – those who exorcise their demons in smoke-covered riffs of mournful devastation. A genuine band’s band with a wide-ranging influence across multiple genres, Crowbar “helped draw up the sludge metal blueprints” (Kerrang!). Celebrating a recent 30th anniversary, Crowbar is led by one of the most beloved figures in heavy metal, riff overlord Kirk Windstein. His menacing bellow and smooth drawl put resilient, unrepentant strength behind even the most somber odes to suffering.  

Crowbar is an American sludge metal band formed in New Orleans, Louisiana, in 1990. The band is fronted by vocalist/guitarist Kirk Windstein, Crowbar’s sole constant member. Infusing a slow, brooding doom metal sound with the aggression of hardcore punk, Crowbar, along with other bands in the New Orleans heavy metal scene, pioneered a style known as sludge metal, though Windstein himself has admitted a dislike for the term. The band has also covered songs from outside of their immediate genre; these include Gary Wright’s “Dream Weaver” on Equilibrium, Iron Maiden’s “Remember Tomorrow” on Odd Fellows Rest, and Led Zeppelin’s “No Quarter” on Crowbar.

Eyehategod
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Instagram: http://instagram.com/EyehategodNola
Twitter: http://twitter.com/EyehategodNola

“The quintessential Southern sludge band” – PITCHFORK

“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY TIMES

“…True musical pioneers in every sense of the word.” – THRASHER MAGAZINE

ROLLING STONE:

Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list

One of “America’s great live bands”

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988, with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993), Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity, and Napalm Death in the US and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day,” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. It’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.

Support:

Bleeth
Website: https://linktr.ee/Bleeth
Instagram: https://instagram.com/Bleeth_band
Facebook: https://facebook.com/bleethband
Bandcamp: https://bleeth.bandcamp.com

Bleeth’s visceral post-metal sound is grounded in sludgy grime of heavy, driving riffs. The Miami-based Cuban-American band formed in 2015, and is composed of bassist Ryan Rivas, guitarist Lauren Palma, and drummer Hector Mojeno.

Bleeth’s first full length album Geomancer was released via Anti-Language Records (Los Angeles) on August 24, 2018.

Their 2nd full length harbinger marked a shift in a new direction—shorter and faster than past records, with particular emphasis on atypical tunings and arrangements. Bleeth signed with Seeing Red Records to release their sophomore album “Harbinger” in May 2021. SRR is a renowned independent label known for its dedication to heavy music. The album delves into themes of internal struggles with faith, societal structures, and the unknown future.

The success of “Harbinger” took Bleeth on multiple tours throughout the United States playing shows with the likes of Caveman Cult, Wrong, ASG, Weedeater, Capsule, Maggot Heart, Messa, Daikaiju, Portrayal of Guilt, Dead City Punx, Crowbar, Spirit Adrift, among others. Bleeth went back in the studio to record their forthcoming album “Marionette.” The album deals with fear of control, the self, and manipulation through injustice. The album represents the invisible double of the human, from a dual perspective: It’s an emotional and sonic journey that delves into duality—the tension between light and dark, freedom and oppression. The album is set to be released on May 29 in 2025.

EYEHATEGOD + Iron Buddha + Seven Serpents – West Palm Beach – 10/26/24

June 3, 2024 heroesliveent
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Heroes Live Entertainment presents EYEHATEGOD with special guests Iron Buddha and Seven Serpents on Saturday, October 26, 2024 @ Respectable Street in West Palm Beach.

Tickets: https://ehg2024.eventbrite.com

“The quintessential Southern sludge band” – PITCHFORK

“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY TIMES

“…True musical pioneers in every sense of the word.” – THRASHER MAGAZINE

ROLLING STONE:

Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list

One of “America’s great live bands”

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US, and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.

EYEHATEGOD
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Instagram: http://instagram.com/EyehategodNola
Twitter: http://twitter.com/EyehategodNola

Support:

Iron Buddha
Website: https://linktr.ee/ironbuddhariffs
Instagram: https://instagram.com/iron_buddha_band
Facebook: https://facebook.com/Ironbuddha666
Bandcamp: https://ironbuddha.bandcamp.com

Iron Buddha is a three-piece sludge metal band from South Florida making waves in their underground scene. Iron Buddha is rooted in strong tradition while also breaking new ground with crushing riffs, earth-shattering grooves, and powerful distortion and fuzz.

Drawing inspiration from legendary sludge metal and post-metal acts like Neurosis, Mastodon, ISIS, and YOB, Iron Buddha has created a heavy and dynamic sound unique to themselves. Their EP, “Raze//Repose,” is a new push in a new direction, showcases the band’s evolution as musicians, and solidifies their reputation as a formidable up-and-coming act.

Seven Serpents
Website: https://linktr.ee/Sevenserpents
Facebook: https://www.facebook.com/sevenserpents666
Instagram: https://www.instagram.com/sevenserpents/
Bandcamp: https://sevenserpents.bandcamp.com

Hailing from the swamps of South Florida since 2016. Mixing hardcore and modern metal backgrounds with sludge and stoner metal roots, the band hopes to provide a dismal, visceral experience with each track.

Eyehategod: A History of Nomadic Behavior Tour + Ether Coven + Seven Serpents – West Palm Beach – 10/24/21

July 21, 2021 heroesliveent
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Heroes Live Entertainment presents EYEHATEGOD with Ether Coven and Seven Serpents @ Respectable Street in West Palm Beach.

Tickets: https://eyehategod2021.eventbrite.com

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988 with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993) Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity and Napalm Death in the US, and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. In fact, it’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.

“The quintessential Southern sludge band” – PITCHFORK

“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY TIMES

“…True musical pioneers in every sense of the word.” – THRASHER MAGAZINE

ROLLING STONE:

Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list

One of “America’s great live bands”

EYEHATEGOD
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Instagram: http://instagram.com/EyehategodNola
Twitter: http://twitter.com/EyehategodNola

Support:

Ether Coven
Website: https://ethercoven.bigcartel.com
Facebook: https://www.facebook.com/EtherCoven
Instagram: https://www.instagram.com/ethercoven/
Bandcamp: https://ethercoven.bandcamp.com

Windhand **FREE SHOW** – Miami – 1/27/19

September 24, 2018 heroesliveent
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Heroes Live Entertainment & Las Rosas present Windhand **Free Show** with Genocide Pact, Ether & Absolver @ Las Rosas in Miami. Early arrival strongly suggested. Space is limited.

RSVP: http://ticketfly.com/event/1768175

New album “Eternal Return” out on Relapse represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Once again the band has joined forces with producer Jack Endino (Nirvana, Soundgarden) with vivid artwork by Arik Roper (Sleep, High on Fire). Equally informed by heavy, fuzzed-out psych along with the iconic grunge / alternative groups of the 90s, WINDHAND has crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy borders.

Windhand
Website: http://windhand.band
Facebook: http://facebook.com/WindhandVA
Twitter: http://twitter.com/windhandva
Instagram: http://instagram.com/windhand

Support:

Eyehategod + Cro-Mags + Shroud Eater + Ether – Margate (Fort Lauderdale) – 4/1/18

December 27, 2017 heroesliveent
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Heroes Live Entertainment presents Eyehategod “30th Anniversary Tour” w/Cro-Mags, Shroud Eater & Ether @ O’Malley’s in Margate (Fort Lauderdale).

Tickets: http://ticketfly.com/event/1617898

 

The misanthropic sludge metal outfit Eyehategod was formed in New Orleans in 1988, and became an important part of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. Eyehategod was the brainchild of guitarist Jimmy Bower and drummer Joe LaCaze; the two recruited vocalist Michael D. Williams, lead guitarist Brian Patton, and bassist Steve Dale, and debuted in 1992 with the album In the Name of Suffering.

EYEHATEGOD “30th Anniversary Tour”
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Twitter: @EyehategodNola
Instagram: @EyehategodNola

Cro-Mags
Website: http://cro-mags.com/
Facebook: http://facebook.com/Cro-Mags-28749578197/

The Cro-Mags are an American hardcore punk turned crossover thrash band from New York City. The band, which had a strong cult following, has released five studio albums, their first two considered the most influential. According to AllMusic, “before the Cro-Mags, the idea of combining heavy metal and hardcore together was unheard of. But with the release of their classic debut, The Age of Quarrel, hardcore-metal was born, and in its wake came a legion of similarly styled offspring (Biohazard, Vision of Disorder, etc.).”

Support:

Shroud Eater
Website: http://shroudeaterrocks.com/
Facebook: http://facebook.com/shroudeater/
Twitter: @Shroud_Eater
Instagram: @shroud_eater

Miami’s Shroud Eater gained praise from preeminent tastemakers such as Noisey, Cvlt Nation, HellRide Music, The Obelisk and others, Shroud Eater have proven they bring the heavy with the best of them; Heavy Planet dubbed them “Stoner-Sludge Titans”, while Ghost Cult Magazine called them the “Future of sludge metal”. The band has performed at the much lauded Psycho Las Vegas, as well as Destroyer Fest, Wvrm Fest, 305 Fest, Fresh Fest, and the Tennessean Sludge Festival.

Ether
Website: http://ethercoven.bigcartel.com
Facebook: http://facebook.com/EtherCoven/
Instagram: @ethercoven

Doom, but punk… kinda.