EYEHATEGOD
Website: http://eyehategod.ee/
Facebook: http://facebook.com/OfficialEyeHateGod/
Instagram: http://instagram.com/EyehategodNola
Twitter: http://twitter.com/EyehategodNola

“The quintessential Southern sludge band” – Pitchfork

“This [is] a band built on a narrative about doing the opposite of what it thought people wanted: playing slow and messy music in a fast and virtuosic time, the 1980s speed-metal moment.” – NY Times

“…True musical pioneers in every sense of the word.” – Thrasher Magazine

Rolling Stone:

Take As Needed For The Pain – #92 on the “Greatest Metal Albums of All Time” list

One of “America’s great live bands”

New Orleans’ EYEHATEGOD is the snarling, bilious sound of dead-end America. Since 1988, they’ve been a soundtrack for the troubled masses. Ugly music for ugly times. That’s the sense of disenchantment and disease that lies at the heart of their latest and sixth full-length album, A History of Nomadic Behavior. Anyone familiar with EHG’s story knows this is survivor’s music, a sound unto itself where Sabbathian riffs are meted out with caustic anger that goes beyond punk. That’s been the blueprint since guitarist Jimmy Bower (also of NOLA supergroup, Down) founded the band in 1988, with vocalist Michael IX Williams joining not long after. With a discography including sludge-punk mainstays like In the Name of Suffering (1990), Take as Needed for Pain (1993), Dopesick (1996), or 2014’s eponymously-titled LP, released in the US through Housecore Records, EHG laid the cracked foundation for their infamous and influential sound. A History of Nomadic Behavior finds the band, now slimmed to a four-piece rounded out by bassist Gary Mader and drummer Aaron Hill, leaner and meaner than ever; road-hardened by recent tours with Black Label Society, Corrosion of Conformity, and Napalm Death in the US and abroad. From the bitter pill of opener “Built Beneath the Lies” to the hypnotic haze of closer “Every Thing, Every Day,” it’s clear that EYEHATEGOD hasn’t slowed or mellowed with time. It’s quite the opposite. This is disorienting, uneasy listening. Music that still very much hurts.

Support:

Whores.
Website: https://whoresband.com
Instagram: https://instagram.com/whoresband
Facebook: https://facebook.com/whrsband
Spotify: https://open.spotify.com/artist/1tK28YnQJ6edBujubs7FXo

“Ten Artists You Need To Know” – Rolling Stone

“11 Metal Choruses That Will Get Stuck In Your Head All Day” – Alternative Press

“Best of 2016: Metal” – Apple Music

#10 Best Metal record of 2016 – Rolling Stone

#1 Top Metal Albums of 2016 – Metalsucks

Founded in 2010 in Atlanta, Georgia, Whores has established themselves as one of the most successful and motivated bands in the genre today. Elements of Helmet, Melvins, and the Amphetamine Reptile roster can be heard throughout their catalog, but Whores are no regurgitated throwback act. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following sure to do nothing but grow in the years to come. October 28, 2016 saw the band’s first full-length album, “GOLD.” The album was widely praised, garnering spots in the top ten on album of the year lists through publications such as Rolling Stone, MetalSucks, Heavy Planet, Invisible Oranges, and more. The band is currently recording the follow-up to “GOLD.” Prior to the release of “GOLD.,” Whores’ output included two now-classic EPs. “RUINER.” released December 20, 2011, put the band on the noise rock map and is now on its fourth pressing. They followed this up with the even-more popular “CLEAN.” released October 29, 2013 and now on its sixth pressing. In their short career, Whores have received much critical praise. 

No/Más
Website: https://allmylinks.com/nomasgrind
Instagram: https://instagram.com/Nomasgrind
Facebook: https://facebook.com/NOMASGRIND
Spotify: https://open.spotify.com/artist/2MdtQasDIeUoPKbes49HCK

Formed in 2017, NO/MÁS have built a reputation for tightly controlled sonic chaos, merging grindcore’s primal urgency with the low-end heft of death metal and the confrontational spirit of hardcore. Their previous releases — Raíz Del Mal and Consume / Deny / Repent — established the band as a standout voice in the next wave of American extreme metal.

Now the D.C. insurgents are back with a brand new album, NO PEACE! While the album expands the band’s sonic reach, it remains firmly rooted in the abrasive intensity that defines NO/MÁS. The album confronts instability head-on, exploring the internal and external pressures that drive individuals and societies toward chaos. Recorded and produced with a focus on sonic superiority and clarity without sacrificing grit, the new material offers a more dynamic and punishing interpretation of the band’s signature sound. The first single, “Manic”, marks the beginning of a new, defining era for NO/MÁS — one built on growth, urgency, and unfiltered aggression.

In recent years, NO/MÁS have become perpetual road dogs, supporting Brujeria, Exhumed, Wormrot, Pig Destroyer, Cavalera, Deceased, Ghoul, Cro-Mags, and more — carving up audiences with explosive brevity, sharp dynamic shifts, and a cathartic outpouring of anxiety, frustration, and unrest.