Heroes Live Entertainment

Florida's premier independent concert promoter.

NYE! Strangelove-The DEPECHE MODE Experience + Electric Duke (tribute to David Bowie from UK) – Orlando – 12/31/22

Ring in the New Year with the ultimate ’80s party! Heroes Live Entertainment presents Strangelove–The DEPECHE MODE Experience with special guests: Electric Duke (tribute to David Bowie from UK) and DJ Smilin’Dan (resident DJ at The Independent Bar for 15 years) at The Abbey in Orlando, Florida. Grab your tickets now!

Tickets: https://strangelovenye.eventbrite.com


Ring in the New Year with the ultimate ’80s party! Strangelove–The DEPECHE MODE Experience + Electric Duke (tribute to David Bowie from UK) at The Abbey in Orlando. 8:00PM (Doors) | 9:00PM (Show) | 18+
  • Bottle service will be available. Contact [email protected] for details.
  • Ticket purchase is required and separate from any bottle service.

 

 

Los Angeles based Strangelove-The DEPECHE MODE Experience delivers a career-spanning, pitch-perfect “best of” concert that transports the listener through time and touches on several key points in Depeche Mode’s 40+ year career. Songs from throughout the Depeche canon are lovingly recreated; from favorites on DM’s debut Speak and Spell to the newest fare from ‘Mode’s latest- 2017’s “Spirit”. No detail of STRANGELOVE’s presentation has been overlooked. The visual presentation with stage set pieces and in-show costume changes reflect different eras of Depeche Mode’s story.

DEPECHE MODE’S MARTIN GORE ON STRANGELOVE-THE DEPECHE MODE EXPERIENCE:

“They do it to such fine detail that’s it’s scary. They play to very big crowds. They have videos that they’ve made, screens behind them, it’s like a full on production. I think they are fulfilling a fan’s needs by being there when we are not on tour. Keeping the fans satiated while we’re taking a break.”

Special Guest: Electric Duke
(tribute to David Bowie from UK)
https://facebook.com/electricduke

Electric Duke frontman Julian Shah-Tayler, from UK, has collaborated with several David Bowie musicians (on original albums and Bowie material) and effortlessly channels the zeitgeist of Ziggy Stardust.

DJ SMILIN’DAN
Website: https://mixcloud.com/djsmilindan
Facebook: https://facebook.com/djsmilindan
Instagram: https://instagram.com/djsmilindan
Twitter: https://twitter.com/DJSmilinDan

Nitzer Ebb – West Palm Beach – 11/19/21

Heroes Live Entertainment presents Nitzer Ebb with special guests Alpha Quadrant and DJ Paul Klov @ Respectable Street in West Palm Beach.

Tickets: https://nitzerebb.eventbrite.com

Join in the chant! The British pioneers of EBM return to South Florida!

Britain’s Nitzer Ebb are one of the most influential acts associated with the EBM (electronic body music) scene, as well as alternative dance in general. Since the early ’80s, the group, led by enthusiastic frontman Douglas McCarthy, have produced an aggressive, visceral brand of electronic music influenced by German industrial and new wave groups like Die Krupps and D.A.F. The group remains best known for the classic “Join in the Chant,” a single taken from 1987’s That Total Age that became a staple of dance clubs from Ibiza to Detroit. Subsequent albums such as 1991’s Ebbhead displayed more of an interest in pop songcraft, and found some success on alternative radio. Nitzer Ebb broke up following 1995’s Big Hit, which featured a greater presence of non-electronic instruments, but they reunited over a decade later, as their influence on newer generations of industrial and hard-edged techno artists continued to grow. After Industrial Complex appeared in 2010, Nitzer Ebb went on hiatus again, but they re-formed with all of their founding members in 2018 for a tour and retrospective box set.

Formed in Chelmsford, Essex, in 1982 by vocalist Douglas McCarthy, drummer Bon Harris, and keyboard player David Gooday, the group began experimenting with synthesizers and drum pads, fusing the bandmembers’ affinity for dark goth and punk rock with the emerging technology. A demo cassette titled Basic Pain Procedure appeared in 1983. After several popular shows around London during 1984, PWL producer Phil Harding began working with Nitzer Ebb and recorded their first single, “Isn’t It Funny How Your Body Works,” which appeared on the band’s Power of Voice Communications label in 1985. Three more singles followed during 1985-1986 before Nitzer Ebb signed to Mute in late 1986; the first Mute recordings were the singles “Murderous” and “Let Your Body Learn” in early 1987, just before the release of their debut album, That Total Age. After the single “Join in the Chant” was remixed by producer Flood (Nick Cave, Erasure), it became one of the crucial tracks in the growing alternative/Balearic dance scene, played out alongside Chicago house, Detroit techno, and Northern soul.

After the release of That Total Age, Nitzer Ebb toured Europe with Depeche Mode, and the latter band’s pop sensibilities appeared to inspire them. By the time of their second album, Belief, Gooday had disappeared (to be replaced by Julian Beeston) and Flood had taken over the producer’s role from Harding, nudging Nitzer Ebb closer to the dancefloor and shearing away the militaristic bent of much of their earlier recordings. Singles like “Hearts and Minds,” “Shame,” and “Lightning Man” were loaded with the cold aggression of earlier recordings, working well on dancefloors as well as college radio stations; the 1990 single “Fun to Be Had” even reached number two on the dance charts. The following year’s Ebbhead further consolidated their position with alternative audiences, with at least two well-known singles, “I Give to You” and “Godhead.”

Nitzer Ebb virtually disappeared from active music-making for the next four years, finally reappearing in 1995 with their fifth (and least industrial-sounding) album, Big Hit. The group became inactive, but McCarthy became a regular collaborator with Alan Wilder’s Recoil project, and formed the duo Fixmer/McCarthy with techno producer Terence Fixmer. The compilation Body of Work 1984-1997 appeared in 2006 and was immediately followed by set of new remixes titled Body Rework. After a reunion tour to support the releases proved successful, the group began working on new material. In January of 2010 they released Industrial Complex, their first studio album in 15 years and their first for the Alpha Matrix label. Nitzer Ebb then toured with Die Krupps, issuing the joint EP Join in the Rhythm of Machines in 2011. The following year, Basic Pain Procedure was reissued by Pylon Records.

Box Set [1982-2010] was released in 2018, containing double-LP reissues of Nitzer Ebb’s five albums for Mute, as well as empty slots for their other two full-lengths, which remained in print. Additionally, the band’s original lineup began performing for the first time since 1987.

 

Support:

Alpha Quadrant

Synth-wave-pop-tech-core-step duo with a penchant for 80s/early 90s aesthetique, shiny outfits, Sci-Fi, and other nerdly/life things.

Website: https://alphaquadrantofficial.bandcamp.com
Facebook: https://www.facebook.com/alphaquadrantofficial
Instagram: https://www.instagram.com/alphaqdrnt
Twitter: https://twitter.com/ALPHAQDRNT

and DJ Paul Klov (Bohemia AG) will be spinning industrial and EBM to get you on the dancefloor.

Living In Oblivion: 80s 90s Party feat. Anything Box + London Exchange – West Palm Beach – 2/12/22

Heroes Live Entertainment presents Living In Oblivion: 80s 90s Party feat. ANYTHING BOX (First South Florida show since the ’90s!) with special guests LONDON EXCHANGE (Record Release Party) and DJ Dino of Synthology 101 @ Respectable Street in West Palm Beach.


Tickets: https://anythingbox.eventbrite.com

Anything Box

Formed in 1986 by Claude S. with two friends, Dania Morales and Paul Rijnders, the New Jersey trio Anything Box took their name from the title of a book of short stories. The act signed with Epic and released its debut album, Peace, in 1990, notching a hit with the upbeat “Living in Oblivion.” The song crossed over from clubs (Billboard Dance #10) and managed to climb onto the pop charts (reaching #65). They returned a year later with their second album, Worth produced by Gareth Jones (Depeche Mode, Einstürzende Neubauten, Wire, Erasure). With a current lineup consisting solely of Claude Strilio, Anything Box continues to incorporate more and more influences into its electronic pop framework.

 

Support:

London Exchange

Formed in 1988, London Exchange brought together elements of New Wave, Dance, and Freestyle. Inspired by groups like Information Society, New Order, and Depeche Mode, London Exchange was one of the pioneering bands of retro EDM that was taking off in the US & Europe in the late 80’s and early 90’s.

The band went on to Chart (3) 12″ singles: “Memories Of You” (1989), “Lost Without Your Touch” (1990), “Girl Inside The Magazine” (1991)

Touring the nation & worldwide exposure has made this band a staple of electro-pop-styled music on the radio and the dancefloor since their debut in 1988!

Website: http://londonexchange88.com
Facebook: https://facebook.com/LondonExchange
Twitter: https://twitter.com/LondonExchange
Instagram: https://instagram.com/londonexchange88

DJ Dino of Synthology 101 will be spinning synthpop, freestyle, and electro classics.

Clan Of Xymox + The Bellwether Syndicate + Astari Nite **NEW DATE** – West Palm Beach – 3/17/23

Heroes Live Entertainment presents Clan Of Xymox with special guests The Bellwether Syndicate & Astari Nite on Friday, March 17, 2023 @ Respectable Street in West Palm Beach. First South Florida show since 1991!

Tickets: https://clanofxymox2023.eventbrite.com

*Tickets purchased on the original date will be honored. 


Dutch darkwave pioneers Clan Of Xymox will perform their first South Florida show since 1991 at Respectable Street in West Palm Beach. Clan of Xymox with special guests The Bellwether Syndicate – William Faith (of Faith and the Muse) and Sarah Rose (aka DJ Scary Lady Sarah), Astari Nite and Jolt Radio’s Shadowplay DJs. Watch Video Flyer

Clan Of Xymox

Instagram: http://instagram.com/clan.of.xymox

Since their formation in their native Holland, Clan of Xymox has been constantly changing, always challenging and often quite breathtaking. Formed in 80’s Amsterdam and signed to leading English independent label 4AD, home at one time to the Cocteau Twins, Dead Can Dance, and Pixies among others. The 4AD period saw the release of the band’s self-titled debut album and the second album Medusa. Those two records were full of tumbling electro beats, throbbing sequencers and moody vocals.

Clan of Xymox became one of the pioneers of the dark and moody electronic music that later became known as darkwave. Later they got signed to a subsidiary of Polygram USA. Their releases as solely Xymox were in a more synthpop/dance music vein. This period was known as their most commercial one, having dance chart hits in the USA.

In 1997, Ronny Moorings made the decision to restart Clan of Xymox and return to his musical roots in the Gothic electro scene. Since then, the band signed to USA based Metropolis Records, releasing a series of critically acclaimed albums.

The band has released 15 studio albums, 2 DVD’s, a remix and live album, “Best Of” and even a covers album. In 2017, “Days Of Black“ was released worldwide. It remains faithful to its roots and new-wave basis, but progressively evolved towards more melodic and harmonious songs.

Clan of Xymox have done what many similar bands fail consistently to do. They’ve upped their game, shaken things around, plunged back into the darkness and come up with something sounding fresh, original, and exciting. To the great enthusiasm of their fans, the band still tours with great energy worldwide on a constant basis. Current line-up consists of: Ronny Moorings, Mojca, Mario, Sean and Daniel.

Support:

The Bellwether Syndicate
Website: http://thebellwethersyndicate.com 
Facebook: https://facebook.com/thebellwethersyndicate/
Instagram: https://instagram.com/thebellwethersyndicate/
Twitter: https://twitter.com/BellwetherSyn

Fronted by veteran artist William Faith (of Faith and the Muse) and Sarah Rose (aka DJ Scary Lady Sarah), The Bellwether Syndicate are, as illustrated by their debut, coloring outside of prescribed genre lines, choosing here to push the boundaries of style and substance into something relevant and vital.

While the music is written and recorded by William and Sarah, the live show features collaborators Philly Peroxide (keyboards/percussion), Paul Sin (bass) and Faith’s long-time drummer Stevyn Grey. The Bellwether Syndicate present a powerful and commanding live performance, where the sound and substance of the recorded work truly comes to life; where the art is made whole by the audience — and this is a band that knows how to connect with its audience: not a typical fan base, but an engaged and invested network of family and familiars spanning the globe.

Astari Nite
Website: https://astarinitengp.bandcamp.com
Facebook: https://facebook.com/astarinitemusic
Instagram: https://instagram.com/astarinite43
Twitter: https://twitter.com/astarinite

Astari Nite crosses an obscure mix between gothic rock and post-punk, exploring themes of death, love and the occult.

Having performed alongside acts such as Peter Murphy, The Damned, Psychedelic Furs, She Wants Revenge, Cold Cave, Assemblage 23, Black Rebel Motorcycle Club, Modern English and She Past Away, they have established themselves as contemporaries of the GOTHIC ROCK scene.

Astari Nite has released two brand new singles so far in 2021 titled All Else is a Curse and Pocket Full of Posies and can be heard at https://astarinitengp.bandcamp.com

Plus Jolt Radio’s Shadowplay DJs

http://joltradio.org/artist/shadowplay

Berlin + Big Country – Miami – 3/7/20

Heroes Live Entertainment presents Berlin + Big Country @ The Ground at Club Space in Miami. Here’s your chance to see Berlin + Big Country LIVE in Miami up close at an intimate venue!


Tickets: https://berlinbigcountry.eventbrite.com

A message from Terri Nunn: https://youtu.be/G1dwuTiQcj0


 

LA synthpop legends BERLIN and Scottish rock giants BIG COUNTRY share the stage in Miami. Get set for a night full of 80s hits!

This is Berlin’s first Miami show in 17 years and Big Country’s first South Florida show since 1984!

Lead by the playfully sexy Terri Nunn, Berlin is known for their high, energetic live show as well as their multi-platinum hits including:

“TAKE MY BREATH AWAY”
“NO MORE WORDS”
“THE METRO”
“MASQUERADE”
“SEX (I’M A…)”

The multi-GRAMMY nominated Scottish rock band Big Country scored 17 top 30 UK singles and massive worldwide hits including:

“IN A BIG COUNTRY”
“LOOK AWAY”
“WONDERLAND”
“FIELDS OF FIRE”
“KING OF EMOTION”

Dance to DJ sets by Carlos Menendez (Fire & Ice, Backdoor, The Church) playing the best in 80s classic alternative.

Meet fellow cruisers before setting sail on The 80s Cruise departing Miami.

“New music is the lifeblood of anybody making music— it’s that creation, excitement, new babies [songs]! It inspires me and it inspires others,” declares Terri Nunn, the charismatic and enigmatic singer of L.A.’s iconic synth electro-pop pioneers, BERLIN.

BERLIN will forever be recognized as the American progenitor of electro-pop artistry with sensually appealing lyrics. Few bands emerging from the era of BERLIN have achieved as far-reaching and long-lasting an impact and, rarely, such a timeless array of musical grooves. The Los Angeles-based band made its first national impression with the provocative single “Sex (I’m A…)” from the platinum-selling debut EP Pleasure Victim in 1982. “The Metro” and “No More Words” were also chart toppers, but it was the unforgettable, intimate, and strikingly beautiful love song, “Take My Breath Away” that took the band to another level. The ballad’s defining role in the Tom Cruise film, Top Gun, helped solidify BERLIN’s everlasting place in American pop-culture. The song was a #1 international hit and received both the Golden Globe and Academy Award for “Best Original Song” in 1986.

The band released its seventh studio album, Animal, in 2013. Animal explored contemporary electronic dance music while remaining true to the groundbreaking sound and Nunn’s signature vocals that continue to define BERLIN. Animal was the result of Nunn’s re-ignited love affair with current electronic music, and the feeling that BERLIN could make a unique statement in the EDM [electronic dance music] milieu. “It’s still my favorite medium. I’ve loved it since I met John [Crawford, original Berlin bassist) in 1979, when he wanted to bring electronic music to America, because it wasn’t here yet,” she recalls. “What it’s morphing into is exciting me so much, I was motivated to look for songwriting partners to help us initial impression on the music world in 1982, with their seductive single, “Sex (I’m A…),” from the platinum- certified debut EP Pleasure Victim. BERLIN’s first full length LP, Love Life, hit in 1984 and was certified gold. In 1986, BERLIN topped the charts with the unforgettable, intimate and strikingly beautiful love song, “Take My Breath Away.” The ballad’s defining role in the Tom Cruise film Top Gun has also helped solidify BERLIN’s everlasting place in American pop-culture. Nunn’s ongoing influence earned her the #11 spot on VH1.com’s “100 Greatest Women in
Rock,” while, as an actress, she played leading roles in films including Katie: Portrait of a Centerfold with Kim Basinger, and Thank God It’s Friday with Jeff Goldblum and Debra Winger.

Currently, Nunn is recording a brand new BERLIN studio album with her original BERLIN band members and co-writers, John Crawford (bass) and David Diamond (keyboards). The album is scheduled for release in mid 2019. The album is being produced by Australian producers Andy and Thom Mak. The album marks the first collaboration by Nunn, Crawford and Diamond since Love Life, the third BERLIN album, released in 1984.

Video was very important to early hits like “Sex (I’m A…)” and “The Metro”— has also taken on new meaning for BERLIN. “YouTube is the new MTV,” Nunn notes. “We used to spend so much money on mini movies, but now all you need is a good HD camera and a guy who knows some lighting. Online is where people go to see and hear music— it’s free and it’s easy and so wonderful.” Nunn’s honesty and infectious enthusiasm carries through every aspect of Animal, which she views as an entirely new chapter. “I always looked at music as passion. All we can do is appreciate that people’s passion is so strong for music… I feel it too, it’s part of my DNA, and I love what I grew up with. What I learn as I get older,” she concludes, “is that it’s not about money or ‘making it.’ Sure, they’re fun games, but it’s about connection, that’s where the real joy, passion and bliss comes from, and music is such a huge part of connecting people. It’s the way… to bliss.”

BERLIN’s discography has yielded twelve gold and platinum album awards. The band—founded by Nunn, bassist John Crawford, and keyboard player David Diamond—made its everlasting place in American pop-culture. Nunn’s ongoing influence earned her the #11 spot on VH1.com’s “100 Greatest Women in Rock,” while, as an actress, she played leading roles in films including Katie: Portrait of a Centerfold with Kim Basinger, and Thank God It’s Friday with Jeff Goldblum and Debra Winger. Along with comedienne, Wendy Liebman, Nunn also previously hosted the critically acclaimed radio show Unbound with Terri Nunn on 88.5 FM KCSN Los Angeles.

Despite her many creative outlets, music, BERLIN and touring remain Nunn’s first love. Nunn, a rabid music fan, was inspired by Fleetwood Mac’s “Rhiannon” and her discovery of the LA club scene, starting with the band, X. Looking back, she recalls her own early musical dreams. “I remember going to a Rolling Stones concert at the Rose Bowl, and I couldn’t believe they did 2 1⁄2 hours of songs and I knew every single one! That’s a legacy, a body of work that has mattered to people. That’s what I aspired to,” she says. “Of course, no way am I close to that body of work, but I have a number of songs that people love that much, and they come to hear Berlin over and over. I’m so grateful for that.”

Big Country
 

Big Country was originally formed in 1981 by guitar playing founder members Stuart Adamson and Bruce Watson both native of the band’s hometown Dunfermline in Scotland.

Initially driven by a shared vision of widescreen guitar melody, harmony and lyric, the classic Big Country sound was further enhanced later that summer by the arrival of drummer Mark Brzezicki and bass player Tony Butler. This is the Big Country that (with producer Steve Lillywhite), recorded the classic debut album ‘The Crossing’ in 1983.

The band broke massively worldwide with the release of the album’s classic singles ‘Fields Of Fire’, ‘Chance’ and signature song ‘In A Big Country’, which went on to become massive worldwide hits, selling over 2 million copies and driving ‘The Crossing’ to 3 prestigious Grammy nominations in the USA.

The run of success continued throughout the 1980′s with the release of the anthemic single ‘Wonderland’ and the second album ‘Steeltown’ (1984), which debuted at Number 1 in the UK and contained the hit singles ‘East Of Eden, ‘Just a Shadow’ and ‘Where The Rose Is Sown’ . In 1985, Big Country appeared at Live Aid in London followed by further successful album releases ‘The Seer’ (1986, which included the bands biggest UK hit ‘Look Away’, which also reached Number 1 in the Irish Singles chart) and ‘Peace In Our Time’ (1988), which saw the band playing the first ever privately promoted gig in Russia at the Moscow Sports Stadium.

At the start of the 90’s ‘Through A Big Country’, featuring all the bands classic hits was released, followed by the fifth studio album ‘No Place Like Home’ (1991) taking the band’s total record sales to well over five million copies.

Further studio albums Buffalo Skinners (1993) and ‘Why The Long Face (1995) followed, which saw Big Country landing the special guest slot on the Rolling Stones ‘Voodoo Lounge’ European tour and several shows in the UK and Ireland with Led Zeppelin’s Jimmy Page and Robert Plant in 1995.

In August 1998 they were once again invited to open for the Rolling Stones on their ‘Bridges To Babylon” tour of Europe prompting Mick Jagger to say that Big Country were “one of the best opening bands we ever had”.

Two songs written at that time (‘Somebody Else’ and ‘Devil In The Eye’) were co-written with Ray Davies of The Kinks who invited the band to back him on the main stage at Glastonbury to perform a storming set in the rain.

By now singer Stuart Adamson had relocated to Nashville, Tennessee and so his fellow bandmates decamped to America to join him in writing and recording the album ‘Driving To Damascus’. It would be the last album they recorded together. With Stuart at the helm, Big Country, scored 17 top 30 UK singles achieving 5 gold and platinum status albums along the way. Stuart and Big Country would tour Europe one final time in 2000 and on the closing night at their beloved Barrowlands in Glasgow the band were fatefully joined on stage for one last song by Alarm singer Mike Peters and Bruce Watson’s son Jamie on guitar.

On December 16th 2001, Stuart Adamson took his own life in Honolulu, USA. He is survived by his children Callum and Kirsten. A celebration of Stuart’s life was held at Glasgow Barrowlands in May 2002 featuring the remaining members of Big Country with special guest vocalists including Mike Peters who would also sing with the band at a fan club convention in Zaandam, Holland.

The remaining three members had no real thoughts of performing as Big Country again. But, Tony Butler, Mark Brzezicki and Bruce Watson re-united in 2007 to celebrate the band’s Twenty-fifth anniversary. “It wasn’t a come-back… it was just the three of us having fun, as friends and as a band, and hoping to give the fans some enjoyment by playing our songs live, to celebrate 25 years” – Bruce Watson

In the summer of 2010, Bruce Watson finally picked up the phone and asked Mike Peters to do what he had previously been reluctant to do and sing with Big Country officially. In order to celebrate 30 years since the band was formed, Mike (a longstanding friend of Stuart’s who credits the words of ‘In A Big Country’ as literally inspiring him to ‘Stay Alive’ through two very public cancer battles), instinctively agreed and dates were booked. The first was fittingly in Glasgow, Scotland on New Years Eve 2010 and the second in the band’s hometown of Dunfermline. There was instant chemistry with the band also being joined by Bruce Watson’s son Jamie on guitar as Big Country again sought solace in the music and the freedom to express their love and admiration for their departed friend Stuart Adamson (who’s usual space at the centre of the stage was left symbolically vacant).

“When we are playing it is as if we never stopped, but I know we have, I know we suffered a great loss. But you heal . . . slowly. I can assure you that Stuart will be there with us every night, in our thoughts, in our words, and in our hearts. And now we find ourselves maybe not fully healed, but whole enough to hear the calling to continue this story. And time has made me realise that this story has always been about our fans, the love we have for our fans, and the love they have selflessly given us back.” – Bruce Watson

“When Bruce Watson called and asked me to sing for Big Country it was something I didn’t need to think twice about. It’s been an incredible honour getting to know the music of Big Country intimately and a pleasure to be around such great musicians and fans alike. I find singing the lyrics of Stuart Adamson very life affirming” – Mike Peters

Two years of intense and emotional shows followed with the ‘new’ Big Country fuelled by a renewed energy and once again revelling in the dreams and visions that had brought them together in the first place, finding instant and respectful acceptance by fans and critics alike. Since then, the band have performed at many of the UK and Europe’s most famous festivals, including Isle Of Wight (Twice), V Festival, T In The Park, Oxegen, Pink Pop and Cropredy creating a new generation of fans and renewing the passion for diehards with the introduction of new original songs such as ‘Another Country’ and ‘The Journey’ which encapsulate not only the sound but the heart and soul of Big Country past, present and future.

With the promise of a new era dawning for the band and the realisation that Big Country now have the platform to once again record and tour on a world wide scale, bassist Tony Butler has decided that his time in Big Country has come to a close and so he has retired gracefully from the stage. The band now welcomes Scott Whitley on bass.

In April 2013, Big Country released The Journey and toured across the globe in support of this highly acclaimed album throughout the year.

Coming into 2014, new challenges arose for Big Country. With Mike Peters dedicating his efforts full-time towards the support of the 30th Anniversary of The Alarm’s Declaration, Big Country have been joined by Simon Hough to perform vocal duties. He has fit in perfectly as the band continues its touring throughout the year that Big Country celebrated the 30th Anniversary of the release of the album, ‘Steeltown’. 2015 sees a massive Best Of (and more) tour of the UK and Europe, during which, Scott Whitley joined the band on bass, following Derek’s departure after 3 years. With 2016 comes the 30th Anniversary of ‘The Seer’ with the album being performed in its entirety on tour.

Moonfest 2018 featuring Information Society + Bow Wow Wow’s Annabella + Stray Cats’ Slim Jim Phantom – West Palm Beach – 10/27/18

Moonfest in partnership with Heroes Live Entertainment present Moonfest 2018 @ Clematis Street in Downtown West Palm Beach. Performances by Information Society, Bow Wow Wow’s Annabella & Stray Cats’ Slim Jim Phantom.


Tickets: http://moonfest.me/tickets
Promo Code:
HEROESGA ($5 OFF)
HEROESVIP ($20 OFF)

*Last chance to use our promo codes for Moonfest ticket discounts. Offer ends Monday at midnight.


5 Blocks. 3 Stages. Haunted House. $1000 Cash Costume Contest. Laser Light Show.

Heroes Live Entertainment is partnering with Moonfest to bring you the Moonfest 2018 headliners: ⁣⁣⁣
⁣⁣⁣
Information Society
Bow Wow Wow’s Annabella
Stray Cats’ Slim Jim Phantom

On October 27th at 8pm MOONFEST is set to take place along the 5 haunted blocks of Clematis Street. Tension is at an all-time high and society is at a breaking point. Enter one of the gates along the event site and attempt to survive amongst a street of possessed souls and predatory demons. The 26th Annual Moonfest anniversary promises to be one for the books.

A terrifying haunted house will be available for entry for those who dare that will test your nerves and survival skills.

A private entrance, scare areas within the VIP area, open bar, and a delicious food spread are a few of some of the perks of a VIP Pass holders.

General admission and VIP passes are on sale now for $10 and $55 for the month of September. So get your tickets fast!

A Costume Contest for $1000 will take place before the national headliner on the rock stage. You can start submitting your best costume early to avoid missing out through the link on the website.

Stay connected and tuned in for the full music lineup release very soon. As well as, additional attractions and experiences within this year’s festival. Bring your soul to the party of the year.

All we need is YOU!

STRICTLY 21 and up. ID required.

Performances by:

Information Society
Website: http://informationsociety.us
Facebook: http://facebook.com/informationsociety/
Twitter: https://twitter.com/insoc
Bandcamp: https://informationsociety.bandcamp.com